Ji Xi Lou is the place where Puyi works.

Puppet Manchuria Palace Museum is a palace ruins museum built on the former site of Puppet Manchuria Palace. Taking the cultural relics, documents and pictures during the Puppet Manchuria period as the main collection objects, the history of Japanese occupation of Northeast China, the history of Puppet Manchukuo and the history of Puppet Manchukuo Palace as the main research contents, the former site of Puppet Manchukuo Palace as the carrier, and exhibitions as the means, by holding basic exhibitions and special exhibitions such as "The Original Exhibition of Puppet Manchukuo Palace", "From Emperor to Citizen" and "Don't Forget September 18th", the Japanese military occupation of Northeast China was revealed and implemented. Show Puyi and her distorted court life. Educate the broad masses, especially teenagers, in modern history and patriotism, so as to inspire national spirit, unite national strength, safeguard world peace and seek common development.

The Puppet Palace Museum was established in 1962, and then it was jointly operated with the Jilin Provincial Museum. It resumed its organizational system in 1982, and was officially opened to the public in 1984. The original museum was called the Puppet Palace Exhibition Hall in Jilin Province, and it was placed under the territorial management of Changchun Municipal Government in 2. On February 18, 21, it was renamed the Puppet Palace Museum. Now the protection scope is 137, square meters, of which the exhibition area is 47, square meters; There are 161 employees and nearly 2, pieces of cultural relics in the museum. Since its opening, the museum has received nearly 5 million visitors at home and abroad, and has been rated as a national AAAA-level tourist attraction and a national excellent patriotic education base.

The Puppet Manchu Palace is located at No.3 Guangfu Road in the northeast corner of Changchun. This mysterious building complex was the palace of Aisin Giorro Puyi, the last emperor of Qing Dynasty, as the puppet emperor of Manchukuo, and also the palace of Aisingiorro, the last emperor of Qing Dynasty in China, when he ascended the throne for the third time. From 1932 to 1945, Puyi lived here for fourteen years, which people used to call-the pseudo-palace.

The Puppet Manchu Palace covers an area of about 14, square meters. The main entrance is called "Lai Xun Gate". The gate on the west side is called "Baokangmen" and the east side is dedicated to the "Emperor" train line. The central part is the main part of the court, which has two courtyards, east and west. The west courtyard is divided into two parts: the inner court and the outer court. To the north of Zhonghemen is the outer court, which is the location of Puyi's office to handle government affairs, hold ceremonies and court offices. The main buildings are: Xingyunmen, Palace House, Japanese Gendarmerie Room, Qinmin Building, Huaiyuan Building and Jiale Hall; (Qinmin Building takes the meaning of "respecting the ancestors of heaven, being diligent and loving the people" as the ancestral motto of Qing Dynasty. It is a two-story square round building, where Puyi handles government affairs and receives Japanese Kanto commanders, diplomatic envoys and puppet Manchus. During the occupation period, this building was always regarded as a symbol of imperial power, and it was printed on counterfeit banknotes. To the south of Zhonghemen is the Imperial Palace, which is the daily life area of Puyi and his family. The main buildings include the bedroom "Jixi Building", Chinese and Western dining rooms, tea houses, the Western Imperial Garden, Zhixiuxuan and Changchunxuan (Jixi Building is the residence of Puyi, the empress Wan Rong and the auspicious noble Tan Yuling). ) The main building of the East Courtyard is the "Tongde Hall" built by the Japanese for Puyi in 1938. In addition, there are the East Imperial Garden, Jianguo Temple, air-raid shelter, swimming pool, painting and calligraphy building and other ancillary buildings.

The main buildings of the Puppet Manchukuo Palace have different styles, ranging from traditional quadrangle brick-wood buildings in China to European Gothic buildings and oriental palaces, which fully shows the puppet nature of the Puppet Manchukuo. On September 15th, 1932, the "Japanese Manchu Protocol" approved by Puyi was signed in Qinmin Building, which entrusted all the national defense and public security of the puppet Manchukuo to the Japanese, who managed the railways, harbors, waterways and empty roads of the puppet Manchukuo. All kinds of materials and equipment needed by the Japanese army were supplied by the puppet government. Since then, the sovereignty of Northeast China has been lost.

The Pseudo Palace is located in the northeast corner of Changchun City. There is a building complex completely different from modern architecture at the end of Wuma Road in Yandong to Shaanxi Road. It is the former site of the palace when Aisin Giorro Puyi, the last emperor of China, acted as the puppet emperor of the puppet Manchukuo State. The provincial government has approved it as a national key cultural relics protection unit. The predecessor of the Pseudo-Palace was actually the Jihei Queyun Department, from which there was a saying among the people in those days, "The little emperor lives in a salt warehouse and has a fish to spare". Puyi spent fourteen years as a puppet here from 1932 to 1945, on the eve of the August 15th recovery.

The architectural pattern of the Forbidden City in Beijing is that the front faces the rear bedroom, the Zuo Zu You She, the Wu Men of the Three Dynasties and the strict symmetry of the central axis. However, after visiting Puyi's palace in Changchun, I found that it is special. Its architectural pattern is that the front bedroom faces the rear bedroom, and the bedroom runs to the front of the office building, but the place where the ancestors are sacrificed is offered to the Japanese god of heaven. After entering the door to visit, I went directly to Puyi's bedroom, a small two-story gray building. The style of the building can never be compared with that in the Forbidden City in Beijing. Except for the gate house in the center, there are two big rooms on both sides, which are not comparable to those of the big names in the entertainment industry who are exposed today.

At that time, the national emblem of Manchukuo had been renovated and embedded in the center of the building, glittering with gold. That building is called Jixi Building. The building has been renovated and restored as it was at that time, and Puyi's bedroom, study room, empress Wanrong and Aifei Tan Yuling's bedroom are all displayed in the eyes of visitors. Probably, the organizer made several wax figures or sat or lay on the sofa in order to vividly let the tourists feel the historical scene of that year. Puyi was respectful when he talked with Japanese officers, and graceful when he was lying on the sofa and smoking opium.

What interests me is a Chinese medicine shop and a toilet opposite the bedroom. Because Puyi has been sick all the time, she likes to arrange for people to take medicine at home and take it after boiling. The organizer specially made a shelf in that room and put bottles and cans on it. The toilet room used by Puyi was not placed in the master's room when it was designed today, but was arranged in a room facing north, separated by a corridor.

There is a wooden board in front of the toilet. It is said that the emperor has hemorrhoids, and it takes a long time to go to the toilet every time. In order to facilitate him to read documents, his staff set up a wooden board in front of the toilet, which can be padded and waited for opportunities like a big toilet while working. I was sighing when I saw that scene. Even the most private behavior of the lonely emperor will become a scenic spot for people to visit in the future. It also confirms my sentence that "once any historical scenic spot falls into the hands of developers, it is already dead".

Some history needs to be restored, while others are not historical plots. In order to attract tourists' attention, they were deliberately enlarged by the developers. The wax figure of graceful smoking and Puyi's embarrassment when she went to the toilet were also collected in the pseudo-palace memorial hall today, which always felt a bit like gossip of Hong Kong tabloid reporters. But such a joke about Puyi will not arouse more people's disgust. Who told him that he was a puppet emperor? Similarly, in the bedroom of Huang Taiji, the Forbidden City in Shenyang, northeast China, we naturally can't see those eight hanging things and scenery.

anyone who has no backbone, who is a swing from time to time, can get the prestige and cheapness of one thing at a time, but he will never be admired and revered all his life.