Poetic copywriting about rubbings

1. Idioms describing the rubbings of the Han Dynasty

开天开地 kāi tiān pì dì

[Definition] Pi: to open up. Ancient myths and legends: Pangu created the world and began human history. Used to refer to the creation of human history or something unprecedented in history.

[Quote] Huang Zhouxing of the Qing Dynasty "Supplementary Biography of Zhang Ling and Cui Ying": "I beg you to visit me from many places; I hope you can repay me appropriately; this is the most important thing in the creation of the world."

[Correct pronunciation] Pi; cannot be pronounced as "pǐ".

[Shape identification] Pi; cannot be written as "cleave".

[Similar meaning] Unprecedented, blue and blue

[Usage] Often used to describe the creation of an unprecedented great cause. Generally used as predicate and attributive.

[Structure] Union.

[Example] The establishment of a new socialist China is a major event. 2. Who can introduce the ins and outs of the stone tablet rubbings of Guandi's poems and bamboos

Guandi's poems and bamboos

Zhang Zhengyi

In Luoyang Guanlin, Xuchang Chunqiu Tower, Xi'an You can see such a bamboo-painted stone tablet in the Forest of Steles and almost all Guandi Temples and Shanshanhui Halls across the country, called the Bamboo Stele of Guandi Poetry.

It is said that Guan Yu’s poems on bamboo were written when he was in Xudu. The story takes place after Guan Yu and his two imperial wives surrendered to Cao Cao. Cao Cao

In order to show his appreciation for Guan Yu's talents, Cao Cao promised him a high official and a generous salary. But Guan Yu didn't care about these at all, and he only wanted to return to Liu Bei's side and help the Han Dynasty. This is the allusion of "I am in Cao's camp and my heart is in Han". Later,

After Guan Yu learned about Liu Bei's whereabouts, he made up his mind to find Liu Bei. When Guan Yu said goodbye to Cao Cao, Cao Cao couldn't bear Guan Yu leaving and deliberately pretended to be ill. Guan Yu had no choice but to draw a painting of bamboo, using bamboo to symbolize his ambition.

He used the painting to hide his poems and entrusted someone to give it to Cao Cao as a farewell gift to express his ambition.

There are two engravings on the upper right end of Guandi's poems and bamboo paintings. The upper one is the Yin inscription "Seal of Guan Yu", and the lower one is the Yang inscription

"The Seal of the Shouting Marquis of the Han Dynasty". There is also a paragraph below: "On October 18, the second year of Hongzhi, I got a ring from Taohe in Yangzhou

The *** weighed two pounds and forty taels, and the inscription was the seal of Hou Tinghou of the Han Dynasty." There are two poles of bamboo in the painting. The pole on the left has a bamboo lintel slightly facing

and tilts out to the right. The bamboo leaves droop, like a heavy rain, and it is called "rain bamboo"; The leaves are tilted as if

blown by the strong wind, which is called "wind bamboo". Therefore, later generations also called Guandi Shizhu "wind and rain bamboo". The whole picture

The composition is concise and the theme is prominent. On the surface, the painting looks like a clump of sparse bamboo. If you observe and taste it carefully, you will find that,

It turns out that these clusters of bamboo leaves that seem to be drooping in the wind actually form characters. From the top to the root

, from right to left, from top to bottom, it is a five-character quatrain poem:

No thanks to Mr. Dong,

The independent name of painting;

Don’t think that the lonely leaves are dull,

they will never wither.

In particular, the word "withering" falls on the roots of two bamboo poles, which is more vivid. In the pass of Baidi City

In the Emperor's poem about bamboo, "Jun" is made into "篁" and "Li" is made into "自". "Dongjun" originally refers to the god of Sichun, and the poem alludes to

Cao Cao. Someone explained that the first two sentences of this poem were written to Cao Cao, which means that I will not accept your kindness to me, Mr. Cao Cao.

The same moral integrity can never change my integrity;

The last two sentences let Cao Cao see Guan Yu's loyalty to Liu Bei. Although I am separated from my lord Liu Bei and am as lonely as a bamboo leaf

Lonely and light, I can endure severe cold, heat, wind and rain like a bamboo, and will never wither. My loyalty to my lord

will never change. With Guan Yu's loyalty to Liu Bei this time, he had the following seals

Jin, picking up robes on Baling Bridge, riding alone for thousands of miles, crossing five passes and killing six generals, meeting in the ancient city, etc. Each vivid story

.

Speaking of Emperor Guan's poems and bamboos, there is no record in the history book "Three Kingdoms" or the novel "The Romance of the Three Kingdoms". What Guan Yu actually did

Without this work, there is no way to verify it. From the metrical point of view, this poem is plain and strict, and it is clearly a five-character quatrain in modern poetry after the Tang Dynasty. It cannot be ruled out that later generations used bamboo as a theme and wrote poems and paintings of bamboo in the name of Guan Yu. The above four poems and paintings were imitated by later generations and carved into stone tablets, so that they could be passed down to the world.

The "Bamboo Monument of Guan Yu's Poems" originally had four links across the country.

If it is true that Guan Yu inscribed bamboo poems, it should have happened in Xuchang. 3. How many calligraphy scrolls are there in the world's longest Tang poetry with 300 rubbings? Long

Record number: 06398-1008-01

Nature of record: World Records Association world record

Record source: World Records Association database

The world’s longest calligraphy scroll with 300 rubbings of Tang poetry - 300 rubbings of Tang poetry created by Xian Zhijiang

Certificate number: 06398-1008- 01

Date of certification: February 25, 2011

Three hundred rubbings of Tang poetry created by Mr. Xian Zhijiang of Qingcheng County, Gansu Province from March 2000 to August 2010 The long calligraphy scroll is 0.3 meters wide and 108 meters long, with a total of 8,600 words. It has set the world record of the longest calligraphy scroll with 300 rubbings of Tang poems by the World Records Association.

The longest “Three Hundred Tang Poems” rubbing calligraphy scroll in the world

——“Three Hundred Tang Poems” rubbing calligraphy scroll created by Zhijiang Xian

From March, 2000 to August, 2010, Mr. Zhijiang Xian from Qingcheng County of Gansu province creates a “Three Hundred Tang Poems” rubbing calligraphy scroll of 0.3 meters wide, 108 meters long and with a total of 8600 words, which has created the world record of the longest “Three Hundred Tang Poems” rubbing calligraphy scroll in the world recognized by World Record Association. 4. Price of rubbings of Zhao Mengfu’s spring, summer, autumn and winter poems

Most of the domestic steles of Zhao Mengfu’s works are from the Qing Dynasty If the stone rubbing is from the Qing Dynasty, the price is about 300 yuan. For example, Zhao Mengfu's "You Tianguan Mountain Poetry Stele" from the Xi'an Forest of Steles Museum has such a rubbing price; if it is a stone rubbing from the Yuan Dynasty, the price should be 600-900 yuan; If the stele is about one meter long, the price is like this. If it is the Yuan Dynasty stele, and the length of the stele reaches more than two meters, the price will have to increase by about 200; because the stele is mainly from the Tang Dynasty and the era before the Tang Dynasty. , so the stone rubbings after the Tang Dynasty basically do not exceed 2,000 yuan.

Unless it is the work of a particularly famous calligrapher, and only one copy of the stele calligraphy art remains, the price will not exceed the price I mentioned. If you get a rubbing of a stele from the late Republic of China, it will be even less valuable, so first determine the age of the stele, because I have not heard of Zhao Mengfu's Spring, Summer, Autumn, and Winter poems on the stele, so it is probably from a later period.

His famous inscriptions and works are the Danba Stele and so on.