a6000 mirrorless photography skills

Let me tell you the a6000 mirrorless photography skills!

It is true that compared with the full-frame image quality, higher sense of height, and better blur, the A6000 with broken frame is really looking for abuse. . Although the picture quality is inferior, the A6000 has its own most unique shining point? Quick!

The a6000 mirrorless photography skills are also good at shooting travel scenery!

Lightweight! There is no pressure to carry it with you. You can take pictures whenever you want! But the main point I want to say is? Using the A6000 to shoot will not press on my straight nose! Not to mention that the high forehead of the SLR flattens the nose, and the weather is cold. The screen was sprayed with mist!

Of course, some people may think that the A6000 is too small and not stylish enough to seduce girls for filming.

In fact, what I want to say is that the real style is not dependent on the camera, but the photographer himself! I also use the A6000 to shoot girls.

Optimization of glasses: Since SONY released full-frame mirrorless lenses, half-frame mirrorless lenses have basically become stepmother’s children and no one loves them anymore. Fortunately, my mother left a certain legacy, and the half-frame E-mount camera can still be considered a complete lens set.

E16-50 F3.5-5.6. It's just a dog's head, severe distortion, and slightly poor edge resolution. But the price is only a few hundred, so you can’t expect more. Fortunately, the dog biscuits are extremely thin and light, so they are the first choice when hanging up.

E55-210 F4.5-6.3 OSS. Long zoom, extremely wide focal length coverage. Of course, with a price of just over a thousand, it is destined to not have very good imaging. The performance at all focal lengths is relatively weak, and if used to make up for the focal length, it can barely compete.

E50 1.8 OSS. Calibration is relatively expensive compared to CN's small spittoons, but the E50 has anti-shake features and an all-metal lens body, which is durable and feels great in the hand. If you are looking for portrait blur with the E-mount, you can only choose this one. Of course, if you’re not short of money, you won’t regret it if you just buy the FE55 1.8ZA. It will also be available for full-frame upgrades in the future.

Sigma E19 2.8 art. The performance of Sigma's art series in recent years is not unspectacular, and the E19, E30, and E60 Three Musketeers developed for the E-mount are all excellent and very cheap! The picture quality of this Guangding E19 2.8 art is very good. It’s so powerful that people can’t believe this is a lens that’s over a thousand years old! The price/performance ratio is incredible! Of course, if there are any shortcomings, it’s why it only has an aperture of 2.8 and why it doesn’t support full-screen focus points!

E16 70 F4 ZA. If you only want one lens, but are not satisfied with the E1650, have a certain pursuit of image quality, and are not short of money, then the E1670 is undoubtedly the best choice. Although it is often considered to be tasteless, it is a pity to discard it if it is tasteless. Ultimately, the reason is just that it is half-size and so expensive. Most consumers think that since I have spent so much money, I have to get it right in one step. Spending so much money to buy a half-frame format, you won’t be able to use it when you upgrade to a full-frame format in the future, it’s a waste!

In the final analysis, it’s all about money. Is this money worth spending? Before drawing a conclusion, let us take a look at how this lens performs.

A6000 Mirrorless Photography Tips As the standard lens for half-frame cameras, E1670ZA is the best lens for E-mount, bar none. In fact, just the ZA mark is enough to instantly kill the E1650 and E1855 lenses. Of course, the price also kills them instantly. Compared with another E18-105 F4 G, it should be an instant hit. Huh? Actually, I have never used E18105G, so I dare not speak too absolutely.

When it comes to standard shift, the most commonly used focal lengths are the wide-angle end and the telephoto end. That is to say, the image quality performance of the 16th and 70th end is what everyone is most concerned about.

As far as the 16-end is concerned, its distortion control capabilities and resolution are excellent enough, and it even has very good anti-glare performance, which is enough for daily landscape shooting and this. Travel photos.

The telephoto end of 70 has a certain blurring ability, especially when taking close-up shots. In other words, those who love to take pictures of sketches and small objects are in luck!

Excellent close-up shooting ability, of course it is also great for taking headshots and so on!

As for the whole body Don’t expect too much when it comes to blurring effects on portraits. It’s just F4 aperture and only 70 focal length.

Conclusion: This is the best travel head for E-mount. This is the most convenient camera head for E-mount. Of course, it is also the most expensive E-mount standard adapter. In fact, if you care more about portability, pursue image quality at the same time, and hope to travel far and wide with one lens, the E1670 is undoubtedly the best solution. It can cope with daily life and travel photography without any problem. But if you are a professional photographer who relies on the lens for your livelihood, the E1670 is indeed too reluctant as a working head.

For me, I like its portability, and with the A6000’s unrivaled focus, I can shoot the scenes I want to record anytime, anywhere, and that’s enough.

With the support of flash, the only F4 aperture can barely compete in night photography.

In addition, there are many lenses for A6000, such as E18-55, E18-200, E18-105 F4 G, E35 1.8, E24 1.8ZA, Sigma E30 F2.8 ART, and Sigma E60 F2.8 ART. Although the quantity is not large, it is still relatively complete. It's just that I don't have that much money, so I can't buy them all. In line with the principle of not talking nonsense if you haven’t used it before, I can’t give you any better advice on wearing glasses.