Talk about three lanes and seven lanes

Overview

Sanfang Qixiang is located in the center of Fuzhou, bordering Bayiqi North Road to the east, Tonghu Road to the west, Yangqiao Road to the north, and Jipi to the south. Lane and Guanglufang, covering an area of ??about 40 hectares and currently have 268 ancient residential buildings. It is the general name for the ten lanes and lanes arranged from north to south on both sides of South Back Street.

Directory [hide]

Overview of Yijinfang

Wenrufang

Guanglufang

Yangqiao Alley

Langguan Alley

Ta Alley

Huang Alley

Anmin Alley

Gong Alley< /p>

Jipi Alley

South Back Street

Architectural Features

"Three Lanes and Seven Alleys Declaration"

Theme Exhibition Hall

Celebrities in Fangxiang

Traditional Snacks

Travel Guide

The TV creators of the same name

Actor list

Plot summary

General overview Yijinfang

Wenrufang

Guanglufang

Yangqiao Alley

Langguan Alley

Ta Alley

Huang Alley

Anmin Alley

Gong Alley

Jipi Alley

South Back Street

Architectural Features

"Three Lanes and Seven Alleys Declaration"

Theme Exhibition Hall

Celebrities in Fangxiang

Traditional Snacks

Travel Guide

The TV creators of the same name

Actor List

p>

Plot summary

[Edit this paragraph] General overview

Fuzhou City, Fujian Province still retains a considerable number of lanes and lanes formed since the Tang and Song Dynasties, making it a famous historical city. one of the important symbols. The most famous of these lanes and lanes is the famous Chinese historical and cultural street, Fuzhou Sanfang Qixiang, which is called the "Three Lanes and Seven Alleys" block. Approximately 40 hectares.

The "three lanes" are: Yijin Lane, Wenru Lane, and Guanglu Lane;

The "seven lanes" are: Yangqiao Lane, Langguan Lane, Anmin Lane, Huang Lane, Tower Lane, Palace Lane, Jipi Lane.

Since the Han Dynasty, Fuzhou has built six city walls, including Yecheng and Zicheng. The city expanded from north to south. The entire layout uses Pingshan as a barrier, facing Yushan and Wushan, and South Street. (Ba17th Road) is the central axis, with lanes and lanes on both sides, paying attention to symmetry, and gradually forming a street with three lanes and seven lanes ("street" refers to the back street).

The overall view of Three Lanes and Seven Alleys "Three Lanes and Seven Alleys" was formed in Luocheng when King Shen Zhi of the Tang Dynasty was established. The south of Luocheng is bounded by the Antai River. The political center and nobles live in the north of the city, while civilian residential areas and commercial areas live in the city. In the south of the city, the symmetry of the central axis is also emphasized. On both sides of the central axis in the south of the city, there are segmented walls. These residents became the beginning of the lanes and lanes, which formed today's three lanes and seven lanes.

In this block, there are crisscrossed lanes and alleys, paved with stone slabs; white-walled tiled houses, curved gables, rigorous layout, and exquisite craftsmanship; many are also decorated with pavilions, terraces, buildings, pavilions, flowers, and rockeries. , integrating humanities and natural landscapes. The doors and windows of many folk houses are hollowed out and made of mortise and tenon joints, as well as rich pattern carvings. Exquisite carved stone pillar foundations, steps, door frames, flower seats and poles can be seen everywhere, embodying the folk house skills and characteristics of the ancient city of Fuzhou. , is hailed by the architectural community as a large-scale "Ming and Qing Ancient Architecture Museum".

The houses in Three Lanes and Seven Alleys follow the tradition of building walls in sections in the late Tang Dynasty. They all have high and thick brick or earth walls. The wall is streamlined with the ups and downs of the wooden roof trusses, and the corners extend out of the house, resembling a saddle, and is commonly known as the saddle wall. The wall is only used as the outer perimeter, and the load-bearing function lies entirely in the columns. They are generally symmetrical on both sides, and the wall tops and wing corners are painted with clay sculptures, forming a unique wall style of ancient Fuzhou dwellings. The house has one or more entrances, and each entrance has a hall, a back hall, a main room, a back room, left and right pavilions, and front and rear patios. Patios are another feature of traditional houses in Fuzhou. It is a rectangular space surrounded by corridors in the hall and pavilions. It serves as a transportation hub in the house and provides the house with sufficient sunlight, smooth air and convenient drainage. The indoor doors and windows are also different from other places, they are numerous and large. Most of the windows are double-layered long row windows, with the bottom layer being fixed and the upper layer being expandable or double-opening. The main door of the main house faces the hall corridor, which is mostly four-opening style. The door is carved with rich patterns and flowers to add to the grandeur of the hall.

Picture of Three Lanes and Seven Alleys "Who would have thought that the five willows and solitary pine guests would live among the three lanes and seven lanes". The three lanes and seven lanes are home to outstanding people, generals and prime ministers. Many famous politicians and politicians in the past dynasties have Military strategists, writers, and poets came to glory from here. The names of some streets and alleys can reflect the grace and glory of that year.

In the first "Selection of China's Top Ten Historical and Cultural Blocks", my country's largest and most complete Ming and Qing ancient architectural blocks in the urban center - Three Lanes and Seven Alleys in Fuzhou City, were selected. It was selected as one of the "Top Ten Historical and Cultural Districts in China" with high votes.

On July 19, 2009, a grand unveiling ceremony was held in Fuzhou South Back Street, "China's famous historical and cultural street? Fuzhou Three Lanes and Seven Alleys".

Yijinfang

Yijinfang Yijinfang is the first of the three lanes, formerly known as Tongchao Lane. According to the Qing Dynasty's "Rongcheng Archeology Brief": "Brothers Lu Yun and Lu Zao lived here in Dianxiang County in the Song Dynasty and were named Lujin. Later, Wang Yixiang went to Jiangdong for punishment and changed his name to Yijin."

"In the Song Dynasty, it was called "Lu Jin", and in the Ming Dynasty it was called "Yi Jin". In fact, it means that there are people in the square who have gone out to serve as high officials. Now they return to their hometown in clothes and glory, so the name of the square was also changed to "Tongchao". It is because this place is a water network area, and the tide of West Lake and South Lake can flow into the ditch of this lane.

No. 16 in Fangzhong is the residence of Zheng Pengcheng, a Jinshi of Jiaqing in the Qing Dynasty, and the Yijinfang Waterside Pavilion is among them. The stage is the most distinctive. It is a wooden single-layer platform with four pillars and a single bay, with a clear water pond underneath and a patio in the middle. It is a mezzanine in the front where you can watch drama performances. The water, wind and sound are clear, and it has acoustic principles. Aesthetically valuable, it is the only existing waterside pavilion in Fuzhou.

Wenrufang

The second of the three lanes is Wenrufang. The name Wenrufang came into being in the Song Dynasty. Yes. According to "A Brief Archeology of Rongcheng", this lane was "originally named Rulin, after Zheng Mu of the Song Dynasty lived here, and changed its name to the present one." Officials of the third rank. Zhang Jing, a famous anti-Japanese general in the Ming Dynasty, and Gan Guobao, a famous general in Fujian in the Qing Dynasty and the commander-in-chief of Taiwan, also lived here. The former residence of Chen Chengqiu, the home of the "People's Jinshi" in the Qing Dynasty (a Jinshi in the capital of the Five Dynasties), is also here. Inside. The eldest son of Chen Chengqiu is Chen Baochen, the teacher of Emperor Xuantong of the Qing Dynasty. The former residence of Chen Yan, a famous poet in the Qing Dynasty and the author of "Shi Shi Shi Hua", is also in the square. It is a large house facing south, with Guanghua Pavilion for his disciples. The landlord of the course. Next door to Chen's apartment is the residence of Professor Ke Linghan, a famous modern jurist. This street is famous for its numerous scholars in the past dynasties.

Guanglufang

The third of the "Three Mountains". Guanglufang, formerly known as Yuchi Mountain, is also known as Minshan. It is one of the "Three Mountains" in Fuzhou. Historically, there is a Faxiang Temple in Guanglufang, commonly known as "Minshan Baofu Temple". "(in today's Guanglufang Park). At that time, Fuzhou County Shou Cheng Shi Meng, who had served as Guanglu Qing, often came here to recite poems and visit, so the monk carved the four characters "Guanglu Yin Tai" on the stone. In order to thank the monk, he I recited a poem: "The sun is always clear and the clouds are happy to come alone. The wild monks inscribed stones to build a chanting platform. There is no poem comparable to Yan Guanglu. Every time I recall my visit, I go back." "The name Guanglufang comes from this.

Guanglufang is also a place where famous people gather. In the late Ming Dynasty, there were famous scholars such as Lin Youtai, a painter from the Wanli period, Sun Changyi who studied politics, and Xu Zhi, who studied politics. His sons Xu You and Xu Bin, his grandsons Xu Yu, his great-grandsons Xu Ding and Xu Jun, and his great-great-grandsons Xu Liangchen and Xu Fenchen were all poets, calligraphers and painters. During the Kangxi period of the Qing Dynasty, there were brothers Lin Tong and Lin Ji, who were archaeologists. Lin Ji is the author of "Lai Zhai's Selected Ancient Studies" and "Lai Zhai's Inscriptions on Metal and Stone". "Yao Feng Wenchao", "Gufu Yuting Miscellanies" and "Wuting Wenbian" are very famous, known as the "Four Inscriptions of Linji", and occupy a place in the history of Chinese printing. There is also the poet and famous Tibetan inkstone expert Huang. Ren, the enthroned envoy of the Ryukyu Kingdom Qi Kun, the two brothers Liu Qiquan and Liu Qixian, the naturalist Guo Baicang, the modern novel translator Lin Shu, the famous writer Yu Dafu, etc. also produced many talented women, such as Huang Ren. His daughters Huang Shuxuan and Huang Shuwan, Qi Kun's daughter Qi Xiangdi, and Guo Baicang's daughter Guo Shizhu were all good at calligraphy and painting, or poetry and prose.

The Guanglu Fang scenic spot is the most famous, and they are good at Guanglu Yin Platform. The pools, platforms, pavilions, stones, flowers and trees, as well as many cliff inscriptions from the Song to the Qing Dynasties, were included in the first batch of cultural relics protection units in Fuzhou City in 1961. Under the lychee tree in the west of Guanglu Yintai, there is an original stone inscription "Crane". "Deng" is the place where Lin Zexu released cranes in his later years. There are also the Liu Family Courtyard, a large wooden structure in the Qing Dynasty, which is spacious and bright (now a provincial cultural relics protection unit), Huang Ren's former residence with a simple wooden structure in the late Ming Dynasty, and high walls and narrow streets. The Zaoti Alley and the Old Buddha Pavilion Bridge paved with Ming Dynasty stone slabs have preserved the characteristics of Ming and Qing architecture.

Because the original houses next to Guanglufang were relatively old, the area is currently undergoing an overall overhaul. The work is expected to be completed before the National Day in 2010.

Yangqiao Lane

Yangqiao Lane is the northernmost lane among the seven lanes. It is named Dengjunfang in ancient times. It was renamed when the west was connected to Yangqiao. During the Republic of China, it was expanded into a road due to urban construction needs, so it was later renamed "Yangqiao Road". The mansion surnamed Lin at the intersection of Yangqiao Road and Nanhou Street was the home of martyr Lin Juemin. The former residence of the martyr was later sold to the writer Bing Xin's grandfather Xie Luan'en. Bing Xin lived here when he was a child. There is also a vivid description of the former residence after the lane was expanded into a road. A considerable part of the writer Bing Xin's former residence (see the entry "Fuzhou Bing Xin's Former Residence") has been preserved.

There is a "Shuangtuo Bridge" in Yangqiao Lane (south), which is small but legendary. First, the bridge is located in an inland channel, where the east and west rivers "join the tide". The wonder of the inland river where "a thousand miles of tide comes and takes a breath" is most vividly felt here. Second, the two banks of the double-throwing bridge are facing each other. A pair of banyan trees actually connected their branches and leaves in the sky, embracing each other to form a shadow. So there was a poignant story of a young man and woman who died in love. It has been passed down for so long that future generations can no longer tell clearly that there was love first and then the tree, and first there was the tree and then the tree. Bridge, or the opposite. Recently, I heard that some overseas writers compared it to the swan song of "Romeo and Juliet", which adds a bit of sadness. However, due to river reconstruction and urban construction, Shuangtuo Bridge has slowly transformed from a "bridge" into a street "pavilion", becoming a place for passers-by to rest and enjoy tea.

Langguan Lane

Langguan Lane is located in the south of Yangqiao Lane, on the east side of Nanhou Street. The east end of the lane leads to the east of 817 North Road in the downtown area of ??Fuzhou City. Street intersection.

Langguan Lane is also a port that existed in the Song Dynasty. According to the Qing Dynasty's "Rongcheng Archeology Brief": Liu Tao of the Song Dynasty lived here, and his descendants were all officials for several generations, hence the name. Chen Lie, a poet of the Song Dynasty, was originally from Changle and lived in Langguan Lane when he moved to Fuzhou. The former residence of Yan Fu, a modern Chinese enlightenment thinker and translator, is also located in the lane. There is an archway at the west end of Langguan Lane, and there is a couplet on the pillar: "The translation is brilliant, and Yan Fu's house is still passed down today; the gates are prosperous, and descendants can trace their roots back to Liu Tao's residence."

Taxiang< /p>

Tower Lane is in the south of Langguan Lane, in the downtown area of ??817 North Road in the east and in the back street of the South in the west. According to "A Brief Archeology of Rongcheng": "The old name was Xiuwen. Chen Su, the magistrate of the Song Dynasty, changed its name to Xingwen, and later to Wenxing. Today's Huta Lane is where the Yuwang Pagoda Courtyard was built during the Min Kingdom." This large pagoda is located in the north of the lane. , and is guarded by the Tower Courtyard, and is regarded as a symbol of the prosperity of Fuzhou's cultural movement. The pagoda was still there in the ninth year of Chunxi in the Southern Song Dynasty (1182), but there is no record after that. In the Qing Dynasty, half a small tower was built in the alley as a monument. In the 1950s, the small tower was moved to the entrance of the alley. There is an old Jingxiao Fang in Taxiang, which was built by Gao Wei, a filial son of the Ming Dynasty. There is a popular poem praising him: "Three years of running water is like a young man, and a natural filial son's heart. Last night, the bright moon shone on the three mountains, and I didn't know how to sprinkle the dew on the quiet people." It is still there today. It is said to be a good talk.

Huangxiang

Huangxiang is south of Tower Alley. Across the South Back Street, it is connected to Yijinfang from east to west. According to records, during the Yongjia period of Jin Dynasty (307-312), a family named Huang from the Central Plains fled to Fujian and settled here, so it was called Huangxiang. At the end of the Tang Dynasty, Huang Pu, the official school secretary of Chongwen, retired and lived here. When Huang Chao's army entered Fuzhou, they heard Huang Pu's name and ordered the soldiers to pass through Huangxiang at night, "extinguish the candles and pass by" and not to disturb his home. From then on, Huangxiang became famous. . The alley has been home to many Confucian scholars and scholars from past dynasties, and has become a gathering place for cultural celebrities and social celebrities. In the Qing Dynasty, prefect Lin Wenying, No. 2 Lin Zhichun, governor Li Fu, couplet master Liang Zhangju, Jinshi Chen Shouqi, Zhao Xin, etc. all lived in the lane. It was once renamed Xinmeifang and later Xinmeili. There is a "Tanghuang Puju" Shiqi in the alley, which was still seen by people in the early 1950s. There is a courtyard in Huangxiang called "Xiaohuang Tower", which is a cultural relic protection unit.

Anmin Lane

Anmin Lane is located in the south of Huangxiang, opposite Wenrufang across the South Back Street. Anmin Lane was formerly known as "Xileifang", and it was renamed "Anmin". It is related to Huang Chao's entry into Fujian. According to "Fuzhou Local Chronicles": "When Huang Chao, the peasant uprising army of the Tang Dynasty, entered Fujian, he came to this lane to provide peace to the people, so it was named." The old Xileifang was known as Liu Zao in the Song Dynasty because of his filial piety. Later, Dazai Yu Shen lived here and renamed it. : "Yantai Education". Historically, most of the people living in the alley were socially virtuous. The capital of Yuanxing Province was Jia Neju. The old residential buildings on the west side of the lane still retain their well-proportioned layout and simple charm. During the Anti-Japanese War, the New Fourth Army's office in Fujian was located here. Today, this old house is listed as a revolutionary cultural relic protection unit.

Gongxiang

Gongxiang Gongxiang is located in the south of Anminxiang, and its east and west ends are connected by 1817 North Road and South Back Street respectively. According to the Qing Dynasty's "A Brief Archeology of the Rong Scene": "The old name was Xianju, which was named after the Ziji Palace in it. Later Cui and Li, whose surnames were Guixian, changed their name to Juyingda, and Mingde changed it to Yingda."

The wealthy residences in Gongxiang have exquisite structures, and the wood carvings and stone carvings in the interiors alone are astonishing. For example, the leaky windows are made of fine carvings and tenon joints, and rich pattern decoration is formed through various elaborate arrangements of wooden lattice bones. Key carvings are often decorated on wooden passages, inserts, child pillars, moon beams and other parts. Various exquisite and vivid stone carvings can be seen everywhere on pillar foundations, steps, door frames, flower seats and poles. It can be said to be the master of Fuzhou’s ancient architectural art.

Jibi Lane

Jipi Lane, one of the three lanes and seven lanes in Fuzhou, is commonly known as "Jibi Lane". When Zheng Xingzhong, the number one scholar in the Song Dynasty, returned home in full glory, the residents in the alley hurriedly avoided it because they had insulted him, so it was called "Emergency Alley". In the Ming Dynasty, it was renamed "Jibi Lane" with a homophonic pronunciation for good luck.

Fuzhou's famous "Antai House" restaurant is also located at the entrance of Jipi Lane.

South Back Street

Three Lanes and Seven Alleys in Fuzhou is not just three "lanes" and seven "alleys", but also the famous South Back Street.

South Back Street of Three Lanes and Seven Alleys Fuzhou South Back Street starts from Yangqiao intersection in the west and ends at Jipi Road in the south to Macao Bridge. It is about 1,000 meters long. It is the core of the "Three Lanes and Seven Alleys" in Fuzhou City. central axis. It has seven lanes on the east side and three lanes on the west side. It was the main commercial street from the rise of Three Lanes and Seven Lanes in Fuzhou to the Republic of China. Merchants gathered on the road from north to south.

Thirty-six stores (from all walks of life) are fully equipped with firewood, rice, oil, salt and daily necessities. There are also book engraving workshops, second-hand book stalls, and framed paper shops dedicated to serving cultural people, as well as lantern markets during the Lantern Festival and Mid-Autumn Festival. "Outside the Liulichang of Zhengyangmen, there is the south and back street in front of Yijinfang. Guests take a break to go to the book market, but they are not happy enough to see many things." In the poem of Wang Guorui, a Juren in the late Qing Dynasty, the South Back Street was compared to the Liulichang outside Zhengyangmen in Beijing. Factory, reflecting the former cultural features of South Back Street. During the Ming and Qing Dynasties, Nanhou Street was still a lively market with "white walls and black tiles and stone pavements" lined with pavements on both sides. During the Republic of China, the road surface was widened and converted into asphalt roads.

South Back Street is the central axis of the Three Lanes and Seven Alleys. After renovation, the South Back Street will be full of antique charm. The width of the road will reach 12 meters, including a 7-meter wide pedestrian street in the middle and 2 meters wide on both sides. ~2.5m roadside strip. The total length of South Back Street, which starts from Yangqiao Road and ends at Jipi Road, is only 634 meters. It is positioned as a leisure, cultural and commercial street that combines tradition and modernity.

Historically, Nanhou Street was home to many traditional Fuzhou craft industries such as lanterns, paper-making, and bookshops. Relevant people said that according to relevant plans, Nanhou Street is positioned as a traditional cultural and commercial street. It is initially planned to select a part of the time-honored brands to be restored based on their current operating conditions, such as the "Mijia Chuan" framed clothing store, "Juchentang" bookshop, lanterns and other century-old shops. The traditional lantern market, a time-honored brand and popular among citizens, is also initially planned to be held regularly every year. In addition, relevant departments also intend to invite Fuzhou traditional arts and crafts masters such as Shoushan stone carvings, bodiless lacquerware, and cork paintings to set up arts and crafts master exhibition stores in Nanhou Street to increase the traditional business atmosphere.

Now, in the business planning of South Back Street, "new faces" such as bar coffee and top luxury goods have appeared. The emergence of these new faces will inject modern elements into the traditional South Back Street.

The protective restoration project along Nanhou Street was fully completed in January 2009. The street is now open to the public, recreating its historical appearance of "Liulichang outside Zhengyangmen, Nanhou Street in front of Yijinfang".

[Edit this paragraph] Architectural Features

Customarily speaking, we all talk about the three lanes first and then the seven lanes. In fact, from the perspective of the building location, it should be that there are seven lanes first and then the seven lanes. There are three squares. The ancestors of the Tang Dynasty first built a group of neatly arranged "new villages" along South Street, the axis of the city. Then, a south back street is separated, and a group of lanes and lanes are built to the west, forming a "non"-shaped block with the south back street as the central axis. After thousands of years of ups and downs, most of them were named Xiafang Lane in the Song Dynasty. During the Ming and Qing Dynasties, the current architectural pattern was formed and became the landmark building of Fuzhou's historical and cultural city.

From the perspective of the treatment of architectural space, the main hall on the central axis of the Three Lanes and Seven Alleys is significantly taller, larger and wider than the hall in the north. It forms a staggered and lively structure with other corridors, pavilions and other buildings. And the spatial pattern is extremely changing. The hall is generally open and integrated with the patio. It should be pointed out in particular that in order to make the hall appear tall, spacious and open, attention is generally paid to the treatment of the corridors and pavilions. The purlins supporting the eaves, or adding another purlin to assist the eaves, are deliberately made thick and long. Using high-quality hardwood and reducing columns, there are no obstacles in front of the hall, which is rarely seen in northern buildings and other southern buildings. For example, the sedan hall of Lin Congyi's former residence in Gongxiang and the stage of the ancestral temple are all treated in this way. This is one of the important features of Fuzhou ancient architecture.

In addition to being unique in layout and structure, Three Lanes and Seven Alleys are also distinctive in their walls, carvings, and facades.

Saddle Wall

Following the tradition of building walls in sections in the late Tang Dynasty, the houses in Sanfangqixiang all have high and thick brick or earth walls. The wall is streamlined with the ups and downs of the wooden roof trusses, and the corners protrude out of the house, resembling a saddle, and are commonly known as saddle walls. The wall is only used as the outer perimeter, and the load-bearing function lies entirely in the columns. Most of the buildings in the south of the Yangtze River have stepped gables composed of straight lines at 90-degree angles. Only a few buildings in Fuzhou have them, including those in northern Fujian, southern Fujian, and eastern Fujian. The only exception is the saddle wall of the three lanes and seven lanes in Fuzhou. It is a curved saddle wall. Generally, they are symmetrical on both sides, and the wall tops and corners are painted with clay sculptures, forming a unique wall style of ancient Fuzhou dwellings.

Carvings

The most distinctive architectural decoration of Sanfang Qixiang is the carvings on the doors and windows. The beams and columns of ordinary residents are mostly unadorned and simple, while the carvings on doors and windows are painstaking. The exquisite craftsmanship of its window lattice and the beauty of the inlaid wood carvings are beyond the reach of residents from other provinces. The types of window decorations are particularly rich, including latch-type pattern leaks, pure wood-carved window sashes, and a mixture of the two. It can be said that he is the master of Jiangnan art. In the tenon-type leaky flowers, craftsmen create different decorative effects through careful arrangement, including linear, curved, and mixed types - the straight type is dense and dense, the curved type is dynamic, and the mixed type is changeable, and each has its own auspiciousness. Meaning. In the wood-carved window sash, there are openwork and relief carvings, with themes including birds and animals, figures and flowers, and the entire window sash is decorated with symmetrical or asymmetrical carvings. For example, in You Hengsheng's ancient Ming Dynasty house in Wenrufang, the door and window partitions of the second-entry wing are carved with more complex patterns of vase flowers. The vases symbolize peace of residence. On the polyester ring board is a bas-relief of flowers blooming and wealth. These flower window carvings, which are made of tenons or wood hollows, fully demonstrate the superb skills of Fujian folk craftsmen.

Architectural Doors

The treatment of architectural doors in Sanfangqixiang is also very unique, with about four types. One is a rectangular gate made of stone frames on the same plane as the wall in the middle of the front yard wall. The other is an extension of the saddle walls on both sides to form flying signboards. The saddle walls sandwich the sloping roofs on both sides to form a gate. Larger buildings, such as Shen Baozhen's Former Residence, Chen Chengqiu's Former Residence, and Lin Congyi's Former Residence, all have this kind of gate tower.

[Edit this paragraph] "Three Lanes and Seven Alleys Declaration"

"Three Lanes and Seven Alleys Declaration" was held in Fuzhou on July 20, 2009 at the "Old City Protection and Renovation—Three Lanes and Seven Lanes International Academic Symposium" was adopted. The declaration puts forward the following knowledge and action initiatives on the protection of urban cultural heritage: Every city has a unique historical and cultural gene. In the process of development, the city must cherish its own cultural heritage. It not only belongs to one city, but also to all mankind. Each city has the responsibility and obligation to protect the same wealth.

From the protection of cultural relics to the protection of cultural heritage is the progress of social development.

The protection of urban cultural heritage should not only focus on the protection of material cultural heritage, but also the protection of intangible cultural heritage. Attention should be paid to establishing an emotional connection between the people and cultural heritage, and a positive, reasonable, and effective approach should be established to make cultural heritage pay attention to and share with the public, so that cultural heritage can truly provide inexhaustible power for social development.

The influence of cultural heritage on the economy and society is subtle and profound. It is irreplaceable spiritual capital, cultural capital, economic capital and social capital. The loss of cultural heritage is irreparable. During the development process, cities must cherish their own cultural heritage. Every city has its "Forbidden City" that should be protected.

[Edit this paragraph] Theme Exhibition Hall

The proposed location of the museum to display the cultural value of the Three Lanes and Seven Alleys has been basically determined, and 8 museums and 3 exhibitions will be opened. District:

1. The Three Lanes and Seven Alleys Museum of Historical Figures is planned to be located in the Liu Family Courtyard. The reason is that the Liu Family Courtyard is the pioneer of urban public services in Fuzhou and even the country. It is also close to Guanglu Fang and is the "living room" of the three lanes and seven lanes.

2. Fuzhou Contemporary Art Center is planned to be located in the former residence of Lan Jianshu. The reason is that it is close to Guanglufang Park, which is extremely beneficial to driving crowds, increasing visibility, and making it easier to visit.

3. The Contemporary Lacquer Art Museum is planned to be located in Ye’s residence in the center of South Back Street. The reason is that this is a transit platform for Fuzhou's century-old stores, old trades and modern life. 4. Fuzhou Folklore Exhibition and Performing Arts Center is planned to be located at the former residence of Guo Boyin.

5. The drama and opera performing arts center is planned to be located at the Water Pavilion Stage.

6. The tea culture world art museum and the state guest reception center are planned to be located in the former residence of Lin Congyi.

7. The Ming and Qing Furniture Folklore Museum is planned to be located in Ermei Bookstore.

8. The Couplet Museum is planned to be located in the former residence of Liang Zhangju (Liang Zhangju is the originator of the sage couplet study in Fuzhou). The three exhibition areas to be opened are: "A Special Exhibition Area", that is, the exhibition area from Langguan Alley to Huang Alley in the "Seven Alleys", which mainly displays the kinship relationship between Fujian and Taiwan; the "First Comprehensive Exhibition Area" is The exhibition area between Huangxiang and Jipi Road mainly displays Lin's various cultures and shipbuilding culture; the "Second Comprehensive Exhibition Area" is an exhibition area formed by the organic combination of each display point in the "Three Lanes". Showcase the relevant culture of literati. In addition, the three lanes and seven lanes will also use the structure of "one water, one node, two streets and two areas" to construct different functional areas. Among them, "one water" is the waterside leisure zone of Antai River. The "one node" plan plans to use the "Guanglu Yintai" in Guanglufang as the south node of the three lanes and seven lanes. The "Two Streets" are the traditional characteristic commercial belt of South Back Street and the commercial renewal and development belt of South Street. The "Two Areas" plan is combined with the north entrance to use Langguan Lane, Tower Lane and the Water Pavilion Stage as a concentrated tourism display area. There are a large number of cultural relics protection units and historically protected buildings in Gongxiang-Anminxiang, which will be used as a concentration area for museum buildings; the northern and southern sections of Wenrufang will be used as guild hall areas, focusing on creativity and leisure.

[Edit this paragraph] Celebrities in Fangxiang

Important historical events after modern times, such as the Humen Smoking, the Westernization Movement, the Reform Movement of 1898, the May Fourth Movement, and "December 9th" Movement, the Marco Polo Bridge Incident, etc., are all key points in the development of Chinese history. The characters who came out of Three Lanes and Seven Alleys all played the role of promoters of the times in these events.

Lin Zexu Lin Zexu: "The first person to open his eyes to see the world." Lin Zexu (1785-1850) was an outstanding politician who opened the curtain of modern Chinese history and a national hero who resisted foreign aggression. He followed the trend of historical development and adopted an attitude of actively understanding, absorbing and applying the achievements of Western civilization. Therefore, he became "the first person to open his eyes to the world and the pioneer of learning advanced technology from the West." There is Lin Zexu Ancestral Hall on Macau Road next to Three Lanes and Seven Alleys.

Shen Baozhen: "The Father of Shipping Administration" in China. Shen Baozhen (1820-1879) was pushed to the forefront in the Westernization Movement with the goal of "riching the country and strengthening the army". He served as Fujian Shipping Minister, responsible for shipbuilding, military training and personnel training. He worked hard to establish the Fujian Navy and the Nanyang Navy, and became one of the representatives of the early Westernization Movement. He was a pioneer in introducing Western science and technology and one of the founders of modern education and modern navy in our country. He was down-to-earth and spared no effort to put into practice the proposition of "learning from the foreigners and developing skills to control the foreigners" put forward by Lin Zexu and Wei Yuan.

Zeng Zongyan (1850-1972): the "Father of the Army" in modern times. Zeng Zongyan lived in Anmin Lane. He had just been appointed as the supervisory censor of Jiangnan Province, and in May 1898, he wrote to Emperor Guangxu that "the times are difficult and it is advisable to use foreign exercises to train the army." He advocated: "For the current plan, we must first use the existing pay in each province to train the soldiers of each province in foreign affairs, but strive for the best and not suffer from the shortcomings." That is to say, use the new method to refine the army. He also proposed that "the army must be rectified, and the army in all provinces must adopt foreign practices in politics, especially the three eastern provinces." Emperor Guangxu attached great importance to it and immediately issued an edict: "In today's situation, military training is the top priority, and practicing foreign exercises is especially the most important thing in military training. Only teachers must be selected to train diligently, and pay can be used to strengthen the army." Zeng Zongyan His memorial led to the reform of the Qing court's military system, so some people call him the "Father of the Modern Army."

Bing Xin (1900-1999), known as the "Old Man of the Century", was born in Changle, Fujian. His original name was Xie Wanying, and his pen name was Bingxin Bingxin. "A heart of ice is in a jade pot."

A famous modern poet, translator, writer, and children's literature writer, he advocates the "philosophy of love". Motherly love and innocence are naturally the main themes of his works. She loved children very much and regarded them as the "most sacred people" and was deeply respected by the people. Her works are full of love for nature, as well as the celebration of maternal love and innocence. There is her former residence at the junction of Nanhou Street and Yangqiao Lane. In her famous prose "My Hometown", she left a sincere description of her former residence: "I remember that when I was 11 years old (1911) Years), when we returned to Fuzhou from Yantai, Shandong, our home at that time was "Behind Wanxing Tongshi Store, Yangqiao Lane, Nanback Street, Fuzhou City". This address is still very familiar to me when I write it. Kind, because since I learned to write, my parents have always urged me to write letters to my grandfather, and I have to write the envelope myself. This house is large, and there are four rooms of our extended family. We live on both sides of the hall. Our family of 6 lives in the front and back rooms. He is the only one in the front and back rooms of my grandfather, and there are books all over the room, which has become my paradise... …"

Lin Xu (1875-1893): one of the "Six Gentlemen of 1898". As a young man, he showed off his talent and became a special talent. He followed Kang Youwei to participate in the reform movement, which lasted for a hundred days, but was killed by the stubborn conservatives headed by the Empress Dowager Cixi. He was only 24 years old. His fame will forever be recorded in history.

Lin Changmin (1876-1925): the initiator of the "May Fourth" movement. On May 2, 1919, the article "Diplomatic Police Reports to the People" appeared in Beijing's "Morning Post" and "National Gazette". The author Lin Changmin exclaimed: "Shandong has perished, and the country will no longer be a country. I hope that forty million people will fight to the death for it. "The words are sincere and painful. The incident originated from the Paris Peace Conference in 1918: At that time, the First World War had just ended, and Foreign Minister Lu Zhengxiang was ordered to go to the Paris Peace Conference. President Xu Shichang set up a special diplomatic committee and appointed Lin Changmin as the committee director and affairs director. Japan secretly agreed with Britain and France that after the war, Japan would inherit all the vested rights of German aggression in Shandong; it also agreed with Cao Rulin that Japan would fund the construction of the "Jishun" and "Gaoxu" railways to further control China. Lin Changmin was furious after learning about it and decided to disclose these diplomatic shady and traitorous acts to the Chinese people. He published an article on May 2, 1919, and President Cai Yuanpei informed Peking University students and students from various universities in Beijing. One stone stirred up a thousand waves. On the afternoon of May 4, 1919, more than 3,000 patriotic students from 12 schools in Beijing held passionate demonstrations, and the May Fourth Movement broke out.

Chen Jusun (1913-1987): organizer of the "December 9th" movement. On December 9, 1935, thousands of students in Peiping held an anti-Japanese and national salvation demonstration. History records record that this was "the first large-scale student movement led by the Communist Party of China" and later spread to all parts of the country. Chen Jusun, a student at Yanjing University in Peking, was 22 years old at the time and participated in organizing the parade. On the night before the parade, it was he who hid most of the students participating in the parade at the Diaoyutai. On the eve of the "December 9th" movement, he did a lot of ideological mobilization work as a student federation cadre, effectively organizing the revolutionary students of Yenching University and becoming the backbone of the "December 9th" movement.

Lin Juemin (1887-1911), whose words have meanings and whose nicknames are flying. Han nationality. A native of Fuzhou, Fujian. In 1900, he entered Fujian University and began to accept the ideas of democratic revolution and advocated the theory of freedom and equality. In 1905, he returned to his hometown and married Chen Yiying. In 1906, he went to Japan to study at his own expense, specializing in Japanese. The following year, he became a government-funded student and entered the liberal arts department of Keio University to study philosophy and also studied English and German. Here he actively engaged in revolutionary activities and joined the Tongmenghui. In the spring of 1911, I learned that Huang Xing, Zhao Sheng and others had established a coordinating department in Hong Kong to plan the Guangzhou Uprising, so I went to Hong Kong and later returned to Fujian to gather revolutionary patriots. On the night of April 24, he wrote a suicide note to his father and wife in Hong Kong. He sincerely expressed his love for his relatives and his determination to sacrifice his life for the country. On April 27, Chen Gengxin and others led Fujian patriots into Guangzhou. At 5:30 in the afternoon, Sui Huang Xing bravely stormed into the governor's office and set fire to the governor's office. After rushing out of the supervision office, he turned to attack the supervision training center. On the way, he met the Qing patrol battalion and started a fierce street fight. He was injured and exhausted and was captured. Zhang Mingqi, the governor of Guangdong and Guangxi in the Qing Dynasty, and Li Zhun, the admiral of the Navy, personally interrogated him in the admiral's office. He showed no fear and talked eloquently in the lobby, summarizing the general trend of the world and current affairs in various countries, and promoting revolutionary principles. He also gave a speech in the hall, talking about the dangerous situation, beating his chest and feet, and his anger could not be suppressed. Finally, he advised the officials of the Qing Dynasty to change their minds, dedicate themselves to the country, eliminate tyranny, and establish peace. He was imprisoned for several days without food or water, but he calmly walked into the execution ground and died calmly. He is one of the seventy-two martyrs of Huanghuagang.