How should we appreciate Zhang Zeduan's "Along the River During the Qingming Festival"?

Along the River During Qingming Festival" vividly depicts the bustling scenes and natural scenery on both sides of the Bianliang River during the Qingming Festival in Bianliang, the capital of the Northern Song Dynasty. The work is in the form of a long scroll and adopts the composition method of scattered perspective to integrate complex scenery into a unified and changeable picture. There are more than 500 characters in the painting, with different clothes and expressions, interspersed with various activities. It focuses on drama, dense composition, and attention to changes in rhythm and rhythm. In a willow forest, the branches have just turned green, making people feel that although the weather is cold, the earth has returned to spring. There was a sedan on the road, and there was a woman in the sedan. The top of the sedan chair is decorated with willow trees and miscellaneous flowers, and the heels are followed by those on horseback carrying burdens, returning from tomb sweeping in the suburbs of Beijing.

The description of the environment and characters points out the specific time and customs of Qingming Festival, which kicks off the whole painting. Among the 814 characters, 83 animals, 29 ships, and more than 30 houses and buildings, there are 13, 14 overhead carriages, 17 bridges, and about 180 trees, with different clothes and different expressions on the trees, which are lifelike , interspersed with various activities, also pay attention to plot and composition, full of changes in rhythm and rhythm, and the composition of pen and ink is very clever, connecting the previous and the following.

This painting depicts the prosperity of Bianjing during the Qingming Festival. It is a witness to the prosperity of Bianjing and a portrayal of the urban economic conditions in the Northern Song Dynasty. It vividly depicts the daily social life and customs of Bianjing, the capital of the Northern Song Dynasty. Through this painting, we can understand the urban appearance of the Northern Song Dynasty and the lives of people of different classes at that time. He was an outstanding realist painter in the late Northern Song Dynasty. Most of his works have been lost. The existence of "Along the River During the Qingming Festival" is a treasure of ancient Chinese art. This work is now in the Palace Museum, Beijing.

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