He Ziyou Mianchi Nostalgia Original _ Translation and Appreciation

What is life like everywhere? It should be like flying in snow. I accidentally left my fingers and claws in the mud, and Hong Fei was driving that complicated thing. The old monk is dead and has become a new tower. There is no reason to look at the old topic with a broken wall. Remember whether the past was rugged or not, and the long road was full of people. -Su Shi's Mianchi Huaizihe in Song Dynasty and Mianchi Huaizi in Song Dynasty: Su Shi

Three hundred ancient poems, life perception translation, annotation translation.

Life is alive, here and there, occasionally leaving some traces. what do you think? I feel really like a swan flying around and accidentally landing in the snow somewhere.

It left some paw prints on the snow, which happened by accident, because the swan's flight was not certain at all.

The old monk Feng Xian has passed away, leaving only a new tower to hide the ashes. We will never have a chance to go there to see the broken walls engraved in the past. Are the old monk's urn and our wall similar to the paw prints left by Hong Fei accidentally in the snow?

Do you still remember that bumpy trip to Mianchi at that time? The road is long, people are very tired, and the donkey is too tired to bark.

The first four sentences of the appreciation poem make a profound metaphor for the experience of life, saying: What are the places and things that life has experienced? It should be like a swan flying in the sky stepping on the snow-covered ground; Because of that accidental opportunity, footprints were left in the snow, but Hong had to keep flying, where to fly, and where to consider east, west, north and south! Because this metaphor is very vivid and profound, it later became the idiom "snow mud claw", which is used to describe the traces left over from the past.

The third part is about the Buddhist temple where Mianchi lived: the old monk who received us at that time was dead. According to traditional customs, his body was cremated and his ashes were placed in a newly built small tower; At that time, the wall on which the poem was inscribed was broken, so the ink of the old poem was no longer visible. In other words, how many years have passed, people have changed, monks have died, things have changed, temple walls have fallen, and the world has changed dramatically. The red paws left on the slush in those years seem to have melted, and these paw prints are gone. There is quite a sigh of short life, a feeling of wandering around.

Creation background In the winter of the sixth year of Jiayou (106 1), Su Zhe sent Su Shi to Zhengzhou, broke up with him and returned to Beijing to write poems for Su Shi, which was a harmonious work of Su Shi. Su Zhe was the master book of Mianchi County at the age of 19, and was a scholar before his appointment. He and Su Shi passed Mianchi on their way to Beijing to catch the exam, lived in the county monastery and wrote poems on the wall. Now Su Shi has to go through Mianchi to be an official in Fengxiang, Shaanxi Province, so he wrote "Huai Mianchi sent his son to look after his brother". Enjoy the first four sentences of the second sentence in one breath, scroll freely, be superb, be scattered and complete, and write naturally. The first two sentences compare life to slush and claws. From the beginning, I felt deeply, thought-provoking and fascinating, which aroused the discussion in the second part. The second couplet begins with "mud" and "flood", and plays the role of "stepping on snow mud" with thimbles. It is accidental to leave marks on your paws, but it is natural to fly things. Opportunities are impermanent, life is like this, and so is the world. He regards life as a long journey with clever metaphors. Wherever he goes, for example, he stays in Mianchi and asks questions, just like Wan Li Hong Fei accidentally left paw prints on the slush and then flew away. The future is great, and this is not the end. Life experiences are accidental, so we should treat life with a natural attitude. If so, nostalgia can be less sentimental and life can be less troublesome. Su Shi's outlook on life is like this, and so is his deep meaning of encouraging and caring for his younger brother. This philosophy of life is in line with the common destiny of ancient literati and can relieve their troubles, so it has spread widely and lasted for a long time.

The last four sentences take care of "homesickness" poems and deepen the love of snow and mud with narrative pen. In five or six sentences, the monk died, the old man disappeared, and the old problem was nowhere to be found. It is the embodiment of the feelings of "snow mud" and "finger claws". The end couplet is a review of Su Zhe's original poem "It's good to travel far away alone, and there is nothing to say". Recalling the hardships of those years, I cherish the present and encourage the future, because the impermanence of life makes life more precious. The hard past has turned into warm memories, but now both brothers have been admitted to Jinshi, and their future is bright. We should cherish every moment and everything now. In this early work, the poet's inner strength and philosophical life details have been displayed. The whole poem is full of sadness and optimism. After reading it, I don't feel empty in life, but I feel attached in my heart, just like a small fire in a winter night. Looking forward to the future in nostalgia has a broad artistic conception. This poem not only contains the uncertainty of life coming and going, but also contains deep nostalgia for the past.

The keynote of appreciating Su Zheyuan's poems is nostalgia, because he was appointed as the main book of Mianchi County when he was nineteen years old (because he was a scholar in the senior high school entrance examination, he didn't take office). In the first year of Jiayou, he and his brother Shi followed his father to Beijing to catch the exam. They passed by here and had a visit to the monk to leave a question. Therefore, he wrote in his poem: "Have you ever been a county magistrate? The wall problem of the old monk's house. " He felt that these experiences were full of accidents. If there is no fate with Mianchi, why are you always associated with it? If we are destined for Mianchi, why can't we stay a little longer? This is the emotion in Su Zhe's poems. From these feelings, Su Shi made further comments on life. These are the first four sentences of this poem. In Su Shi's view, not only the concrete life is uncertain, but also the whole life is full of unknowns, just like the swan goose occasionally stops in the snow during the flight, leaving traces, but when it snows in Hong Fei, everything no longer exists. So, is there a force that dominates this behavior? If life is made up of countless coordinate points, are there any rules for these coordinate points to follow? Young Su Shi expressed such doubts and regrets about life. However, the unknowability of life does not mean that life is blind; Although the past has disappeared, it doesn't mean it doesn't exist. Take the experience of riding a donkey on a mountain road and bumping on a difficult and rugged mountain road, isn't it an experience, an experience and a wealth of life? Therefore, although life is impermanent, don't give up your efforts; Although many things are accidental, we should not give up the search for inevitability. In fact, without going through some hardships, how can you be admitted to Jinshi and realize your ambitions? This is Su Shi: not only delving into the details of life, but also full of optimism, and his whole outlook on life has been displayed in miniature here.

Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu. Su Shi

Few people do as the Romans do. Their nature is to love nature. I sneaked into the official career network and have been away from the game for more than ten years. The caged bird loves the old forest, but the fish in the pond lose its source. I want to open up wasteland in Minamino and keep my humility to the fields. The house is surrounded by about ten acres of land, thatched cottages. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital. The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster. The house is clean and miscellaneous, and there are vacant rooms and leisure. Trapped in a cage without freedom for a long time, I finally returned to the forest today. -Wei and Jin Dynasties Tao Yuanming's "Return to Garden House, Part I" belongs to Garden House, Part I.

Wei and Jin Dynasties: Tao Yuanming

Read the full text ∨ no rhyme, naturally love Qiushan.

I sneaked into the official career network and have been away from the game for more than ten years. (mistaken: mistaken)

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.

I want to open up wasteland in Minamino and keep my humility to the fields.

The house is surrounded by about ten acres of land, thatched cottages.

Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.

The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.

Several dogs barked in the alley, and the mulberry tree was barked by a rooster. (Over the top)

There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.

Trapped in a cage without freedom for a long time, I finally returned to the forest today. ▲ 300 ancient poems, pastoral, life, writing ancient dog poems 18, cooking beans and burning beans, beans crying in the kettle. We are born from the same root. What's the hurry? (Version 1) Boiled beans are used as soup and fermented as juice. (the first work: black beans) beans are burned in the kettle, and beans cry in the kettle. We are born from the same root, so why rush to speculate with each other? (Second Edition) —— Seven-step Poems by Cao Zhi in Han Dynasty

Han Dynasty: Cao Zhi

Boil beans and burn beans, and the beans cry in the pot.

We are born from the same root. What's the hurry? (first edition)

There are 300 ancient poems, including those from primary schools, urging the family to cut down sandalwood and put it into the river. The river is clear and blue. No crops, no crops, no crops, no crops. No hunting, no hunting. Is there a county in Hu Zhaner's court? He is a gentleman, he is not a vegetarian! Kan Kan is spreading and spreading, and it is placed by the river. The river is clear and straight. No crops, no crops, no crops, no crops, no crops. No hunting, no hunting, is there a special county in Hu Zhan's court? He is a gentleman, and he is not a vegetarian! Kan Kan turned the steering wheel, and the river formed. The river is clear and steep. No crops, no crops, no crops, no crops. No hunting, no hunting. Is there a county quail in Huzhanerting? He is a gentleman, but he is extraordinary! -the pre-Qin anonymous "cutting sandalwood" cutting sandalwood.

Pre-Qin Dynasty: Anonymous

Kan Kan cut sandalwood, and the river dried up. The river is clear and blue. No crops, no crops, no crops, no crops. No hunting, no hunting. Is there a county in Hu Zhaner's court? He is a gentleman, he is not a vegetarian!

Kan Kan is spreading and spreading, and it is placed by the river. The river is clear and straight. No crops, no crops, no crops, no crops, no crops. No hunting, no hunting, is there a special county in Hu Zhan's court? He is a gentleman, and he is not a vegetarian!

Kan Kan turned the steering wheel, and the river formed. The river is clear and steep. no

Read the full text of 300 ancient poems, and the Book of Songs is lyrical.