Practice report on cognitive tourist attractions

Introduction: The following is a practical report on cognitive tourist attractions compiled by me, hoping to help everyone!

Knowing that I had to accompany the scorching sun and meet more than 400,000 people, I finally decided to visit the World Expo. Not only because of the homework of the practice report assigned by the school, but also because the once-in-a-lifetime World Expo held in Shanghai has been held at your doorstep. If you don't go, wouldn't it be a waste of this grand event? Area C is the essence of the whole World Expo, but it is really because of the "offensive" of people waiting in line that we moved to Puxi's exhibition area. These two areas are mostly domestic characteristic industries, such as State Grid Pavilion, China Railway Pavilion, China People's Insurance Pavilion, Ship Pavilion and Aviation Pavilion.

Since the opening of the 1 World Expo in May, public transport and rail transit have been introducing the essence of the exhibition halls in the park. As early as Zhangnan Line, I fell in love with the boat pavilion at first sight. The magnificent appearance of the building and the sea blue scene layout in the museum undoubtedly made me shine, and I hardly hesitated. I chose China International Import Expo(CIIE) from the entrance of No.2 Tibet South Road, and the first exhibition hall I saw was the Boat Pavilion. But inevitably, Zheng He's voyages to the West mentioned in the introduction are only four models at the entrance of the exhibition hall, which are only about the size of the original ship 1%. There is a big gap between entering the museum and imagination. In the middle is a giant mast supported by modern ships, which goes up along the sightseeing elevator and is surrounded by underwater patterns projected by projectors on the wall. It's like standing in the submarine in the introduction and watching the shock of the ocean. Perhaps the influence of the mast at the entrance, the elevator entrance like a cabin at the exit, the circular submarine projection and the ships recessed into the wall makes tourists feel immersive, but perhaps there is a big problem in the handling method, and there are really no good memories. It seems that they are watching a ship model exhibition, not in the Wang Yang.

When I went to Zone D, I was eager to visit the Space Home Pavilion, but I was also tempted by the promotional film. However, looking at the sign at the end of the line and waiting in line for 4 hours, I gave up my desire to explore mysterious space decisively. Waiting in line for 4 hours may consume all the patience of visiting. It has also been mentioned that the State Grid Pavilion is worthy of the name, and going to visit it will really "electrify". No hesitation. Although it takes an hour, its essence is the first in the world, and the beautiful "720-degree magic box" definitely aroused my curiosity. From the first floor to the second floor, it is a "current tunnel" to the future world. On the way up slowly, I really "feel" the process of UHV power grid continuously transmitting electric energy from the west to the eastern cities. "

Since it is a bright spot, the "magic box" will naturally not disappoint people. It is a 720-degree hexahedron composed of 96 LED screens. Being in it seems to be "on the iceberg and on the sea of fire" with this space. The current shuttles, rotates at high speed, turns dizzy and at a loss, and then goes deep into the surface and passes through the hot magma in the center of the earth. It seems that this boiling mud is coming at me with an overwhelming momentum. Suddenly, as soon as the picture turned, the blue sea water surged up from the soles of the feet and did not pass the top of the head in an instant. I don't know if it is a psychological factor. At this moment, it really feels like a moment of suffocation. Immediately, the sea churned and turned into a snail. Almost in order to challenge the audience's adaptability and responsiveness, the sound of lightning and thunder came crashing from my ear, and I followed the sound and looked up. In my eyes, a few ferocious silver lights cut through the night, and with the irregular rotation of blue light, they jumped into space. The quiet night sky was dotted with stars, and I only heard the sound of amazement around me. After only a few seconds' pause, the picture was refreshed. Looking along the light, I can only see the bright sun rising slowly from my side, and I can clearly see the photosphere and chromosphere, and the columnar flare rises.

Clearly visible. As we get closer, most people can't help but retreat while exclaiming. I'm glad I didn't stand next to that wall, so I can record the wonderful moment so clearly with the lens. As the days get closer, we seem to blend in with the gorgeous colors. With the gathering and circulation of the red beam, we finally returned to our earth. We seem to be chasing birds, crossing the windmill, climbing mountains and mountains, sweeping the places where long grass and warblers fly, watching dragonflies flying overhead, rushing to the sea with the swift waterfall, feeling of weightlessness sweeping the whole body, making our legs weak, slipping from the bottom of the sea and returning to the endless green hills. Penetrating the surface of the earth, it is already late at night on the other side of the earth. The dark night, the bright city outline, and the full moon galloping down seem to take a time machine to the future. I have never seen a building rise, fall and assemble itself, as if witnessing the' process' of gene recombination. In every divided space, people stand in various positions, as if with the attraction of magnets, and all six faces can walk freely without being controlled by gravity. The surrounding scene is another fleeting second, too many things to see, the sound waves rise and fall, the green light beam twists and turns and explodes, and the blue ball of light varies in size, and it is silver light, which reflects the inside of the magic box like day, and unconsciously closes its eyes and melts into the starry sky when it opens again. "Look at the bottom." Tourists' surprised voice, I saw a blue-green ball mixed with white fog slowly passing under my feet and rising from the wall on the right hand side. That's the earth! In four and a half minutes, in this hexahedron, I seem to have crossed the whole earth, pitching heaven and earth, and shuttling through ancient and modern times.

I didn't understand the true meaning of this "magic box" until the end, and I couldn't help but feel ashamed that I chose geography as an additional course. In a symbolic way, it is described that clean energy such as geothermal energy, hydro energy, wind energy and solar energy will be sent to the city in a natural and harmonious way, which will make the future urban living space change and relate, make people communicate quickly and feel happy, stimulate the audience's longing for a more convenient, smarter and more environmentally friendly life in the future, and sublimate the beautiful vision of building a green earth. Unfortunately, I only noticed these fantastic scenery, but ignored its true meaning.

As the "magic box" rotates, I seem to be part of the cosmic energy.

Go all the way west to the Expo Museum. In this exhibition hall, I saw the exhibits of previous world expositions, including Otis elevator 1853 of new york World Exposition, incandescent lamp invented by Edison, steam train 1862 of London World Exposition, telephone, telegraph, ceramics, glassware 1876 of Bell of Philadelphia World Exposition, oil painting portraits of countries hosting world expositions, and projection curtains reflecting the grand occasion. Shanghai World Expo 20 10 China Pavilion, London World Expo 185 10 Crystal Palace, Fils Ferris wheel, Paris World Expo 1900 Eiffel Tower, Atomic Structure, Shanghai World Expo 20 10 China Pavilion and other landmark buildings are small and exquisite. Unfortunately, most of the exhibits are primitive cultural relics, so it is forbidden to take pictures, for fear of destroying the gorgeous and full colors, so they can only stay in their minds. Along the way, it seems to have crossed time and space, from 185 1 to 20 10 years, just half an hour of sightseeing, time flies 160 years.

As the theme pavilion in Zone D, the Urban Footprint Pavilion became the last stop of my trip to Puxi.

Compared with other pavilions visited, the Urban Footprint Pavilion is undoubtedly the most valuable one. The whole exhibition hall is divided into four exhibition halls: Preface Hall, Urban Origin Hall, Urban Development Hall and Urban Wisdom Hall. Each floor has its own theme and intention to express. With the explanation, I seem to see with my own eyes how tall castles and city walls stand in a deserted place, witnessing the development and replacement of the city in the long river of time.

The city boundary line made of crystal glass completely isolates the preface hall from the outside world, as if it had entered the cloister of time and space.

Through Dunhuang murals, cultural relics and the ancient rhyme of chimes played by real people, I described the ideal Oriental Fantasy City. In the ancient castles in the west, I saw the ideal western city built by the model, with the center line as the axis, symmetrical left and right, blue roofs and snow-colored walls.

The second floor is the original pavilion of the city. The little stars in the two rivers at the entrance are absolutely eye-catching. This movie about the rise of the city, which is played in a three-minute cycle, actually appeared slowly on the gem wall decorated with Shoushan stone pieces. With the development of the film, you can watch the towers, temples, markets, palaces, houses and city walls in city of ur, Mesopotamia, rising one after another through a large-scale pneumatic lifting model, and deduce the oldest urban pattern, which is vivid and lifelike. The "City of the Gods" exhibition area in the exhibition hall focuses on the early human sacrifices and urban diners all over the world, and makes a diversified interpretation of the rise of cities in Egypt, India, Maya and other civilized periods through three-dimensional images and concave mirror imaging technology.

City of the Gods interprets the patron saint of China, the two river basins, ancient Egypt, ancient India and ancient Mayan civilization through image projection, concave mirror imaging, text waterfalls, ancient city paintings and wonderful cultural relics.

The exhibition hall also reproduces the scene of the Trojan War. Huge wooden horses, soldiers, spears, shields, halberds, overturned chariots, and even messy jewelry, utensils, broken walls, skeletons and bones are truly magnificent under the changes of yellow, red, green and blue light. Especially when several small doors on horseback and belly were opened, seven ancient Greek "warriors" bent their bows and pointed at the viewer, almost turning pale and screaming in horror. It fully explains the destruction of the city by war.

The Urban Development Pavilion is undoubtedly the essence of the Urban Footprint Museum.

The scenic spots in the Strait, the imperial capital of three dynasties, the light of the city, the city of snowy areas, Leonardo da Vinci and urban design, the overlapping of streets and cities, and the feelings of Miyagi can't be described clearly in one or two sentences. They are layered on top of each other, and each exhibit is exquisite, gorgeous and priceless, just like a picture scroll, unfolding in front of me. How many years of precipitation, how many times of failure and destruction will it take to become the world we live in today?

In the "Urban Wisdom" exhibition hall, "Robot Chaplin" symbolizes that the dream of "modern city" has already come true, and it also shows that people have created more machines while living in a city distorted by machines. One of the biggest highlights is to show the panoramic view of the Beijing-Hangzhou Grand Canal and the city scenery along the river with new technology. The Grand Canal contains countless stories and history, and the panoramic display shows the wisdom of the Chinese nation and the prosperity of the canal city. I once stopped in front of old houses in different areas of the Beijing-Hangzhou Grand Canal. Houses have different styles, telling the differentiated life of "drinking poison to quench thirst".

A one-day tour of the Expo ended in perfection. There may not be many pavilions, but I prefer "quality" to "quantity". Instead of stamping the Expo passports one by one, I might as well feel at ease and carefully observe the characteristics and highlights of each exhibition hall.

I have to say, this trip has gained a lot. Although the World Expo is only a low-level exhibition in a sense, compared with professional museums, art galleries and science and technology museums, it is still incomparable, or even far from it. But on the bright side, exhibits from all over the world gather in this small area. Although we can't dig deep into every period of history, we can get a glimpse of it as quickly as possible.

As a student majoring in tourism management, I think the most important thing is to have a wide range of knowledge, to be professional, to be able to go deep into the details of each scenic spot, and to analyze each landscape from the perspective of tourists, not a tour guide. Details determine success or failure, and whether it can arouse tourists' curiosity.