What beautiful sentences are there to describe windy weather?

1, the snowstorm is getting fiercer and fiercer, and the biting cold wind brings large snowflakes; The cold wind shook the branches, roared and roared, and blew the whole snowdrift away crazily and swept it into the air. The cold wind kept whistling and the direction changed infinitely, almost overturning the sledge and the horse, scraping the rider's face like a sharp stone, making them breathless and speechless. The bell tied to the sleigh pole is completely inaudible; In the howling and whistling of this whirlwind, I only heard sad sounds, like wolves in the distance, Marquez, and sometimes people's cries for help in the face of disaster.

2. The wind is coming. First of all, a gentle breeze blew from the northwest beach, gently rolled up Nightcrawler's skirt and teased the dead leaves on the road. There was a slight rustle in the wilderness. After a while, the wind was very strong, and the sorghum on the roadside swayed wildly, and the dead branches on the trees fell off one after another. A terrible howl came from the distant wilderness and the clouds became deeper. The rumbling thunder seems to have rushed out of the heavy encirclement of dark clouds, and it is like an explosion, rolling in from the northwest.

3. The tree was painfully shaken by the wind and whined.

Typhoon is like the devil's practice in myth. In an instant, a cloud like burnt cotton wool appeared in the sky, which became dark and chaotic. The wind whistled on the mast, poles and telegraph antenna. The storm pours down like a waterfall, and the wind stirs the rain and water together, crackling like a dense bullet and hurting people like a needle in the face. This typhoon is really fierce!

5. Suddenly, the wind blew hard, flying sand and stones, and the dead leaves and scraps of paper were swept into the air, flying up and down like a broken kite.

6. A whirlwind blew, standing upright like a long snake, stepping on the white sand, with a clear sky overhead. It overflows small trees, graves and sand dunes, destroying everything and rolling forward.

7, bared his teeth, the enchantment approached, the wind rolled up all over the sky, and the sand and rain slammed on the window. (www.lz 13.cn) The whole sky is like a curtain of yellow sand, and the sun has long since disappeared. It was dark, and nothing could be seen from a few feet away, except the siren of Morison, who was playing with magic.

8. The wind blows the sand, hitting the windowsill from time to time, making a rhythmic sound of "sand, sand, sand".

9. A wind with sand blew from the far north, and the blue late autumn immediately turned gray-yellow. All the scenery has changed color, and there is no shadow from the sun. The sky above me seems to be getting heavier and heavier, and it will press down on my head.

10. There is nothing like the roar of the upper hand in the world. It swept from the desert, and the calm and clear paradise suddenly turned into a whirling and violent ocean, flying sand and stones, boundless and boundless. There is no sky, no earth, only dust, dust everywhere, biting and suffocating all living things.

Descriptive method

sketch

The so-called "line drawing" refers to a writing method that grasps the main characteristics of things and outlines the image of things with concise language. Mr. Lu Xun is very good at using line drawing techniques, such as an introduction about Mr. Fujino in Mr. Fujino: "At that time, a dark-skinned gentleman came in, wearing glasses and holding a large and small stack of books. He put the book on the platform in one hand and introduced himself to the students in a slow and cadence tone: "My name is Fujino Genkuro ..." The language was concise and impressive.

Sketch is one of the methods of painting. All the lines are outlined, not false, concise and lively. In literature, it has become a descriptive skill. Lu Xun summed up this method as: "If you have real meaning, just whitewash it, be less artificial and don't show off." (Writing Skills) It simply reflects the characteristics of things with ordinary words, without modification or exaggeration. Although there is not much ink, it can be poor and complete. Many famous artists use line drawing as a common method.

For example:

It's winter weather, clouds are gathering, and the north wind is rising, but it has already rolled up a heavy snow. (Shi Naian's Water Margin)

Because the time is deep winter; As we approached our hometown, the weather was gloomy again, and the cold wind blew into the cabin, purring. Looking out from the gap in the canopy, there are several desolate villages in the yellow world, far and near, lifeless. I can't help feeling sad inside. (Lu Xun's hometown)

The above two paragraphs have always been regarded by critics as extraordinary and wonderful descriptions and straightforward words without any modification. Although there are no gorgeous words, no exquisite decorations and no means of comparison, the momentum of flying snow and the emptiness, desolation and loneliness of "hometown" are like pictures before our eyes.

Fine description

Fine description refers to the meticulous carving of things, which can also be called meticulous painting. For example, in A Lei's "One Side", Lu Xun is more detailed than Fujino in Lu Xun's works: "His face is yellow, yellow, black and white, so thin that people are worried, as if he had recovered from a serious illness? People, but in good spirits, not a bit depressed. Hair is about an inch long. Obviously, I haven't cut it for a long time, but one by one, I stand vigorously. " The beard is striking, like words written in thick ink. "

give rise to

Setting off refers to the method of setting off or contrasting the main object with another person or thing in the process of writing notes. People often say: "Red flowers are good, but they need green leaves to support them." That's what it means. The foil can be set off from the front, from the back, from the scenery to people, from people and from things, but these should be used according to the needs of the content. Lu Xun is a literary master who is very good at contrasting brushwork. His On Restaurants is so well written that students can read it again and again. Here are two paragraphs, please enjoy:

"There are only colored walls outside the window, covered with dead berries;" This is a leaden sky. It is white. Absolutely wonderful, Xiaoxue flew again. "The scenery sets off a lazy and nostalgic mood from the front.

"A few old plum trees are struggling with snow and are full of flowers, as if there is no meaning of deep winter; ...... Hawthorn tree, from the dense dark green leaves, exposed a dozen red flowers, bright as fire in the snow, angry and arrogant, as if contempt for tourists' willingness to travel. " Use "plum" and "flower" to compare Lu's lazy mood.

(of literary works) the feeling and background blend happily/appropriately.

Scenery blending refers to the close combination of the description of environment and the rendering of atmosphere with the expression of characters' thoughts and feelings in literary works. Scene blending includes emotion in the scene and lyricism through the scene. The blending of scene and scene in literary theory is the expressive feature of artistic conception creation. Wang Guowei said: "Literature has two characteristics: scenery and emotion." Artistic conception creation is the art of combining the two.

Whether the scenery is full of emotion or the scenery is full of emotion, it is the basic form of poetry, which reveals three forms of expression of scene blending, namely, hiding emotion in the scene, seeing emotion in the scene and combining the scene.

The hidden feelings in the scene

The hidden feelings in the scene, the most important thing is to "touch the feelings", concentrate on writing the scene with pen and ink, do not deliberately pursue what kind of feelings are expressed in words, only describe a vivid picture of life, but euphemistically name words, words and sentences with strong feelings in appropriate places outside the words describing the scene. The poet hides his feelings in the landscape, and everything is shown through realistic pictures. Although they don't express their feelings, they often show deep affection in the scenery.

For example, the song "Farewell to Changting" reads: "The sky is blue and the land is yellow, and the west wind is tight, flying in the north and flying in the south."

From natural landscapes such as sky, land and wind to wild geese, it depicts a clear autumn scenery of "Yun Lan and yellow flowers everywhere, the west wind is bleak and tight, and wild geese fly north and south". The author, like a rafter's pen, grasps the most prominent scenery in autumn, the most prominent features of "sky", "flower", "land", "wind" and "wild goose"-"quiet and desolate", and writes one by one from the sky to the ground and from the wind to the wild goose, drawing the background of "farewell". Literally, these words are about scenery, but where is love? Look carefully and find that love is at the end of the sentence. It pointed out with a question: "Who is drunk in the frost forest in the morning? Always leave people's tears. " The word "tears" touches people's feelings and makes the whole article shine with tears that leave people. The words "sky, flowers, land, wind and geese" have all become things full of feelings of parting, but the people in the scene are crying tears of parting, which just casts a deep feeling of parting on the scene written in front of them, making the whole article seem to be "writing the scene in every sentence", but in fact, it is "full of words".

Look at the scenery in the folds.

The purpose of seeing the scenery in love is to create the artistic conception of "scene blending", so that readers can experience the clear scenery in the rich "emotion" and the most sincere and rich emotion, so as to enjoy the beauty. "Looking at the scenery in love with a pen" means that when you are writing the scenery, you can directly express your feelings in a few words or paragraphs at the right time, and write your feelings and thoughts directly, without covering up. It seems that the scenery is not written, but it magically makes readers feel the clear scenery in the rich "love".

For example, Chen Ziang's Youzhou Tower:

No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it.

I think of heaven and earth, there is no limit, there is no end, I am alone, and my tears fall down. ...

There is no description of the scenery in the whole poem, but when you understand the poet's sinister situation and painful mood at that time, a picture of blood and tears will appear in your mind: endless sky, towering balcony and independent poet. In the poet's sorrow, you will realize the poet's grief and indignation of serving the country and the pain of genius. These history and reality, the universe and life, will become moving colors and melodies with the eruption of the poet's emotions, and also create an aesthetic space for readers to see the scenery in love.

Scenery and style

This category is the synthesis of the above two ways, and lyric and scenery writing have reached a seamless and natural state here.

For example, Li Yu's Young Beauty asks how much sadness you can have, just like a river flowing eastward. With simile, we can imagine a vivid picture: the poet is dreaming of returning to his old capital at the moment, standing on the city, looking at the mighty Yangtze River flowing eastward, and feeling that his sorrow is like this river, flowing to the sea in waves. This word captures the similarities between the poet's sadness and the flowing spring: more and more, long-endless, long-endless, deep-unfathomable, eternal-ubiquitous, continuous ... The poet's sadness echoes the flowing water, and modality will appear and form a scene.

In Wen Xin Diao Long, Liu Xie explained "using allusions", saying that it is "based on things and taking the past as evidence to present". It is used to compare the past and the present, to prove the present with the past, and to express one's feelings through the past. When using allusions, we should not only learn from what they refer to, but also bring forth new ideas. More importantly, we should be able to be similar in appearance but not show traces. As the saying goes, "salt is in water, and drinking water knows the taste of salt."