Spring, cold food, summer pavilion, Liu Hua, Frost Moon, Xue Mei.

In spring, Song and Zhu won the day of looking for the seashore, and the endless scene was fresh for a while. Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere. Note: 1, spring day: spring. 2. Beat the sun: a sunny day. 3, looking for incense: spring outing, hiking. 4. Surabaya: The name of this river is in Shandong Province. 5. Waterfront: water, river. 6, leisurely: normal, relaxed. The meaning of waiting for knowledge is easy to identify. 7. East wind: Spring breeze. Analysis: It is generally believed that this is a poem describing a spring outing. Judging from the scenery written in the poem, it is also very similar. The first sentence is "winning the sun to find the fragrance of Surabaya", and "winning the sun" refers to sunny days, indicating the weather. "Surabaya" indicates the location. "Looking for fragrance" means looking for beautiful spring scenery and pointing out the theme. The following three sentences are what you saw when you wrote "Looking for Incense". The second sentence, "boundless scenery is new for a while", is about the initial impression gained by watching spring scenery. Use "boundless" to describe all the scenery in front of you. "A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. The word "knowledge" in the third sentence inherits the word "search" in the first sentence. "You can easily know" means that the features and features of spring are easy to recognize. "East wind" refers to spring. The fourth sentence, "colorful is always spring", means that this colorful scene is made up of spring, and people know spring from this colorful scene. This specifically answers why we can "wait for the east wind". The "colorful" in this sentence also takes care of the "new situation" in the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language. Literally, this poem seems to express the feelings of visiting spring, but the place to look for fragrance is the Surabaya coast occupied by Jin people when they crossed the Song Dynasty a long time ago. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring. In fact, the word "Surabaya" in the poem implies Confucius, because in the Spring and Autumn Period, Confucius taught his disciples with string songs between Zhu and Si. Therefore, the so-called "seeking incense" refers to the way of seeking saints. "Colorful" is a metaphor for the richness of Confucianism. The poet compares the sage's way to the spring breeze, which promotes the occurrence of opportunities and touches everything. This is actually a philosophical poem by the richest man, which combines reason with interest in the image. Cold food author: Han Yi Spring City is full of flowers, and cold food has a slanting east wind and willows. As night fell, the palace was busy lighting candles, and smoke drifted to the house of the prince and the marquis. At the end of spring, Chang 'an is full of catkins, and the cold food festival wind blows the willow branches in the imperial garden. As night falls, the palace is busy distributing candles, and the smoke from the kitchen chimney is scattered into the homes of princes and nobles. The crystal curtains are blowing gently, and the roses are fragrant. Note: 1, the original title "Xia", changed according to "Complete Tang Poetry". 2. Crystal curtains: describe the delicate texture and bright colors of curtains. Li Bai's Jade Family: "Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through its crystal glass?" "3. Rose: flower name. Summer flowers, red, white, Huang San, beautiful and fragrant. Appreciation: This is a seven-character quatrain describing the summer scenery. The first sentence seems dull, but carefully pondering the word "shade" not only makes the tree lush, but also implies that the sun is like fire around noon in summer, so the "shade" can be "thick". This "thick" is not only the chance of shade, but also the meaning of "deep" in depth, that is, the shade is dense and deep. A Dream of Red Mansions describes the scene of the Grand View Garden at noon in midsummer, which means "the scorching sun is in the sky and trees are everywhere". Around noon in summer can give people the feeling of "long summer". Yang Wanli said in "Taking a nap in early summer" that "sleeping for a long time is ruthless", which was written by me. Therefore, "the length of summer" is implicitly associated with "the shade of trees", which is by no means an ordinary pen. In the second sentence, "the balcony reflects into the pond", the poet sees the balcony reflection in the pond. The word "Ru" is well used: at noon in summer, the sunny sky is silent, the water in the pool is crystal clear, and the reflection of the balcony is very clear in the pond. This word "Jin" just writes the real scene of the balcony reflection at this time. The third sentence, "The crystal curtain moves and the breeze rises", is the most exquisite sentence in the poem. This sentence can be divided into two meanings. First, the pool water under the scorching sun is crystal clear; The breeze is blowing gently and the sea is blue. The poet used the "crystal curtain moving" to describe this scene, which is wonderful and vivid-the whole water surface is like a curtain made of crystal, blown by the wind, and under the rippling water waves, it is the reflection of the swaying balcony. How beautiful! Secondly, poets who look at the scenery first see the fluctuation of the pool water and then feel the wind. Summer breeze will not be felt at once, only when you see water waves, so it is said that "the crystal curtain moves and the breeze rises." If you write "the breeze rises" first and then "the crystal curtain moves", it will be as tasteless as chewing wax. Just as the poet was intoxicated with the beautiful summer scenery, suddenly there came a burst of flowers, which was refreshing and refreshed the poet's spirit. The last sentence of the poem, "the fragrance of roses all over the yard", adds bright colors to the quiet scenery and is full of intoxicating fragrance, which makes the whole poem full of unique vitality in summer. "One Courtyard Fragrance" coincides with the above sentence "The breeze rises". Poetry about summer scenery is purely similar to painting: the trees are dark, the balcony is reflected, and the pond is full of roses, which constitutes a picture with bright colors and harmonious artistic conception. All this was described by the poet standing on the mountain pavilion. Although there are no mountain pavilions and poets in the poem, when we appreciate this poem, we seem to see mountain pavilions and leisurely poets. Liu Hua May Liu Hua shines brightly. When you see the branches, you will see the first child. Unfortunately, there are no horses and chariots here, and the moss is upside down. In May, when the pomegranate is in full bloom and the branches are growing, the children also begin to grow. Unfortunately, there are no horses and chariots here, and the moss is upside down. In May, pomegranate bloomed, red as fire, dazzling, and pomegranate was faintly visible among the branches. It's a pity that no one has come to see such beautiful flowers, and there are no traces of flowers here. In the cold reception that people ignored, big red pomegranate flowers fell helplessly on the moss-covered ground. [Note] (1) Unfortunately: Unfortunately. (2) Inversion: confusion refers to mental confusion. Crimson: Big red. Frost Moon Author: Li Shangyin Age: In the early Tang Dynasty, the smell of wild geese passed without cicadas, and the water connected with the sky. The frost goddess and the moon are not afraid of the cold, and they are more beautiful and pure in the cold and frost recreation. [Note] (1) Qing female: the goddess of frost and snow. Su E: Chang 'e in the middle of the moon. (2) Chan Juan: Beautiful appearance. As soon as I heard the chirping of geese traveling to the south, the chirping of cicadas disappeared. I climbed a 100-foot-high building, and as far as I could see, water and sky met. In the middle of the month, the frost goddess Qingnv and Chang 'e are not afraid of the cold, and compete for beauty in the cold and frost of the cold month. Xue Mei Lu Meipo (1) has a kind of person who has no snow, no spirit, no snow and no poetry compared with her pure and clean beautiful appearance. The sunset poem is full of snow all day, and Mei is ten springs. [Note] (1) Spirit: spirit and charm. (2) Vulgarizing people: making people vulgar and not elegant. Plum blossoms have no charm without snow, but if there is snow to accompany plum blossoms, people who watch the snow and enjoy plum blossoms will not criticize them, then he is still a layman. It is getting late. Just as I wrote a poem praising them, it snowed again. Plum, snow and poetry together constitute the most beautiful scenery. Xue Mei, Lu Meipo and Xue Mei refused to surrender for the sake of spring, so the poet's pavilion was reviewed. The snow in Mei Xu Xun is three points white, but the snow has lost a plum blossom. Both plum blossom and snowflake think that they have occupied all the spring scenery, and no one will give in. It is difficult for poets to write critical articles. To be fair, plum blossoms make snowflakes crystal white, but snowflakes lose to plum blossoms. Appreciating ancient and modern many poets often write snow and plum together. Because Meier Snow reveals the information of spring, because Meier Snow shows noble character. For example, in Mao Zedong's Operator Yongmei, he once wrote: "Wind and rain send spring home, and snow flies to welcome the spring. Although the icicles on the cliff are still hanging for miles. There is a sweet flower in it. Joe doesn't fight for spring, he only reports it. When the mountain flowers are in full bloom, she laughs in the bushes. " Snow and plum have become the messengers of spring, and the symbol that winter goes and spring comes. However, in the works of the poet Lu Meipo, there was a "friction" between them for the sake of spring. They all thought that they occupied all the spring scenery and decorated it, and no one would give in. This writing is really novel and unexpected. No wonder poets can't judge the level. The last two sentences of the poem subtly show the advantages and disadvantages of the two: plum is not as white as snow, and snow is not as fragrant as plum, which answers the reason of "the poet's pen fee comments on chapters" and also shows the basis that snow and plum hold their own ends. After reading the whole poem, we seem to see the author implicitly writing this poem: Taking the opportunity of Xue Mei's struggle for spring, we are warned that each of us has our own strengths and weaknesses, and we should be self-aware. Learn from others' strengths and make up for your own shortcomings. This is talk.an excellent job. This poem is both interesting and reasonable, and it is worth reciting.