Traditional Culture Encyclopedia - Weather forecast - What are the sentences describing snow in Lin Feng Xue Shan Temple? Analyze its writing and function.

What are the sentences describing snow in Lin Feng Xue Shan Temple? Analyze its writing and function.

The description method of "snow" in Lin's Snow Temple is nothing more than direct description and indirect description. The specific analysis is as follows.

First, direct description?

There are three places in the article that directly describe snow:

(1) When Lin Chongchu first arrived at the forage field, he wrote that the snowstorm started in winter, with red clouds gathering and the north wind rising gradually, but the snow fell one after another the next day. "Volume", writing style; "One Day" has a wide range of writing.

(2) Lin Chong went to the market to sell wine, and wrote that it was snowing heavily and his back was facing the north wind. It's snowing hard. Writing "Broken Jade" is to highlight the power of snow. It says "tight" and it's windy. Snow in the wind is like a rope, not fluttering, dancing with the wind.

Lu Xun said: "The phrase" It snows heavily "in Water Margin is close to the modern popular saying, and it has two more words than" It snows heavily ",but its charm is far better." ?

(3) Lin Chong returned from selling wine, further highlighting the snow (Lin Chong) out of the fence door, still facing the north wind. Look at the snow. It's getting tighter at night. This time, the frequency adverb "Yue" was added before the word "Jin" to further highlight the snow.

In the original excerpt, Lin rushed out of the temple gate and rushed to the east. He didn't walk three or five miles, so he wrote snow: "It's snowing hard." The word "fierce" can indicate the strength of the wind. Snowflakes are like a hard thing, which makes the snow fall harder.

Second, set off the snow scene with a brief description?

(1) Set off the snow by describing the environment?

(1) looking at the thatched cottage on his back, looking around, it collapsed and was blown by the north wind. Because of the heavy snow, Lin Chong's life was saved. Two thatched cottages were flooded by snow. When he leaned in to touch it, the fire in the brazier was drowned by snow. (4) into the temple gate, and shut the door, there is a big stone, next to it.

Snow and snow are getting bigger and bigger through straw houses, kindling and stones: shaking the straw houses →→→→→→→ overwhelming the straw houses →→→ soaking the fire extinguishing seeds →→→→→→ putting stones on the top of your head. The impression of strong wind and heavy snow is obvious.

(2) Set off the snow through the actions and feelings of the characters?

(1) Lin Chong and Cha Dial are on the road, and they didn't buy a place to eat wine, so they came to the forage field early. Why buy wine to drink, not because of thirst, but because of the cold weather and heavy snow, so drink to keep out the cold?

(2) As soon as I was tempered, I felt cold and thought, "But the old army said there was a market outside Erli Road. Why not sell some wine to eat? " Why do you feel cold, the snow is tight, and a small fire is not enough to keep out the cold?

What's more, Lin Chong stepped on the snow, faced the north wind and flew to the gate of the grassland ... Why did he "fly like a run"? Because of the snowstorm, the road was too cold to stand, so he had to fly back to keep warm.

(4) ..... (Lin Chong) Shake off all the snow on his body, take off his white shirt, and it's five minutes wet ... Generally, the rain has soaked his clothes. Here, the white shirt was wet with snow for five minutes, which shows that the snow is heavy and the snow water is heavy.

(5) (Lin Chong) pulled the quilt and covered half of his body. But he lifted the gourd ice wine and ate it slowly ... Because of the snowstorm and cold weather, Lin Chong "pulled the quilt and covered half his body" while eating wine.

The author always thinks of the word "snow" when describing the actions and feelings of characters. In-depth understanding and careful analysis have the following functions.

First, play up the tragic atmosphere?

Lin Chong was finally furious, and the description of the snow before he rose to kill the enemy also played a role in rendering the tragic atmosphere: in the fierce wind, snow and fire, the hero roared, boundless and vigorous, tragic and intense.

Second, it is conducive to shaping the characters. Lin Chong, a middle-class man with a certain social status and a stable life, has a sense of justice and chivalrous spirit to help the weak and the poor. However, it also determines that his nature is complacent and weak. His response to Gao Qiu's frame-up is "admitting to being a prisoner", which reflects his character of compromise and resignation.

Repairing the collapsed hut in the forage field also shows that he wants to settle down for a long time, which shows his wavering and carefree thoughts. What he heard with his own ears in the mountain temple finally made him disillusioned with the iron facts, resolutely killed the enemy and defected to Liangshan. The key to this change lies in the word "force"; At this time, Lin Chong has not yet become a "water margin hero". His anger and resistance were completely instinctive acts, which could not be regarded as "conscious" actions, and could not be separated from the environment and ideological limitations at that time.

The description of "snow" in this paper sets up a human activity environment, which is conducive to showing Lin Chong's character of compromise and resignation, because he still has the fantasy of returning to Tokyo to reunite with his family. At the same time, Lin Chong's resistance was "forced" to the point where there was no way out.

Furthermore, Lin Chong is the most tragic hero in Water Margin, and his series of tragic experiences deeply touched the readers' hearts. The description of "snow" in this paper puts the lonely hero in a wide world, which can stimulate readers' sympathy and make the characters more vivid.

Third, reasonably promote the development of the plot. Plot development and environmental description are often interdependent and mutually restrictive: environmental description should be based on plot, and plot development cannot be separated from environmental description. First of all, the description of "snow" is "creating momentum" for the development of the story. Without snow, there is no condition for setting fire; Without snow, Lin chong would not go out to buy wine, nor would he see the dilapidated mountain temple; Without the house that overwhelmed the forage field, Lin Chong would not go to the mountain temple for temporary shelter, and there would be no subsequent results. These descriptions make necessary preparations for the development of the story.

Secondly, the description of "snow" is closely related to the development of the plot: it is precisely because of the tight snow that Lin Chong had to drink to keep out the cold and saw the mountain temple on the way to sell wine; It was because of the snow that the thatched cottage was overwhelmed by the earthquake, and Lin Chong was forced to settle down in the mountain temple. It was because of the snowstorm that Lin Chong entered the mountain temple and held the gate with a huge stone ... It was not until he overheard the conversation of his enemy Lu Qian and others that Lin Chong took revenge and his character took a qualitative leap.

These descriptions explain the whole process of heavy snow from brewing to development step by step, promote the development of the plot, gradually lead the story to a climax, and make the writing look natural. Thirdly, the ups and downs of the plot development are also integrated with the environmental characteristics of the snowy night. First, after hearing the news that Lu Qian was being followed, Lin Chong immediately bought a wrist knife to search for Lu Qian, but did not write Lu Qian's appearance, only wrote that Lin Chong' slowed down' because he could not find him; Later, Lin Chong was transferred to the forage field, and he had to make long-term plans. Seems to have been calm;

Finally, on the night of the snowstorm, the forage field suddenly caught fire. When Lin Chong heard of the deadly trap of Lu Qian and others, the storm suddenly started again and finally killed Lu Qian. The development of the plot is ups and downs, ups and downs, and fascinating. It can be seen that the development of the plot should be reasonable and inseparable from the "snow".

Extended data:

The Water Margin is one of China's four classical novels. It is a chapter-by-chapter novel with the Sung River Uprising as the main story background at the end of the Northern Song Dynasty, and it belongs to a heroic legend in genre. The author or editor is generally regarded as Shi Naian, and most of the existing periodicals have one or two people, Shi Naian and Luo Guanzhong.

The book describes the great story of Liangshan hero's resistance to oppression, the growth of Liangshan in Shui Bo and his surrender to the imperial court, as well as the repression of political forces such as Fox, Wang Qing and Fang La who opposed the Song government the day after tomorrow, which finally led to tragic failure. It artistically reflects the whole process of the Sung River Uprising from its occurrence, development to failure in China history, profoundly reveals the social roots of the uprising, enthusiastically praises the uprising heroes' resistance struggle and social ideals, and specifically reveals the internal historical reasons for the failure of the uprising.

References:

Water Margin-Baidu Encyclopedia