What are the eight scenic spots in Fuxian County?

The bronze bell of Hoshakuji in Fuxian County was cast in the third year of Zhenguan in Tang Dynasty (AD 629), and is known as the first ancient clock in the world. Weight of bronze bell1500kg. 1August 6, 956, was announced by the Shaanxi Provincial People's Government as the first batch of key cultural relics protection units in Shaanxi Province. The bronze bell was originally Brahma bell in Hoshakuji, and later moved to the suspended building to report to the police. Clock height 1.55m, knob height 15.5cm, waist 4.20m, caliber1.5m. The shoulder of the clock is decorated with lotus flowers, symbolizing the clean world of Buddhism. Wide-band stripes composed of geometric patterns and sunflower patterns divide the clock body into three parts. From top to bottom, cast a flying portrait on each side of the upper part, counting three flying people, and some flying people hold bowls and float in the air; Cast a suzaku statue on both sides in the middle, a Qinglong on both sides at the bottom, and a front inscription of 3 18 on the other side. Hoshakuji's bronze bells are exquisitely shaped, vivid in design, beautiful and realistic, well-proportioned by foundry workers, with loud and deep bells and a reputation of dozens of miles. Such a huge bronze bell, no matter from the casting process or decorative patterns, fully embodies the political, economic and cultural prosperity in the prosperous Tang Dynasty. It left precious material for the study of Buddhism, calligraphy, painting and casting technology in the early Tang Dynasty. The second scene, Tabashan Temple Tower, is located in Bai Shan Ye, Zhiluo Town, 50 kilometers northwest of Fuyu County. Belonging to the Song Dynasty, the tower is an eleven-level octagonal pavilion-style brick tower with a height of 43.2 meters. Each side is 3.7 meters long and 9. 1 meter in diameter, and there are dense brick arches under each eaves. The external walls of each floor converge from bottom to top, and windows and niches are tapped on the external walls of each floor. There are beautifully sculpted statues of Lohan and Tianwang in the pagoda niche. Square carvings with 20 themes are embedded in the tower wall. The whole tower is unique in shape, beautiful and straight, and has a unique architectural style. It is a provincial key cultural relics protection unit. The third Jinghong Shisi Grottoes belong to provincial key cultural relics protection units. Located in the north bank of Chuanzi River, Zhiluo Town, 65km west of Fuxian County, Shaanxi Province. There are 9 caves and more than 3,370 statues. Grottoes were first excavated in the Southern and Northern Dynasties, and were successively renovated in the Tang, Song, Jin, Ming and Qing Dynasties. The main cave is large in scale and well preserved; In front of the main cave, there is a three-bay, two-story building (Tibetan Scripture Building) with brick and wood structure. The cave is 5.4m high,10.3m wide and10.7m deep, with a rectangular plane. There is a pedestal in the center, and square pillars at the corners of the pedestal are magnificent. There is a Buddha (Sakyamuni), two Bodhisattvas (Manjusri Bodhisattva and Pu Xian) and two disciples (Ye Ye and Ananda) on the altar. All buddhas and bodhisattvas sit on the lotus seat. The height of the Buddha statue is1.86m, and the height of the seat is1.59m.. Buddha's bun, big ears, right hand attached to the knee. He put his left hand in front of his lower abdomen, wearing a double-shouldered jacket, topless and wearing a big skirt. Eyes slightly closed, a beautiful and solemn body is very evil and inviolable. The second disciple Anangao1.74m and Ye Jiagao1.62m.. They parted on both sides and prayed with their hands folded. They are gentle and quiet, with the words "Nigumei, fragrant flowers for support" carved on the top of the cave, and more than 3,270 reliefs on the cave wall and four pillars (the largest relief is 1.5m). There are Emperor Tong in the second year of Jin Dynasty (A.D.11), Emperor Tong in the second year of Jin Dynasty (A.D. 1 142) and the statue of the emperor (A.D. 607). This grotto shows the carving art of different times in China, which makes its grottoes have a unique style. Statues have high artistic attainments in carving and composition. The four pillars and the small Buddha statues carved on the cave walls are arranged in an orderly way, echoing each other from a distance, with different expressions, natural and smooth relief, exquisite carving techniques of the main images, accurate proportion, smooth and comfortable clothing lines and rich texture. Hong Shi Temple Grottoes provide a large number of image materials for the study of China history, religious history, especially sculpture art, and are known as one of the four largest grottoes in northern Shaanxi. The fourth scene, Baguamiao Pagoda Group, is located on a platform in the north of Baguamiao Village, Zhangjiawan Township, Fuxian County. According to legend, the original Eight Pagodas were called Bagua Temple. The original temple has been destroyed, and there are three existing brick towers, from north to south. The North Tower has nine floors, with an octagonal plane and a residual height of 9.7 meters. Each floor of the tower is paved with bricks, and the top of the tower is also paved with bricks. This tower is very strong. The middle tower is a brick pavilion, with a quadrilateral plane, eight floors and a height of about 9 meters. There is no tower gate, and the tower is solid. The South Tower is an octagonal brick building with eight floors and no tower gate, with a total height of about 9.8 meters. Each floor of the tower is made of bricks, and the corners and middle of each floor are decorated with bucket arches, so the tower body is solid. The whole tower group is simple and beautiful, with moderate proportion and simple style, which is the architectural style of Ming Dynasty. Now it is a provincial key cultural relics protection unit. In the fifth act, Qin Zhi said that after Qin Shihuang annexed six countries and unified China, in addition to other achievements, he also made two major events that attracted worldwide attention: First, he built the Great Wall of Wan Li; Second, a road similar to today's expressway-Qin Zhi Road, commonly known as "Emperor Road" and "Saint Road" in northern Shaanxi. From 2 12 BC to 2 10 BC, it was an important military thoroughfare that Qin Shihuang ordered Meng Tian to supervise and repair. The Road of Qin Dynasty starts from Yunyang Guanglin Palace (now Liang Wudi Village, Chunhua County), a military stronghold in Xianyang, Kyoto, and reaches the county seat (now Mengjiawan Village, southwest of Baotou City, Inner Mongolia) in the north, passing through 14 county seat, with a distance of more than 700 kilometers. The widest part of the road is about 60 meters, generally 20 meters. According to Historical Records: "From Jiuyuan to Ganquan, it took 1,800 miles to reach the valley." "Han Shu" said, "The road is 50 feet wide and the trees are 30 feet high. The outside is thick, hidden in the golden vertebra, and the tree is loose. " It can be seen that the project is arduous and magnificent. Aside from Qin Shihuang's sympathy for the people, Qin Zhidao can indeed be called a miracle of world highway engineering and one of the masterpieces of the Chinese nation. Qin Zhi Road runs through the Loess Plateau in northern Shaanxi, along the east side of Ziwuling at a height of 1.600 meters to the north. It passes through Huangling, Fuxian, Ganquan and Zhidan counties in Yan 'an, and then extends northeast to Baotou, Inner Mongolia. After the wind and rain in 2000, most roads are still well preserved. Many hard roadbed only have weeds, but no trees, especially the remains of Qin Zhi Road in Fangjiahe, Ganquan County. The pier across the river is still there, and the rammed soil layer is very clear. During the Jiaqing period of the Qing Dynasty, the literature records: "There are Ruofu and Lintong in the south, Qingyang in the north, and horses and chariots are in an endless stream, and the crown is surging ..." This shows that the waste of Qin Zhi Road is only a matter of the last few hundred years. Today, part of the complete Qin Zhi Road has been included in the key cultural relics protection units in Shaanxi Province. With the upsurge of western development, the archaeology, exploration and sightseeing of the way of Qin Dynasty are becoming the new hot spots of Yan 'an tourism. The sixth scene The seventh scene of Kaiyuan Temple Tower in Fuxian County, formerly known as Rome, is spread in the area of Jiaodao Plateau in Fuxian County. The signal of withdrawing troops in the ancient battlefield is also a dance for soldiers to celebrate victory. On holidays, there are usually 40-60 pairs of flying gongs, or 80-80 pairs, following the yangko team and walking from village to village. The players were dressed as knights, with gongs in one hand and hammers in the other. They are very active. When performing in the venue, the yangko team is in a circle, and the flying gongs perform in the middle. There are different forms of beating, such as the "Sheep Club", that is, four flying gong players form a square, dancing, beating gongs, shaking their heads, gathering in pairs in the middle along the diagonal, then flying gongs, then retreating, then flying gongs, and repeating in turn. Another example is "five horses running four corners" and so on. The flying gongs in Fuxian County are concentrated in Jiaodao Town, Fuxian County. Generally, there are 20 people in a group, which are divided into square performances and street performances, and the scale can reach more than 200 people. The eighth scene smoked painting paper-cut Fuxian smoked painting originated from Fuxian folk decorative crafts-bowl rack clouds. The bowl rack is generally vertical and has three floors. It is a kind of furniture for storing rice, noodle pots and tableware in the rural areas of southern Yan 'an, similar to the current kitchen cabinets. Smoked painting is a unique folk art in which rural women stick their works on a bowl rack in order to decorate their houses and beautify their lives. When making smoked paintings, make the composition first, and then cut the appearance. According to the design requirements, the appearance should be laid flat on white paper or colored paper, soaked with clear water mist, and then smoked repeatedly with pine branches, birch bark or kerosene lamps. When the paper is completely blackened by black smoke, it should be gently uncovered to present a clear and contrasting picture. Smoked paintings are simple and vigorous, with rigorous structure, concise techniques, clear priorities, set each other off between reality and reality, exaggerated images and distinct themes. Connected with the paper-cut Buddha beads in Fuxian, Fuxian won the reputation of "the hometown of Chinese folk art" On holidays, local women get together to paint, cut and smoke. Every household's walls and dish racks are covered with smoked pictures, which are colorful and beautiful.