How the invaders felt after they left.

Another story of aliens and humans. Aliens here are plundering people's thoughts and ideas. After True Wisdom suddenly disappeared and was possessed by aliens, aliens used True Wisdom to seize the concept of human beings.

When Shinji came home, his wife Minghai found that something was wrong with him. When Shinji left, he found that human beings thought a lot and had very strong concepts. Shinji took away the concept of human beings when he walked.

The little brother who collected clothes was not at home after being taken away by Shinji, and became lively and cheerful. After being taken away by Shinji, her sister-in-law got rid of the bondage of home. Ken Mitsuishi became crazy after being taken away, and this concept was taken away all over the island and became relaxed. It seems that some thoughts are in the human body and some behaviors are bound, which has become a good thing. So Shinji, an alien, has not been rejected by human beings.

Shinji has a good relationship with Wuhai. When Wuhai asked Shinji to take away the concept of love, the Shinji of the alien had been influenced by the concept of being loved. Deciding not to grasp the concept of human beings, human beings conquered aliens again with love.

The plot is dull and there is no big bright spot.

two

The intruder's walk is really a good hand.

Director: Kiyoshi Kurosawa, an internationally renowned geek director, has a unique perspective and style.

Cass: Masami Nagasawa, I'm a big sauce. In the past two years, the popularity has rebounded and the acting skills are good. Song Tian, RYU HAYABUSA, Ping and Hiroki Hasegawa are also famous movie stars. Even Masahiro Higashide and Jing Zi of Xiao Ye in Soy Sauce are excellent actors who can be independent.

Subject: When aliens invaded the earth, the pioneers did not rely on force, but seized the concepts in people's minds. When people lose the concepts of "family", "work", "ownership" and "love", what becomes? The original work is a very popular stage play, and this brain hole is interesting and attractive enough.

So before watching the movie, I am still full of expectations.

Although there are sci-fi themes in the classification, we don't expect big scenes and action dramas. After all, when I saw the director and the introduction, I knew that it was definitely not this one. What the film actually presents is true or not, but what the film presents is the disaster in Wang's eyes.

It's not just humans who are defeated, but also the plot.

When watching a movie, if the plot is wonderful and can immerse the audience, even if it is a simple brain-dead plot, the audience will follow the logic of the movie when they have no time to think, at least in the process of watching the movie, they will not criticize here and there.

There is a lingering sense of alienation from the beginning to the end when watching three. Even the beauty of sesame sauce can't stop the impulse to spit for a moment.

Alien pioneers invaded the earth by grasping the concept of collecting human beings, which is the highlight of the film setting. However, the whole movie seems to be bound by this bright spot. Except for the process of "taking concepts", other parts feel dispensable and lack logic. The only thing that can attract people to survive 130 minutes is "see what concept is taken next?"

According to the forces in the play, aliens and humans.

First of all, aliens are weak

Three aliens, Machamp girl, little brother and husband with sesame sauce.

The first scene of the film is Machamp's murder of a girl, which is a thrilling scene. The girl covered in blood and full of twists and turns gave the film a good start.

"This seems to be a horrible and gloomy movie."

However, looking down, it is neither scary nor gloomy.

As a heterogeneous force, Machamp's female design is obviously for comparison. So she has been fighting and killing since she appeared in the movie, and she didn't even arrange a scene for her to grasp the concept.

In this movie, the action scenes of fighting and killing are as ugly as child's play.

The two lines in the movie, Machamp girl and younger brother are together, and the plot of this line depends entirely on younger brother and reporter. ...

No drama, no plot, if the face value is ok, it can also be used as a vase; But I'm sorry, I can't enjoy Yuri Tsunematsu's appearance, at least in this play.

Therefore, Machamp, a female character who has no wonderful scenes, has nothing to do with the plot, and she is not very good-looking. Simply put, apart from selling this contrast, this role seems unnecessary.

Since it is useless to use force, the alien invasion depends entirely on my brother.

First of all, the younger brother's face value has nothing to say. He looks like Karry. In this age of looking at faces, he deserves extra points

Secondly, the little brother's ability is ok. In the movie, he absorbed the concepts of "self" and "trouble", but squeezed his parents dry. It looked so human and should have grasped most of the concepts of human nature. And in the end, it was a gun battle with one enemy and ten, although it was not so beautiful.

But after all, my brother's greatest achievement is to cultivate journalists into "ball traitors."

Finally, before he could conquer, he was dead, brother, and gave the task of transmitting information to a human he trusted and died with a smile.

Wait, it seems that this little brother's ability is like this?

Yes, that's it.

He's the main force of the three pioneers ... and then he dies? This little work almost wiped out mankind?

Yes, that's what happened in the movie.

That must be the last alien, right?

Hehe, the last alien was too busy making the perfect husband of sesame sauce to talk to you.

Come to think of it, the husband with sesame sauce seems harmless to people and animals, but in fact he has grasped the four concepts of "family", "ownership", "work" and "love" From this point of view, he deserves to be a master of the main line.

His greatest achievement is to fall in love, and then inexplicably' use love to generate electricity and save the earth'.

Although I don't know what method he used and what his motivation was.

It's just so inexplicable.

However, it is these three weak aliens who really get things done.

Because there are more people on earth in the movie! Weak!

As far as movies are concerned, the military has long known about alien aggression and plans.

Then their action, just sent a little old man and a car full of minions to die.

The illustrator of sesame sauce is completely in love with the brain, and he loves the earth to death.

Dramatically, this reporter is a ball traitor. The reason and motive of his defection should be his disappointment with human beings from the performance in the film, but the foundation of just a phone call and a speech is too weak, at least it makes me an audience unconvincing.

So from an aggressive point of view, the whole thing is alien mental retardation. In order to complete the plot, we have to make human beings more retarded, and then clumsily transfer several scenes to advance the plot.

The whole process is stiff and slow, so it looks, very tired.

The concept was taken away? So what?

The concept of capture is the main concept of this film.

The whole movie involves six concepts: self, worry, family, belonging, work and love.

It seems that the movie is actually a bit greedy. *** 130 minutes, but also interspersed with stories and main plots, each concept is set aside for 10 minutes on average, and it is very difficult to complete the explanation of these concepts within 10 minutes.

So in the last movie, almost every movie was a little bit. After the expectation, I found "Oh, that's all."

At least for me, nothing touched.

Finally, the crisis was lifted and love was used to generate electricity. The film gave no explanation. The audience can only vaguely know the general point that "love saved the world". Specifically, even after watching the last scene of Ma Jiang and her perfect husband, I am still at a loss.

In this way, I think there are too few things in this film. Now it seems that it is just the opposite. The director actually wants to say too much, and the details are not appropriate. It was a little hasty in the end.

However, judging from 130 minutes, it is better to finish early.

A mediocre work that can't be carried with sesame sauce

That's it. I want to talk about the actors in it. But in the overall flat atmosphere and rhythm, you can't see who has much talent.

The movie didn't bring the actors, and the actors really couldn't bring the movie.

Three ranked fifth in last year's film ten-day newspaper. In my opinion, there is nothing wrong with her life, ranking seventh, better than three.

Speaking of these two films, they both look very tired.

three

A good stage play may not be adapted into a good movie. First of all, the script of a stage play needs to properly dilute the story, strengthen and contrast the personal appeal of the protagonist, take the stage as the background and the curtain as the node, and bring the audience into it through a slightly exaggerated performance, so that the whole story will be smoother and leave a deep impression on people.

But the movie is completely different. The essential purpose of an actor's performance is to advance the process of the story, and the performance serves the story rather than leads it.

The Walking Invaders is an excellent stage play, but its screenplay is terrible. It retains the performances of several important roles as "Facebook", assigns tasks and defines the division of labor: "Alien" is responsible for the "love" part, and Amano and Lihua are responsible for the "understanding" part.

Let's talk about Amano and Lihua's "understanding" first. When aliens invade the earth, they need to know the "living habits" of human beings, which is understandable, but your "superficial" practice of asking the other person to say a certain "keyword" and then stealing the so-called "concept" is too serious. I guess you didn't even write the "invasion plan" when you discussed it at the meeting. Moreover, you, an alien, are almost always in the rhythm of "three noes" invasion without background, purpose and motivation, and you are also drunk.

I'm actually thinking that the stage version and novel version of this story will obviously be more delicate, and at the same time, it's not blunt. Adding many descriptions and onomatopoeia words from the first perspective can perfectly show that aliens want to understand the changes in the human mind, thus generating a series of ideas. Stage plays need to build stories through language! Because there is only a stage on the scene, there is no harm in saying a few more lines!

But! ! This is only suitable for stage plays and novels! !

Can making a movie be so straightforward! ! ? This will make the audience feel "too much talk", completely irrelevant and confused! You aliens are also abstract "chatterboxes"! ?

In addition, Sakurai's psychological changes have hardly been described and promoted in depth. Sakurai's psychological changes should be "questioning → panic → hesitation → resistance", but these psychological changes are basically ignored, which makes Hiroki Hasegawa unable to play acting, and almost all of them are performing.

Finally, let's talk about the "cross-racial love" between Shinji and Minghai. There are several successful genre films in Hollywood for your reference, such as tim burton's Edward Scissorhands, robin williams's Machine Housekeeper and The Story of Water, which swept the Oscars recently. It's all interracial love, and interracial love must be delicate! At the same time, one of them must have a "strong attraction" to love in order to get its essence.

How about this movie? True wisdom is basically in a state of "being forced all the time" from beginning to end, and Minghai just shows so many complaints about her husband that it is too late to turn Minghai around when aliens really invade!

In fact, you can add more scenes to set off the inner changes of two people and substitute the audience into this love, but the director still hasn't done so! Finally, it seems that Shinji did not fully understand "love", and Minghai lost "love" inexplicably.

It is precisely because the stage play of this movie script is extremely serious, and the adaptation is not centrifugal, which leads to the so-called aliens giving up the invasion at the last minute and becoming pale and powerless. It is estimated that the audience can only forcibly tell themselves that aliens actually gave up invading the earth because of their love for true wisdom.

To sum up: the adaptation of the story itself failed, and the plot was very incomplete. The point that should be made clear and strengthened has not been strengthened, so that this is a film that emphasizes understanding human nature from the perspective of aliens. Or is it a movie about "human love" from the perspective of aliens? The final outcome can only be, neither fish nor fowl, as plain as water.

four

The plot is set as "invaders" who seize the concept of human beings and invade the earth. In fact, in this so-called invasion process, the screenwriter is constantly throwing many questions at the audience, such as what is family (Atsuko Maeda), what is the meaning of work (Ken Mitsuishi), what will happen if you abandon your obsession with "possession" (Xinye Mishima) and what is "love" (Masahiro Higashide), but to be honest, the performance of this East is still quite scary, and it has inherited his "actually"

The story is divided into two lines, one is Kazuyuki (Song Tian RYU HAYABUSA Pingshi) and the other is Kazuyuki (Masami Nagasawa). The couple used to have bad blood, but now the true cure is not completely the old one. He has a new personality, which is exactly a "different" situation. In the process of relying on Minghai as a guide and constantly seizing ideas, the husband and wife gradually reconciled. The climax appeared when Minghai begged Shinji to take the concept of "love" away from her mind. It was because she got the concept of "love" that Shinji decided not to invade the earth-another story that "love can save the world". This may be the motif of most human stories, which is very common, but the way this film expresses this theme can be said to be slightly innovative.

This is the sacrifice of Minghai, which is a bit touching.

The other line is Tanai (Hiroki Hasegawa) and two other cosmic people. This line may play a role in explaining some plots, but it has a weak sense of existence. I don't know why Hiroki Hasegawa played this role. This role has no personality and no sense of hierarchy. Finally, Sakai was blown up to look like a ghost who was electrocuted. I don't know what this means.

This film is covered with a layer of science fiction film, but in fact, good science fiction films refer to something. Is it really because aliens have taken away some concepts, or are they actually talking about the "destruction of human nature" and "moral decay" in the real society? Once some concepts are missing, people will have many abnormalities. Atsuko Maeda initially relied on her sister, which meant that she thought her sister was a person who could be close and trusted. After being pulled out of the concept of "home", she immediately became cold and irritable and rushed out; Ken Mitsuishi was taken away from the concept of "work" and looked crazy; Nobunosuke Mishima's obsession with "possession" has been taken away, but it has become relaxed, which may be a satire on the endless materialism, greed and consumerism in modern society.

In the play, the real reason for these anomalies is that aliens have robbed the concept of human beings, while the official of the Ministry of Health, Labor and Welfare, who represents the "government" in the play, claims that this is because a new virus is spreading. This can be explained as a dishonest cover-up, but when you think about it carefully, human beings have lost some ideas and the whole society is sick.

At the end of the film, the doctor played by Xiao Ye Kyoko comes out to ask questions. On the one hand, this passage means that although human beings have such faults, she (actually a director and screenwriter) is very confident in human beings' powerful self-healing ability; On the other hand, what's so special about Miss Minghai's illness? What she lost was the concept of "love". Without love, it may be relatively more difficult to heal. But the doctor did not give up hope, and hoped that everyone would "believe in the future" with her. Although most of the films are in a trance, the color is gloomy, and a sense of eschatology is forcibly created near the end, they still give a bright ending in second time around.

five

When it comes to aliens, we immediately think of all kinds of strange creatures, all of which are monsters! And they are usually very aggressive and want to invade the earth! However, the aliens in this film are no different from ordinary people after invading people's bodies. They basically have no superpowers and will die like humans. There is nothing in their hearts. The only thing they can do is to grasp the concepts in people's minds! Although Ming Lihua, like the general alien invasion, killed human beings one by one, although Amano caught the concept of human beings one by one and almost turned them into fools, although True Wisdom also took away many people's concepts, but if it is really treated, it is impossible to hate this alien! And looks very sincere, and has become a qualified boyfriend and ideal husband of Minghai.

If Li Huaming and Amano represent invading aliens, then Shinji represents kind and friendly aliens. Zhenzhi removed the concept of the little brother who collected clothes, and the little brother became a lively and cheerful young man from an otaku who couldn't go out; He took away the concept of his sister-in-law's house. Sister-in-law doesn't need to be bound by family, but really consider what family is. What is good for her is the family, but what is bad for her is not! Of course, no matter who was taken away by Li Huaming and Amano, or who was taken away by Shinji, although it looks strange and like a fool at first, it is actually a good thing for them, which can let them put aside their original distorted ideas and re-recognize their essentially pure and clean ideas!

In their minds, a director who has become an eye-opener can become a director again, and in their eyes, he can become a photographer of Kansai Brother or a photographer again. Professors can return to be professors, flowers and fresh meat can return to be actors, and teachers can be teachers again ... It is precisely because of the plunder of these concepts that we human beings who think we are smart have a chance to start again! And you see, even other aliens don't get concepts by reading books, watching videos, listening to the radio and surfing the Internet, but directly contact people and extract concepts from human minds. But we hang on the internet all day, communicate on various social software, and express ourselves on various social software. I'm afraid we will propose or even get married in the future!

Zhenzhi, who was invaded by aliens, began to like to walk around and get close to nature, and began to take away his dominant working concept for Minghai. For her sake, she began to walk slowly with Minghai, and began to boast that Minghai's cooking was delicious ... and he would never get angry, and his temperament was so elegant. I believe Minghai won't be tempted to see him like this, will he? Although it was an alien who invaded Shinji's body, to be exact, it was an alien who lived in Shinji's body, but it seems that she fell in love with Shinji for the first time, right? That's why we are desperate to escape with Shinji!

On the other hand, what about Shinji before being invaded by aliens? We don't know what he was like before. We only know that he said it was a business trip, but in fact he was on a business trip with his female colleagues in the company. All we know is that he was tired of Minghai, and he cheated. Minghai said that their relationship and marriage were over! In this way, even if we don't know what the original Paul is like, we know that he is not very likable! So Minghai always showed a kind of boredom with his attitude at first! It was after aliens invaded Shinji's body that Minghai fell in love with him again. If Shinji had done this before the invasion, their relationship would not have been broken!

So in the final analysis, it is an alien that Minghai fell in love with again, an alien in the skin of true wisdom. But this is not appropriate, because Shinji finally grasped Minghai's concept of love, and Shinji and aliens began to slowly merge. In the end, it's hard to say whether it's the original Paul or the invading aliens, perhaps it's a perfect fusion of the two! Although in the end, Minghai lost the concept of love and was admitted to the hospital, I believe that Zhenzhi's sentence "I will always be by your side, forever" can finally make Minghai know what true love is again!

Minghai's boyfriend is really an alien, but he is not. He is the perfect fusion of aliens and humans.