There is always sunshine in the end, and Miluo has nowhere to hang her soul.

It is a poem written by Bei Qiong, a poet in the late Yuan Dynasty and early Ming Dynasty.

This poem expresses emotions in plain weather description and discussion. Describe the weather of Dragon Boat Festival. It is dark because of the wind and rain, which also implies that there are few pedestrians in the field because of the weather. Here, I use the scenery to express my feelings, and use the stormy scenery to pave the way for the following lyric.

In the second sentence, the poet lamented, "Where is the heroic spirit?" The poet remembered that Qu Yuan's loyalty to the country was repeatedly relegated, and his talent was not obtained. Thousands of years of wind and rain have also delayed people's commemoration and memory of Qu Yuan, and there is no place on the entire Miluo River to mourn Qu Yuan's heroism. Here, I used the allusions of Qu Yuan, and then I felt sad about my life experience and resented Qu Yuan and my talent.

The "nowhere" in the second sentence not only corresponds to the ups and downs of the first sentence, but also expresses the sadness that Qu Yuan's heroic spirit has no one to mourn.

The last two sentences personify "Liu Hua", and the word "smile" gives Liu Hua a human touch, which makes the whole poem lively and interesting. In the communication with Liu Hua, the poet used Liu Hua's "smile" to express his brilliant but unsuccessful mood.

The open pomegranate seems to ridicule the poet for asking for trouble, so the poet has to quote Tao Yuanming's deeds with self-deprecation: even a hermit who indulges in mountains and rivers like Tao Yuanming has never lost his admiration for Qu Yuan. Here, Tao Yuanming's allusions are skillfully used, and the comparison method is used. On the surface, it is self-deprecating, but in fact it refers to self-detachment. The word "awake" left readers with rich imagination and endless aftertaste.

The whole poem is euphemistic and implicit, which shows the poet Bei Qiong's sadness about his talent, and at the same time expresses the unappreciated but still free and easy spirit, and expresses the poet's yearning for the hermit's personality and spirit.

Brief introduction of the author

Bei Qiong (1314-1379) was a poet in the late Yuan Dynasty and early Ming Dynasty. The first name is Que, the word courtier, the word Tingju, Zhongju, and the word Tingzhen, Qingjiang, posthumous title. Chongde people. Sexual frankness, erudite and knowledgeable. Learn from Yang Weizhen of Tieya. At the end of Yuan Dynasty, he was a reclusive professor. In the Ming Dynasty, he had obtained a provincial examination in Zhejiang, worked as a teaching assistant in Guo Zi, and served as a professor in Zhongdu, imperial academy.

His poetic theory praised the prosperous Tang Dynasty, not the Xining and Yuanfeng schools in the Song Dynasty. The article is harmonious and elegant, and the poetic style is gentle and natural. He is the author of Zhongxing Kao, Qingjiang Monument Collection, Qingjiang Draft and Yun Jian Collection.