What does Xie Lingyun mean by "swimming Redstone into the sea of navigation"

Swim the Redstone into the Sailing Sea

Author: Xie Lingyun

The first summer was peaceful, and the grass didn't rest.

Water stays in the morning and evening, and the clouds are repeated.

Zhou Lan is very tired, but Kuang is very poor.

There is steady flow after Sichuan, but Jason Wu does not send it.

Sail for quarrying, hang seats to meet the sea and the bright moon.

The rise has no clue, and the virtual boat has surpassed it.

Loyalty and light-heartedness inspire others, and they are eager for help.

Unfortunately, there is not enough fame and fortune, but what suits you can be ignored.

Please attach a public statement, but thank you for your deletion.

It means:

The whole poem is divided into three levels. The first level of the clause is "Kuang nails poor hair". It is written that you are tired of swimming in the red stone, and then you want to sail in the sea. As the second level, from the sentence "behind the ship" to the sentence "virtual boat", I am writing about the situation of sailing and the change of mentality. Below the sentence "Zhonglian" is the third level, that is, wandering and thinking, which carries the purpose of adapting to the weather and saving lives. The change of mood is the main thread running through the whole poem.

The sentence "Keeping Summer" echoes the poem "I am tireless in youth, I have seen Zhu Ming move" in You Nan Ting, which not only points out the holiday season, but also shows a complex mood that cannot be comforted. You Nan Pavilion was moved by the scenery. Judging from the iteration of spring and summer, it is deeply sad that the prime of life has gone and he is sick in Sri Lanka. What is said here is that it is early summer, the weather is finally refreshing and warm, and the grass has not withered because of the arrogance of the sun. It can be seen that the poet seems to have recovered slightly from the sadness of his previous poems. In particular, we can notice that "the fragrant grass is still in its infancy", in fact, the reverse is "Li Sao" and "I am still in infancy before I am old, and I am afraid that the thrush will sing first, making my husband's grass not fragrant". Then, in "Masturbation", we can see Xie Ke's arrogant character of "courting officials". However, this relief can't last long. It's monotonous to swim around the red stone dozens of miles to the south outside the county, and the change of rain or shine and the appearance of clouds have lost their freshness because of frequent appearance. This trip to the seaside has been exhausting, and more importantly, they are faced with a barren land in the far north and a poorer and northerner sea. Some people think that "Kuang Nai-poor" is a poet who is full of lofty sentiments and bent on going to sea. But the word "Kuang Nai" clearly means "tired". Before seeing the sail sea, the poet was in a bad mood.

However, when the boat entered the sea along the harbor, the wonders suddenly became clear and the water was like a mirror. After crossing the Chuanjiang River, the river is safe, and eight poems in Chaoyang Valley with eight feet and eight tails are green and yellow. Although autocratic, it is also "quiet" at this time, as if everyone is welcoming the arrival of poets. So he rowed on the sea of Zhang Yunfan, and casually took this stone flower, which was shaped like a turtle's foot and as big as a mirror-a white full moon. When he looked up and looked back, the sea was boundless, and his mood was as empty as sitting in a canoe.

Looking at the sea from a distance, the poet's feeling must be the same as that of Hebo in Zhuangzi Qiushui, which really opened his mind and swept away the accumulated troubles. So, he wanted to travel, pursue the ancient times, and then realized the truth of life: there were all kinds of hermits at sea, helping Lu Zhonglian who retired after his career was successful; There is also the year of the son of "above the river and below Wei Que". Although the shapes and traces are similar, their interests are quite different. The latter is just a false hermit with a false name, which is different from what Zhuangzi said: "A martyr is heartless and harmful." Just as Lu Zhonglian said, "I am rich and trusted, and I would rather be poor than belittle the ambitions of the world", which is in line with the truth of "returning to nature". Compared with the two, the poet seems to be wary of his conceited life in the past. He is willing to remember a passage that Taigong Ren taught Confucius in Zhuangzi Sanmu: "Cut the straight wood first, and the spring will be exhausted first." If you show your talent, you will be appointed by heaven. Only by "cutting the scars and damaging the potential", bathing in the snow, and filling the inside with humility can we remain healthy all year round-just like the sea, bottomless and boundless, but as flat as a mirror. At this point in the poem, the situation completely conforms to infinity.