Zhang's acting experience

I like Beijing opera since I was a child, especially Cheng School. /kloc-When he was 0/5 years old, he abandoned his evaluation of Beijing and went to Beijing for artistic creation alone. The first teacher is Wang Lanxiang. 1986 was admitted to Gong Qinggai, Peking Opera Department of Tianjin Opera School, and studied under Qu Tianhuang (Emperor Qu), Zhang and Li. During this period, I studied Shiro's Visit to Mother, Sanniang's Adopted Son, Yutangchun, Maid-in-waiting Drunk, Broken Bridge, Fanfan, Spring and Autumn Match, etc. Meng (Meng) in the famous drama Suolinnang, which was later studied by Cheng School. /kloc-graduated in 0/989. In the same year, he was admitted to the Beijing Military Region Comrades Peking Opera Troupe. /kloc-since 0/990, he studied under Li Wenmin, a famous Peking Opera school teacher, and learned Yuan, San Gao Wu, Wu Jia Po and other famous dramas of Cheng School, laying a solid foundation. 1993 was recommended by China Peking Opera School Art Research Association, and he was apprenticed to Professor Cheng, a famous Peking Opera performance artist, and obtained his true biography. The famous dramas of Cheng School handed down by Mr. Zhao include Tears in the Barren Mountain, Lock the Linnang, Dream of Spring, Dou E's Injustice and so on.

Shi Cong, Xu, Liu Yuntong, Zhao Xiuchun. 1995 transferred to China Peking Opera Theatre. When I was a graduate student in China Theatre Academy, I studied under professors such as New, New, and New.

Zhang's Cheng School art has made a qualitative leap and greatly improved its artistic level under the superb skills and careful teaching of professors. 1994, Zhang successfully held her first solo concert in Beijing, which fully demonstrated her artistic talent and won high praise from experts and audiences. Since the 1990s, Zhang has successively created such famous plays as Sorin Niang, Jade Hairpin, Tears in the Barren Mountains, Yuan, Liu Yingchun and Horse for the masters and professors of Chinese Peking Opera Audio-visual Matching Engineering. 1996, China record company published and released a special album cassette of "Famous Singing Programs". Zhang was also invited to perform in Hong Kong, Macao and Taiwan, and her unique artistic charm was very popular. 1-March, 1998, Taiwan Province Peking Opera authority Shenbao published a signed article: "Zhang will become a big trumpet" and "Zhang is famous for Taiwan Province Province", which gave high praise. Since 1994, Zhang's performances and singing have been broadcast live by CCTV and many domestic TV stations and radio stations. More than 20 newspapers and media in China published comments on Zhang by experts and opera lovers.

Zhang, with his extraordinary talent and good understanding, soon became a leader in the post-school of Cheng School. Its timbre is pure and distant, its singing is low and euphemistic, its performance rhythm is bright and its characters are rich in color.

Zhang cut his hair short in order to play Jiang Jie again. Her trademark ear-length short hair is full of intellectual beauty. This is Zhang. The perfection of art is his eternal pursuit.

As one of the few leading figures with artistic charm and personal charm on the stage of Peking Opera, Cheng Qiang Zhang Yun has long been told by opera fans, but Zhang has kept a low profile. The performer named the two performances "inheritance and transcendence", and she only agreed with the former. "Without solid inheritance, there will be no development. The art of the four famous artists has reached its peak. If you can sing your own characteristics, even if you succeed, let alone surpass it. "

Jiang Jie is a play that Zhang likes very much. It realized Cheng's long-cherished wish to create drama and filled the blank of Cheng School's drama. The play was performed at the World Art Festival in Cologne, Germany, setting a record for modern Peking Opera to go abroad. In 2005, influenced by Zhang's art, the famous director made the play into a film with a symphony. The performance of the North Exhibition will be the first time that the play has achieved live symphony accompaniment. Zhang said, "Jiang Jie is really beautiful. It applies some musical elements in opera to the old tune without trace. Cheng Pai's singing is euphemistic and implicit, but in order to create a hero, he needs something high and passionate, which is a challenge for my performance. " Zhang's innovation has also aroused doubts from some opera fans, but with the passage of time, "Red Plum Praise" and "Embroidered Red Flag" have become new classic plays, which have been circulated among opera fans. In Zhang's view, genre films are dead, but the characters are alive. The performance of modern drama should not only lose its genre characteristics, but also meet the needs of the characters. Jiang Jie is a hero, but first of all, she is a woman, a woman with many personalities.

65438, 20071October 2nd and 3rd, Zhang, a famous Peking Opera artist, will once again challenge the major theaters in Beijing and present two performances of "Traditional and Modern Classic Plays" at the North Station Theater: one is the first large-scale modern Peking Opera "Jiang Jie" with a symphony, and the other is the classic drama "Sorin Niang".

Because Zhang's fans are all over the country, and these two performances happened to be arranged during the National Day holiday, many fans got the opportunity to watch the drama on the National Day. Not only did some Beijing opera lovers postpone their plans to go to Beijing, but many foreign Beijing opera lovers also booked tickets in advance and arranged their trips to Beijing, all in order to enjoy Zhang's wonderful performance. A "fire fan" who watched Zhang's performance in the Great Hall of the People at the beginning of the year said: "Zhang's performances in the Great Hall of the People are all oratorios. Although it is wonderful, it is not enough. This time, they finally waited for the whole show! The two performances have their own characteristics. I can't bear to see either one, so I have to buy them all, and I have pushed back the schedule that I originally planned to travel to Qingdao. "

Among Zhang's opera fans, there are not only many old fans who love Beijing opera, but also many young fans who especially love Zhang. They spread Zhang's performance information through online forums and blogs, and expressed their love for Zhang to the fullest, reflecting the new characteristics of contemporary Beijing opera audiences. On June 3rd, 2007, Zhang, a performing artist of Cheng School, who is known as "the first person in the Liyuan", performed two plays, Suolin Capsule and Legend of the White Snake, in Guangzhou. Under the stage, a silver-haired old man in his seventies insisted on watching the opera for two nights regardless of his physical fatigue. She is the famous Cantonese opera performance artist Xin Ruihong. It turns out that although Zhang and Xian Nvhong are the protagonists of different operas, they have profound friendship across operas and eras. Zhang got a lot of advice from Xian Nvhong on art, and Xian Nvhong often called her to ask about art and work. The two became attached to drama, and encouraged and helped each other in art.

In the sealed cabin of the lock forest, according to the plot, Zhang appeared in the form of voice-over With her "Ah Xiang Mei-",the audience immediately recognized this special voice, and applause and cheers rang out from the audience. Then every word of her lyrics drew applause over and over again. Xue Xiangling, played by her, has changed from a rich girl to a rich nanny, and has a precise grasp of the inner activities and personalities of the characters in the play. Through sincere and gentle singing and casual behavior, she highlights the emotional changes of the characters from the pride and willfulness of rich girls to the sadness of the world. When she is quiet, her movements are picturesque, and her explosive performance when she rolls up her sleeves is equally amazing.