Use objects to symbolize people to write essays

1. Write a 600-word essay describing characters using the method of object-image penetration.

My grandma

My grandma is sixty years old this year. There are also a few clusters of white hair in the black hair.

Grandma is very hard-working. When I walk into my grandma’s house, I always feel that it is particularly clean, orderly and spotless. Because grandma has to mop the floor once a day. I heard my mother say, Grandma was even more industrious and hard-working when she was young. When my mother was a child, my grandpa was very busy at work. Grandma not only had to work in the fields, but also did all the housework at home to take care of her three daughters. Every night at eleven I can't go to bed until after 0 o'clock, and I have to get up at 5 o'clock the next day. But grandma always has no regrets.

Grandma didn't go to school, and she didn't have much education, but she knew more than us. Much more! She told us that we should be tolerant and not worry about things and hurt everyone's harmony. My mother said that my grandmother was very strict with the three sisters when they were young, especially in terms of behavior and habits, but she never spanked them. I think, grandma It is really not easy to train three college students in the rural areas of the past!

Grandma is a studious person. Although she has never read a book, she can read. Grandma’s family subscribes to the "Ningbo Evening News", and she reads the newspaper carefully every day. Sometimes she sees something interesting to us. Useful information will also be told to us.

Grandma likes my cousin, cousin and me very much. Every word she says to us is very kind and kind. But we convinced her more and more. When it was time to do homework, grandma always said: "Have you done your homework?" We would consciously do our homework. When we made mistakes, grandma never scolded us, but She looks at us with her kind eyes, hoping that we will realize our mistakes. At grandma's house, everything is in order, even the snacks grandma prepares for us after nap are so pleasing to me.

Grandma is such a capable person. When I grow up, I must repay my grandmother with my best grades. 2. Composition using symbolic techniques

Use specific objects to imply some deep philosophy .Because philosophy is abstract and lacks the power of image infection. In addition, concreteness itself should also have relative integrity and independence.

Scholars such as Zhu Guangqian and Liang Zongdai believe that it is different from the expression method alone. The long-standing Bixing in Chinese poetry is quite similar. Qian Zhongshu also proved that the synaesthesia advocated by Baudelaire, the originator of Western symbolism, is numerous in Chinese poetry. However, because symbolism in the West Becoming an important expression method is related to the modern Western ideological trend's suspicion of physical reality. Therefore, the two have different ideological backgrounds.

Gorky's "Petrel", Kahlil Gibran's "Song of Waves" and "Rain" "Song" (selected from "Song Suite"), Lu Xun's "Snow", Guo Ruomo's "Ode to Thunder and Lightning", "Star Variations"...

Baiyang Praise is also the same. 3. Comments on using objects in symbolic compositions than people 600

Using symbolic techniques to conceive compositions is a technique of expression in literary creation. Symbols refer to using the image of a specific thing to express something. An abstract concept, thought, or feeling.

Its characteristic is to use a certain similarity between the symbol and the symbolized object to express a certain content of the symbolized object implicitly and vividly. The artistic images of some works are even expressed using symbolic techniques.

Symbol is an artistic technique that is similar to metaphor. Just as metaphor requires that there should be some similar characteristics between the metaphor and the thing being metaphorized, symbol also requires that there should be some similar characteristics between the thing symbolizing and the thing being symbolized, so that people can arouse emotions from one to the other. Lenovo.

However, metaphor belongs to the scope of rhetoric, which can be used to describe abstract things or concrete things; while symbolism is an artistic technique, which is related to conception and belongs to writing conception skills, not just language processing. question. Symbols are generally used to express some abstract concepts or thoughts and feelings. In other words, they express a more profound meaning through a specific image, allowing readers to understand it themselves, so that readers can enjoy beauty.

This is a subtle and subtle technique that can make readers feel a pleasant sense of beauty. If analyzed carefully, symbols can be divided into two types: homogeneous symbols and heterogeneous symbols.

Homogeneous symbolism means that there is some essential similarity between the symbol and the symbol. It is easier for readers to make associations from one to the other.

For example, Shu Ting's "To the Oak" directly expresses symbolic meaning in specific images. The poet uses oak and kapok to symbolize male masculinity and female femininity respectively. The "copper branches and iron trunks" of the oak tree and the "red flowers" of the kapok are the specific images of masculinity and femininity.

Another example is the Russian writer Korolenko's essay "Firelight". The author wrote about his experience of rafting on a gloomy river in Siberia on a dark autumn night. The ship was sailing in the dark night, and a little fire suddenly appeared in front of it. No matter whether it was far or near, it was always so attractive.

But here, is the author just describing the fire? Obviously, no. He clearly has far-reaching meanings.

With a little thought, we can realize that the fire here is a symbol of hope and light. When the long river of life flows between the gloomy two banks, isn't it the fire that seems very far away but is in front of it after all that attracts people to move forward bravely? Whether in the years of hard struggle or on the dark road of life, people will have this experience: even a very weak and slim glimmer of hope is so valuable, it can comfort people and give people peace of mind. strength.

The author uses fire as a symbol in the article to express this subtle feeling and complex life experience at once. Heterogeneous symbolism means that the symbol and the symbol are essentially opposite.

For example, Su Tong's novel "Goddess Peak". Traditionally, Goddess Peak is a symbol of steadfast love.

In the novel, Li Yong and Ma Yue are a pair of lovers. They plan to take a boat trip from Nanjing to the Three Gorges Goddess Peak in order to strengthen their love. After they boarded the ship, they unexpectedly found themselves in the same cabin as wealthy Lao Cui.

For a period of time, Mangyue looked down on the wealthy old Cui from the bottom of her heart, thinking that he lacked cultivation and sentimentality like many rich people. Later, during several interactions, Mo Yue gradually felt that Lao Cui was generous, careful, considerate and considerate.

When the ship docked at Hankou Port, Caiyue left the ship, went to the dock, left Li Yong behind, and left with Lao Cui. Before a pair of lovers reached the Goddess Peak, their so-called love collapsed.

The ending of the novel gives readers a strong shock. Backfire is not the aesthetic value of this novel. What really gives readers aesthetic enjoyment is that the writer skillfully chose the destination where the lovers are going - Goddess Peak. Fundamentally speaking, it constitutes an opposite relationship.

After reading the novel, I couldn’t calm down for a long time. Heterogeneous symbols produce aesthetic effects based on strong contrast, so using this technique can leave a deeper impression.

From this, we can further think about, as one of the modern techniques of conception, what are the functions of symbolism? First, theme sublimation. Sublimating the theme is an important part of enriching and deepening the connotation of the theme and improving the significance of the theme in the writing process.

Sun Qiao of the Tang Dynasty said in "A Treatise with Friends": "The words must be high and then surprising; the meaning must be deep and then work." Only when the theme is profound can the essence of things be revealed and readers can appreciate the beauty. purport.

Symbolism is to extend the writing content from nature to human social life through similar associations, and use the characteristics originally written to symbolize a certain spiritual quality or character, thereby raising the theme to a new level. new realm. For example, Mao Dun's prose "Praise to Poplar" is a good example.

The article first strives to express the characteristics of the poplar tree as "upright", "simple", "stubborn" and "hard-working", and then extends the description and praise of the poplar tree to northern farmers through similar associations. On the body, poplar trees are used to symbolize a valuable "spirit and will" of our nation. In this way, through symbolic techniques, the praise of the poplar tree has been transformed into a praise of the "spirit and will" of a nation. At this point, the theme has been elevated to a lofty realm.

Another example is the text "Lamp" in the third volume of high school Chinese. In this article, Mr. Ba Jin first wrote about how he woke up in the middle of the night and saw the lights coming from other people’s homes, and his heart lit up, recalling that the lights once showed "me" the way; then he returned to reality and wrote about the comfort and comfort that the lights gave "me" tonight. Inspiration; then think of the lighthouse, the lonely night lamp on Harishi Island and the torch of ancient Greece, which guide people, and then return to reality, writing about absorbing infinite power from the light; finally recalling that a friend was rescued A living story, return to reality, and firmly believe that the light will never go out.

Appreciating the writing of this prose, from beginning to end, we can clearly feel that its theme has a sublimation process: as the author's thoughts unfold, the lamp has gradually transformed from concrete to abstract. The actual light seen changes into the light in the mind. The specific image of the lamp has been sublimated into an image with philosophical meaning. It symbolizes light, warmth and the belief in continuous progress in life.

Associating the era when this essay was written, we will naturally associate it with the unyielding spirit of the nation and the belief that the anti-Japanese war will be victorious. 4. Looking for a composition that expresses one’s ambitions through an object

In terms of content, prose that expresses one’s ambitions through an object can be divided into three forms: an object as a metaphor for a person, an object as a lyric, and an object as an allegory.

1. Use objects as metaphors for people. In fact, all works that chant things have some sustenance.

This method of describing the characteristics of things and expressing the image of characters in a tortuous way is called metaphorical metaphor. The methods of metaphorizing people with objects can be divided into the following three types: 1. Fusion of objects and people.

Integrate the qualities and characteristics of the metaphorical characters into the depicted objects, relying entirely on the form of the objects to outline the appearance of "people" in both form and spirit. 2. From objects to people.

First describe the object, and then introduce the person whom the chant refers to. 3. Interweaving of objects and people.

In narrative description, objects and people are displayed in the same background, which not only depicts the characteristics of objects, but also depicts the image of people, achieving an artistic effect that complements each other. 2. Support things and express emotions.

Lyrical expression is a technique that expresses thoughts and feelings euphemistically and tortuously by describing objective objects. It is a form of symbolic expression. Using the lyrical method of expressing objects can place abstract things into concrete and sensible images, and readers can feel invisible emotions from tangible objects.

The method of expressing emotions by holding objects can be divided into two types: expressing emotions by chanting objects and expressing emotions by relying on objects. 1. Chanting objects and expressing emotions.

The purpose of depicting objects and chanting things is to use their symbolic meanings to express feelings implicitly. 2. Express emotions based on things.

Feelings are often associated with certain things. Special experiences and special things leave a deep imprint on people's minds. Once they see old things again, the scene from that year will vividly reappear before their eyes, and the tide of emotion will flow out through this unique object. .

It should be noted that the "object" in Yuanwu lyricism has a special symbolic meaning for the author, but does not have this symbolic meaning for other people. 3. Support things and make sense.

To put things into perspective is the product of associative thinking. Associative thinking guides people to think from here to there, extending limited experience to a broad field.

Flowers, plants, insects and fish in the natural world, as well as the sundries and sundries in human life, are in various shapes and colors. From this, writers associate it with human society and understand the universal laws of the universe. There are three types of metaphors: 1. Describing the characteristics of things and embodying profound philosophy.

2. Organize and compare things to reveal profound philosophy. 3. Observe the evolution of things and understand profound philosophy.

The stubborn lives among the cracks in the rocks often move me to tears. It is the uncertain wind that scatters the unpicked seeds to the ends of the earth.

When they can no longer find soil, they place their last hope for survival in this crevice. Although they can also share the warmth from the sun and get moisture from the rain, they have to find the soil on which all life depends.

What a grim reality they face. As a result, an astonishing miracle occurred in nature, and stubborn lives sprouted from the cracks in the barren rocks.

Or just clusters of nameless weeds, green in spring and yellow in autumn, withering and flourishing year after year. They don't have the conditions to grow broad leaves because they can't find enough nutrients to make the grass leaves thick. All they have are three or two long, thin leaves. The tiny veins tell you how difficult it is to survive. What's more, they grow roots on their own under the clusters of thin leaves. Just to suck less milk from the mother, they go looking for the unnoticeable stone crevices.

This is life. If this is an instinct, then it shows how noble the instinct of life is. Life has the right to think of itself as glorious and magnificent, and vitality is so uncontrollable.

Or just clusters of small mountain flowers, most of which are bitter dandelions. Their stems and leaves are filled with bitter, milky white juice, and their roots are dug up for wild vegetables in spring.

The dandelions among the rocks are not as strong as their counterparts in the fields. They cannot grow into tall trunks due to the fierce mountain wind, they cannot have many leaves due to the barren rocks, their stems appear tough and old, their leaves lose their luster due to withering; only their roots can Like the flexible yet strong tendons, like the soft yet strong vines, they are buried deep in the narrow gaps between the rocks; they can no longer serve as fresh wild vegetables for people to eat, but they silently help people climb the mountain road. The person prepared a reliable grip.

Life is determined and changed by the environment in this way. Although the law of survival of the fittest is ruthless, all the fittest are the strong ones who defeat the environment. The phenomenon of life tells you that life is Fight hard. If there were only these small flowers and grasses between the rocks, they might only arouse people's pity; but the most amazing thing is that there are towering pines and cypresses growing in the gaps between the rocks, majestic, vigorous, towering and straight.

They give the mountains aura and make all life look pale and inferior in front of them. Their trunks grew out of the cracks in the rocks in this way, twisting and rotating, and every inch of the tree coat was covered with scars.

Up, up, up is so hard. Every inch of growth has to go through several degrees of cold and heat, several seasons of spring and autumn.

However, they finally grew into tall trees, spreading out their lush branches and clustered with needles that never fall. They stand on the cliffs and on the peaks of high mountains. Only the tree roots entangled on the stone cliffs silently tell you what a hard struggle it is for them to grow.

The tree roots, as thick as a giant python and as thin as a grass snake, are intertwined, piercing from one stone crevice and emerging from another stone crevice, so they extend along the ruthless bluestone. In the past, like sharp eagle claws, it grasped the rock on which it lived. Sometimes, the roots of a pine and cypress can climb half of the cliff, as if tightly binding the numerous rocks with a thick cable. Only in this way can they withstand the invasion of violent storms, and finally they can survive. The living space that does not belong to oneself occupies a world for oneself. 5. A 900-word essay on personification

The rain outside the window finally stopped, and I went out for a walk after feeling bored in the house.

Suddenly, I had the idea of ??picking roses, but then I laughed. Where are the roses these days? But I still set foot on the wet path.

The rain stopped, and the rainwater rolled on the green leaves, shining like transparent crystal. Everything in the mountains was so quiet, I could hear my own hasty footsteps.

The rose garden has arrived. However, there were only twisting branches of roses, only dense green branches and leaves, no roses, not even flower bones.

I left disappointed, walking back, but my eyes were still searching greedily. Suddenly, I saw a few roses blooming in the ravine from a distance.

I was so excited and thought it was a miracle. He jumped up and ran towards there.

As I got closer, I couldn't help but feel dumbfounded - that was not a rose, just a prickly pear flower, just a prickly pear flower. The petals are sparse and thin, and even the color is so light! What surprised me was that it was abandoned beside a ditch or on the roadside, but it was weather-beaten but could hold its head high.

The prickly pear flower cannot compare with the fragrance and beauty of the rose. It will not be held in someone’s arms and placed on the desk, but it can bear prickly pears, make medicine, and make tea in silence. Dedicate all you have; it does not live as vigorously as a rose. Although it is ordinary, it lives an upright life; it has never been earth-shattering, but just forges ahead silently. Isn't this kind of life just as meaningful? I knelt down, picked two prickly pear flowers and held them in my hands. They felt as beautiful as roses.

No, it is more beautiful than a rose. 6. How to write a junior high school composition that "supports the meaning of objects"

Use association to select objects that you are familiar with, strive to have new ideas, and avoid being the same as everyone else. After you have initially selected an "image", consider the symbolic meaning that the image can convey, and what kind of spirit or type of person it can point to. Then consider whether you can develop this symbolism into several different levels. If you have difficulty explaining the symbolic meaning of images from multiple angles, you may wish to study Guo Moruo's "Pomegranate". Focus on description, describing the appearance of pomegranate from branches, flowers to fruits. Then, on the basis of detailed description, the symbolic meaning can be naturally derived.

If you want to write the subtitle "Father of Mud", you can divide it into several aspects, such as your father's things and his love for you. Then think about the title, and finally point out the connection between father's love and soil. 7. Talk about things How to write a composition about aspiration

In terms of content, prose about aspiration can be divided into three forms: a metaphor for an object, a lyrical expression for an object, and a metaphor for an object.

1. Use objects as metaphors for people. In fact, all works that chant things have some sustenance. This method of describing the characteristics of things and expressing the image of characters in a tortuous way is called the metaphor of people. The methods of using metaphors to support objects and people can be divided into the following three types: 1. Fusion of objects and people. Integrate the qualities and characteristics of the metaphorical characters into the depicted objects, all relying on the form of the objects, and outline the appearance of "people" in both form and spirit. 2. From objects to people. First describe the object, and then introduce the person whom the chant refers to. 3. Interweaving of objects and people. In narrative description, objects and people are displayed in the same background, which not only depicts the characteristics of objects, but also portrays the image of people, achieving an artistic effect that complements each other.

2. Supporting objects to express emotions. Lyrical expression is a technique that expresses thoughts and feelings euphemistically and tortuously by describing objective objects. It is a form of symbolic expression. Using the lyrical method of expressing objects can place abstract things into concrete and sensible images, and readers can feel invisible emotions from tangible objects. The method of expressing emotions by supporting objects can be divided into two types: expressing emotions by chanting objects and expressing emotions by relying on objects. 1. Chanting objects and expressing emotions. The purpose of depicting objects and chanting things is to use their symbolic meanings to implicitly express feelings. 2. Express emotions based on things. Emotions are often associated with certain things. Special experiences and special things leave a deep imprint on people's minds. Once they see old things again, the scene from that year will vividly reappear before their eyes, and the tide of emotion will flow out through this unique object. . It should be noted that the "object" in Yuanwu lyricism has a special symbolic meaning for the author, but does not have such symbolic meaning for others.

3. Support things and make sense. The reasoning behind things is the product of associative thinking. Associative thinking guides people to think from here to there, extending limited experience to a broad field. The flowers, plants, insects and fish in the natural world and the sundries in human life are all in various shapes and colors. From this, writers associate it with human society and understand the universal laws of the universe. There are three types of metaphors: 1. Describing the characteristics of things and embodying profound philosophy. 2. Organize and compare things to reveal profound philosophy. 3. Observe the evolution of things and understand profound philosophy. 8. What is the role of using personification to describe the mother wild goose in "The Wild Goose"

The artistic techniques of ancient poetry mainly include lyrical methods, expression skills and rhetorical techniques.

Lyric expression can be divided into direct expression (expressing one's feelings directly) and indirect expression. Indirect expression can be divided into expressing one's feelings through scenery (blending scenes and blending feelings into the scene), expressing one's ambitions by supporting objects, expressing nostalgia for the past and the present, and expressing one's feelings on the spot. The description methods include frontal description and side description, including line drawing, foil and rendering.

Commonly used expression techniques for describing landscape poems include the combination of virtual and real, the combination of movement and stillness, the combination of music and sadness, and the combination of up and down (or near and far, pitch, time and space, sound and color, audio and visual). Other expression techniques include circumflex, antiphonal writing, etc.

Artistic techniques in poetry 1. Expression methods: Poetry mainly uses four expression methods: narrative, description, discussion, and lyricism. Among them, description and lyricism are the focus of examination. The description methods include the combination of movement and stillness, the combination of virtual and real, etc.; the lyrical methods include (lyrical method? There are mainly two methods of direct lyricism and indirect lyricism.)

Express one's feelings directly, express one's feelings through scenery, embody feelings in scenes and situations. The blending of scenes brings about emotions, the scenes create emotions, and the scenes set off the emotions, blending the emotions into the scenes. All scene language is love language, etc. 2. Structural form: The structural form of poetry is the common beginning and end echoes, getting straight to the point, going in depth layer by layer, summarizing first and then dividing, scene first and emotion later, chapter showing ambition at the end, transition, foreshadowing, foreshadowing, etc.

3. Rhetorical techniques: The main rhetorical techniques include: "counterpart", "metaphor", "personification", "metonymy", "exaggeration", "parallel", "repetition", "symbol", etc. 4. Writing skills: Writing skills include: adding excitement, setting off, contrasting, rendering, showing ambition at the end of the chapter, finishing touches, seeing the big from the small, suppressing the desire before promoting, associative imagination, inversion of word order, etc.

The appreciation of expression skills is to identify the rhetorical techniques, expressions, expression techniques or artistic conception used in poetry, analyze its own artistic effect, and evaluate its role in expressing the poet's thoughts and feelings. role. Expression methods Commonly used expression methods in classical poetry include: narrative, discussion, lyricism, and description.

The focus of the examination is lyricism and description. Among them, lyricism can be divided into direct expression of one's feelings (direct expression of emotion) and indirect expression of emotion (techniques such as borrowing scenes to express emotions, blending scenes, expressing one's ambitions through objects, etc.).

1. Direct lyricism: that is, the author directly narrates his strong inner feelings in the article without concealing it, allowing the strong emotional torrent to pour out directly. How can one not be in ecstasy if one is not in ecstasy?

The new cry marks press the old cry marks, and the heartbroken person remembers the heartbroken person. (Wang Shifu's "Farewell to Yao's Folk Songs in December") (The poem adopts a direct lyrical approach, describing ** from four perspectives: "fear of dusk", "no ecstasy", "new cry mark", and "heartbroken man" * The longing for each other after farewell is vividly expressed. )

2. Expression through scenes: It is a type of indirect expression, expressing the author's feelings through the description of the actual scene. The smoke cage is cold, the moon is caged in the sand, and I stay in Qinhuai at night near a restaurant.

The merchant girl didn’t know that her country was about to be destroyed, but she still sang "*** Flower" across the river. (Du Mu's "Park at Qinhuai") (The first two sentences describe the scenery, and the last two sentences are lyrical.

The scenery written is not a clear moonlit night and a cloudless blue sky, but a misty smoky moon shrouded in cold water. Baisha, the scenery is so bleak and the atmosphere is so cold, which adds atmosphere and color to the author's worry in the last two sentences. The two scenes blend together and become one.) 3. Expressing ambition through objects: it is indirect. A kind of lyricism, expressing one's ambitions and wishes through the description and narration of things.

Drink the clear dew hanging down, and the sound of flowing out of the sparse tung trees. The reason for speaking loudly and staying far away is not to borrow the autumn wind.

(Yu Shinan's "Cicada") The author's real feelings about life in the poem are: All people with noble character always strictly demand themselves and constantly improve their self-cultivation, so their good reputation is in vain. Yuanyang, there is no need to rely on other people's bragging. It can be seen that writing about cicadas is the basis, but expressing one's feelings and aspirations is the real purpose.

4. Blending of scenes: The author's subjective feelings are integrated into the description of the scenery, so that the poem achieves "the unity of things and myself", and it is difficult to distinguish which is "scenery" and which is "emotion". The house is in a human environment, and there is no noise of carriages and horses. If I ask you how you can do it, your mind will be far away and you will be biased.

Picking chrysanthemums under the eastern fence: leisurely seeing Nanshan Mountain. The mountain air is getting better day by day and the birds are flying back and forth.

There is a true meaning in this, but I have forgotten to explain it. (Tao Yuanming's "Drinking") (The four underlined sentences are superficially descriptive, but in fact they imply the poet's emotional state of being detached from the world, loving nature, and far away from officialdom.

Here It is both "scenery" and "emotion". It is indistinguishable which is "scenery" and which is "emotion".) 5. Writing sadness with happy scenery: It is a kind of contrast technique, and it is written on the surface. It is a happy scene, but in fact it is used to express a sad and miserable emotion.

"The Peacock Flies Southeast" describes the scene of marrying Liu Lanzhi. "They talked quickly and dressed up, and the crowds were like floating clouds... There were four to five hundred people, and they came to the county gate in full bloom." The more lively the scene is written, The more tragic it becomes.

6. Use scenery to express feelings: In the process of discussion or lyricism, the poem stops abruptly and turns to describing the scene, ending with the scenery, making the poem "ruthless is better than emotion at this time" and seems to be unfinished. . The pipa dances to a new sound, always leaving the mountains behind.

I can’t hear the endless sorrow while being confused, the high autumn moon shines on the Great Wall. (Wang Changling's "Seven Poems on the Military March") Expression Techniques Commonly used expression techniques in poetry include: contrast, foil, rendering, foil, allusion, foreshadowing, symbolism, combination of movement and stillness, coexistence of virtuality and reality, borrowing scenery to express emotions, scene blending, borrowing ancient feelings to express feelings, Use the past to satirize the present, use objects to express aspirations, use happy scenes to describe sadness, use sad scenes to write happy emotions, etc.

1. Expressing aspirations through objects: The poet uses the characteristics of something in nature to express a certain ambition or emotion. The objects in the poem are personified. For example, Wang Mian's "Ink Plum": "The tree at the head of the pond where I wash inkstones has flowers blooming with faint ink marks.

Don't let others praise the color, just leave the pure air to fill the universe.

"This poem uses plum blossoms as a metaphor for itself, and uses the technique of supporting things to express aspirations, showing the author's integrity and purity of conduct to be as noble and elegant as plum blossoms, and not to flatter the world.

2. Exaggeration : This is a traditional Chinese painting technique, which generally uses thick ink and heavy colors in areas that need to be emphasized to make a certain aspect of the image more prominent. It is used to describe the image from the front.

For example, Zhao Shixiu's " In "Yo Ke", "Every Family Rain" and "Frogs Everywhere" are used to create an atmosphere, setting off the depth and tranquility of the night. 3. Contrast: This is a technique in traditional Chinese painting that uses ink or color to render the outline of an object. Set off to make the object stand out.

It is used in artistic creation to describe it from the side as a foil, such as Wang Wei's "Birds Singing Stream": "The people are idle, the osmanthus falls, the night is quiet and the spring sky is empty.

When the moon comes out, birds startle the mountains, and they sing in the spring stream. ". 9. A composition that uses "books" to express one's ambitions

Books are windows through which one can observe the world through the soul. A house without books is like a room without windows.

—— Inscription

Books are purifiers of human nature, cleansing people's souls and making them enlightened. Books have become an indispensable part of my life since I was a child. They have accompanied me through more than ten spring and autumn years, and reading has brought me great enlightenment. It brings endless fun and benefits me a lot. Since I was a child, I have liked to immerse myself in the quiet night, immersed in the fragrance of books, think quietly, and communicate freely with every soul lying in the book... …

As long as books are mentioned, I will have endless topics to talk about. When I walk into my bedroom, I can smell the smell of books, and then I look at a small bookcase. It is filled with densely packed books, such as "Twenty Thousand Leagues Under the Sea" and "One-Winged Angel", I am afraid that most of my favorite books are written by "Meimei" - Wu Meizhen, for me. He said that books are everything to me. I spend most of my time reading, and I can be called a veritable "little bookworm". Every time my mother sees me reading so hard, she always nags me. Sentence: "Yuanyuan, books are not your lifeblood, so why are you working so hard? "My mother was really right. One time, I got dark circles under my eyes because of the book.

It was a quiet summer night, and the cicada's cries kept stirring my eyes. In my heart, the cars on the roadside are still honking cheerfully, and in the alley, the neighbors are still talking and laughing, with no intention of stopping, but none of this can stop my desire to read. , “It’s time for Yuanyuan to sleep! "If it weren't for my mother's reminder, I would still be immersed in the world of books. When I looked up, it was already 10:00 in the night, but I was not sleepy at all. Seeing this, my mother decided to force me to bed and watch me. After lying down, I went back to the room.

Hee hee - I was prepared. After a while, I saw that my mother didn't come, so I took out the book I had hidden and wondered if it could be weighed. I was burning the midnight oil to study, and I was so excited that I suddenly swam in the ocean of books again. Just like that, I don’t know whether I was too fascinated by reading or too sleepy. I don’t know when, I fell asleep without knowing it. I fell asleep like this.

As you can imagine, the next morning there were deep black bags under my eyes, like a giant panda, very cute. , even I can’t laugh or cry.

From this incident, I know that it is not only enough that I love reading, but also good books, in order to be worthy of the name. As Wilson said: Books are windows to observe the world through the soul. It is a sad thing for a person to have no books in a house, but I think a person has books, but he only reads books. If it is not a good book, then this person is equally sad.

The book has its own golden house, the book has its own thousand millet, and the book has its own beauty. Every time I pick up the book in my hand and read it, I am following it. A great scholar makes friends. Then please cherish this friend.

Books are my good teachers and helpful friends.

Friends, let a ray of scholarly fragrance accompany you and me...