Traditional Culture Encyclopedia - Travel guide - Film academic paper topics
Film academic paper topics
Film is a complex of modern technology and art that can accommodate tragicomedy and literary drama, photography, painting, music, dance, writing, sculpture, architecture and other arts. Below is a list of film academic paper topics that I have compiled. If you are interested, you can read it!
Film academic paper topics
1. A brief discussion of the social responsibility of television
2 Modern media in the smoke of gunfire
3 Different methods of documentary storytelling
4 Positioning issues of travel programs? Questioning the "human culture" packaging of current travel programs
5 Brand strategy of TV programs
6 Looking at the party in the era of TV marketing from "The Same Song"
7 Analyzing the audience tendencies of information programs
8 On sports talk shows and exclusive interviews with sports stars
9. On the expansion of aesthetic space from literary prose to television prose
10. Looking at the shaping of TV media brands from the experience of Phoenix TV
11. When will a lonely tree grow into a forest? Talking about the current situation and development of middle school student programs
12. Analysis of elements of educational programs
13. Social and cultural significance of educational programs< /p>
14 A preliminary study on the packaging strategy of TV columns
15 Taking the pulse of the weather forecast program
16 Integrated communication strategy of traditional media? From the media integration of "Chinese Song Ranking" Speaking
17 A brief analysis of the application and impact of exploratory documentaries on entertainment elements
18 Looking at the competitive strategies of Chinese movie channels from the communication characteristics of TV movies
19 Enhance "field information"? The key to improving the quality of talk programs
20 Selection of TV talk show guests
21 A brief discussion on channel program arrangement
22 Character documentaries Story-based creation? The new characteristics after character documentaries enter the TV column
23 A brief discussion on the narrative elements of historical themed documentaries
24 A brief discussion on the topic selection of talk shows
< p> 25 Discuss the subject psychology and behavior of the audience in the television media26 Discuss the artistic aesthetics and cultural consumption in the process of localization of MTV in China
27 The synthesis of reality TV shows Sex program style
28 Talking about "reality show"
29 Brief discussion on the subjective spirit of documentaries
30 About the branding of talk shows
31 A brief discussion on the host role in celebrity talk shows
32 Analysis of "A Date with Luyu"? On the successful establishment of talk show brands
33 From the operation of "Lucky 52" Watch the development of educational programs
34 Representing reality? A brief discussion of acting techniques in documentaries
Film academic papers
The differences between Chinese and Western films from a cultural perspective< /p>
Abstract The root causes of the cultural differences between China and the West are mainly related to the natural environment, national traditions, thinking patterns, attitudes towards life, religious beliefs, values, etc. This article can shed light on the differences between Chinese and Western cultures through a comparative analysis of Chinese and Western films.
Keywords: Differences between Chinese and Western culture, Chinese and Western movies
China Picture Classification Number: J90 Document Identification Code: A
Movies are the product of a specific culture and reflect a country or regional culture. The cultural differences between different countries are naturally reflected in their films. Therefore, analyzing movies is a great way to understand the cultural differences between different countries. The root causes of cultural differences between Chinese and Western movies are mainly related to the natural environment, national traditions, thinking patterns, attitudes towards life, religious beliefs, values, etc. This article will analyze the cultural differences in Chinese and Western movies from the following aspects.
Religious Differences in Chinese and Western Movies
____ is one of the largest religions in the world. It became the main sect in the Roman Empire in the 4th century AD. During the Middle Ages, most people in Europe became At the same time, Christian ____ became a minority sect in parts of the Middle East, North Africa, and India. Immediately after the geographical discovery, through the continuous spread and colonial expansion of missionaries, Christianity spread to America, Australia, and then spread all over the world. Therefore, the formation of Christian ____ civilization had a major influence.
Buddhism originated in India. It spread from ancient India to China via the Silk Road around the 1st century AD, and received the attention of the royal family. Many Buddhist scriptures were introduced to China, and many Indian eminent monks came to China to preach. Over time, Chinese Buddhism has developed many schools. Most of these schools were integrated with Confucianism, Taoism or other philosophical ideas. Gradually, Chinese Buddhism abandoned those rules and regulations that were not suitable for Chinese society, incorporated some new doctrines, and became a part of Chinese civilization, with its own features. Buddhism plays an important role in Chinese people's thinking, influencing our aesthetics, politics, literature, philosophy and medicine, and of course our movies.
1 ____’s influence on Western movies
The three major doctrines of ____ are the Trinity, original sin and redemption. The Trinity is the Father, the Son and the Holy Spirit who are three different manifestations of God.
Original sin is the result of the fall of mankind. The act of eating forbidden fruit by the ancestors of mankind is usually considered to be the cause of original sin. Only the gift of God can save fallen mankind. Redemption is when God and some other higher power save man from spiritual death and lifelong damnation by granting him eternal life or an afterlife. Christ ____ Humanity needs to be freed from its current situation, however, in the long run, complete redemption of humanity is impossible. Salvation in Christ ____ is a core doctrine, which means that as long as people have God in their hearts, they will eventually be saved by God.
The idea of ??redemption represents the idea of ??____. This kind of thinking undoubtedly affects Western movies, not only reflected in religious movies, such as "The Gospel of John", "The Gospel of Matthew", "The Last Temptation", etc., but also in other movies, such as "The Shawshank Redemption" . This movie tells a story about redemption in an era of lack of faith. What redeems is faith, and what is redeemed is hope. Redemption is a battle, hope versus despair, freedom versus imprisonment. It is also a struggle between human dignity and humanity. Andy redeems his fellow inmates because his steadfast faith is the best weapon against evil and despair. Unlike other religious movies, the savior in "Shaw" is not God, but hope, and what is redeemed is freedom. Before Andy was imprisoned, the conditions in Shawshank Prison were very harsh and the prisoners had no human rights at all. The warden is a complete false Christ and treats the prisoners as cheap labor. After Andy was imprisoned, although this banker who was dissatisfied with the status quo was unable to change, his appearance at least brought hope and light of life to the prisoners. As for Andy, he is a modern version of Jesus. His suffering also verified that "Zion will be redeemed through justice, and those who convert in it will be redeemed through righteousness." The strong save themselves, the great save others. Andy brought hope to other inmates and saved them.
2 The influence of Buddhism on Chinese movies
Buddhist teachings include two aspects: on the one hand, it is to liberate the soul from the body, and on the other hand, it is to guide all living beings from pain to happiness. The founder of Buddhism is not the creator of fate or disaster, but guides all living beings to seek blessings and avoid disasters. Destiny and disaster arise from the cycle of cause and effect and are related to an individual's past and present lives. Everyone’s thoughts will leave an imprint on their mind whether they are acted upon or not. A person's words and deeds will also leave a mark on the hearts of others. These impressions, whether good or bad, will accumulate and affect a person's destiny, which is the so-called karma. It’s not that I won’t retaliate, because the time has not come yet, there is nowhere to escape, and there is no Buddha to save me.
Buddhism provides a narrative model of "karma and retribution". Many Chinese classical literature mainly adopts the Buddhist narrative model of karma and retribution, and the movie "Thunderstorm" adapted from Mr. Cao Yu's modern drama can also see Buddhist connotations everywhere. In the first scene, Lu Dahai said to Sifeng as soon as he arrived at Zhou's mansion: "Just now I saw a young man lying in the garden, with a pale face and closed eyes, as if he was about to die. I heard that this is the Zhou family. The eldest young master, the son of our chairman. Ah, retribution, retribution." In the second scene, after Zhou Puyuan and Shi Ping recognized each other, Shi Ping said: "I will serve you, and my children will serve you. It's my retribution, my retribution." After Shi Ping learned about the relationship between Zhou Ping and Sifeng, she said sadly: "It's your mother's fault. I should have thought of it earlier, but who would have expected it. Why should my child be exposed to such a thing? Mom’s life is miserable, but yours?” When she learned that Sifeng was pregnant with Zhou Ping’s child, Shi Ping said in pain: “Ah! God knows who. Who committed a crime? They are all poor children. They don't know what they are doing. Oh my god, if you want to punish me, I will be punished. The sin is caused by me. When I taste it alone." The idea of ??karma is easily reflected in the characters in the play.
2 Different values ????in Chinese and Western movies
Values ??influence people’s opinions, influence people’s behaviors and evaluations, and determine people’s words, deeds, and ways of thinking. In different environments, different countries have different cultural systems and different cultural values. "The values, words and deeds of one culture may not be understood and accepted by another culture." For example, in the movie "Gua Sha", Grandpa Xu used the traditional Chinese scraping method to treat his grandson Dennis' mild fever, but was mistaken by the US authorities for child abuse. As a result, communication between people from different cultural backgrounds has become more complex.
1 Western individualistic values
Individualism is usually interpreted as words such as independence, self-reliance, dictatorship, self-centeredness and selfishness. Kopenhawa said: "It helps people keep moving forward. It is the awakening of human nature, body, senses, mind, and intelligence." Individualism in Western culture advocates individual rights and freedoms, and individualism pays more attention to democracy. Be peaceful and equal while also respecting the rights of others.
The movie "The Kramers" "explains individualism to people in an indirect way." Ted Kramer is a talented advertising planner who works hard to make money to support his family, but his wife Joanna wants to divorce him. Chinese audiences may not understand why Joanna left her husband? Ted never abused her or the children, nor was he unfaithful to her, and tried to give her what she wanted. In China, a man like Ted is usually seen as a good husband because he works hard to support the family.
But Joanna didn’t think so. She said, “My whole life, I feel like I am someone’s wife, someone’s mother, someone’s daughter. Even when we are together, I don’t know who I am. That’s why I left you”. From her words, we can see Joanna's personal awareness and pursuit of individual self.
2 China’s collectivistic values
Collectivism is used to describe moral and political thoughts or social views, emphasizing cooperation among members of the group, and personal interests must always be Give way to the collective good. Collectivism focuses on the collective and society, and collective interests are higher than individual interests. The spiritual pillar of collectivism is related to holism, that is, the whole is greater than the parts. Collectivism is often contrasted with individualism, especially as these perspectives are often combined with each other in systems. Those who have collectivist ideas conscientiously abide by the rules of society or groups and protect the interests of the collective, society, and country, and any personal behavior that affects collective interests will attract criticism. China is a typical collectivist country.
Collectivism has obvious marks in Chinese movies. Movies made after China's """ movement and in the early days of reform and opening up all have a strong sense of collectivism. In particular, most of the films directed by China's fourth generation directors are based on revolution, which prominently reflect the revolutionary spirit and collectivism of the Communist Party of China. Their films' nostalgia and deep thoughts on specific historical periods have also formed unique Chinese "collectivist films". Their representative works include: "Dawn", "Nanchang Uprising", "Xi'an Incident", "Five Heroes of Langya Mountain" ”, “Dong Cunrui”, “The Feathered Letter” and so on.
3 Human Rights in Chinese and Western Movies
Human rights are the basic rights and freedoms that everyone has. What we usually call human rights includes civil and political rights, such as the right to survival, personal freedom, speech, equality before the law, economic, social, and cultural rights, etc. Here we will mainly discuss the rights to privacy, AIDS and homosexuals shown in Chinese and Western movies, so as to see and analyze the cultural differences between China and the West in this regard.
1 The right to privacy in Chinese and Western movies
The right to privacy is the right of individuals or groups to isolate their private information, and only they can selectively disclose it to the outside world. "The boundaries and content of the right to privacy vary across cultures and individuals, but have similar themes. The right to privacy can be seen as an aspect of security, weighed collectively by relevant interests." The concept of privacy is often associated with Western culture, especially the United Kingdom and North American countries. This concept is not universal across the world, and some countries only have it in recent years. There is no such thing as privacy in traditional Chinese culture, so Chinese people are neither sensitive nor careful about protecting their privacy. On the contrary, Americans pay more attention to their privacy. This difference is reflected in the movie as well.
The American movie "The Truman Show" shows us this right from a unique perspective. The protagonist Truman has been living in front of the camera since he was born, and has never discovered this fact. Truman's life is broadcast live to the world 24 hours a day through thousands of hidden cameras. Producer Christopher created different environments for him to capture Truman's true expressions and behaviors. In order to prevent Truman from discovering this unreal world, Christopher tried every means to curb his adventurous spirit. Later, Sylvia broke into Truman's illusory world and fell in love with Truman. After that, she launched an action to "return Truman's freedom", hoping that Truman could get out of television. "The Truman Show" shows people that the right to privacy is an inviolable right. It also warns us that we must respect and protect the right to privacy. Truman's life also enlightens the audience that their lives are only controlled by themselves. The lack of awareness of privacy is illustrated by the Chinese film "Invisible Killing", which tells the story of the death of a woman who was wanted online because she was having an affair with someone else due to doxxing. Netizens followed her to investigate her lover, and passers-by who knew her kept questioning her. Her headless body is later found on a beach, and the film touches on the privacy implications of online searches.
2 Rights of special groups
Western countries attach great importance to the rights of special groups. Although not everyone may enjoy these rights, they have a lot of respect for these equal rights. Strong awareness. For example, the rights of AIDS patients and homosexuals.
"Philadelphia Story" is Hollywood's first mainstream film dealing with AIDS, homosexuality and gay discrimination, adapted from the real experience of Gilfrey Bowles. Gilfrey was the first lawyer to sue Baker & McKenzie over AIDS discrimination. This film touches on topics that are difficult for the public to accept? AIDS and homosexuality, revealing the social isolation and discrimination against these special groups of people. Another biographical film "Milk" produced in 2008 tells the story of Harvey Milk, the first openly gay politician who was later elected to the California Assembly and who spent his life fighting for the legal rights of gays. This shows that Westerners have a strong awareness of equality and must strive for equality no matter how difficult it is.
A Chinese movie with a similar theme, "The Wedding Banquet", reflects the Chinese people's negative and rejecting attitude towards homosexuality. The movie tells the story of Gao Weitong's life in New York.
He has a successful career and a very harmonious relationship with his gay lover Simon. However, his parents in Taiwan do not know this and have been looking forward to him getting married and having children as soon as possible. Therefore, with Simon's consent, Wei Tong arranged a fake marriage with a beautiful Chinese girl Weiwei. Later, Weiwei seduces the drunk Wei Tong and becomes pregnant. Wei Tong had to tell his mother the truth. His mother was extremely shocked, but insisted not to tell his father about the incident. Wei Tong did not dare to tell his father because his father had just recovered from a stroke and could not accept such a blow. In the end, Weiwei decided to give birth to the child and hoped that Simon would stay and be the child's other father. In the Chinese environment, it is difficult for people to accept homosexuality, especially for those with traditional parents. Therefore, homosexuals do not dare to let people around them know about it, for fear that they will talk behind their backs.
IV Summary
Through the comparative analysis of Chinese and Western movies, this article can see that both Chinese and Western cultures have their own unique features. With the development of society, the problems existing in the two cultures have become increasingly apparent, and both are facing severe tests. The extreme individualism and lack of authority in Western culture have made social problems prominent; while the "inaction" thought in Chinese culture has also made China lag behind Western developed countries in many aspects. Therefore, the West learns from the East, the East looks to the West, and the Eastern and Western nations learn from each other's strengths. This is the only way for Chinese and Western cultures to regain vitality and new life, and it is also an inevitable trend in the development of the two cultures.
References:
[1] Yu Jie: "Is it all the fault of Gua Sha? Discussing the cultural differences between China and the West based on Gua Sha", "Shandong Foreign Language Teaching", 2003, No. 4 issues.
[2] Wang Junxia: "American Individualism and Chinese Collectivism", "Journal of Social Sciences of Jiamusi University", Issue 2, 2005.
[3] Liu Xiaochen: "Thinking about women and self-worth: Enlightenment from "The Kramers"", "Journal of Jiangxi University of Education" (Social Science Edition), Issue 2, 2008.
[4] Wang Guofeng: "Looking at the Differences between Chinese and Western Cultures from Film and Television Works", Master's Thesis of Shandong University in 2008.
About the author: Zhou Zhigao, male, born in 1972?, Zhangshu, Jiangxi, master, associate professor, research direction: British and American literature, working unit: School of Foreign Languages, Jiujiang University.
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