Composition with reflections after visiting the mountains

In daily life or work and study, everyone will inevitably come into contact with compositions. Compositions can be divided into primary school compositions, middle school compositions, and college compositions (essays). Do you know how to write a good essay? Below is a composition I compiled on my reflections on the mountain tour. You are welcome to read it. I hope you all like it.

"Zhuanshan" is a novel adapted from a Taiwanese traveler's personal experience of riding in Tibet. The film describes the protagonist Zhang Shuhao going to Lijiang alone in order to fulfill his deceased brother's last wish and starting a journey from Lijiang to Lhasa. of riding. This is an action of human beings conquering nature and surpassing themselves. It is also a very beautiful and touching story.

Cycling in Tibet is the ultimate dream of many cycling enthusiasts. There will be many hardships and hardships on the way, which is a test for physical fitness, will, and soul. There are fascinating scenery on the road, and You will meet many people and things, which are rich themes for movies. Before the movie was released, Travel TV's "Walker" column used several episodes to introduce the shooting process of the movie. The entire shooting process encountered many problems that outsiders could not imagine, such as the loss of film data and so on. After watching it, I can't help but look forward to this movie.

However, after watching this movie, I couldn't help but feel a little disappointed. The scenery inside was indeed beautiful, and the protagonist's encounters on the road were also quite bumpy. Although the film won the "Best Artistic Contribution Award" at the Tokyo International Film Festival, it ended poorly at the domestic box office. Although as a literary film, the box office cannot be used only to measure the quality of the film, but it cannot be denied that the box office is also an important parameter for whether the film is good or not. Why is the box office like this? A detailed analysis of the reasons is as follows:

1. The director is obviously a layman who has never ridden a bicycle. There are illogical places in the film. The schedule is wrong and confusing. When and where The film cuts and fills the scenes at will. The crew obviously lacks sufficient understanding and feeling for important points such as the Yunnan-Tibet line, cycling, and going to Lhasa, or their level is not enough. The film did not reflect the hardship of riding for a month, the touching feeling of riding to a place and the spiritual shock of finally arriving in Lhasa. If the movie is not realistic enough and even cycling enthusiasts complain about it, it will have lost its most loyal audience.

2. In order to exaggerate the effect, the director deliberately increased the difficulties encountered by the protagonist while riding. The whole movie is like a running account, lacking in details. The director is like a storyteller, telling everything in just a few shots, no matter you like it or not, or what details you want to know. The film is strangely interspersed with a love that seems to be there but not at all. Can it be called love? A Tibetan widow and a Taiwanese student performed an encounter that was neither as brilliant as the fireworks nor more brief than the fireworks. These all feel ridiculous. As a result, some viewers who wanted to see the storyline were lost.

3. The movie also lacks in character portrayal. The protagonist is not well portrayed, such as what dreams he has, what thoughts he has, etc., and the role of the supporting actor Li Xiaochuan is not fleshed out and impressive. profound.

Generally speaking, this is a sincere movie, unlike those bad movies that mess around with a few characters, stories, and some stunts to cheat the box office. It’s a pity that the director is not interested in cycling. However, it also lacks the ability to depict details and fails to capture the true feeling of riding on the road. Haha, the column introducing this movie in "Walker" is not as good as it is.