Traditional Culture Encyclopedia - Weather forecast - Recalling the cool weather in the small pillow of the Forbidden City

Recalling the cool weather in the small pillow of the Forbidden City

Recalling the "Emperor Jing Xiao Pillow", the weather is cool [Author] Liu Yong? Song dynasty

The thin pillow is cold, and it feels like parting at first. It's colder to get up and sleep. After all, I can't sleep, and the night is as long as years.

I also intend to stay, but I will return to Levi; I have plans to fight for resistance again. Ten thousand kinds of thoughts, many solutions, only loneliness and fatigue. This is my life, and I have shed a thousand tears for you.

Tags: homesickness, lovesickness, parting, emotional scene of song ci selection, others

After a nap, I was awakened by a thin quilt, and suddenly I felt an unspeakable sense of parting. Tossing and turning, I counted the number of knocks on the door on a cold night, got up and went to sleep again. Repeatedly tossing, I can't sleep, and the night is as long as a year.

I also intend to rein in my horse and return, but there is nothing I can do. I have embarked on the road of making a living and becoming famous. How can I return for nothing? Thousands of thoughts, always trying to enlighten and explain in various ways, can only be so lonely and boring in the end I will keep you in my heart all my life, but I have failed your endless sad tears!

Note (1) Memory of Jingshi: The inscription was written by Liu Yong, named after Gai because he remembered his wife in Bianjing, and "Lu Nan Tune" was noted in Le Ji. There are 72 words with two tones, six sentences and four rhymes on the top and seven sentences and four rhymes on the bottom.

⑵ thin quilt (qρn): thin quilt. Small pillow: It's just a small pillow.

(3) suddenly feel: suddenly feel.

(4) Exhibition: the same as "tossing and turning", tossing and turning. "Songs of the South and Liu Xiang": "Worry unfolds, melancholy." Gēng: Counting the cold nights because I can't sleep. In ancient times, from dusk to dawn, one night was divided into five stages: A, B, C, D and E, which were called "Five Watches" and "Five Drums". Each watch is divided into five o'clock, drums at five o'clock and gongs at five o'clock.

Become: become. Xiang Ziyin's Plum Blossom Introduction, played by Li Shiming: "On the edge of the flower shade, on the edge of the willow shade, I will wait a few times to steal pity." Pai: The reins of a traveling horse mean a traveling horse. Pan's Things on the Way from Cizhou to Handan: "No cigarettes in the afternoon, how many cooks?"

[6] Controversy: Why not? Zhang Xian's "White-browed Niang Suzaku Dancing in the Clouds": "Happiness also knows that it will be saved in the future, right in front of you?"

(7) Travel plan: travel plan.

Only (nè n): That's all. Xin Qiji's "Bu Yunyuan drinks without writing a book": "thousands of books only rests and drinks." Boredom: the same as "weak and tired", listless.

Appreciation of Liu Yong's series of words "A place with a clear pillow and a cool day". This word expresses the inner feelings of both men and women with pure oral sketches, and its artistic expression is novel and unique. It is a distinctive one among Liu Yong's similar works.

It gets cold in early autumn. "Thin" is because the weather is cold but not cold; Judging from the "small pillow", the person in the word is still lying alone at this time, so "I felt the taste of parting at the first sight". The "first feeling" is the first feeling, just feeling, because it was touched by something, causing emotional waves. Next, the author gives a concrete description of "the taste of parting": "It's cold when you get up, and you sleep when you get up". Empty bed, can't sleep at night; I hope to sleep, because I may be able to solve my troubles in my dreams. Counted silently for more times, still can't sleep, get up and lie down.

In just a few strokes, I turned over the bed of the lovesick person and suddenly fell asleep and got up. I didn't know what to do, but I expressed it openly. "I can't sleep after all" is a supplement to the previous two sentences. The word "after all" has the meaning of final, final, whatever, etc. Then, the sentence "One night is like a year old" skillfully uses the sentence meaning of "I don't see you for a day, like I am three years old" in Wang Caige of Feng Jing, but the sentence is more concise and has deeper feelings. These few words spread out the "taste of parting" as usual, and the simple words contain passionate enthusiasm for life.

The second part turns to wandering homesickness, which shows the complex inner experience of wandering rationality and emotion. "I want to stay, too, but I'll ask for it." At this point, we can know that this man who has a thin pillow and can't sleep has not left the person he loves for a long time. Maybe he broke up in the morning and tasted "the taste of parting." At this moment, when he can't leave his feelings anyway, another thought can't help but arise in his heart: alas, it is better to turn around and go back. "I also intend to wait", which is a psychological activity after all kinds of helplessness. However, "resistance and planning" means that you have embarked on a journey. How can you go back to your original place? I can't go back, but I don't want to go either. As a result, we still have to "think a lot of ways", and naturally we can't find a way out, so we can only "be bored" and live bored. The last two sentences, "I will never forget you, but it seems that this is the only way. Even so, we still can't meet, so it must be" I will never forget you ". This sentence just sums up the meaning of the whole word's love for each other and highlights the theme centered on "I".

The first word "Fine Slip" (Liu Xizai's Introduction to Art) is pure in spoken language, fluent and natural, expressing the sincere love between lyric protagonists in a euphemistic and tortuous way, and is mature in thought and art. Appreciating the second poem "Recalling the Imperial Capital" is one of Liu Yong's series of poems about parting and lovesickness. This word expresses the inner feelings of both men and women with pure oral sketches, and its artistic expression is novel and unique. It is a distinctive one among Liu Yong's similar works.

It gets cold in early autumn. "Thin" is because the weather is cold but not cold; Judging from the "small pillow", the person in the word is still lying alone at this time, so "I felt the taste of parting at the first sight". The "first feeling" is the first feeling, just feeling, because it was touched by something, causing emotional waves. Next, the author gives a concrete description of "the taste of parting": "It's cold when you get up, and you sleep when you get up". Empty bed, can't sleep at night; I hope to sleep, because I may be able to solve my troubles in my dreams. Counted silently for more times, still can't sleep, get up and lie down.

In just a few strokes, I turned over the bed of the lovesick person and suddenly fell asleep and got up. I didn't know what to do, but I expressed it openly. "I can't sleep after all" is a supplement to the previous two sentences. The word "after all" has the meaning of final, final, whatever, etc. Then, the sentence "One night is like one year old" skillfully uses the sentence meaning of "If I don't see you for a day, it's like I'm three years old" in The Book of Songs by Feng Wang, but the sentence is more concise and has deeper feelings. As usual, these words spread the "taste of parting", and in plain words, they contain a passionate enthusiasm for life.

The second part turns to wandering homesickness, which shows the complex inner experience of wandering in the conflict between reason and emotion. "I want to stay, too, but I'll ask for it." So far, we can know that this man with a thin pillow has not been away from the person he loves for a long time. Maybe he broke up in the morning and tasted "the taste of parting." At this moment, when he can't leave his feelings anyway, another thought can't help but arise in his heart: alas, it is better to turn around and go back. "I also intend to wait", which is a psychological activity after all kinds of helplessness. However, "resistance and planning" means that you have embarked on a journey. How can you go back to your original place? I can't go back, but I don't want to go either. As a result, we still have to "think a lot of ways", and naturally we can't find a way out, so we can only "be bored" and live bored. The last two sentences, "I will never forget you, but it seems that this is the only way. Even so, we still can't meet, so it must be" I will never forget you ". This sentence just sums up the meaning of the whole word's love for each other and highlights the theme centered on "I".

The first word "Fine Slip" (Liu Xizai's Introduction to Art) is pure in spoken language, fluent and natural, expressing the sincere love between lyric protagonists in a euphemistic and tortuous way, and is mature in thought and art. Liu Yong, the author of "Thin Pillow Remembering the Cool breeze in the Capital" (about 987- about 1053), is a famous poet in the Northern Song Dynasty and the founder of graceful school. Han nationality, a native of Chong 'an (now Wuyishan, Fujian), was originally named Sanbian, with the word Jingzhuang, and later renamed Yong, with a clear word, ranking seventh, also known as Liu Qi. He is a scholar in the imperial court, and the official is Yuan Wailang, so he is known as Liu Tuntian in the world. He called himself "Liu Sanbian, who wrote lyrics in sequence", devoted his life to lyrics and boasted that "white clothes are fluttering". His poems mostly describe the city scenery and the life of geisha, and he is especially good at expressing his feelings of travel and service, and has created many slow words. Description, scene blending, popular language and harmonious melody were widely spread at that time. It was called "where there is well water to drink, you can sing Liu Ci". One of the most representative figures of the graceful school had a great influence on the development of Song Ci, such as Ling, Klang Ganzhou and so on.

Liu Yong's other works ○ Yu Linling is chilling and sad.

○ Dead Hua Lian, leaning on a dangerous building, be careful.

○ Watching the tide wins in the southeast.

○ Klang Ganzhou Yes, it's raining, it's raining.

He Jinbang

○ More works by Liu Yong