What is "Heart Blossoms Blooming on the Road" about? How to evaluate?

When I first heard about the movie "Love in the Heart", it was also called "Death-Destroying Encounter".

In fact, I had already thought that this movie would be good, but I didn’t expect that this movie still exceeded my expectations. Ning Hao's new thinking and new way of presenting characters in this film made my eyes shine.

I think this is the best comedy movie made in China this year. It does not use low-level or even vulgar comedy methods to please the audience, but uses a relatively advanced and understanding film technique to make people laugh. The audience genuinely laughed. This is the ethics that a true comedy film creator should have, although many directors have forgotten it.

I liked this movie, and I liked it even more after watching it.

This movie uses love as the surface, but it actually shows the most ordinary life and emotional state of the most ordinary young people in modern China (the so-called diaosi). Like Geng Hao and Hao Yi, they are ordinary and vain, but full of emotion and longing for love. The core point of why we like a movie is that we can be moved and moved by the portrayal of a certain character in the movie. The dilemma faced by Geng Hao in this movie has become an increasingly common social phenomenon in modern Chinese society, and this film undoubtedly provides a practical suggestion for ordinary people at this stage.

Essentially speaking, this is still a road movie, and Ning Hao really taught his younger generation Han Han a lesson.

In the final analysis, a movie is a kind of expression. A good director should speak with pictures instead of dialogue. A good audience should feel every little action of the director with their heart. The biggest charm of the movie lies in the variability of language. Ning Hao will use a very unique language to explain the same theme, while Han Han will only use dialogue.

So, I like this movie better. Ning Hao told us a very pertinent topic in his own unique language.

Rather than dwell on it, let it go gently.

Another point worth mentioning about this film is the performances of several actors. Huang Bo’s performance in this film is actor-level, especially the following two clips are particularly impressive. :

In the first clip, I received a call from my ex-wife at the airport. Everyone who watched the performance at that stage will be deeply impressed. Heartfelt performances are always memorable. Geng Hao feels that his ex-wife's betrayal was just because her enemy was too powerful, not because she no longer loved her. His emotional point of taking the initiative to call was I forgive you, you don't have to be afraid. But this emotion was immediately replaced by another feeling of despair. The alternation of emotions is heartbreaking. And Ning Hao used a long shot here to express this emotion completely without any sense of breakage.

In the second clip, Geng Hao and Hao Yi break up. Being sleepy is more difficult to act than being drunk, because it is not that he is not awake, but that he has dealt with the whole world with an almost desperate attitude. This emotion is difficult to express.

Another commendable advantage of the entire film is its unique narrative method. Its narrative method is not just for the sake of technique, but more often, for the sake of expression. The entire narrative structure seems to be a parallel space, but in fact it contains meaningful expressions.

The occurrence of the story is actually the end of the story. The protagonists of the story actually have the same mentality.

If it doesn’t end, it doesn’t matter if it starts. If it doesn’t start, it doesn’t matter if it ends.

Many people say that only by starting over can we forget the past, but many people ignore that if we don’t forget the past, how can we start over. What Ning Hao wants to tell us through a very complex parallel narrative is exactly this theme. What we are looking for is not a new beginning, but everything that has happened in the past. Only by finding the past can we move towards the future. This may be a required course for everyone who has encountered loss.

Of course, there is nothing to say about the soundtrack of this film. Hao Yun's ballads sound like people have been sitting at the door of Dali, where there are girls, love and the life they want.

"Heart Blossom Road" cleverly presents a man's emotional changes very completely, but what is even more valuable is that it depicts the mental journey of a diaosi.

Everyone has dreams when they are young. They will fight for their dreams and do strange things just for the sake of whim. On the one hand, love is the catalyst for dreams, but on the other hand, it makes dreams vulgar. So singer Geng Hao became a second-hand audio dealer. But love is not like music. It has no shelf life. The shelf life of love can be long or short.

We cannot judge whether the person who leaves first in love is right or wrong. Everyone has the right to choose their own life. And if a person recognizes the essence of life, there is nothing wrong with her choosing another better person. This may have nothing to do with love, but it may be the more correct choice. As people grow up, they inevitably learn to replace should with right.

So, when the goddess abandons the diaosi, the diaosi will never forget it, maybe just because in this relationship, it is always the person who pays the most.

The beginning and end of any relationship begins and ends with love.

Only when you have loved deeply can you let go gently.

In this life, if you have never truly loved someone, your life may have been in vain. Similarly, if you have not truly forgotten someone, your life may have been in vain. The word "loved" seems light and easy to say, but it is really unbearable to do. Geng Hao has always been arrogant. His love is so deep, how could he just let it go?

Perhaps that long journey was just to make Xiaoyu understand that there is not only Xiaoyu in Geng Hao's world, but also a three thousand-mile journey of hunting for beauty in a better world. But only Geng Hao himself knows that no matter how far he goes, there is only one heroine in his world.

In fact, we are the same as Geng Hao. No matter how far we go, the deeper the love, the harder it is to let go. To let go means to really let go. Only if you have loved deeply can you bless gently after letting go. Everyone knows this truth, but it’s really embarrassing to do it.

We have to go through a process just like falling in love with someone.

Geng Hao met four people on the road, and these four people made him understand. If he doesn't move forward bravely, then not only will he be immersed in the quagmire of the past, but also the person he loves.

The first woman made him realize his own problem. The end of a relationship is not the only problem with the person who left first. The answer is of course no. Look at what you have become now. Life has smoothed you out. Your ability to pick up girls has been lost. Living with such a boring person is also boring. This may be the reason why the girl left him. Because of his cowardice, his boredom, and his giving up.

The second woman made him realize that he was no longer young. On the surface, what we see is a cowardly man complaining like a critic, but we also have to see that at this time, Geng Hao understood a very simple truth. Mistresses are never wrong, they do the same thing as themselves, they just love someone simply. He was very painful at this time, because he understood that even if the girl still loved him, she was the one who chose to leave voluntarily. If that person was so determined, there would be no mistresses in the world. Children don't understand, but adults do.

The third woman made him realize that he was not so determined and that he might also fall in love with someone else. People in love are never holy. On the long road of love, we can see too many scenery, and no one can guarantee that he will not linger in the beautiful places. When Geng Hao understood this, he thought about starting over. He also believes in the saying that only by starting over can you forget the people you should forget. But that is doomed to be a failure, because there is only so much room in the human heart and it cannot hold so many people.

The fourth woman made him realize that, in fact, it was not about money. You can use money to make people say they love you, but it's not sincere and it won't make you truly decide to leave. What really makes people decide to leave is boredom and disappointment. These things make her afraid to go on. People are always repelled by darkness. It was this thought that made him realize that no matter how far he went, no matter how many girls Hao Yi saw with him, he would never let go. Some problems must be faced by oneself, including the person who has left and the self who has left.

The last story is about the word love. Love is cheap and precious. When it is cheap, you can tell countless people that when it is precious, it is more important than life. Geng Hao understood. In fact, it was myself who was wrong all along. I was stubborn on the issue of love or not. It is easy to say the word love. Even good friends can say love when they are dying. It's not that easy to say that I loved you.

Some things, when it’s almost over, you realize that there are actually some people you clearly can’t keep, so you might as well bless them.

Because you loved him deeply, you should understand that you are not her destination. The tone is tormenting, why not let her go further and further in the name of love.

I think how deep this love must be.

Finally, when two people exist in parallel spaces, what many people see is a girl who refuses love and a young man who is looking for love. But what I hope you see is that a girl longs for love but cannot find it, and meets by chance when she gives up love; a young man cannot forget when he seeks and forgets, but is indifferent when he gives up seeking.

It has always been a search, and what you are looking for is always what you have lost.

I hope you, like me, can find yourself reflected in this movie.

Finally, I would like to advise those Geng Haos who are still searching and forgetting:

If you hate, it means you don’t love; if you let go, it means you have loved.

There is no one in this world that cannot be let go, only endless roads.