Review of Shanghai Museum

What did you feel after visiting the museum in Shanghai? I have brought you eight articles about the Shanghai Museum, which you are welcome to read, hoping to help you. Part 1: Reflections on Shanghai Museum

I benefited a lot from this trip to the museum and learned a lot of knowledge.

Shanghai Museum is a large-scale museum of ancient art in China with an exhibition area of 2,8 square meters. There are 12, precious cultural relics in the collection, especially bronzes, ceramics, calligraphy and paintings. The rich collection and exquisite quality enjoy a high reputation at home and abroad.

Shanghai Museum is famous at home and abroad for its large collection of exquisite artistic relics. Among them, bronzes, ceramics and paintings of past dynasties are especially featured. The bronzes in Shangbo are mainly a number of famous products collected by several collectors in the south of the Yangtze River since the late Qing Dynasty, such as the famous Dakeding. Shangbo's collection of ceramics concentrates most of the fine products in the south of the Yangtze River, and the finely carved pottery of Liangzhu culture in prehistoric times is a rare product. The collection of primitive celadon is also a feature of the collection. The products of representative kiln mouths in Tang and Song Dynasties also have a collection system. As for the collection of colored porcelain in Jingdezhen, it is more unique. The land collection of paintings and calligraphy in the past dynasties in Shangbo is known as half of the country in the south of the Yangtze River. In calligraphy, Wang Xianzhi's Duck Head Pill Sticker, Tang Gao Xian's Thousand-character Wenjuan and Huai Su's Bitter Bamboo Shoot Sticker are all masterpieces of a generation. In painting, Gao Yi Tu by Tang Sunwei, Xia Shan Tu Juan by Dong Yuan in the Five Dynasties, and Eight Monks Story Tu Juan by Liang Kai in Song Dynasty are all rare treasures. As for the collection of painters' works in Ming and Qing dynasties, it is even more contemporary. The collection of other cultural relics has also become a spectacular sight. Such as coins, ancient jade, seals, carvings, etc., all have a certain scale, and there are many famous products, which are self-contained Chapter 2: Reflections on the Shanghai Museum

One day in the summer vacation, my little aunt asked my cousin and I to visit the Shanghai Museum. The new Shanghai Museum is located in the center of Shanghai, south of People's Square. It is a treasure house of the essence of Chinese culture and a symbol and window of Shanghai's social civilization and culture.

The whole building of the new Shanghai Museum is in the shape of the top circle and the bottom, which means the traditional saying of China: "The sky is round and the place is round". Seen from a distance, the circular roof and the upper arc of the arch make the whole building look like an ancient bronze in China. The building area is * * * 4, square meters, with one and a half floors underground and four and a half floors above ground, with a total building height of 29.5 meters.

my cousin and I can't wait to go in. Wow! There are so many people in the museum, including foreign friends from all corners of the country and many visitors from all over China.

After reading the introduction, I know that the exhibition area of Shanghai Museum is 12, square meters, and the first floor is China Ancient Bronze Museum, China Ancient Sculpture Museum and Exhibition Hall. The second floor is China Ancient Ceramics Museum, Temporary Building Ceramics Museum and Exhibition Hall; On the third floor are China Calligraphy Museum, China Painting Museum and China Seal Museum. On the fourth floor are China Ancient Jade Museum, China Ancient Coin Museum, China Ming and Qing Furniture Museum, China Minority Arts and Crafts Museum and Exhibition Hall. However, some of them are not open, so we haven't visited them all.

What impressed me the most was the ancient bronze museum on the first floor, because my cousin and I have visited this museum most carefully and are the only ones who have visited them all. There, I learned that bronzes are an important category of all cultural relics, especially in China. Bronzes are well-known at home and abroad for their large quantity, high quality products and high artistic and scientific value, so the identification of bronzes has become the most important knowledge in cultural relics identification.

It is said that there are a large number of bronzes in China, and the reason is that it is too large, and it is difficult to know for sure.

Bronzes are not only numerous, but also rich in shapes and varieties. There are wine vessels, food vessels, water vessels, musical instruments, weapons, farm tools and tools, chariots and horses, household appliances, currency, seals, and so on. There is also a title in the wine category alone. There are more than 2 kinds of vessels, such as horn, ladle, ladle, statue, pot, ladle, Fang Yi, ladle, ladle, ban, etc., each of which presents a different style in each era, and the styles of the same vessel in the same era are also colorful, and bronzes in different regions. Bronzes have extraordinary attraction.

After visiting, I found that these bronzes have a remarkable feature, that is, they are engraved with characters, and these characters are inscriptions on bronze.

after two or three hours, my cousin and I finished visiting the museum. There are so many items on display in the museum, some of them are donated, some are unearthed somewhere, and some are on loan, etc., which makes me dazzled. Part 3: Reflections on Shanghai Museum

Shanghai Museum is a very large museum. If you have time to visit it, you will benefit a lot, which is of great significance for understanding Chinese culture and the history of China.

Chinese culture has a long history, and every descendant of the Chinese people is proud of it. The 5,-year history of civilization is worth writing for everyone in China, which can be expressed through cultural relics and calligraphy, so I think it is necessary to have a look at the Shanghai Museum. At the same time, through the visit, you will find that even if you are rich in knowledge, you can only understand less than one tenth of it. I believe most people are less than this proportion.

At present, families are all children. At home, historical knowledge will only be transmitted through books, so that children can visit the Shanghai Museum and learn about our nation, its great achievements, long history and splendid culture, which is helpful to children's self-motivation and to improve their horizons. The Shanghai Museum is indeed a good place. Chapter 4: Reflections on Shanghai Museum

I thought about visiting several museums in Shanghai Museum this morning. I walked from the center of People's Square to the north gate. The staff said that this was the exit, and the visit should go around to the south gate. It's very hot, and it feels a bit like midsummer, so I have to enjoy the flowers and grass in the square and slowly walk around the gate of Chaoyang. Far away, I saw a long queue of visitors in the scorching sun, and I was next to the last one along the long queue. Fortunately, I have a habit of always taking a newspaper with me when I go out, reading newspaper news, and moving forward step by step, I don't feel anxious. I looked back when the line turned the corner. Oh, the "tail" is long, and it takes at least 3 minutes to get in like me.

I just came here last month, so as soon as I entered the door, I took a copy of the Visiting Guide and went straight to the third floor. There are three halls and one room on the third floor: China Painting Hall, China Calligraphy Hall, "Two Tuxuan" Painting and Calligraphy Room and China Seal Hall.

visit in turn, first look at the painting gallery. China's paintings have a profound tradition and unique national style. It is a plastic art with brush, ink and silk paper as the main tools and dotted line structure as the main means of expression. Chinese painting has its own system in the world art field.

Western painting, on the other hand, pays attention to realism, expresses the volume, texture and sense of space of objects by perspective and light and shade, and requires the color effect of objects under certain light sources. This is the biggest difference between Chinese painting and western painting.

I appreciated the treasures and introductions in the collection, which at least increased my basic knowledge. I only knew that the most famous Chinese paintings were landscape paintings, flower-and-bird paintings and figure paintings. In fact, there are also college paintings, literati paintings, painters, freehand brushwork and so on.

In the calligraphy museum, from Oracle Bone Inscriptions, we can see the calligraphy of inscriptions on bronze, Qin Xiaozhuan, official script, cursive script and regular script. This calligraphy is also a unique form of expression of ancient traditional art in China. The works on display show the evolution of China characters and people's exploration of beauty when recording and writing these characters.

Looking at the calligraphy exhibition, I think that we have been learning Chinese calligraphy since the second and third grades of primary school. First, we learn Chinese characters in red, and then we learn Chinese characters in small letters. Honestly, we can basically write like this. Later, I studied official script, and I can simply master the font characteristics. For a while, I imitated cursive script, as if the strokes between words were very beautiful. But I didn't really practice the same font, and the words after I became an adult will do (books) but not grass (books). When I entered the company, I saw that several of my colleagues had a good command of calligraphy. Some wrote official script and some wrote regular script, so I admired and envied them. At that time, I knew the regular script of Yan Zhenqing and Liu Gongquan. I like fonts like (true cursive script).

I also saw the seal museum. I used to know that there are seals, private seals and official seals in society now. The private seal is a personal certificate, and the official seal is a symbol of power in power. I also know that it will be more collectible to have seals on literati paintings and calligraphy. Through the introduction of the exhibits in the exhibition hall, I learned the knowledge of seal terminology, seal cutting and seal materials.

to be honest, the collection in the exhibition hall is very rich. You need to look carefully to learn more about history. Chapter 5: Reflections on Shanghai Museum

One day, the school organized us to visit the Shanghai Museum. Shanghai Museum is a large-scale museum of ancient art in China, with 12, precious cultural relics, among which bronzes, ceramics, calligraphy and paintings are the best. Shanghai Museum has a total building area of 39,2 square meters and a height of 29.5 meters. It has eleven specialized museums and three exhibition halls. Among all the exhibits, I like "Jingdezhen kiln blue-and-white peony pattern jar" and a painting called "Peach Blossom Double Blossom Picture Axis". Although I have long heard that Jingdezhen's porcelain is very famous, I didn't expect that our ancestors could make such exquisite porcelain by hand more than a thousand years ago. This porcelain is an underglaze colored porcelain that is fired at a high temperature. Its mouth is small and bulges out in the middle. In the center of the jar, peony is painted, which is elegant and lovely, and it seems that I have smelled the flowers through the glass window, which makes me crazy, as if I were playing in a peony bush. I can't help standing in front of it for a long time, and I don't want to leave, alas! It would be great if my family had one ...... When I was still immersed in the exquisite porcelain products in the porcelain museum, a beautiful and moving painting appeared in front of me, that is, the painting of "Peach Blossoms with Double Blossoms" in the Qing Dynasty in China Hall Painting Museum. This painting, with a length of 132 cm and a width of 5 cm, is endowed with China's traditional and unique national style. It was drawn by hand with brush, ink and silk paper as the main tools. In the painting, a pair of birds stand on a peach blossom branch, singing sweet songs to each other. Its mouth is orange, and there is a stamp of feathers slightly upturned just above its head, which is sky blue, its belly is white, and its back feathers are light. It is brown, and the most distinctive thing is that it has two long peacock-like feathers at its tail. It is conceivable that its feathers must be beautiful when it flies. If you look at the peach blossom white in the painting, there is a faint pink color, as if dancing in the breeze. No wonder the two birds can't help but stay on the peach blossom branches ... Although the time for visiting is limited, the wealth left by the ancients reflects the long tradition and profound heritage of ancient China culture. Visiting can not only let us know about the precious cultural relics in ancient China, but also teach us a lot of knowledge, which really makes me proud of my motherland and motivates me to study hard for our motherland. Chapter 6: Reflections on Shanghai Museum

Shanghai Museum is a large-scale museum of ancient art in China with an exhibition area of 2,8 square meters. There are 12, precious cultural relics in the collection, especially bronzes, ceramics, calligraphy and paintings. The rich collection and exquisite quality enjoy a high reputation at home and abroad. Whenever I see such exquisite cultural relics, I can't help feeling the splendor and greatness of ancient China's civilization. However, I can't help but be deeply touched by the experiences behind those ill-fated cultural relics. I also know that there is a long list of donors in the museum, with more than 8 names. Mr. Wang Qingzheng of Shanghai Museum has disclosed that the collection of Shanghai Museum has increased from 9, at the beginning of its establishment to nearly 1 million now, and nearly 1/1 of the collection comes from donations from the people. When the museum was first built, overseas Chinese, Chinese and compatriots from Hong Kong and Macao donated more than 1 million US dollars. Visible or inseparable from the support of people from all walks of life.

However, while I am gratified, I think that there are thousands of cultural relics lost overseas in Qian Qian, and few cultural relics are lucky enough to return to their hometown. Perhaps this is the misfortune of China and the misfortune of the nation

. Although countless patriots have tried their best to buy back the cultural relics lost overseas, it is only a drop in the ocean and the tip of the iceberg. Take the twelve animal heads in Yuanmingyuan as an example. At present, there are five ugly cows, Yinhu, Wuma, Shenhou and Haizhu that have returned to the motherland. However, two of them are still living abroad. I think from this, whether we should buy back all the overseas cultural relics lost today with heavy money. I don't think so, of course. This will only encourage those cultural relics dealers to think that they are profitable. Although cultural relics represent the history of a nation, history is the past after all, although we should not forget the past. However, we should focus on the present and the future. Only when you are strong will you be able to recover more cultural relics-not just cultural relics dealers who use endless money to satisfy their interests.

No matter how splendid the past history is, it is a thing of the past after all. If you think about bronzes carefully, they are nothing more than luxury articles for daily use of slave owners and nobles. Exquisite ceramics are nothing more than precious things for the royal family; Sculpture is nothing more than a tool for rulers to use ignorance; Calligraphy and painting are nothing more than ways for those scholars to become famous in the world; The subset of classics and history and poems and songs are nothing more than the media through which literati express their anguish by innuendo. As Mr. Lu Xun said: "Foreign countries use gunpowder to make bullets to defend the enemy, but China uses it as firecrackers to worship God;" Foreign countries use compass to sail, but China uses it to see Feng Shui; Foreign medical treatment, but China used it as a meal. " As we are proud of the four great inventions, it is really shameful. Although China is no longer the sick man of East Asia in the past, in the end, only our Chinese civilization is the only one of the four world civilizations, but now it is also scarred. In our long development process, especially in recent centuries, it is our regret that a number of epoch-making scientific achievements with world influence have not appeared, which directly led to the situation that China has fallen behind the western powers in the past two centuries. China people should not be afraid of temporary backwardness. A free ideological atmosphere, an open and pioneering society and a rational and moral national quality are the most important driving forces for our development. All the forces that bind Chinese people's thoughts should not be produced and exist in today's era. We have lost thousands of years of development opportunities. If we don't advance at this time, when will we wait?

Therefore, our 5,-year development history can only prove one thing: our Chinese nation has extremely tenacious ability to survive and reproduce. History has long passed, whether it is brilliant or bleak. "How many things in ancient and modern times are paid a joke." We should use a clearer mind to understand our own shortcomings. We should not only be complacent with the so-called "glory" that has appeared in history, but also take the road that others have taken first, then take the road that others have not taken, and finally gallop in an invincible position! Chapter 7: Reflections on Shanghai Museum

Today is Saturday, and my mother and I have a good lunch at noon.