What is the joy of landscape? Please write an essay. . .

The benevolent are happy in the mountains, and the wise are happy in the water. The benevolent and wise enjoy the mountains and rivers. Human beings live between mountains and rivers. The profound mystery of landscape lies not only in the fact that it is the cradle of human life, but also in the fact that it is the source of art. Let’s take a broad look: can all the art in the world be insulated from landscapes? "Preface to the Lanting Collection" and "Peach Blossom Spring", "The Difficult Road to Shu" and "Red Cliff Ode" are too numerous to mention. Aren't landscapes the cradle of art?

What often moves me in life is traveling again and again; it is seeing the many wonderful natural and cultural places in the world. "Yangchun calls me with smoke and scenery, and large blocks of falsehood call me with articles." Countless masterpieces of the objective world and human society are contained in this "big block". Without the smoke and scenery that attracts people, how can there be the production of literary and artistic works that enchant the city and the country? Therefore, the ancients read thousands of books but also traveled thousands of miles, walked while singing, and walked at night holding candles. Traveling is art in itself. It not only produces the materials for poetry, calligraphy and painting, but is also the source of the originality of artistic works. Learning from nature, nature is the teacher of art.

Landscapes have given birth to fine works of literature and art throughout the ages. If you don’t believe it, look at Jing Hao’s “Kuang Lu Picture”, Zhang Zeduan’s “Along the River During the Qingming Festival”, Ma Yuan’s “Spring Journey on a Mountain Trail” and Li Keran’s “The Picture of Spring Tour” by Li Keran. Mountain Village Waterfall". If you don’t believe me, read Fan Zhongyan’s “Yueyang Tower”, Wang Bo’s “Preface to Prince Teng’s Pavilion”, and Zhu Ziqing’s “Moonlight over the Lotus Pond”. Or you can listen to "Spring River Flowers and Moonlight Night", "Mountains and Flowing Waters" and "Pinghu Autumn Moon". We are the sons of mountains and rivers. It is the mountains and rivers that give birth to us. When faced with majestic landscapes, lingering landscapes, leisurely landscapes, landscapes with unique charm, landscapes that can inspire people's passion and mind, landscapes that can connect human spirituality with nature, and landscapes that condense When people and mountains and rivers are rich in history and culture, there will be a kind of communication and a language exchange between people and the mountains and rivers. The object collides with the subjective, and the subject expresses the objective. Will we feel it but not express it?

The ingenious Creator has arranged such a rich and colorful world, and the vast existence is an inexhaustible treasure house. Creation, life, culture, feelings, expression and sustenance cannot be separated from mountains and rivers as carriers. The world is too big and our conditions are extremely limited. It is impossible to go wherever we want. Even in China, it is impossible for one person to have been to many famous places. Confucius climbed the Dongshan Mountain and made Qilu small, and climbed the Taishan Mountain and made the world small. Du Fu "will stand at the top and see all the mountains and small mountains at a glance." It can be seen that only by standing high can we see far, and by seeing more can we know more. When I arrived in the Southern Hemisphere, I suddenly fell from winter to summer in less than a day, so I gained a more rational understanding of the earth's word "ball". When I went to Europe and the United States, I suddenly switched from the day and night in the East to the night and day in the West, so I had a personal experience of jet lag. In the desert, in the Gobi, under the Tianshan Mountains, and on the grasslands, people can deeply understand the meaning of loneliness and roughness. Only in Suzhou, in the East Lake, on the Fuchun River, and on the Baidi, can you most truly appreciate the charm of Jiangnan. Only when you pass the Xiling Gorge, look at the Goddess Peak, cross the dangerous Qutang, and stand next to Yanyudui can you feel the majesty of the Yangtze River in a thrilling way. Standing on the top of Mount Tai, Taihua, Huangshan and Emeiding, you can have a bird's eye view of the river and the world. Wandering at the foot of Lishan Mountain in front of the Yellow Emperor's Mausoleum, along the Huanhua River beside the Mogao Grottoes, up and down the Great Wall, inside and outside the Forbidden City, one can have a spiritual enlightenment that penetrates the past and present, and a sudden feeling of facing the vicissitudes of life. The bells of Hanshan Temple, the evening drums of Kumbum Temple, the flags of Shaolin Temple, and the Zen fog of Wudang Mountain leave people with so much suspense! The collapsed Yin capital, the desolate Gaixia, the solemn Tongguan, and the red Red Cliff leave people with many longing thoughts!

When people face a beautiful scenery or a historic site, due to their different understandings of it, different viewing angles, and different people's circumstances and qualities, the brushstrokes used to describe it will all have their own merits. The emotions also have their own characteristics. There are no two identical leaves in the world. People have pursued convergence for a long time in history, and in the future people will consciously pursue divergence. Only when we have national character can we have global character; only when we have individual character can we have global character. The same scenery is described by many people with the same title, and there will never be two identical articles. In my opinion, there are two ways of writing travelogue articles that I hate the most. First, the narrative is written in the form of a running account, which is unbearably vulgar. The first is a reproduction-style depiction, which replicates the shape of the object as closely as possible. For example, when we see a person, we can describe everything about him or her by writing about his or her wide forehead, thick eyebrows, tall person, and big feet, or about her waterfall-like black hair, watery big eyes, cherry mouth, and slender figure. Does it include ideological personality and spiritual world? Humans have bodies and spirits, so do mountains and rivers only have entities but no spirits? But its spirit depends on people to feel it. Otherwise, how could we climb a mountain and feel like a small world, or think about the distant future while looking at a clear stream? A good article about scenery and travel can express not only the form, but also the spirit. The shape is easy but the spirit is difficult. The spirit of state is in the form, and the form must serve the spirit of state. Read Fan Zhongyan's "Holding distant mountains and swallowing the Yangtze River", then "The dark wind howls, the turbid waves are emptied", then "The smoke is gone, the bright moon is thousands of miles away", and finally "Be worried about the world's worries first, and be happy after the world's happiness" ". If it weren't for the last sentence, which is the finishing touch and sublimates the spirit of scenery, then the scenery in front of it is so mysterious. Could this article be placed in a conspicuous place in history and culture as an eternal masterpiece?

Landscapes are speechless, and their spirit depends on people to understand and interpret them. Being able to properly "state" the spirit of mountains and rivers, and being able to get people's approval by describing the spirit, is the essence of travel writing articles.

In the process of shaping, we guide people to follow the author's narrative and naturally enter the spiritual world of the author's thorough understanding of the landscape. This is our art. Reaching this state depends not only on a desire, nor is it just a matter of skills or training, but also depends on the author's spiritual world, the author's outlook on life and the world, the height at which the author stands, and is a manifestation of the author's comprehensive qualities. Otherwise, the far-fetched sublimation and mechanical installation will disappoint the readers. Refining the spirit of famous scenic spots always follows the natural rules and establishes a state where people will think about it but cannot describe it when they are in their place.

What a high standard this is!