Translation and Appreciation of Runzhou's Two Original Works

Wu Ting has traveled thousands of miles in the East, singing and traveling in the past few years. There is no clue to Qingtai Temple, and there are many restaurants by the Green Water Bridge. Generally, the Southern Dynasties were broad-minded, and the poor Eastern Jin Dynasty was the most romantic. Yue Ming wants to wash clothes here, and when he hears it, he blows out his worries. In Xie Tiao's poem Land of Beauty, Fuxi preached the rhinoceros army in the water. The high-speed rail in the city is strong, and the dark willow building is full of dreams. Painting corners loves to float in the north of the river, and fishing songs are heard in the middle of the month. Looking back, I won't hesitate to lend it to you. -Two Poems of Runzhou by Du Mu in Tang Dynasty Two Poems of Runzhou in Tang Dynasty: Du Mu

Wu Ting has traveled thousands of miles in the East, singing and traveling in the past few years.

There is no clue to Qingtai Temple, and there are many restaurants by the Green Water Bridge.

Generally, the Southern Dynasties were broad-minded, and the poor Eastern Jin Dynasty was the most romantic.

Yue Ming wants to wash clothes here, and when he hears it, he blows out his worries.

Place, Nostalgia, History, Misfortune Translation and Annotation Translation

Looking at Wu Tingdong, it is a place where I used to sing and swim in clear autumn.

The temple is covered with moss and there is no trace. The blue water beside the bridge adds many restaurants.

Generally speaking, the figures in the Southern Dynasties are broad-minded and lovely, and the celebrities in the Eastern Jin Dynasty are the most romantic in the world.

On a moonlit night, I'd rather have Huan Yi appear and listen to him play the flute to express his grievances.

Xie Tiao praised this place as the most beautiful place in his poems, and Fuxi said in his biography that it was the place where he trained the navy to wear rhinoceros leather armor.

The city is as high as an iron bucket, with a strong crossbow and a hard bow, and a dark flower is dreaming of a blind date in the Red Chamber.

The horns of carved paintings floated along the south wind to Jiangbei, where hermits often sang fishing songs under the moon.

Yangzhou cyclists go back to Zhenjiang to have a try. I'll lend you 200 gold.

Creation background These two poems were written by Du Mu when he traveled to Jiangnan and went to Runzhou (now Zhenjiang, Jiangsu) again. Appreciating the first sentence of the first poem is very imposing. The poet boarded the Wu Ting Pavilion and looked eastward. The distance was vast and the autumn scenery was beautiful, giving people a sense of trance. The poet's endless thoughts are attracted by the visit, and there is a great trend of pouring in. The poem begins with the scenery in front of us, and then goes on, recalling the tour in the past year. The word "singing" shows the joy of dancing and singing in those days. Now revisiting the old place coincides with the crisp autumn season, and the longing implies the sadness of the past. A scene and a feeling, what the poet saw and felt when he first came to the pavilion, pointed out the time, place and reason.

Instead of continuing to write about the scenic spots visited in the past year, Zhuan Xu drew his thoughts back from the past year and wrote the first sentence about the scenery the poet saw when he visited the pavilion. Runzhou is an important town in the Eastern Jin Dynasty and the Southern Dynasties, and it is also a bustling metropolis for literati to play. "Moss" two sentences, one is written about the desolation and desolation of the first dynasty temple, and the other is written that the riverside restaurant is still magnificent, neat and orderly. From the writing point of view, the temple was originally covered with moss and green water rippled under the bridge, but the poet deliberately reversed the word order and put bright colors at the beginning of the sentence, highlighting the contrast between one decline and one prosperity, vividly reflecting the scenery and human vicissitudes of Runzhou, creating conditions for the second couplet to express the nostalgia.

Turn over the neckline again, and let your thoughts travel in time and space from now on, and leap to the next generation. The poet thought of the Eastern Jin and Southern Dynasties from the temple in front of him, and the former scholars who wandered here from the restaurant, and skillfully expressed his feelings with the life stories of the former scholars. Scholars in the Eastern Jin Dynasty and the Southern Dynasties once talked about their broad-mindedness for a while, but they just hurried by on the historical stage, leaving only a false name for future generations to admire. The two couplets in the middle are full of infinite sadness.

The poet seems to have been immersed in reverie for a long time, until the sunset and the full moon, when a sad flute sound came from the river, he was awakened from his meditation. Poetry uses "moonlight" to express the passage of time, so as to see the long meditation. The word "Geng" in "Geng Xiang" has the meaning of infinite gloom and sadness. However, the beauty of this couplet lies in its profound artistic conception. The bright moon is cold in the autumn night, and suddenly there comes the sad flute sound of the song "Out of the Castle", which adds a layer of desolate atmosphere to the poem. From the flute, the poet thought of the great flute player in the Eastern Jin Dynasty, "Jiang Zuo was the first". He wanted to use Huan Yi's flute to convey his infinite sadness. Rich imagination connects people hundreds of years later, and integrates history with reality, modern people with the ancients, the scenery in front of them and the events in their hearts in time and space. Therefore, although the poem ends the infinite yearning with the word "sorrow", it gives people a feeling of ups and downs and endless life.

What this poem expresses is nothing more than the illusory lament of the impermanence of life caused by the frustration of feudal intellectuals, but it is unique in art. The poem goes up and down, for a while, for the past, for the present, for one's own sorrow, for the eternal love, and for the two. He is free and unrestrained, and has made great strides in time and space and emotional expression. This can be seen from the previous comments on Du Mu's poem Qi Jun Horses.

Du Mu (AD 803-852), born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi), was a poet in the Tang Dynasty. Du Mu is called "Xiao Du" to distinguish him from Du Fu. Also known as "Little Du Li" with Li Shangyin. Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan". Du Mu

Finally, high clouds were gathering in the city, and the autumn wind blew away the sound of hooves. The river is still too wild, and it is not smooth to enter Tongguan Mountain. -Modern Tan Sitong's Tongguan Tongguan

Finally, high clouds were gathering in the city, and the autumn wind blew away the sound of hooves.

The river is still too wild, and it is not smooth to enter Tongguan Mountain. The local scenery suddenly rides, even birds don't fly, and the north wind is vast and gloomy. The shape of Sanqin is better than today, and the rumors are true and false; The sea of whales and pythons dried up, and snakes and dogs were obviously surrounded by iron mountains. Poor old Ruan, with an empty face and tears all over his skirt. One hundred and twenty rivers are not horizontal, and ten years of military forces are dark in Qin and Jing. There is no letter in the west, and there is water crying in the east; Wild vines are full of love and bones, and the sunset is empty! You ask in detail who the sky is from, and fight for the five soldiers of Chiyou? Watching nine tigers protect Qin Guan, I will watch it on the plane. Gong Yu pushed the land and sea, and the Han family sealed the Tianshan Mountains. The north wind hunts sorrow, and the Weihe River rains and fights cold bones. Thirty-six peak swords, relying on heaven and fairy palms to cherish leisure. -Jin Yuan Haowen "Three Songs of Qiyang" Three Songs of Qiyang

Jin Dynasty: Yuan Haowen

Riding and flying, the north wind sends a cloud machine.

The shape of Sanqin is better than today, and the rumors are true and false;

The sea of whales and pythons dried up, and snakes and dogs were obviously surrounded by iron mountains.

Poor old Ruan, with an empty face and tears all over his skirt.

One hundred and twenty rivers are not horizontal, and ten years of military forces are dark in Qin and Jing.

There is no letter in the west, and there is water crying in the east;

Wild vines are affectionate and obsessed with fighting bones. What does dying Yang mean?

Start reading the full text ∨ Sudden riding can't fly, and the north wind sends clouds.

The shape of Sanqin is better than today, and the rumors are true and false;

The sea of whales and pythons dried up, and snakes and dogs were obviously surrounded by iron mountains.

Poor old Ruan, with an empty face and tears all over his skirt.

One hundred and twenty rivers are not horizontal, and ten years of military forces are dark in Qin and Jing.

There is no letter in the west, and there is water crying in the east;

Wild vines are full of love and bones, and the sunset is empty!

You ask in detail who the sky is from, and fight for the five soldiers of Chiyou?

Place, war, expressing grief, self-mockery, busy life, the old cause becomes absurd. All over the Yangtze River, fish is beautiful, bamboo is good, mountain is fragrant. Not as good as a foreigner, the poet is an example of Shui Caolang. Unfortunately, it didn't help at all, and it was still a waste of time for the housekeeper to press the wine bag. -Su Shi's "First Arriving in Huangzhou" in the Song Dynasty first arrived in Huangzhou.

Laughing all your life will be ridiculous when you get old.

All over the Yangtze River, fish is beautiful, bamboo is good, mountain is fragrant.

Not as good as a foreigner, the poet is an example of Shui Caolang.

Unfortunately, it didn't help at all, and it was still a waste of time for the housekeeper to press the wine bag. Local, lyrical and optimistic