There was an appointment between Lu and Yu or a travel channel once introduced an illustrator from China.

Date of birth:1March 975

Native place: Wuhan, Hubei

Constellation: Pisces

Blood type: O type

Favorite season: summer (laughs)

Favorite color: red.

Favorite food: wine

Masterpiece: Chilean ballads

Favorite illustrator: Justin Sweet

1993- 1997 studied Chinese painting at Hubei Academy of Fine Arts, 1997 taught at Wuhan University. CG illustrators are mostly represented by China ink paintings, which are free and freehand, and their works are cold and beautiful. They are known as masters of ink CG among domestic cartoonists. Up to now, he has created more than ten animation works, such as Wandering Bagpiper, Young Knife Lover of Butterfly, Bai Lianhua Silent, Fighting Chu, Red Leopard, Ballad of Chile, Memories of Summer, Children's Roll, Memories in Water, City of the New Century and Desert.

1997 Some works were selected for the first East Asian Comic Conference and exhibited in Japan. Embroidery of the Red Leopard and Lyle Ballad won two excellent prizes for original comic works in Wenchuan Cup, and were invited to create a character draft for CCTV's large-scale comic Nezha. At the same time, Weng Ziyang also published books on creative theories and techniques such as role setting and expression. The independent compilation of Animation Creation-Desk Collection will be published in the near future. In 2003, he became the animation director of Hubei Dolphin Animation Co., Ltd., responsible for the comprehensive development of the 30-episode masterpiece "The New Three Kingdoms" of a large-scale comic project. In August 2004, in cooperation with You Man Culture, Moonlight was released. Phantom of the Opera-Weng Ziyang copied the original painting.

"10 10 people" —— Ten years on paper in Weng Ziyang

It is difficult to write a summary. I have been teaching for almost ten years. Year after year, time flies. Today, I pushed open the door and entered the studio. Suddenly I found that the Metasequoias outside the window were all red, and the year was almost over. ...

Since the year before last, I have gradually understood what I want to do. Many things are good, but it seems that you can only do what you want to do. When I found that I didn't have enough roles to do well, I felt that time was getting more and more urgent. Because I have started several times, I can't feel at ease, but I feel depressed, for fear of delaying what I have decided to finish.

In retrospect, the Odyssey has been painted for eight years. I face Musashi on paper every day, and Inoue becomes Musashi. What role should I find to face? It's a problem-beautiful women like it, but it's not good to regard painting beautiful women as a lifelong career, and chivalrous men and women are not what I want to paint, hehe.

Some time ago, I was asked to draw short cartoons of the Three Kingdoms, but I found that the Three Kingdoms is really a strange melting pot, which can really make people put everything down and be moved by it. However, the biggest discovery is to give up skills. You must give up your skills to draw well.

I suddenly found that comics are actually a person telling his own story seriously, as long as the story is clear. I have always thought that people like pictures, the pictures themselves. That's it. Wrong for a long time.

But drawing on paper is really fun-holding a pen is painful and happy!

Ziyang Weng