Traditional Culture Encyclopedia - Travel guide - Is it fun to practice the city in Huzhou, Zhejiang?

Is it fun to practice the city in Huzhou, Zhejiang?

Since the opening of Hangou in the late Spring and Autumn Period, Wu State has gone through generations of construction and construction, making the North-South Canal starting from water transportation into five major water systems running through the Qiantang River, Yangtze River, Huaihe River, Yellow River and Haihe River, connecting Taihu Lake, The Beijing-Hangzhou Grand Canal is the longest artificial river in the world among the five major lakes: Gaoyou Lake, Hongze Lake, Weishan Lake, and Dongping Lake. Among them, the river system in the southern section of the Yangtze River is the most developed, with dotted towns and cities and a long history of civilization. In the last century, although Xinshi-Lianshi-Wuzhen was part of Hangzhou-Shanghai Line B (the inland waterway route from Hangzhou to Shanghai), compared with Line A of Chongfu-Shimen-Jiaxing, the products were richer and the waterway was wider and deeper. . Therefore, in December 1958, all the Hangzhou-Shenzhou Canal Shipping Line was converted to Line B. Located in the center of this golden waterway, the ancient town of Lianshi in Huzhou (also known as Lianxi because the Shihe River and the canal meet at the west gate of the town) is connected to Wuzhen to the east, the city to the west, Shimen to the south, and Nanxun to the north. The hinterland of Hangjiahu Paradise absorbs the aura of the south of the Yangtze River and inherits the legacy of Wu and Yue. It has survived for more than 2,000 years. It can be said to be a blessed land with outstanding people and good fortune.

1. The local specialties of Lianshi include rex rabbit, mutton with braised sauce, mulberry and silkworm breeding, and Hu sheep.

2. The places of interest include: Lianshi Puxian Temple is located on the south bank of Lianxi River in the east gate of Lianshi Town. Puxian Temple, formerly known as Qitang Nunnery, was built during the Xiantong period of the Tang Dynasty. According to the inscription of Zhu Guozhen (a native of Nanxun, a Jinshi in the 18th year of Wanli in the Ming Dynasty) in Puxian Temple in the "Lianxi Documents", "the monk Fa Zhen in Xiantong in the Tang Dynasty dreamed of the Venus God hanging down at night." The statue was thought to be the universal virtuous and powerful figure, so it was created." After that, the times came and went, and once "the walls were ruined, the ancient Buddhas were drenched by the rain, the wind was cold and the moon was cold, and the grass and grass were in ruins." However, in the long history, there have been many reconstructions: the revival of Jingkang in the Song Dynasty, the reconstruction in the Hongwu period of the Ming Dynasty, It was ordered to be built in the tenth year of Tianshun, and the main hall was built in the Chenghua period. It was rebuilt in the fifty-eighth year of Qianlong's reign in the Qing Dynasty. When the temple was prosperous, "there was a ring of clear water in front of the courtyard, shaded by green trees, and winding paths. From time to time, you could hear sandalwood trees surrounding the courtyard. Although the temple lived close to the city, the noise and noise of the people seemed to have disappeared." It is also said that Puxian Temple in Lianshi is as beautiful as Wutai and Emei. People come from all over to practice Zen and seek advice. Puxian Temple also means that the heart is Buddha. Going to the temple to offer incense is as effective as going to Wutai and Emei. It can be seen in historical documents: Zhu Guozhen once wrote an inscription for him, Mi Fu (zi Yuanzhang, also known as Haiyue, also named Minangong, Xiangyang Manshi, etc.); he was a doctor of calligraphy during the reign of Huizong, and was known as "Mi Di" "Mi Chi"; his "Yanshan Mingtie" was purchased from abroad for more than 20 million yuan in recent years as a national treasure collection). Ji Shichen built a reading pavilion in the south of Sichuan in the temple, and Mao Kun often visited the temple. Ji Shichen, Shi Jun and many other dignitaries and literati wrote poems for it, and the emperor ordered its construction, which shows that the scale of Puxian Temple in its heyday was extraordinary. There is also the Phoenix Bridge in the east gate of Lianshi Town, formerly known as Changqing Bridge. According to legend, it was built by Yuchi Gong of the Tang Dynasty and rebuilt during the Kangxi period of the Qing Dynasty (1662-1722). The bridge is a single-hole stone arch bridge, 24 meters long, 2.9 meters wide and 7 meters high, with 27 steps up and down. The arch stones are laid vertically and jointly in sections, and the shoulder walls are laid in the shoe-nail type. The shoulder walls are connected by two pairs of tie beams, and the stone bridge is surrounded by Tengxian Ge, which is ancient and vigorous. Then there is the Tsuenbu Baoen Temple. Located in the northwest of Lianshi Town, Nanxun District, Huzhou City, Zhejiang Province, the Tsuenbu Baoen Temple has been prominent for many generations, and has flourished and declined to this day. In addition to the legend that Zhu Yuanzhang, Emperor Hongwu of the Ming Dynasty, once took refuge here, It has a lot to do with the true story that the eminent monk Yulin of the Qing Dynasty once served as the abbot of the temple. According to the "Gui'an County Chronicles" recorded by Guangxu of the Qing Dynasty: the Tsuenbu Huguo Baoen Temple was built in the twelfth year of Xiantong in the Tang Dynasty (871 AD) and was named "Qianbu Yuan". In the second year of Song Zhiping (1065), the title was changed to "Guoguo Baoen Temple" Temple", the temple was destroyed in the late Yuan Dynasty. During the Hongwu period of the Ming Dynasty (1368-1398), it is said that Zhu Yuanying rebuilt it on a large scale in order to repay the favor of taking refuge in the temple. At that time, the temple was surrounded by towering ancient trees, with a blue stream in front, a bridge on the river, and a ripple behind it. The water was clear, the environment was quiet, and there were many eminent monks in the temple.

3. Folk activities include: 1. "Eat mutton during the Beginning of Autumn." This is a common saying among local farmers in Lianshi Town, Nanxun District, Huzhou City, Zhejiang Province. 2. Dragon dance originated from the ancient sericulture culture. Oracle bone inscriptions contain records of silkworm divination and worship of the silkworm god. "The Book of Silkworms" calls silkworms "dragon spirits". In Hangjiahu Silkworm Township, there is still a custom of calling silkworms "white dragon" or calling big silkworms "dragon silkworms". At the same time, various "dragon silkworm stories" are spread. In the discussions between Chinese and foreign scholars on the prototype of the "dragon", "the dragon is the silkworm" is also an eye-catching theory. Burning silkworms in the field is a ritual in the silkworm township to divine silkworm affairs and pray for a good harvest. It is usually held on New Year's Eve or the Lantern Festival. 3. Martial Arts: Practice folk martial arts in towns and cities, and have won many awards in city and district performance competitions in recent years. In 1996, Lianshi Town was rated as a provincial-level sports advanced town. In April 2000, it was named the "Zhejiang East China Sea Cultural Pearl" town. 4. Practice Shichuanquan: The so-called boatquan, as the name suggests, the boxing skills and instruments performed on the boat are called "boatquan". The Chuanquan that spreads in Lianshi is called "Lianshi Chuanquan".

The so-called boat boxing, as the name suggests, the boxing skills and instruments performed on the boat are called "boat boxing". The Chuanquan that spreads in Lianshi is called "Lianshi Chuanquan".

Lianshi Chuanquan originated in the Spring and Autumn Period, developed in the Tang and Song Dynasties, became popular in the Ming and Qing Dynasties, and has been passed down to this day. It has the distinct local characteristics of the Wuyue area of ??"being accustomed to water fighting and easy to use boats", and integrates various The basic moves of Zhongquan are similar to Nanquan, but not Nanquan. It is a strange flower in the garden of Chinese martial arts.

The performance form of "Lianshi Chuanquan" has a strong folk atmosphere, with nearly a hundred types of traditional boxing and weapon routines combined. During the performance, gongs, drums, suonas, chimes and other folk instruments accompanies the performance to attract the audience and create an atmosphere with great momentum. "Lianshi Chuanquan" uses teaching by example and words as the teaching method, and takes apprenticeship and apprenticeship as the inheritance rules, which has remained unchanged for hundreds of years. As the main body of physical education teaching, school physical education is mainly based on competitive sports means, content, methods, etc., ignoring my country's excellent sports cultural heritage-traditional sports.