Sketch examination content and regulations

Sketch examination content and regulations:

Level 1

90 minutes of sketching of a single geometric form in octavo. Requirements: Use a single color interlining to concentrate and stabilize the light. The composition is appropriate, the shapes are basically accurate, and there is a simple relationship between light and dark (black, white, gray)

Level 2

90 minutes of octavo sketching of two geometric shapes. Requirements: Use a single-color lining cloth to concentrate and stabilize the light. The composition is appropriate, the proportions and shapes are basically accurate, and the structure is complete. There is a simple black, white and gray relationship.

Level 3

120 minutes. Combination sketching of multiple geometric shapes in octavo (more than three). Requirements: Use a single color interlining to concentrate and stabilize the light. The composition is appropriate, the proportions and structure are accurate, the three-dimensional sense of the geometric shape can be better expressed, and the relationship between light and dark is clear.

Level 4

120 minutes of combined sketching of four-open clay pots and two to three geometric bodies

Requirements: Use a single-color lining cloth to concentrate and stabilize the light. The composition is appropriate, the proportions and structure are accurate, and the relationship between light and dark and the difference in three-dimensional space and texture can be fully expressed.

Level 5

150 minutes sketching of four open clay pots, white plates and a piece of fruit. Requirements: Use a single-color lining cloth to concentrate and stabilize the light. The composition is appropriate, the proportion and structure are accurate, and the relationship between black, white, and gray is clear, and it can better express the three-dimensional sense and texture of the still life.

Level 6

150 minutes of sketching of facial features (mouth, eyes, nose, ears) of a single plaster figure in four parts. Requirements: Use a single-color lining cloth to concentrate and stabilize the light. The composition is appropriate, the proportion and structure are accurate, and the three-dimensional sense and texture of the object can be accurately expressed, and the depiction is in-depth.

Level 7

150 minutes of sketching of quarto plaster round faces. Requirements: (Alexander, Beethoven, Warrior, God of War) The composition is complete, the proportions of the characters’ facial features and perspective are accurate, the relationship between the sketches is complete, the characterization is in-depth, and there is texture and volume.

Level 8

180 minutes of sketching of plaster heads in quarto. Requirements: Voltaire, Agrippa, Seneca, Giuliano Medici (Little Wei) have complete compositions, accurate physical structures, similar images, in-depth and detailed descriptions, and clear and spaced relationships between black, white and gray. sense and three-dimensionality.

Level 9

180 minutes Four portraits of young and middle-aged men’s heads or plaster head sketches. Requirements: Marseille, Homer, Tower Head, and King of Rome must have complete compositions, accurate physical structures, similar images, unified and complete pictures, and certain expression skills. The sketch has clear relationships and a sense of space, texture and volume.

Extended information:

Sketch College Entrance Examination:

With the development of higher education in our country, the number of students enrolled in art colleges and majors is increasing, and many people who love art More and more high school students are applying for art colleges and majors, and the sketch test is the main subject of the art major exam. How to improve sketch scores in the college entrance examination is a question that candidates are struggling to find. Therefore, the study of sketch examination is the top priority for high school art teachers.

In European art at the end of the 19th century, due to the different pursuit and exploration of the essence of art by late Impressionism and Cubism, the depiction of solid shapes and colors was completely liberated, and therefore the traditional sketch training method was also changed. In some countries, such as the Fine Arts Department of the University of Paris I in France, sketching courses are replaced by the study of two-dimensional space, monochrome and multi-color.

In this kind of course arrangement, sketching has a wider space and the materials are more flexible. Students can use a variety of different media to engage in two-dimensional modeling exercises.

Therefore, in addition to the basic concepts of sketching that cannot be neglected, more flexibility and flexibility should be given to the training of sketching media in the course exercises, so that the training of sketching can not only match the artistic trend, And show more energy and wider expressiveness. Such as the three masters of the Renaissance, Rubens, Rembrandt, Goya, Ingres, Repin, Menzel and so on.

Some great painters, such as Titian and Velasz, are rarely circulated. Because they were good at drafting directly on the canvas, they did not leave many sketches; but from the few works that have been seen, We can still see their unique skills in sketching. The five major surfaces of light and dark in sketching include: bright surface, gray surface, light and dark interface (darkest), projection surface, and reflective surface. Sketching should focus on the basics. Drawing multiple geometric objects improves your ability!

Sketching generally starts with plaster figures, and the plaster figures are used as the teaching content in the initial stage. The advantageous conditions are: first, the plaster figures are white objects, which facilitates us to observe the shape and structure of the characters' heads. Turning relationships and layer differences; secondly, the plaster statue is static, which provides the greatest convenience for students who are beginning to learn sketching to observe and depict objects carefully and patiently.

The downplayed differences and changes in the skin color and hair of the characters will allow us to more directly feel and understand the essence of the shape and structure of the objects; in addition, plaster statues are usually replicas of ancient European models. Classic sculptures by art masters and oriental artists. These sculptures themselves have been summarized, summarized, enhanced and expressed by the sculpture artists, and the image characteristics and structural relationships of the characters are more intense and distinct.

In the training of plaster imprint sketching, this object itself is a good artistic example, providing us with the best method of structure, form and layer.

The above-mentioned characteristics of plaster statues actually illustrate the difference between them and portrait sketches from another aspect.

Baidu Encyclopedia-Sketch Exam Level