Mirror transmission and conversion

When shooting a video, the transition between two pictures is called a transition. There are many ways of transition, and a good transition can make the audience shine. So what are the commonly used transitions and mirrors?

One: Follow-up mirror transport method, the camera always follows the object, and the distance and angle of view remain unchanged. This is one of the easiest ways to transport mirrors. On the contrary, there is another way to shoot from the front of the object and move the camera backwards. This kind of follow-up mirror can show the scenery next to the subject we are shooting, and can be used by the protagonist when expressing his own experience and other self-descriptions, keeping the subject in the center and giving the audience a sense of substitution, just like visiting this place.

Two: reverse following: this is very similar to the first one, except that the camera moves along the route first, but the subject is not in the picture. After a short walk, the subject walks into the picture from the side and the camera continues to follow. This can first highlight what the shooting environment is like and better introduce what the theme is.

Bottom-up: The face is shot from the shoes of the characters, so as to better show the details of the protagonist. For example, if the protagonist has a tattoo, then the tattoo on his body can be displayed from bottom to top, and the details can be seen to highlight the shooting skills of the characters.

Four: There are some transitions now. First of all, the transition is carried out through the body of the character. First, the lens begins to approach the body and moves forward from the front of the character until it is attached to the body of the character. At this time, the shot is black, because it has been attached to the human body, and then the next shot begins to move away from the human back, thus achieving a seamless transition and highlighting the position where people go.

Five: Erase the transition, through the objects in the environment. First, if you are shooting in the depths of the forest, you can follow the profile of the characters and then find a tree as the object. We take the shot behind the tree as the first shot, then find a tree in the next scene, and then go out from the other direction of the previous shot to realize the erasure transition.

Sixth, the last one is orbital mirror surgery. We shoot around the characters, and the lens should be close to the characters, so that the lens can highlight the expressions of the characters.

These are some simple effects of mirror transmission and transformation.