Traditional Culture Encyclopedia - Tourist attractions - In-depth travel in classical Chinese

In-depth travel in classical Chinese

1. What are the classical Chinese texts that describe travel?

1. The original text of Liu Zongyuan's "The Story of Xiaoshitan": Walking west from Xiaoqiu a hundred and twenty paces, across a bamboo field, I heard the sound of water, like the roar of water. Wearing a ring makes your heart happy.

After cutting bamboo, you can see a small pool at the bottom, the water is especially clear. The whole stone is used as the bottom, and when it is near the shore, it is rolled up from the bottom to form a dike, an islet, a ridge, and a rock.

Green trees and vines, swaying and scattered. There are hundreds of fish in the pond, all of them seem to be swimming in the sky with nothing to rely on. The sunlight is clear and shadows are spread on the rocks.

If you don't move, you will pass away far away, coming and going suddenly. It seems to be enjoying itself with tourists.

Translation: Walking one hundred and twenty steps west from a hill, through the bamboo forest, you can hear the sound of water, which is very much like the sound of the accessories people wear. Feeling happy in my heart, I cut a bamboo and opened a path. Walking along the road, I saw a pool of water, which was particularly cool.

The bottom of the stone is close to the shore. Some parts of the stone are exposed out of the water, becoming highlands, islands, rocks and other shapes in the water. The number is green and green, covering the meridians, intertwined with each other, uneven, and fluttering in the wind. There are more than a hundred fish swimming around in the pool. When the sun shines down, the shadows of the fish are reflected on the rocks, motionless. , and suddenly swam far away, coming and going, as if they were having fun with the people playing.

(In the first year of Yongzhen reign of Emperor Shunzong of the Tang Dynasty, Liu Zongyuan cut bamboos and took roads, traveled to see mountains and rivers, and expressed his mood at that time by describing the scenery.) 2. Excerpts from Ouyang Xiu's "The Drunken Old Pavilion": Ruofu and the forest at sunrise The sky is falling, the clouds are returning and the caves are dark, and the changes in darkness are like morning and evening in the mountains.

The wild fields are fragrant and fragrant, the beautiful trees are beautiful but dark, the wind and frost are noble, the water falls and the rocks emerge, these are the four seasons in the mountains. Going in the morning and returning at dusk, the scenery in the four seasons is different, and the joy is endless.

Translation: The sun comes out, the fog in the woods disperses, the clouds come in, the mountains are dark or bright, the beautiful scenery in the mountains and forests in the morning and evening, the wild grasses bloom, emitting a fragrant aroma, the trees are lush and leafy , forming a rich green shade, the sky is high and the air is clear, and the rocks are exposed under the water. The scenery is different in four seasons, and the fun is endless. (A prose written by Ouyang Xiu, a writer in the Northern Song Dynasty. In the fifth year of Qingli reign of Emperor Renzong of the Song Dynasty, Ouyang Xiu went to Chuzhou to serve as the governor for two years. The Drunkard Pavilion describes the beautiful scenery of the governor.)

3. Fan Zhongyan's "Yueyang Tower" 》Excerpt: I observed my husband Baling's victory in a lake in Dongting. It holds the distant mountains and swallows the Yangtze River. It is a vast and boundless river. The sunrise and dusk are overcast, and the weather is endless.

This is the grand view of Yueyang Tower, which has been prepared by predecessors. However, it is connected to Wu Gorge in the north and Xiaoxiang in the South Pole. Migrant poets and poets often meet here, and the feeling of looking at the things is the same? Translation: I watched the beautiful scenery of Baling County, at Dongting Lake.

In the distance are mountains, which swallow water from the Yangtze River. They are vast and boundless. The weather changes throughout the day, and there are many things to see. This is the scenery of Yueyang Tower, which has been described in detail by predecessors. To the north is the Wu Gorge, and to the south are the Xiaoshui River and the Xiangshui River. Poets coming and going gather here to enjoy the scenery and express their feelings, right? (Northern Song Dynasty writer Fan Zhongyan was invited to write "Yueyang Tower") 4. Excerpt from Wang Xizhi's "Preface to the Orchid Pavilion Collection": It is a sunny day, the air is clear, and the wind is gentle and gentle.

Looking up at the vastness of the universe and looking down at the abundance of categories, wandering your eyes and wandering your mind is enough to provide you with great visual and auditory entertainment, which is a joy to behold. Translation: On this day, the weather is clear and fresh, and the wind is warm and cheerful. Looking up, the sky is boundless. Looking down, the land is vast and the things are abundant. It is fun to play and enjoy music. It is so happy. (p> Zhong, the so-called front hole.

Five or six miles from the mountain, there is a cave that is slim and very cold when you enter it. If you ask about its depth, it will be difficult for those who like to swim. It is called the back cave. Translation: There is a cave going down from here. It is flat and spacious, with mountain springs flowing out. Many people visit here and write inscriptions. This is the front cave. There is a cave five or six miles up the mountain. It looks deep. If you want to explore the depth, you will like exploring. People may not reach the end, which is the back hole.

(Wang Anshi of the Northern Song Dynasty visited Baochan Mountain on his way home and wrote a travel note.) 6. Excerpt from Yuan Hongdao's "Travel Notes of Manjing": On the twenty-second day, the weather was a little calm, so I went out to Dongzhi with a few friends. Full well.

The tall willow trees are covered with soil, and the soil is slightly moist. When you look at it, it is vast and empty, like a swan that has escaped from its cage. Translation: The weather was warm on the 22nd. I went out to Dongzhimen with some friends to Manjing.

The willow tree is very tall and is located beside the embankment. The land is moist and it used to be open and cheerful, like a swan. (Manjing was a scenic spot in the suburbs of Beijing during the Ming and Qing Dynasties. It was a travel sketch written by the author Yuan Hongdao.)

7. Excerpt from Qian Qianyi's "Travel Notes on Huangshan": When the mountain is extremely high, thunderstorms will fall. , the clouds gathered together and came back from the journey, all in the waist and waist. Every time I see the peaks in Tiandu, clouds grow like ribbons, and I cannot reach their tombs.

After a long time, the four sides merged, and the clouds covered the lower part, so the peak was outside the clouds. The clouds covering the sea look as wide as the sea, suddenly they burst out and disperse, like a frightened duck and a rabbit disappears.

The mountain is high above the clouds, the sky is vast, and the clouds are not attached to it, so it is beautiful.

Translation: Huangshan Mountain is very high. Clouds gush out from the mountain. After traveling, I return to the mountain. They are all on the mountainside. I see the peaks. The white clouds are like ribbons and cannot reach the top. After a while, the clouds fill the sky and cover the sky. The peaks are visible. On the white clouds, the clouds spread out, looking like the sky and the sea, and then spread out again, like wild ducks and rabbits, running away without a trace in an instant. Huangshan Mountain stood outside the clouds, the sky was vast, and the clouds had no place to rely on.

8. Excerpt from Liu Zongyuan's "Little Rock City Mountain Notes": From the north of Xishan Road, crossing Huangmaoling and going down, there are two roads: one goes out to the west, but you can't find it; the other is a little north and east. , only forty feet long, the earth is cut off and the river is divided, and there are piled stones across its walls. Translation: Walk all the way north from the Xishan intersection, cross Huangmaoling and go down. There are two roads. One is towards the west. There is nothing when you walk there. The other is north to the east. Less than 40 feet away, the road is blocked. A river blocks it, and stone rungs are at the end of the road.

(Liu Zongyuan wrote this while traveling after he served as Sima in Yongzhou.) 9. Excerpt from Su Shi's "Night Tour of Chengtian Temple": The courtyard looked like accumulated water, empty and clear, with algae and lilies interlaced in the water, covered with bamboo and cypresses. Shadow also.

What night is there without a moon? Where are there no bamboos or cypresses? Translation: The moonlight shines under the courtyard, as transparent as if it were filled with clear water. The seaweed in the water is crisscrossed, which turns out to be the shadow of bamboo and cypress trees.

(Su Shi described the scenery of Huangzhou tourism.). 2. Looking for classical Chinese articles about travel notes (original text + translation)

Shi De Xishan Banquet Travel Notes Since I was a murderer, I lived in this state and was always worried.

If there is a gap, then give and go, and swim in a long way. One day, he and his disciples went up high mountains, into deep forests, and back to streams. There were secluded springs and strange rocks all the way.

When they arrive, they will sit on the grass, pour the pot and get drunk. When they are drunk, they will lie down on each other's pillows and dream. The meaning is extreme, and the dream is also of the same interest.

Arise when you wake up, and return when you rise. I thought that any abnormality in the mountains in the state was due to me, but I didn't realize the strangeness of the Xishan Mountain.

On September 28th this year, I was sitting in the Western Pavilion of the Lotus and looking at the Western Mountains, and I started to notice something different. Then he ordered his servants to cross the Xiangjiang River, cut off the wild grass, burn the grass, and stop at the height of the poor mountains.

If you climb up with a hand and fly with a skip, the soil of several states will be under the skip mat. Its high and low position is as complicated as a cave, thousands of miles in size, and there is no escape. It is green and white, and the sky is the same outside.

Then I realized that this is a unique mountain, not similar to Pei [Tulu]. You are as long as you are with the high energy, but you don't know where it ends; you are like wandering with the Creator, but you don't know where it ends.

After drinking a glass of wine, I became slumped and drunk. I didn’t know the sun was coming in. The pale twilight came from afar, and I couldn’t see anything, but I still didn’t want to go back. The heart condenses the form and releases it, and merges with all things.

Then I realized that I had not started to swim towards it, but I had just started to swim there, so I wrote this article with ambition. It is the year of Suiyuan and the fourth year.

Translation Since I became a person who has been punished (like saying a sinner, the author was demoted) and lived in this state (Yongzhou), I was often afraid and uneasy. In that spare time, I walked slowly and traveled freely. Every day I climbed mountains with my companions, went into deep forests, and followed the winding streams to the end.

There is no remote place that has not been visited, including secluded springs and strange and rugged rocks. When they arrived, they pushed aside the weeds, poured out the wine in the pot, and drank until it was all gone.

When they were drunk, they leaned against each other and lay down, and they dreamed while lying down. There is something yearning in my heart, and even the interest in dreaming is the same.

Get up as soon as you wake up, and go home as soon as you get up. I thought that all the strange features of the mountains and rivers in this state were owned and appreciated by me, but I never knew the weirdness and uniqueness of Xishan.

On September 28 this year (the fourth year of Yuanhe, that is, 809 AD), because I was sitting in the Fahua West Pavilion (the pavilion to the west of Fahua Temple) and looking at the Western Mountain, I pointed at the Western Mountain. Think it's unusual. So he ordered his servants to cross the Xiangjiang River and cut down the tangled thorns and bushes along the Ranxi River, and burn the dense and disorderly weeds (茷: grass with many leaves). The clearing did not stop until they reached the highest point of the mountain.

Climb up the mountain, sit on the ground with your legs straight and spread out (like a dustpan, this is a sitting posture that the ancients were not polite or complacent, unrestrained) to enjoy, then all the states The land is all under his cushion. Their shapes are high and low, with protruding peaks and deep depressions. Some are like ant seals (small mounds of soil next to the entrance of ant holes), and some are like caves.

The scenery that seems to be only about the same size is actually thousands of miles away. (All the distant mountains and rivers are all) gathered and shrunk, stacked in front of you, nothing can be hidden. Surrounded by green mountains and white water, it meets the sky in the far distance. Looking around, everything is the same.

(First climb high and look far away) Then you know that the mountain is so tall that it is not the same as a small hill. (How vast it is) It seems to have merged with the vastness of the entire universe. Where can we find its end? Travel leisurely and leisurely with nature without knowing its end date.

I picked up the wine glass and filled it with wine. I staggered around and entered the state of drunkenness. The gray twilight came from a distance, and I couldn't see anything, but I didn't want to go home yet.

Thinking stops, the body dissolves (describing a feeling of transcendence and selflessness), and blends seamlessly with all things in nature (minghe: unknowingly combined together). Then I realized that I had never traveled in the past (meaning: the past travels were not considered real travels), and the real travels only started from this time.

So I wrote an article for this tour (for: verb predicate, here is the meaning of writing) (Zhi: record, record the draft. This year, it was Yuanhe (Li Chun, Emperor Xianzong of Tang Dynasty) Year) 4th year.

From the north of Xishan Road, there are two roads going down to the west.

It is less than 40 feet from the north to the east. The earth is cut off and divided into rivers. There are piles of stones on the top of it in the shape of a wooden beam. There is a gate next to it. /p>

Peering into the darkness, you can hear the sound of water in the cave. It has been around for a long time, and you can see far away.

There are beautiful trees and arrows growing out of no soil. They are rare and strong, just like those planted by wise men.

I wonder if the Creator has existed for a long time. The more I think it is true, the more I blame it for not being a Zhongzhou, but for being a barbarian, and for thousands of years it has not been possible to use it. It is hard work and useless.

If the gods are not suitable for this, then it is useless. The result is nothing? Or it may be said: "He who comforts his virtuous husband and humiliates him." Or he may say: "The spirit of his spirit is not a great man, but only a thing. Therefore, in the south of Chu, there are few people but many rocks."

It’s both, but I don’t believe it. Translation: Go straight north from the Xishan intersection, cross Huangmaoling and go down. There are two roads: one is to the west, and you go there to find the scenery but get nothing. The other one is slightly north and then turns east. After only 40 feet, the road is cut off by a river. There is a stone mountain blocking the end of the road.

The top of the stone mountain is naturally formed. The shape of the parapet and pillars protrudes like a fortress, and there is a hole like a door. When you look into the hole, it is dark. If you throw a small stone in, there will be a sound of water. The sound is very loud and lasts for a long time.

The rocky mountain can be climbed to the top of the mountain, and you can see far away from the top. There is no soil on the mountain, but there are good trees and bamboos, and the shape is strange and the texture is hard, and the bamboo trees are distributed. The density is uniform and the heights are uneven, as if they were deliberately arranged by humans.

Alas! I have been doubting the existence of God for a long time. Now that I am here, I even think that God does exist, but I am surprised that he does not. The Little Rock City Mountain was placed in the densely populated Central Plains area, but it was placed in this remote and barbaric land. Even after thousands of years, there was never a chance to show its strange scenery. This is simply a waste of effort. It’s useless, the God of God doesn’t seem to do this.

So God really doesn’t exist, right? Some people say: “The reason why God arranged this is to comfort those who were banished here. Some people say: "This. 3. Swimming has some meaning in classical Chinese reading

yóu

① "Floating on the water": "Yuyu". The fine stones are not obstructive when viewed directly. "

② Travel. "Red Cliff Ode": "Su Zi and his guests were boating under Red Cliff. "

③ Travel; travel. "Two Children Debating the Sun": "Confucius traveled eastward."

④Communicate. "Hongmen Banquet": "When Qin was traveling with his ministers, Xiang Bo killed people, but the ministers lived."

It also specifically refers to asking for advice. "Preface to the Farewell to Ma Sheng in Dongyang": "I am worried that there are no masters and famous people to travel, so I try to go hundreds of miles away from the village's pioneers to practice scriptures and inquire."

5. Persuasion. "Feng Xuanke Mengchangjun": "Journey to the west in Liang."

Bianyou, travel. When it comes to water activities, generally only "游" is used, not "游"; when it comes to land activities, "you" and "游" can be used interchangeably.

Eat leisurely meals while traveling.

A wanderer who leaves home.

jingrui haining 4. Looking for a profound classical Chinese article, or idiom~~

<;The wolf is coming>>

In the past there was a shepherd boy, holding a whip Shepherding sheep in the fields, ditches and ravines, often following Kun Yu in search of fragrant grass, at night the purple clouds would drive the sheep back. Although we feel different every time we move to another place, it is still smooth and convex, so we get tired of it over time.

One day, a child was leaning up on the ridge, his eyes were filled with the sun, and his mind was filled with strange thoughts: If I heard the sound of a wolf coming, how would my fellow villagers react to it? The more the child thinks about it, the happier he becomes. Standing on the ridge, with his hands in the shape of a barrel, he yelled at the top of his lungs: "Hoo! The wolf is coming. Hoo! The wolf is coming." All the servants working on the farm moved towards it. When the wolf was not seen, everyone accused the child of being troublesome. Tong secretly rejoiced. The next day, with nothing to entertain him, Tong Fu shouted: "Hoo! Wolf. Hoo! Wolf." Some cultivators from Eastern Qian went there with their tools, but no wolf was seen. The villagers who went there were angry and accused Zhuzi of causing trouble. Although the child is frightened inside, he still enjoys it. Another day, the weather was hazy and the weather was gloomy. The child was sitting upright in the garden, and he saw the grass floating in the waves, and the wolf fruit attacking the sheep. The child stood up and called out: "Hoo! There are wolves, there are wolves..." However, all the villagers and farmers on the road were interested in the children's play again, and the play was as before. Go to it. The child died in a pack of wolves, and his bones were broken into pieces in the wolf's kiss.

5. What does in-depth tourism mean?

In the Western travel industry, this kind of travel that only chooses one place at a time, instead of visiting several scenic spots in a relatively limited period of time, is called in-depth tourism.

Of course, in-depth tourism is not only a matter of length of time, but more importantly, the opportunity to consciously and independently contact and communicate with local society and people without the need for tour guides to intervene or as little as possible.

The characteristic of in-depth tourism is that you have a relatively good understanding of the tourist destination. Its main purpose is to increase knowledge, remember history, and understand the customs and customs of a foreign place.

In-depth tourism can help improve tourists’ moral sentiments, humanistic care and humane sentiments, and can avoid the situation of “knowing what is happening but not knowing why”. At the same time, in-depth tourism poses a series of challenges to tourism intermediaries. Tourism companies and travel agencies must reform the current "all-in-one" practice and develop into an "information intermediary" model.

At present, in-depth tourism in our country is still in its infancy, and entertainment tourism dominates. Entertainment tourism is mainly for the purpose of temporarily getting rid of the huge pressure caused by daily work and seeking physical and mental relaxation and adjustment in other places. People go to the beach, sea, and mountains to enjoy the sunshine and the gifts of nature. People purely pursue entertainment. And relaxation does not require the cultural display of tourist destinations to be 100% authentic. Therefore, what entertainment tourists require is just a transfer process of "visiting here". Authenticity for them is the "objective reality" of personal experience. As for whether the tourist destination provides them with the most authentic traditional culture , they didn’t care, and were even “fooled”, but they were still very satisfied, because as long as they could be happy!

As entertainment tourism meets people's physical and mental rest and relaxation requirements, in-depth tourism has become a higher level that people pursue when traveling. Because for contemporary cultural tourists, tourism is not only a kind of material enjoyment, but more importantly, it satisfies spiritual needs. The materialized world makes them feel "alienated". They want to "return to nature" and return to the embrace of traditional culture. Go experience a cultural and spiritual journey. Only in this way can we experience the "cultural shock" brought by different cultures.