Integrating weather meaning

The setting sun melts gold, and the clouds merge. Where are people? Dye willow smoke and play plum blossom flute. What do you know about spring? Is there no wind and rain when the weather is harmonious during the Lantern Festival? Come and meet each other, enjoy the BMW and thank the wine friends for their poems. Zhongzhou is in its prime, and the boudoir is full of leisure. Remember points three to five. Pave a green crown, draw golden snow willows, and compete with them. Now I am haggard, windy and frosty, and I dare not go out at night. It's better to listen to people laughing under the curtain. "(Yong Yu Le) After experiencing the tragic pain of the country's destruction and the death of her husband, Li Qingzhao became worried and particularly sensitive: even on the day of" Lantern Festival, the weather is warm ",there is no reason to worry about the sudden wind and rain, and it cannot dispel the sadness of" where are people "; I would rather decline the invitation of drinkers and poets, and go alone to "listen to people laugh under the curtain" to suppress my thoughts and sadness about my hometown.

This song "Song of Eternal Sorrow" is about the author's life in Lin 'an in his later years. It is impossible to verify when it was written, but what is certain is that at this time, the Song-Jin War has been suspended and the temporary capital of the Southern Song Dynasty has become a peaceful scene. On festive days, people can enjoy themselves again. This word doesn't mean her misfortune, but that on the Lantern Festival, she didn't want to go outside with her invited friends, but would rather stay at home and listen to others' laughter. Things were trivial, but through such subtle plots, the author's sad mood in his later years after vicissitudes was deeply reflected. There are three problems at the beginning of this word. From these three doubts, people can see the inner activities of a wanderer, which come from a traumatized heart. It was Lantern Festival, the sun had just set, and the moon opposite the sun rose from the east, revealing a veil-like cloud, like a round jade, crystal clear and lovely; In the western sky, the sun is like a melting nugget, sinking step by step, and the scenery is really beautiful. As we all know, this sunny Lantern Festival is a good opportunity to watch the lights, and we can enjoy it all night. However, she has other concerns. Seeing the sky, I suddenly asked, "Where am I now?" . This is really a question with bleak feelings. Having spent a lot of lively Yuanxiao in the bustling world, now she feels that "things are different", which is the unique question mark of vicissitudes of life and her unique feelings. Write two more scenes to point out spring. "dyed willow smoke is thick", showing warm spring. Willow leaves have just sprouted in early spring, because the weather is warmer and the fog is lower in the evening, and willow trees seem to be shrouded in smoke. At this time, the plum blossom was broken and I heard someone playing the flute outside. I remember that there was a song "Plum Blossom Fall" in the ancient Qiang land, but it sounded sad and angry because of my depression. Although the spring scenery is very strong, another question floats in her heart: "How much spring is there at this time?" Implication: No matter how much spring, can you still enjoy it by yourself? This question just reflects her mood in her old age. The following seems to be a dialogue of one invitation and one refusal: "Lantern Festival is integrated with the weather", which was said by the person who invited her out: "The Lantern Festival is also a rare good weather. Let's go out and play! " But how did she answer? "The weather is too warm, unusually warm. Will there be a sudden storm? " At this time, her mood is really inconvenient to say, so she has to temporarily take this specious sentence to prevaricate. But this just reflects that she has been worried about the unpredictable things and the ensuing disasters after experiencing the great robbery of the country and individuals. The above three question marks can really write the author's mood in his later years. Then, what kind of ups and downs has Li Qingzhao experienced in her life, and how did her skepticism come into being? Let's open the dusty historical archives and find the page with the famous poet Li Qingzhao written on it.

Li Qingzhao experienced three hardships in her life. The first big tribulation is remarriage and divorce, and the pain of emotional life. After Zhao Mingcheng's death, Li Qingzhao had no fixed place and was physically and mentally haggard. I soon married a man named Zhang Ruzhou. This Zhang Ruzhou was also a polite gentleman at first, but he soon showed his true colors. It turned out that he wanted to possess the remaining cultural relics around Li Qingzhao. Li regards these things as life, and The Records of the Stone has not yet been compiled into a book. Of course not. In Zhang's view, since you are married to me, everything you have belongs to me and is at my disposal. What do you want to pursue independently? At first, they had a conflict in the control of cultural relics, and gradually found that their ambitions and interests were quite different. That's weird, strange bedfellows. Zhang Ruzhou became angry from embarrassment, and finally completely tore off the veil of the literati, adding fists and feet. Li Qingzhao regards personality as more important than life, so she decided to break up with him. Report Zhang Ruzhou's crime of cheating in the imperial examination. But according to the law of the Song Dynasty, if a woman sues her husband, she will go to jail for two years regardless of winning or losing. As a result of this lawsuit, Zhang Ruzhou was sent to Liuzhou and Li Qingzhao was also imprisoned. Maybe Li Qingzhao's reputation is too great. At that time, many people paid attention to this matter. With the help of friends from the DPRK and China, Li was released after only nine days in prison. But this incident left a heavy scar in her heart. Today, the separation of men and women is legal and reasonable, but in the Song Dynasty, a woman, especially a scholar, remarried and divorced, which would cause great discrimination from public opinion. At that time and later, many historical records affirmed Li Qingzhao's talent, and at the same time, they were all recorded as "not ending the festival", "not doing exercises" and "wandering around the festival". What is a festival? That is, no matter how good or bad, women have to follow this man, but you are not allowed to pursue individuality. It can be seen how much psychological pressure our poetess suffered at that time.

Li Qingzhao's second major ordeal was physical and mental displacement and fleeing everywhere. During Zhao Mingcheng's serious illness, his friend Zhang Feiqing came to visit with a jade pot, and Zhang later invested in gold. It is rumored that the couple gave gold with jade pots. I heard that someone reported it to the court. Such a political frame-up frightened Li Qingzhao, and she decided to present all the bronzes and other items in her home to the court in order to get rid of it. So, she fled along the route of Emperor Gaozong, from Yuezhou to Mingzhou, passing through Fenghua and Taizhou, and then returning to Yuezhou via Wenzhou. Finally, he stayed in Shaoxing for two years (1 132), moved from Yuezhou to Hangzhou, escaped from Jinhua on 1 134, and returned to Lin 'an the following year. She is lonely, wandering around and in an extremely miserable situation. During this period, her 2,000 books and 2,000 rubbings stored in Hongzhou were burned and looted by the invading southern nomads. When I went to Yuezhou, five boxes of cultural relics I carried with me were stolen by thieves. The country is no longer a country and the king is no longer a king. How can she not worry about those who have nowhere to stand? Li Qingzhao's body and mind are suffering in the oil pan of history.

The third great tribulation that Li Qingzhao encountered was loneliness beyond time and space. The pain of emotional life and worries about the country and the nation pushed her into the deep sea of suffering, and she swayed helplessly in the wind and waves like a lonely boat. Apart from her national tragedy and emotional sorrow, it is also so difficult for her to realize the value of an ordinary person. In her twilight years, Li Qingzhao was guarding a lonely small courtyard. She has no relatives around her. State affairs are difficult to ask, and family matters are afraid to be mentioned again. Only the autumn wind sweeps the yellow leaves in front of the door, and occasionally one or two old friends visit. She has a friend named Sun. Her little daughter is ten years old and very smart. Li Qingzhao once wanted to teach others what she had learned all her life. I didn't want this child, but I blurted out, "It's not a woman's business to have talent." Li Qingzhao gasped. It turns out that talented women in this society are really redundant. However, she cares about national affairs, writes books and talks, preaches and teaches to solve doubts, and has always been extravagant. She has a large collection of cultural relics. She learned a lot in Beijing and used many words. In the end, she ended up with nowhere to serve the country, nowhere to trust, nowhere to study, and others looked at her strangely. Who in this world can read her mind?

When Li Qingzhao wrote Forever Happiness, she experienced three hardships in her life. Although he lived in poverty in Hangzhou and Lin 'an in his later years, he was still famous. "Zhongzhou young, boudoir leisure. Remember to focus on three or five. " From writing today to recalling the past. Zhongzhou, originally referring to the land of Henan today, especially refers to Bianjing here; May 35, Lantern Festival. Looking back at the prosperous time of Bianjing, there is plenty of leisure time, and the Lantern Festival is the most important. Her friend, whom she calls "a wine friend and a poetry friend", is not bad; Say hello with a BMW, knowing that it must be the wife of a rich family. But she finally rejected the proposal. The next paragraph of this word further illustrates the reason why I don't like it. Li Qingzhao spent many years in Bianjing for the Lantern Festival, and his impression is certainly indelible. Although I am old now in Lin 'an, I still "remember the heyday of that year". I'm still young and in excellent spirits. At that time, my memory was full of sunny days. "Pave the green crown, twist the golden snow willow, and cluster and fight for Chu." Wear a bonnet inlaid with kingfisher feathers, and twist silk with gold thread on snow willow (a kind of paper or silk decoration) to make the dress neat and beautiful. What a wonderful time. She "often remembers the sunset in Xiting, and she is intoxicated and doesn't know the way back." Always had a good time, but lost to the swimming pool deep in Zhu Feng. Fight for the ferry, fight for the ferry, and open a beach of gulls and herons. " That kind of carefree generosity and free and easy has become a golden age that has gone with the wind. "Now I am very haggard, windy and frosty, and I dare not go out at night." After experiencing the pain of the country's ruin and the death of her husband and relatives, the poet not only changed from a girl with economic interests to an old woman with a haggard face and a frosty mind, but also became old and was too bored to go out at night. The two completely different moods of "heyday" and "present" reflect the two completely different times and the poet's life situation before and after Jin Bing went south, and the huge shadow they cast on the poet's mind. The description and comparison of Bianjing Lantern Festival in the Northern Song Dynasty and Lin 'an Lantern Festival in the Southern Song Dynasty not only shows Li Qingzhao's nostalgia for his relatives in the old country; It also expressed indignation and protest against the ruling clique in the Southern Song Dynasty.

"It is better to listen to people laughing under the curtain." Compared with the past, I can't help feeling sad and timid. Facing the bustling reality, she can only talk about old dreams through curtains and laughter. How pathetic! The ending seems very dull, but how many feelings about life are contained in the dullness! "People are old and can't move." This is a layer of meaning. "I have experienced a lot and I don't know how many big scenes I have seen. How can I go back to the old days now? " This is another meaning. "I have such a life experience, and I am in the mood to play with others!" Another meaning. The author is full of bitterness and bitterness, but it is even heavier through this plain sentence. These sad words not only sing personal sadness, but also reflect the sadness of the times when the country broke and the family died.

Before that, she walked blankly among the fallen leaves and yellow flowers in late autumn like Sister Xianglin, and sang a poem "Slow Voice" which condensed her life and pain, and also established her position in the history of China literature: "Seeking, its loneliness and sadness. It's the hardest to stop breathing when it's warm and cold. Three glasses and two glasses of wine, how can you compare with it? It's too late to worry. Guo Yan is very sad, but this is an old acquaintance. The yellow flowers are piled all over the floor, withered and damaged, and now no one can pick them. Looking out the window, how can you be alone? Indus is drizzling, and at dusk, it is falling. This time, what a sad sentence! " Yes, her worries about the country, her family, her feelings and her studies are really a word!

What is Li Qingzhao looking for? From her life experience and poetry articles, we can at least see that she is looking for three things. The first is the future of the country and the nation. She doesn't want to see the mountains and rivers broken, don't want to "drift away from people" and "want to send blood and tears to the mountains and rivers". At this point, she has something in common with Yue Fei, Lu You and later Xin Qiji. But as a woman, she can neither gallop on the battlefield like Yue Fei, nor engage in a lawsuit like Xin Qiji, nor have political and literary friends like Lu and Xin, and can beat the railing with pain. She doesn't even have a chance to associate with them, she can only be alone. The second is to find a happy love. She has a happy family and a happy love, but it is broken in an instant. Although the marriage between Li and Zhao is a golden stone, the husband and wife have deep feelings, but there are also emotional contradictions. Li Qingzhao was forced to live apart from her husband for several years, bearing the cross of Zhao childless for a long time. Zhao Mingcheng has more than one concubine. Li also issued a "sigh of relief" and the relationship between the two was cracked. She also had a dream of finding true love again, but to make matters worse, she was even shackled and jailed. It was also recorded in the history books as a "never-ending night sacrifice", and was subjected to this strange humiliation before and after his death. What can she say? Only one person is sad. The third is to find your own value. With extraordinary talent and diligence, and with the help of the power of love, she completed her masterpiece Jin Shilu academically, reaching an unprecedented height in Ci. However, that society is not strange and does not take credit. Even the ten-year-old girl said, "Talent is not a woman's business." She had to chew her desolation alone, let her heart sink into the abyss around her, and let the terrible loneliness wrap herself.

Li Qingzhao, as a civilian, thinks about the responsibilities of officials and ministers and state affairs; As a woman, seek equality of personality and respect for courtship. No matter how she treats politics, studies, love and marriage, she will not go with the flow, and will inevitably have loneliness and unavoidable sorrow that transcends time and space. She bears a heavy cross, which is a combination of national difficulties, family difficulties, marriage difficulties and academic difficulties. All conflicts and hardships caused by feudal autocracy in politics, culture, morality, marriage and personality are reflected in her thin body like yellow flowers. As the name implies, "Before the bright moon shines, the crystal stone shines on its stream", and Li Qingzhao pursues a detached and refined personality from her bones, which will inevitably lead to "everyone is drunk and I wake up alone" like Qu Yuan, and there will inevitably be surreal idealized sadness. After Li Qingzhao experienced thousands of years of loneliness, when the luck of feudal society was about to run out, there appeared another woman who knew her very well-Qiu Jin and Qiu Jin. Looking back on the night of 3000 years, they also lamented: "Autumn wind and autumn rain make people sad"!

This day is the Lantern Festival, and the weather is pleasant. Yi An, however, has doubts about "whether it is stormy or not", which is a true portrayal of the sad, suspicious and worried mental state peculiar to people who suffer endless suffering. In the festival, "thank him for drinking poems" is because "now I am as haggard as frost and dare not go out at night." "It is better to listen to people laughing under the curtain." Not only because it is not elegant, but also because of the aging of the face. Her grandfather, husband and family are celebrities, and she herself has been praised for a while. She doesn't want to socialize too much with others. She is afraid to hear those intentional sarcasm or unintentional sarcasm, those laughter that makes her tremble like an awl, a contemptuous and hostile glance, and even sympathetic concern will upset her. Therefore, it is safest to hide under the curtain, to preserve your dignity and not to hurt your fragile mind. Li Qingzhao's life in his later years was miserable, lonely and homeless, but Jinhua was the majority. Go south through Steven Song and have fun in Lin 'an with beautiful scenery. Li Qingzhao began to sing Shuangxi, which was out of step with the dignitaries at that time. Moreover, it was slandered by these people. In this environment, she can't help but sigh that "it is too cold to come to Wujiang in the south and too cold to go to the north." It's touching. The word "Song of Eternal Sorrow" uses the method of comparing the past and present with the sad scenery, consciously interweaves the simple and vivid spoken language with the written language made by the tempering workers, and writes a strong sense of ups and downs in the past and present and the sadness of personal life experience in extremely expressive language. The artistic appeal is so strong that it is no wonder that Liu Chenweng, a famous poet in the Southern Song Dynasty, "cries for it" every time he recites this word.