Reflections on the museum visit organized by college students (three articles)

Reflections after visiting the Museum of College Students

From the moment I set foot on the land of Xinjiang, I have fallen deeply in love with the taste here, the ancient agarwood of the splendid culture, the colorful The customs and elegance of the world's national forest, as well as the rough and magnificent depth produced by the people here's long-term struggle with nature. These fascinate me.

That day, I was lucky enough to be taken to see the Xinjiang History Museum by my teacher. I saw a lot there and gained a deeper understanding of its unique and charming history. Following the narrator's footsteps, I humbly walked through Xinjiang's thousands of years of history and felt its breathtaking beauty.

When you first entered the building, you saw the magnificent building. Because of my awe for culture, I was in awe of this building that was completed in 1959. On its first floor, bypassing the three-dimensional panoramic map of Xinjiang, you can see Xinjiang's ancient historical relics and learn about Xinjiang's ethnic customs. All the way from the Stone Age in Xinjiang to the Bronze Age, the Iron Age, the Qin, Han, Sui and Tang dynasties, the Song, Yuan, Ming and Qing dynasties, the historical overview and rich connotations. There are more than tens of thousands of pieces of cultural heritage, which is unforgettable and beautiful.

Xinjiang has been a place where various ethnic groups have migrated, disputed, and stayed since ancient times. Various ethnic groups have learned from each other in their long-term production and life, and have developed to this day through mutual integration. There are 47 ethnic groups in Xinjiang, including 13 major ethnic groups and 12 major ethnic minorities. Different geographical environments and different religious beliefs make each ethnic group different in terms of cultural life and customs.

Stepping into the second floor, in addition to being slightly surprised, there is also awe and admiration for the unknown. Those ancient corpses with a long history, lying at both ends of history, tell ancient stories and make people clearly understand. Xinjiang is the crossroads of the world's national cultures.

We cannot forget history. "Old Book of Tang·Biography of Wei Zheng" says: "If you use copper as a mirror, you can straighten your clothes; if you use history as a mirror, you can know the ups and downs; if you use people as a mirror, you can understand Gains and losses. "What we want

is to use this to inspire us to take on the important task of building the motherland. The future belongs to us. In order to better serve the motherland and build our homeland, we should work hard to learn culture. Knowledge, improve one's own abilities, enhance quality, adapt to social needs, and become qualified talents required by society! I love my motherland.

Reflections on the University Student Museum 2

On November 28, 2010, led by members of the party branch, we visited the museum known as "the Pearl of the Ancient Capital and the Treasure House of China" with great excitement. Shaanxi Provincial History Museum. The visit lasted more than three hours, wandering in the corridors of history and feeling the Chinese civilization created by our ancestors over thousands of years. I felt a sense of pride from the bottom of my heart. During this period, many foreigners passed by us. Their eyes widened and they were amazed when they faced the mysterious oriental artifact in front of them. As descendants of Yan and Huang, who is not proud of the glorious achievements created by their great ancestors? Who doesn’t feel how glorious our history is?

The Shaanxi History Museum is located on the northwest side of the Big Wild Goose Pagoda in Xi'an. It is China's first large-scale modern national museum. It is not as good as the museum itself. The museum is a Tang-style building complex with a "central hall and four corner towers". The order of priority and order, well-proportioned levels, majestic and solemn momentum, integrating national traditions, local characteristics and the spirit of the times. Xi'an has been an imperial capital since ancient times. Thirteen feudal dynasties including Zhou, Qin, Han and Tang successively established their capitals here in history. It is rich in above-ground and underground cultural relics. Shaanxi's unique historical and cultural features have been formed. The cultural relics in the Shaanxi History Museum are not only large in quantity and variety, but also of high grade and wide in value. They range from simple stone tools used in the early stages of ancient mankind to various artifacts in social life before 1840, with a time span of more than 100 years. Thousands of years. Among them, the bronzes of the Shang and Zhou Dynasties are exquisite, the pottery figurines of the past dynasties are in various shapes, the gold and silverware of the Han and Tang Dynasties are unique in the country, and the murals of Tang tombs are unparalleled in the world. It can be described as a dazzling array of exquisite products.

In prehistoric times, there have been ancient human activities in Shaanxi. From the Paleolithic Age, the Neolithic Age, the matrilineal clan society, and the patrilineal clan society, our ancestors have thrived on this fertile land. After a long period of Over the years, we gradually bid farewell to ignorance and created a splendid civilization. Here are the Lantian ape man, the Dali man, the Banpo man, and the Xuanyuan Yellow Emperor, the ancestor of China recognized by the Chinese... In order to survive, prehistoric humans adapted to nature and at the same time persevered to transform nature, gradually meeting the needs of survival. At the same time, art is also created, and the creation and imagination of art react on human ideology, causing civilization to spiral upward and advance to a higher level. The dawn of such a civilization is measured in hundreds of millions of years! Facing our ancestors, we have nothing but reverence! The perfect combination of practicality and art also gave birth to early science. I continue to appreciate the masterpieces of the ancients with reverence. Picasso should be ashamed of himself compared to the outstanding works of primitive human artists who painted on pottery! Wouldn't it be shameful for the greatest ceramic craftsmen of all historical periods in history to face the outstanding achievements of their ancestors in the art of ceramic plastics? Our ancestors have created crafts and literary achievements that are unparalleled in any country in the world, including bronzes, ceramics, sculptures, calligraphy, paintings, a vast collection of classics and histories, poems and songs, etc., each of which can make people proud. The world was amazed.

The land of Sanqin is one of the important areas where the Chinese nation lives and reproduces, and where Chinese civilization was born and developed. Thirteen of the most glorious dynasties in Chinese history, including Zhou, Qin, Han, and Tang, were founded here. All. Rich cultural relics and profound cultural accumulation have formed Shaanxi’s unique historical and cultural features. The Provincial History Museum is an art palace displaying Shaanxi’s history and culture and ancient Chinese civilization. Although the time to visit is limited, the wealth left to us by the ancients reflects the long tradition and profound heritage of ancient Chinese culture. We are proud of our five thousand years of civilization. Chinese people should not be afraid of temporary backwardness. A free ideological atmosphere, an open and pioneering society, and a rational but moral quality of the people are the most important driving forces for our development. All forces that constrain the minds of Chinese people should not arise and exist in today's era. We have lost thousands of years of development opportunities. If we don’t advance now, when will we wait? Therefore, our five thousand years of development history can only prove one thing: our Chinese nation has an extremely tenacious ability to survive and reproduce. History has long passed, whether it is glorious or bleak, "many things in ancient and modern times are all laughed at." We should use a clearer mind to understand our own shortcomings. What we have to do is not only to be complacent with the so-called "glory" that has appeared in history, but what we should do is to first follow the path of others, and then follow others. The road that has never been taken, finally galloping into an invincible position! The visit not only allows us to understand the precious cultural relics of ancient my country, but also teaches us a lot of knowledge. This really makes me feel proud of my motherland, and it also inspires me to study hard for our motherland.

History is something that belongs to the past. Of course we cannot forget it. It should be used to inspire us to take up the important task of building the motherland, but the future is more important than the present. The future belongs to contemporary college students. It is up to us to compose the music of future history. How can we write it well? That is, we should now work hard to learn scientific and cultural knowledge in school, improve our own abilities, enhance our quality, adapt to social needs, and become qualified talents for social needs, to serve the motherland and join the society.

The future is beautiful and even more brilliant. For the future of ourselves and our motherland, we must seize the opportunity and create brilliance from now on. Tomorrow must be ours!

Three reflections after visiting the Museum of College Students

The weather in May is hot, but our mood is more enthusiastic than this hot weather. We probationary party members went to the Fujian Provincial History Museum to visit the exhibition hall together, and our mood was as exciting as the surging waves.

With curiosity and great excitement, a group of us came to the picturesque West Lake Park and Zuohai Park in Fuzhou City. Here is the destination of our trip - Fujian Provincial Museum. The Fujian Provincial Museum is a provincial comprehensive museum integrating cultural protection, cultural relics and archaeology, history, natural specimens, and art. There are many venues for cultural relic protection, display, publicity and education, archaeological research, business exchanges, nature museum and so on. The collection of cultural relics here comprehensively and systematically displays the unique historical and cultural features of Fujian. Visiting museums is also the most convenient and important way for students from other provinces to learn about local humanities, history, culture and art.

The Fujian History Museum area consists of four buildings: the exhibition hall, the nature hall, the comprehensive building, and the cultural and museum training center. The overall building has unique maritime cultural characteristics, and at the same time integrates Minnan stone culture and Fujian ancient architectural style. The new museum also has facilities such as a multi-functional academic lecture hall, video hall, VIP hall, conference hall, "Expo Garden" cultural and museum training center, "Yi'anju" tea room and other facilities. It is a modern museum with relatively complete equipment and complete functions.

The Fujian History Museum has a collection of nearly 170,000 cultural relics and natural specimens, including more than 30,000 precious cultural relics. The exhibition hall covers an area of ??10,000 to 20,000 square meters, including 6 temporary exhibition halls with an area of ??3,000 square meters. Now launched are "Light of Fujian Ancient Civilization", "Modern Situation of Fujian", "Ancient Fujian Export Porcelain", "Craft Collection", "Fujian Opera Grand View", "Dinosaur World", "Animals" and "Collection of Chinese Paintings and Calligraphy of All Dynasties". Exhibition" and other 9 basic displays comprehensively and systematically display the unique historical and cultural features of Fujian. The precious collections include: Western Zhou Dynasty bronze cymbals. The height is 76.8 cm, the length is 29.8 cm, and the weight is 100.35 kg. Unearthed in the 1970s. The big cymbal is made of double molds, with 18 papillae-shaped pieces on each side. The body of the vessel is covered with decorations mainly composed of cloud and thunder patterns. The upper part of the vessel is decorated with a pair of animal eyes on each side, which together with the cloud and thunder patterns form a variant of the animal mask pattern. The spiral belt is based on fine cloud and thunder patterns, and is decorated with prominent hooking C-shaped patterns. The dance surface is decorated with four groups of symmetrical thick cloud and thunder patterns. The clock face is decorated with thick and deep cloud and thunder patterns, with only the central tunnel of the drum slightly raised, decorated with shallow patterned animal masks. The huge shape and exquisite decoration of this cymbal are rare in China. Dehua Kiln Wenchang Seated Figure Ming Dynasty. The back of the seated statue has the inscription "He Chao Zong Seal" in seal script. The body is white and delicate, and the glaze is milky white. Wenchang is sitting upright, with handsome features and a solemn expression. His right hand holds Ruyi, his left hand rests on his knee and is hidden inside his sleeve. He wears a wide-sleeved robe with a belt around his waist and clear and smooth pleat lines. This collection is a masterpiece of Dehua white porcelain. Lu Ji's "Plum Blossom Swan Scroll" Ming Dynasty. The length is 240 cm and the width is 151.5 cm. Silk, no inscription. Use thin strokes to draw starlings, butterflies, swans, plum blossoms, etc., and use thick strokes to draw tree trunks and stubborn rocks.

The painting style is simple and honest, the colors are bright, and the format is wide. It is a masterpiece handed down from generation to generation by Lu Ji, a master of flower and bird painting in the Ming Dynasty. Five generations of female figurines in high buns. 102 cm high, made of muddy gray pottery. Unearthed from the tomb of Liu Hua in Xindian, Fuzhou City. The figurines have plump faces and dignified expressions. Her hair is in a high bun, she wears a double-breasted, wide-sleeved, knee-length coat, with her chest exposed, her hands arched inside her chest's wide sleeves, and Ruyi shoes. At this moment, we stopped at the door of the museum. The vigorous and powerful words "Fujian Provincial Museum" as well as the spacious venue and solemn stone lions all contain the historical and cultural heritage behind them. From the moment we step into the museum's door, we feel like we have entered a time tunnel, taking us into the ancient prehistoric era. Standing in front of that simple, rusty bronze vessel, what I admired was no longer its appearance or the words engraved on it. I just felt a strong breath of history coming to my face. It is like an aura, condensing the atmosphere of China thousands of years ago and showing us its elegance.

When I looked up at the exquisite calligraphy and paintings and the displayed photos. I no longer just understand the content, but watch from a distance. I seem to feel that the characters in the painting are walking towards me gracefully. Between the lines, they are as fast as a waterfall and as slow as moving clouds, giving people an indescribable feeling.

When I looked down at the beautiful pieces of jade, what came to my mind was the scene of the ancients carving jade. In the past, people described the creation of nature as uncanny workmanship. I saw these exquisite works of art. I understand what ingenuity is.

When I stared at those giant yellow skeletons, I was shocked by these huge prehistoric creatures and felt sorry for their extinction. The domineering power of Tyrannosaurus rex, the dexterity of pterosaurs, and the thickness of oracle-bone dragons. It vividly shows us that the king buried deep in the earth is unwilling to be lonely, and shows its former style to the world with its huge skeleton. My mood fluctuates like a tide. Eventually it calmed down. Walk out the museum door. I am still recalling the richness of Fujian history and culture and the awe of my ancestors. Everything went with the wind, and my thoughts merged into the rolling river of history, stirring up a small wave, and the water surface became calm again. The ocean current of history beats the helmsman again and moves forward slowly. Our time will continue again. A trip to the museum was a baptism of the soul, which made my thoughts and emotions work hard again.

Through this social practice, I understand that social practice is a good form to guide our students out of school, into society, contact society, understand society, participate in society, and understand society. It is also an effective way to encourage students to participate in reform and opening up, cultivate and exercise their talents, improve their own thinking and cultivation, and establish good ideas to serve the society. It helps us update our concepts, absorb new ideas and knowledge, and improve our quality. All in all, this social practice as a probationary party member has improved my overall quality and made my thinking more mature. I hope there will be such opportunities in the future so that I can get better and more comprehensive training. In the future study and life, I will correct my mentality, correct my position, study hard, strive to improve my overall quality, adapt to the requirements of the times, and be a useful person to society and the people.