Landscape Vegetation —— Traveling around Wenzhou like a Garden.

"Sneak qiu posture, ring far sound. Night shame Yunfu, deep and secluded. Spring grass grows in the pond, and willow trees in the garden become singing birds. This is a poem written by Xie Lingyun, the magistrate of Yongjia in the Southern Dynasties, more than 1700 years ago. Among them, "Spring grass grows in the pool and garden willows turn into singing birds" is a famous sentence throughout the ages. I learned from my local roommate in Wenzhou that Wenzhou was lucky enough to leave the trace of the originator of China's landscape poems. It is my wish to visit the pool upstairs.

After the introduction of a colleague and teacher, I realized that the pool was on the east floor of the city and had been destroyed for a long time. Later, Xie Lingyun dug a pond at the foot of the mountain west of Jiju, so he built a building in Linchi to commemorate it. In the early years of Qing Daoguang, Zhang Ruipu resigned from his post and returned to his hometown, and successively built gardens such as Huaixie Building, Chuncaoxuan and Where, which formed today's scale.

After the repair, such as the garden, the white-walled and black-tiled vermicelli door, after the baptism of spring rain, looks particularly fresh and elegant. The word "Ruyuan" is hung above the main entrance. I don't know who wrote it, like the handwriting of Master Hongyi. On both sides of the door are wooden couplets with red sandalwood and green characters. The first one is "Spring Grass Pond Nostalgia", and the second one is "Moonlight Beauty in Dongshan Painting Garden". On the right side of the gate, the pond goes upstairs, and the pond is built by water. This is a two-bedroom brick-wood building with an area of about 65,438 square meters. When you climb the building and look out of the window, you will see the foothills of the valley overlooking the water. This is the "rest pool". If you go further along the cloister, it's Cao Chun Hall. There is a pool in front of the hall, called Cao Chunchi. The pool is named after "Changchun grass in the pool". I don't know whether it's the hot weather or other reasons. It seems that there is no grass in the grass pond in spring, and the whole garden doesn't feel like "the garden willows turn into songbirds". I hope this scene is far away from Xie Lingyun's "Spring grass grows in the pond and garden willows turn into songbirds". Is it Mr. Xie's ingenious flowers or the distortion after reconstruction, or is this pond not that pond and this garden not that garden? I don't know. I was standing in front of the pond. Before Xie Lingyun, landscape vegetation has always been the embellishment of poetry, and landscape only appeared as the background. Xie Lingyun began to take landscape as the main description object, wrote poems with landscape plants, described the beauty of landscape with exquisite and neat language, and created real landscape poems, becoming the originator of China's landscape poems. Create an artistic conception that is quiet and empty, or luxurious rock and roll in high buildings. Such as: "White clouds embrace secluded rocks, green tiles are beautiful and clear", "Dense forests are clear, and distant mountains are hidden", "It is difficult to stay on the cliff, but the forest is deep and easy to run" ... This can not help but remind people of the famous sentence in Tao Yuanming's Drinking "Building a house is human, but there are no horses and chariots." Picking chrysanthemums under the east fence, you can see Nanshan leisurely. " That kind of comfortable, leisurely and complacent detachment.

Huaixie Building is opposite to Cao Chuntang, only separated by Cao Chunchi. I climbed the Huaixie Building along the cloister and bypassed the Cao Chun pond. Huaixie Building is also a two-story brick-wood structure, and its shape is exactly the same as that of the pond upstairs. I glanced downstairs and climbed upstairs, hoping to get some footprints of Xie Lingyun from here, so that I could know more about Xie Lingyun's story. I hurried to see all the rooms, which disappointed me. The decoration is similar to the pool upstairs. There are several ancient wooden tables and chairs and some fan-shaped paintings and calligraphy. There is almost no trace of Xie Lingyun. Is this the case, or is it the negligence of the reconstructor? Suddenly I feel that Xie Lingyun is far away from me. Such a big garden looks so simple and shallow. At this moment, I think of Mr. Zhu Ziqing's former residence, which he visited in Shuomen Street, Wenzhou. Although it's not as big as a garden, it looks very delicate and cultural. No matter where you go, where you touch and where you see, there will be stories, memories and traces of Mr. Zhu's existence in this land. There are inevitably some regrets and disappointments here.

If there is a side door next to the yard, you can enter Zhongshan Park at the foot of Jigu Mountain, where the mountain scenery is quiet and quiet, and it is also a good place for self-cultivation. As soon as I entered Zhongshan Park, I saw an ancient well pestle there. The bluestone fence is engraved with two big characters "Book of Changes". At first, I wondered why I named it "Book of Changes" and what was the intention. So I picked up my mobile phone Baidu, only to know that it was one of the "Twenty-eight Su Jing" dug in ancient times. Speaking of these "Tielan Well, Xianqiantou Ancient Well, Jiejing Well, Double-wall Well, Simple Litigation Well, Tianning Temple Well, Yongning Square Well, Bajiao Well, Haitan Mountain Xia Jing, Sanpaifang Ancient Well, Gui Jing, Tunqian Street Ancient Well, Sangangdian Ancient Well, Huagaishan Alchemy Well, Kuibi Well, Eight Wheels Well, Tiansu Well, Ren Xian Well and Yijing Well. Ming Hongzhi's "Fu Zhi" records that when Guo Pu built Yongjia County, he "dug a well for 28 days, waiting for the elephant", which means that the water source is sustainable, which can be used by urban residents and meet the needs of war and fire prevention.

"White LuCheng WenYuanSen, want to stall Chen Dan Ming ruins. Walking through the streets in order to find a thousand-year-old well. " An ancient well is a living history and a living culture.

In this Zhongshan Park, mistakes are also a very interesting scene. Several 500-year-old people sat together, looking at the birdcage Kan Kan hanging on the wall and chatting. I always feel that this picture is familiar. Think it over before I remember it. I saw such a scene when I watched Mr. Lao She's Teahouse. I thought it was interesting, so I went to have a look. Only then did I know that raising birds is the elegance of old Beijing. From the late Qing Dynasty to the early Republic of China, people wearing robes and portable birdcages can be seen everywhere at the foot of the city and along the river every morning, walking birds with measured steps. "Yanjing Miscellaneous Notes" records: "There are many birds in the capital. There are idle people in the street, armed eagles, bird cages with hundreds of tongues, and birds tied with small poles. They are free and will take them in and out. Every teahouse must have several poles inserted outside the bar, and its birds are worth tens of gold. " I never thought that this kind of "cage bird" was leisurely and elegant, separated by more than half a century and thousands of miles, and some of it was preserved here in Wenzhou, which became a leisure for the old literati to cultivate their sentiments. ? Nowadays, it is difficult to see birds in cages in a busy modern city, but it is still a part of culture to love and raise birds.

This is like a garden, the unique scene is harmonious, seeking fertile ground for the return of mood. The wind blows the birdsong in the ear, with his back to the wind, and only birdsong is left in his ear.