What's the difference between Tao Di and Yan?

The difference between Cuan and Tao Di:

1. Tao Di has an airway, which was determined before production. It can be easily played when it is about to be played normally, which is easier to control than Cuan.

The traditional casket (closed casket is not discussed) is an open musical instrument, and the blowhole is blown into the casket through the lip damper.

2. production technology: Tao Di general injection molding technology, mass production.

most of them are hand-kneaded, which requires higher requirements for the producers.

only tourism products or popular products will be mass-produced.

3. The way of playing is different: Tao Di can blow directly with the mouth wrapped around it, but the wind is the control, and the mouth and the wind are playing at a 45-degree angle, which is very different from Tao Di. Obviously, the difficulty of blowing is much higher than that of Tao Di, and even some beginners want to learn to blow the wind.

4. Different places of origin.

Tao Di originated from Italy. The whistle toy was invented by the baker Dunati, and later developed into the present shape.

Yun originated in China since ancient times. It is a folk musical instrument that witnessed ancient civilization in China. Its wide audience and great influence have influenced the development of earth musical instruments all over the world. Even earth musical instruments all over the world can find the shadow of China Yun.

5. Different nozzle designs.

The design of Tao Di's mouthpiece is very similar to that of a full mouth. You can blow it if you wrap it.

Chui's playing process belongs to the external cutting or internal oblique cutting process. It is controlled by the lip damper to blow into the cavity of Chui, causing the cavity to vibrate and pronounce. Careful observation can show that Chui's mouthpiece provides professionals with many scientific methods to deal with "semitone". By adjusting the pitch angle, Chui, like a flute, can easily blow out the changing sounds needed by various music scores, and has a rising and falling sound.

Tao Di's disadvantage is to blow his mouth half-tone or change his voice. Although various kinds of Tao Di have been developed at present, due to the fact that fingering is not uniform, various manufacturers are scrambling to launch their own brands to re-manage Tao Di, so the fingering of re-managing Tao Di in the world is also a "hundred schools of thought contend", which actually hinders its worldwide development for Tao Di fans.

among the ancient wind instruments in China, Yan is the oldest one, and its main development stage was in Shang and Zhou dynasties, so its timbre obviously has the unique spiritual temperament of Shang and Zhou dynasties: simple, vigorous, deep, vicissitudes, mysterious and sad, so Yan is especially good at expressing sadness and creating special effects of solemnity, profoundness and sadness, which has always been regarded as a characteristic.

In modern times, with the concerted efforts of performers and producers, the expressive force of Yan has been continuously enhanced, and the music has been continuously enriched, thus attracting more and more people's interest in Yan.

With the earthy fragrance, the singing of the earth and the sound of nature can be played, which can better show people's pursuit of purity and beauty.

?

Pottery, burnt clay, flute and wind instrument. Tao Di is a modern name, which generally refers to pottery musical instruments made of clay by fire. Now it also includes musical instruments with traditional Tao Di appearance and typical Tao Di characteristics made of other materials and techniques. Tao Di is an ancient and unique pottery musical instrument, which is small and quaint, with strong sound penetration, rounded head and easy to learn, making Tao Di's playing no longer mysterious.