Best time to travel to Dunhuang

It was an important stronghold of the ancient Central Plains Dynasty in Dunhuang and connected the Western Regions. It is also a hub for exchanges between Eastern and Western civilizations. Many ancient buildings and cultural heritage have been perfectly passed down and admired by future generations. This is the best time to travel to Dunhuang.

When is the best time to travel to Dunhuang?

The best season is from May to October every year.

May-October is usually the peak tourist season in Dunhuang. It is recommended that tourists avoid Golden Week holidays or public holidays as much as possible.

It is recommended that you spend 2-3 days, which will basically allow you to visit all the important attractions in Dunhuang.

Dunhuang, affiliated to Jiuquan City, Gansu Province, is located at the westernmost end of the Hexi Corridor, at the intersection of Gansu, Qinghai, and Xinjiang provinces. Gansu is one of the birthplaces of Chinese civilization. As an important node city on the Silk Road, Dunhuang has naturally witnessed the migration and integration of the Chinese nation for thousands of years. If I want to visit Dunhuang, I mainly want to visit the Mogao Grottoes.

The Mogao Grottoes are located 25 kilometers southeast of Dunhuang City, on the cliff at the eastern foot of Mingsha Mountain. Starting from Dunhuang city and heading southeast, passing through Crescent Moon Spring, and continuing south, you can overlook Mount Sanwei in the distance.

When you walk in front of you, you can see Mingsha Mountain opposite Sanwei Mountain, which embraces Mogao Grottoes. Mogao Grottoes, the Mogao Grottoes where souls have haunted thousands of times. For thousands of years, many skilled craftsmen have taken root in the depths of this desert, writing and expressing different styles of the times.

Thousands of miles away in Mogao, things were already turbulent. When you are naked, facing a solemn face that has been polished by thousands of years of wind and sand, and are silent at the feet of Buddhas and Bodhisattvas, the shock is no longer enough to describe the load of your heart that is beating with excitement. Tears are natural.

This is a place where people don’t want to think about evil thoughts. Everything around them was so peaceful and serene, and they were receiving touches from different eras. One day, her body, which had been sleeping for thousands of years, was shaken awake by a dilapidated Taoist priest with dull eyes, and she woke up.

The body stationed at the border is still strong, and her eyes are still kind. It's just not the time to wake up yet. It was so embarrassing to wake up. Her sacred body did not deserve this humiliation. Dunhuang cried, and the cry of Mogao Grottoes in the 20th century moved the world, just like the blood and tears in the eyes of the King of Khotan.

Looking up at the nine-story pavilion, which has been polished by thousands of years of wind and sand, I still face the comings and goings of all living things calmly and calmly, without a trace of care or nostalgia, and as always, I am not surprised by myself.

Facing the fact that thousands of years of memories can be completely preserved, tourists can’t help but shed tears, but their faces are covered with dusty smiles. There couldn't be a more perfect moment. The most primitive starting point is such simplicity and simplicity. When you wander on the ancient road of history, look at the places where our ancestors lived and their voices and smiles.

We are all ordinary people. We do not have the discerning eye of Monk Lenuo to see through all the golden light, nor do we have a master painter to describe the world in our eyes. We only have an innocent heart that pursues truth, goodness and beauty.

Looking around the cave and on the roof, there are Buddha statues, flying stars, geishas, ??fairies, naked women, etc. Everywhere. There are paintings of Buddhist stories, scrolls, Buddhist history, paintings of gods, portraits of patrons, and various exquisite decorative patterns.

We constantly admire the miraculous creativity of our ancestors, and are moved by the visual impact time and time again, unable to believe our eyes. We love the world selflessly like corpses and doves, and the brilliant silhouettes of ancient Chinese art are nothing more than that.

When talking about the origin of Mogao Grottoes, we have to mention Master Lezun. In 366 AD, Master Le Zun passed by Dunhuang, and this fertile and friendly Western Region retained him. The horseshoes and camel bells on the Silk Road sounded the dawn of hope. By chance, the passing monk had the honor to pay homage to the Buddha's light in the Mogao Grottoes. The golden light everywhere was rooted in this unique and epoch-making historical narrative method.

In this land of tolerance and honesty, everyone calls themselves a believer from nobl

Since then, it has gone through the Sixteen Kingdoms, Northern Dynasties, Sui, Tang, Five Dynasties, Xixia, Although it has been invaded by nature and man-made damage for a long time in the Yuan Dynasty, there are still more than 490 caves on the upper wall of Mingsha Mountain, which are three miles long. They are filled with colorful Buddha statues and murals themed around Buddhist stories. It is said that if one side is connected, it can be arranged into a corridor that is more than 50 miles long.

The outside world’s evaluation of the Mogao Grottoes is: “Seeing the Mogao Grottoes in Dunhuang is equivalent to seeing the entire ancient civilization of the world.” Dunhuang, as the gate to the west of the motherland in history, has always maintained an inclusive spirit. posture. Although the government closed the country and cut off foreign exchanges during the Ming Dynasty, the courtesy exchanges among the people never stopped until it was reopened during the Yongzheng period of the Qing Dynasty and encouraged immigrants from the 54 counties of Longyou to expand manpower. Incense is always burned at Buddhist holy sites.

"The desert is solitary, and the long river is setting sun." But anyone who participates in Dunhuang can't help but fall into the vast world outside the Great Wall, as if all the original joys and sorrows are no longer suppressed. It's time Release those worldly shackles that have accumulated for too long.

Seeing the Feixian playing the pipa in Dunhuang Square, my mood instantly drifted to the Silk Road thousands of years ago. "The sky is full of clothes, and the walls are full of wind." All the troubles and pains in pursuing dreams or on the road to fame and wealth are relieved, leaving only a sincere and sincere heart to worship deeply in front of the Buddha.

I really admire Sanmao’s bold and free character.

A person who telepathically communicated through the Sahara calmly asked half of his life leaves to fall back to the magical Sun Moon Lake when facing death, and the other half to live in exile on Mingsha Mountain near Crescent Moon Spring in Dunhuang.

Choose to blend into the desert. As the poet said, human beings are a grain of sand and a drop of water in the universe. In front of the gravel that has witnessed thousands of years of historical evolution and dynasty changes, an individual is really as small as a speck of dust in the vast sea of ??smoke, and there is no need to give up.

While feasting your eyes, you will inevitably touch wounds that hurt people in China and around the world. "Dunhuang scholars are a tragedy in Chinese academic history." Teacher Chen's words make each of us feel sad. The historical and cultural treasure house that has existed for thousands of years was not buried by the wind and sand, but suffered great humiliation nearly a hundred years ago. It was deceived, plundered, and destroyed. Our culture was hurt too deeply. In that turbulent era, because the Chinese people were unable to protect them, they had to be plundered by outsiders using such despicable means and kept in foreign museums. In the 20th century, "Dunhuang is in China, and Dunhuang studies are in foreign countries."

We cannot see how much damage Dunhuang has suffered in history, but judging from the shameful numbers in the data and the Chinese cultural relics placed in foreign museums, we have to lower our heads and reflect sadly. Powerlessness is painful, because the fate of the times has caused the country to suffer internal and external troubles, and the people live in fear. No one believes that in this century where civilization can be warm and everyone is in danger, faith no longer exists. Just like Teacher Yu said, if he could have been born a hundred years earlier, he would have fought to the death with Steinbury Otter and others.

But after killing a Stein and a Bersio, who can say how many Western explorers will come to China to "inspect cultural relics"? When a foreigner points a gun at China's head and says, "Do you want to race with my bullets?" Sometimes, when archaeologists use chemical glue to shake hands with Wang Daozhang and "Long live the purity of our friendship," when the county governor and When Taiwan’s governor waved his hand to “handle it yourself”.

It makes sense that we see thousands of books and beautiful murals in other people’s museums. On the contrary, those seized cultural relics were better protected during that turbulent era. Many years later, we can say that culture and civilization have no borders.

Walking in the vast desert, following the vicissitudes of camel shadows, "the sky is blue, the loess is yellow, and I have dreamed of Dunhuang for thousands of years." I can't describe my five flavors with emotion. It is difficult to look at events from a hundred years ago through modern eyes. Why didn't the people resist? Why is the government standing idly by? Why has this country become weak and hypocritical? There are so many uncomfortable thoughts

The lonely smoke in the desert has witnessed the vicissitudes of a century, and the shadow of the camel is misty, reflecting the setting sun. Even though the Dunhuang Mogao Grottoes were brutally destroyed, they still respected her strength and forbearance, and still stood unyieldingly in the northwest of the motherland. Fortunately, the integrity of the Chinese nation has always been upward, and there are always strong and determined people who stand up in front of injured bodies.

From Zhang Daqian, Chang Shuhong, Duan to Dunhuang's daughter Fan Jinshi, the humiliated Mogao Grottoes were saved by the Chinese people. When the imperialist explorers wanted to destroy these glorious caves after years of fighting in the yellow sand, a group of passionate Chinese sons and daughters and people with lofty ideals stepped forward. They resolutely came to the desert of death and used their blood and lives to save, protect, research, and promote Dunhuang culture, so that the Mogao Grottoes could regain their glory. The saved mural sculptures are now flying before our eyes, thanks to the awakening of the great dream and the rebirth of the millennium.

Today, Dunhuang is a tourist attraction. People who come from places not far away from thousands of miles away just want to see the face of Buddha and regain their long-lost awe. Perhaps many years from now, the topic of "Dunhuang Dilemma" will no longer cause so much pain to the Chinese people. This is also a demonstration of Dunhuang's tolerance and forgiveness. For thousands of years, Dunhuang has absorbed the culture of all ethnic groups in the world, and it is a blessing that it is now spread throughout the world. Just like what is said in "The Great Dunhuang", no one can truly own the "Golden Tibetan Sutra". This is the wealth that belongs to the world.

In this flying hometown, I dream of returning to the Loulan Crescent Moon, watching the three dangers sing the sand in the distance, riding the west wind alone, drinking up the desolation, stepping through the sunset at the Yumen, listening to the swan song of the ancient road, and saying: Be strong in my great Dunhuang!

Waiting for dawn alone, I secretly made up my mind that one day I would go to Dunhuang again.