The more detailed Liu Yong's introduction and works, the better.

Liu Yong (about 987- about 1053) was born in Chong 'an (now Wuyishan, Fujian). Poet of the Northern Song Dynasty, one of the most representative figures of graceful and restrained school, his masterpiece Yulinling. Formerly known as trilateral, the word Jingzhuang. Later renamed Yong, the word Qing. Ranked seventh, also known as Liu Qi. He is a scholar in the imperial court, and the official is Yuan Wailang, so he is known as Liu Tuntian in the world. He called himself "Liu Sanbian, who wrote lyrics in sequence", devoted himself to lyrics all his life and called himself "the beauty in white". Directory [Hidden] Brief introduction of Shi Haiyi's life, anecdote of Bai Yixiang Qing, ordered to write lyrics. Writing Style Hometown Odes to Hometown Before and After His Death, Liu Yong, a gifted scholar and poet, wrote a book and said that the study of bibliography contributed a lot. The groundbreaking significance of A Brief Introduction to Shi Haiyi's Life was ordered to write lyrics. Before and after his death, Liu Yong's gifted scholar and poet wrote a book, saying that the study of bibliography made great contributions and was of pioneering significance in the history of Song Ci.

Liuyong [Editor of this paragraph] Shi Haiyi's life profile Because of his bumpy career and poor life, he turned from pursuing fame to being tired of officialdom, indulging in charming and prosperous urban life, and looking for sustenance in "leaning on the red and leaning on the green" and "singing softly". As the first poet in the Northern Song Dynasty, Liu Yong is a great poet in the Northern Song Dynasty and occupies an important position in the history of ci. He opened up the field of ci and created many excellent works. He not only developed the theme of ci, but also produced a large number of slow words, developed narrative skills, promoted the popularization and colloquialism of ci, and had a great influence in the history of ci. Jing You is a scholar. He is a foreign minister. As a bohemian, he was down and out all his life. His ci mostly describes the city scenery and the life of geisha, and he is especially good at expressing the feelings of traveling and service. Ci is very popular, "there is a well to drink, and you can sing Liu Ci". Many chapters sang the pain of some down-and-out literati in the prosperous times with sad tunes, which was really touching. He also described the bustling scene of the city and the scenery of the four seasons, as well as other themes such as visiting immortals, chanting history and chanting things. Liu Yong developed the style of ci and kept more than 200 words. Most of the tones of One Happy and Fifty used are new ones that have never been seen before, and 78 of them are long and slow, which have made great contributions to the liberation and progress of Ci. Liu Yong also enriched the expression of ci. His ci pays attention to the structure of rules, the style of ci is clear, the language is natural and fluent, and it has distinct personality characteristics. He inherited Dunhuang music, wrote a large number of "slang words" in folk spoken language, and created Jin and Yuan music. Liu Ci also uses novel and beautiful tunes, which are full of charm, close to feelings and full of musical beauty. His ci was not only widely circulated at that time, but also had a great influence on later generations. He was the most accomplished poet in the early years of the Northern Song Dynasty, and he wrote the Collection of Movements.

Liu Yong's father, uncle and brother are all Jinshi, even his son and nephew. Liu Yong's own career is also bumpy. He was awarded the Jinshi background in the first year of Jingyou (1034), which has been nearly half a year. The lyrics are excellent and widely circulated. Only one volume of his works, The Collection of Movements, has survived to this day. Describe the hardships of travel, such as Ling and Klang Ganzhou. They sang unbearable parting and unforgettable memories with a serious attitude, which is very infectious.

Young Liu Yong wandered in Yanhua Lane. At the age of 5 1, Liu Yong finally went to Fujian, leaving behind "Boiling the Sea Song", giving deep sympathy to the people who cooked salt for a living at that time. In just two years' official career, his name was recorded in "Official Records of Country Names", which shows his talent in economic affairs. Unfortunately, due to his personality, he was exiled repeatedly, so he entered a wandering "floating life" and developed a preference for bleak autumn scenery. Liu Yong often compares himself with Song Yu, and he doesn't comment on it. Liu Yong was poor in his later years and died penniless. It was his geisha sisters who raised money for the funeral in the camp. After death, there were no relatives to pay homage. Every year in Tomb-Sweeping Day, geisha meet to pay homage to their tombs, and they are used to each other, which is called "Hanging Willow Seven" or "Hanging Willow Meeting".

The Liu family has been an official for generations. Liu Yong studied hard in his hometown when he was a teenager, hoping to inherit his family business and go from official to official. After finishing his studies, he went to Bianjing to take the exam, ready to make great achievements and try his hand in politics. Unexpectedly, Liu Yong, a romantic young genius in his bones, was attracted by the geisha in the brothel and completely forgot his political ideal. He spent all his days in the romantic field, became close friends with geisha in brothels, and wrote his romantic life in his own words:

"In recent days, my heart is steep. In Luo Qi, there is a person who can care about it. " "Know several conspiracy, Qin Lou drunk. I joined hands and fell in love with embroidered quilts. " (Changshoule) On this trip, he certainly didn't forget the goal of being a scholar, but he was "conceited and romantic", confident that he was "good at art" and "versatile and good at diction" ("Hitting the Indus"), and didn't take the exam seriously, so that he could get a scholar and a top scholar easily. He once boasted to his potential sweetheart that even if the emperor came to the porch to try it himself, he would "be the best in the world" ("Long Life"). Unexpectedly, when it was released, it fell out of Sun Shan. Frustrated and resentful, he wrote the famous work "He Tianchong" (Golden List), claiming to "tolerate superficial fame and change to shallow singing". Your prince won't let me be a scholar and an official. If I am not an official, what can I do? Isn't it the same honor to be all-powerful in the ci world? A talented poet is born in white.

On the surface, Liu Yong has contempt for fame and fortune and is a little rebellious. In fact, this is just a complaint after disappointment. I still can't forget fame and fortune in my bones. On the one hand, he said in Like Fish and Water that "fame and fortune, I intend to fight for it." Don't worry about right and wrong. "On the other hand, he comforted himself by saying that" wealth does not lie in people, and there will be retribution when the time comes. Therefore, shortly after the first defeat, he rallied and fought again.

In the early years of Renzong, the exam results have passed, but because the word "He Tianchong" spread to the Forbidden City, it was heard by Shang Minister. When Lin Xuan released the list, Renzong used the word "He Tianchong" as an excuse, saying that Liu Yong was politically unqualified and dismissed him, and instructed: "Why bother to be superficial?" (The Biography of Wu Zeng Gaizhai (Volume 16))

After another failure, Liu Yong was really angry. He simply called himself "Liu Sanbian, who wrote lyrics in sequence", and since then he has wandered freely between prostitutes' houses and devoted himself to the artistic creation of folk new sounds and new words. Unfortunately, in officialdom, on the contrary, Liu Yong, a talented poet, gave full play to his artistic talent in the field of ci creation. At that time, the musicians and singers in the workshop asked Liu Yong to write lyrics for them every time they got a new song, and then they could be handed down and recognized by the audience. Many of Liu Yong's new songs and words are the result of cooperation with teachers, musicians and prostitutes.

Liu Yong wrote lyrics for musicians and geisha in the workshop, let them sing in the karaoke bars of restaurants, and often got their financial support. Therefore, Liu Yong can survive in a workshop without much food and clothing. In the Southern Song Dynasty, Ye Luo's "Drunken Weng Tan Lu" Volume II said that "Qi Qing lived in Beijing and visited prostitutes in his spare time. Everywhere they go, prostitutes often give them gold materials. "Liu Yong earned a certain economic income by virtue of his popular literature and art creation, which marked the beginning of commercialization of literature in the Song Dynasty and set a precedent for the professionalization of talents engaged in popular literature and art creation later. [Edit this paragraph] Bai Yixiang's anecdote 1. The lyrics are written in order. Liu Sanbian: There is a saying in Liu Yong's "Crane to the Sky" that "the name is floating in silence and replaced by shallow songs". Renzong in the Northern Song Dynasty once criticized him: "This man is good at singing, why is he' floating in name'? And fill in the words. ",erase the name. Liu Yong claimed: "Write words in sequence. "

2. Guizi and Shili Lotus in Sanqiu: It is said that Yan Yan Liang praised the beauty of Hangzhou after reading Liu Yong's "Looking at the Tide of the Sea": "The southeast is too rich, Wusan City, Qiantang has been prosperous since ancient times ... There is" Sanqiu Devil, Shili Lotus ""I set out, crossed the river with my whip, and immediately attacked the Song Dynasty with 600,000 troops ". (Luo Dajing's "He Lu" Volume 1)

Third, where there is a well, you can sing Liu Ci: Ye Songmeng's "Xia Wuyu" records: "Liu Yong traveled more and sang songs when he adopted his son. Every time the musicians in the teaching workshop get a new tune, they always try to resign themselves to fate and start wandering around the world, so the sound will spread for a while. Yu Shi, a Dantu, saw a Western Xia returning to the official cloud:' Anyone who has a well can sing Liu Ci.' Liu Ci can be divided into two schools: vulgar Ci and elegant Ci. [Edit this paragraph] Liu Yong, who was ordered to write lyrics, is one of the four flags of graceful and restrained school, in which the word "affectionate" is used.

Known as "Su Hao hates willow", Liu Ci is as fresh, graceful, delicate and original as the twenty-eight girls in Jiangnan.

Liu Yong is one of the four flags of graceful and restrained school in Song Dynasty. His poems are touching, but not decadent. The artistic conception of word formation is refined and unconstrained. As a result, "a workshop musician, every time he gets a new tune, he must seek eternal words and begin to walk in the world." Although there is a legacy of Huajian Ci School, it is unconventional and unique.

Liu Yong was a great poet in the Northern Song Dynasty and occupied an important position in the history of Ci. He expanded the scope of words and created many excellent works. Many chapters sang the pain of some down-and-out literati in the prosperous times with sad tunes, which was really touching. He also described the bustling scene of the city and the scenery of the four seasons, as well as other themes such as wandering immortals, chanting history and chanting things. Liu Yong developed the style of ci and kept more than 200 words. Most of the tones of One Happy and Fifty used are new ones that have never been seen before, and 78 of them are long and slow, which have made great contributions to the liberation and progress of Ci. Liu Yong also enriched the expression of ci. His ci pays attention to the structure of rules, the style of ci is clear, the language is natural and fluent, and it has distinct personality characteristics. He inherited Dunhuang music, wrote a large number of "slang words" in folk spoken language, and created Jin and Yuan music. Liu Ci also uses novel and beautiful tunes, which are full of charm, close to feelings and full of musical beauty. His ci not only spread widely at that time, but also had great influence on later generations.

The Love Story of Yan Hua Xiang Liu Mo Yong

Xie, a famous prostitute in the Northern Song Dynasty, was beautiful and loved to sing Liu Yong's ci. Liu Yongcai is too arrogant. He hates Injong and can't be reused. He won the imperial examination and was killed in Yuhang County. Passing Jiangzhou, I went to the prostitute's house as usual and met Xie. I saw a book "Liu Qixin Ci" in her study, which she copied in small letters. So, when she saw it and knew it, she was compatible with it. When leaving, Liu Yong wrote down new words, saying that he would never change his mind, while Xie vowed to close the door and wait for Liu Lang.

Liu Yong worked in Yuhang for three years and made many famous prostitutes in Jiangsu and Zhejiang, but he never forgot to thank him. Ren Man returned to Beijing and met her in Jiangzhou. I don't want Yu Ying to meet new guests and go drinking with others. Liu Yong was very disappointed. He wrote a poem on the flower wall, describing the love scene three years ago and expressing his unhappiness in standing up today. Finally, he said, "I heard that Song Yu of Lantai is versatile and gifted. How can I go all day? "

Xie came back to see Liu Yongci, sighing that he is really an affectionate wit. Ashamed of not keeping his former alliance, he sold his furniture and rushed to Tokyo to find Liu Yong. After many twists and turns, Xie found Liu Yong in the home of Master Chen, a famous prostitute in Tokyo. Reunion after a long separation, all kinds of feelings are hard to tell, and the two will get back together. Xie stayed at Teacher Chen's East Campus and lived with Liu Yongru.

Later, Liu Yong made rude remarks and offended court officials. Injong has just dismissed his post as foreign minister. The Oracle said, "Minister in white, write lyrics before the wind and under the moon." From then on, he changed his name to Liu Sanbian and went in and out of famous prostitutes' flower houses. All the food and clothing are provided by famous prostitutes, and they all beg him to give them a word to improve their social status. He is also happy to wander around the famous prostitutes' homes and write lyrics, calling himself "Liu Sanbian who was ordered to write lyrics".

Liu Yong indulged in debauchery for many years, physically and mentally hurt, and died in the home of Zhao Xiangxiang, a famous prostitute. He had neither family nor property, and no one asked him after his death. A group of famous prostitutes, such as Xie and Chen Shishi, saw his talent and infatuation and collected some money for his burial. Xie had planned to marry him and put on heavy mourning clothes for him, and all the existing prostitutes mourned for him. At the funeral, all the prostitutes in Tokyo came and half the city mourned. This is the story of "alloy burial of Liu Qi and prostitutes".

Xie was sad for Liu Lang and died two months later. Miss Chen and others miss her and bury her next to Liu Yong's tomb. [Edit this paragraph] Liu Yong's hometown Liu Yong and Yong Xi were born in Rencheng County, Jeju, Jingdong West Road in 987. From the first year of Chunhua (990) to the third year of Chunhua (992), Liu Yong's father Liu Yitong sentenced Quanzhou. According to the official system of the Song Dynasty, he was not allowed to bring his family. In desperation, he had to take his wife and son Liu Yong back to their hometown in Chong 'an, Fujian, and asked his stepmother Liu Yong's stepgrandmother to adopt them. It was not until the first year of Daoguang (995) that he returned to Bianjing. Therefore, from the age of four to nine, Liu Yong spent his childhood in his hometown of Chong 'an. After that, Liu Yong never had a chance to return to Chong 'an. The poem Zhongfeng Temple recorded in the Annals of Jianning written by Zhongfeng Temple in Chong 'an was written by Liu Yong as a child, and can also be called a child prodigy.

Liu Yong is a native of Chongan Wu Fuli (now Chajing Village, Shangmei Township, Wuyishan City, Nanping City, Fujian Province), where lotus flowers are planted. In front of his house, there is a huge white elephant and the beautiful scenery of Zhong Ling. The cultivation of Ji shaped Liu Yong's free and easy life feelings and short life experience, so that he never came back after leaving home. That beautiful hometown, that beautiful place. In Wuyishan, a world natural and cultural heritage site, there is a Liu Yong Memorial Hall and a 2-meter-high bronze statue of Liu Yong in the middle section of Wuyi Palace Ancient Street in the scenic spot. [Edit this paragraph] After his death, Liu Yong was buried at the foot of Gu Beishan. According to the thirty-six postscript of the Ming Wanli "Zhenjiang Fuzhi", it was not until Wang Anli knew Runzhou. However, literary historians have been vague after checking the information. After the Song Dynasty, there were also different opinions. To sum up, it says there are four points:

First, the burial in Xiangyang, Hubei. Song holds this view, and hopes that Yu Fang Sheng Lan records that Liu Yong died in Xiangyang. On the day of his death, there was no money at home, and a group of prostitutes were buried outside the south gate. Going to the grave every spring is called "hanging Liu Qi", also called "going to the romantic tomb". It has gradually formed a custom that people who have not joined the "Liudiaohui" and "Romantic Tomb" are afraid to go for an outing in Lian Le Garden Scenic Area. This custom continued until the Song Dynasty moved south. Later generations have a poem "Cloud of Liu Yong's Tomb": Go to the scenic spot of Leyuan Garden to be a prostitute like a cloud, and go to the seven graves of Romantic Willow. It is ridiculous that the gentry are chased one after another, and the pity is not as good as the red dress.

Second, Huashan burial in Zaoyang, Hubei. Song Zeng Chen Da (Minhang) and Chen Yuan lyna hold this view. There is a record in Du Xing magazine: "Qi Qing's tomb is in Huashan, Zaoyang County, and every year Qingming poets gather under it to hang willows." Chen also wrote in "Guang Ji at the Age of Years": "Tibetan monks leave their remains, and prostitutes in western Beijing are buried in Huashan County. Later, in Tomb-Sweeping Day, tourists often drank from the grave, which was called "Hanging Liu Qi". "Zaoyang County Records" records: "The tomb of Liu Yiqing (that is, Liu Yong), a poet of the Song Dynasty, is in Huashan, Xinglong Town". It is said that Liu Yong traveled to Zaoyang in his later years, accompanied by musicians and geisha, and made a living by composing music and lyrics. Later, he died in Xinglong area of Zaoyang, and geisha pooled their money to bury him on Huashan Mountain, 3 kilometers northwest of Xinglong Town.

Third, the death of Jingkou, the burial of Beigushan or Yinshan. Ye Song Meng De (Shao Yun) holds this view. Ye recorded in "Summer Notes": Liu Yong "finally decided Tian as a foreign minister and died and swam in Runzhou Monastery. Wang was punctual and asked for the next time in order to pay for the burial. Where exactly did Wang Ho-fu bury Liu Yong? Ye Mengde, you're welcome. It is said that there is an extinct tomb of Liu Yong at the foot of Gubei Mountain. However, the Records of Dantu County written by Zheng De in Ming Dynasty recorded that Liu Yong's tomb in Tuntianlang was under the Tushan (Dantu), and the Records of Zhenjiang in Wanli not only recorded the same record, but also recorded some contents of Liu Yong's epitaph [1] found under the Tushan. Jiang Zhi, Shunzhi Town, written by Yu Xilu, a Zhenjiang scholar in the Yuan Dynasty, says in seven volumes: "Tushan is at the mouth of Xijiang River in the county, and the custom is to establish Tushan (Yu Xishi:' Tushan Jingkou Jun'). It used to belong to Garlic Mountain, but now it is renamed Yinshan. "However, Beigushan has been very famous since the Eastern Jin Dynasty, and people don't call it' Tushan'. It can be seen that the "Earth Mountain" where Liu Yong's tomb is located is the "Yinshan Mountain" (there is still a place called Yinshanmen under the fifty-third slope of Zhenjiang today), which is the part north of Yuntai Mountain, not Beigushan Mountain. Zhao Yanyu, a poet in Zhenjiang in Qing Dynasty, wrote a poem "Pipa Yin" and hung it in front of Liu Yong's tomb. At the beginning of the last paragraph, he said, "The west smells like grass, so it is difficult to ask. My hometown is Qingming. "There are words like' Spring goes to spring, and the grave is destroyed'; In the next paragraph, there is "only in the depths of the earth mountain can the monument of Wang Lang be recorded" (referring to the remains of Liu Yong's tomb). It can be seen that the "Tushan" where Liu Yong's tomb is located is close to the "Western Jin Dynasty" (that is, the capital of the Western Jin Dynasty). This word is not only circumstantial evidence that Liu Yong's tomb is under the "earth mountain", but also proof that "earth mountain" is "yin mountain". Ye Mingfeng, a textual research scholar in Qing Dynasty, also supported the theory of burying Zhenjiang in Qiaoxi Magazine. Liu Yong's hometown is Chong 'an, Fujian, and he also supports the theory of burying Zhenjiang. On a rectangular stone next to the bronze statue of Liu Yong in Liu Yong Memorial Hall, the words "Liu Yong's tomb returns to his hometown" are engraved, and there are several lines of inscriptions below: "In September 2004, when the new Liu Yong Memorial Hall in Wuyishan was completed, Liu Yong's tomb was moved here from Beigushan in Zhenjiang. A thousand-year-old wanderer returns to his hometown today, and a pronoun returns to his hometown. "

Fourth, the burial righteousness is right. Wang Qing Shi Zhecun (Yu Yang) holds this view. However, Wang Shizhen mentioned in "Parting Gan Yu Hua": "According to legend, he died in Jingkou and was buried by the king. Today, Yizheng cactus has Liu's tomb, but it is buried in Runzhou. " Yizheng was called Zhou Zhen in ancient times, and the tomb of Liu is in Yizheng cactus. Wang Shizhen once again mentioned in "Zhou Zhen quatrains": "The spring scenery in Jiangxiang is the most pitiful, and cold food is pure and wants to ban smoking. Who is weeping willow wasteland? " Poetry and prose confirm each other, so they can't be wrong. However, some people suspect that there is no cactus in Yizheng suburb. I wonder what is the basis of Wang Shizhen's Tomb of the Willow in the Cactus? In the Ming Dynasty, "No Talk on the Records of Yizhen County, Qin Long" contained: "Liu Yiqing's Tomb is near the county town of Xixupu". In the Qing Dynasty, it was also recorded in the Tomb of Yangzhou Prefecture Records in Jiaqing: "The tomb of Liu Yiqing, the foreign minister of wasteland, is near Xupu, Xiqili, Yizheng County". Accordingly, Liu Yong's tomb is more credible in Yizheng Xupu.

Because there was no biography of Liu Yong in the official history of the Song Dynasty, there was no record of Liu Yong in the collection of literati poems at that time, and even the date of birth and death of Liu Yong was inconclusive. Now the stories about his burial place are all from the notes of Song people and Qing people, which are recorded sporadically, and the rumors are different, which is even more difficult to draw a conclusion. This is also the poet's sorrow! But change the way of thinking: this is also the honor of the poet, so that people in more places can remember him and care about him! Luck and misfortune are all in one thought! [Edit this paragraph] Yu, anthology of talented poet Liu Yong.

The cicadas in autumn are so sad and urgent, facing the pavilion, it is in the evening and a sudden rain has just stopped. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking about thinking, thousands of miles of smoke, dusk, chutiankuo.

Since ancient times, it has been awkward and cold to leave. Where did you wake up tonight? Yang Liuan and Xiaofeng are dying. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. Customs are strange, who to talk to.

A butterfly in love with flowers

Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. In the afterglow of the grass, no one will lean on the fence and be silent.

I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.

journey

On the ancient road of Chang 'an, riding a thin horse slowly, Gao Liu Qiu Chan screamed. The sun is shining and the autumn wind is blowing gently. I look at the sky and see it falling from all directions.

Tracing a cloud without a trace, where is the early stage? The spirit of debauchery has declined, and there are fewer drinking companions in the past. Now I am not as young as before.

Tidal bore watching

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty.

Thick lakes overlap and are clear. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. A thousand riders have high teeth. While listening to Xiao Gu's drunkenness, he enjoyed the clouds. The map of the future will be good. I will go back to Fengchi to boast.

Klang Ganzhou

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold.

The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings.

Red flowers wither everywhere, and all the beautiful scenery gradually disappears.

Only the gushing water of the Yangtze river flows eastward without sound.

Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home.

Sigh for years, why stay.

Miss a beautiful woman, dress up and look up, miss a few times, God knows how to get back to the boat.

I am anxious (also known as "gazing") when I am eager to know me and lean on it.

Ding Fengbo

Since the beginning of spring, I have been sad and sad, and my heart is cocoa. In the morning, flowers are spent on the tip, and the warbler wears a willow belt, but she still lies on the musk. Warm and crisp, tired of enjoying the clouds alone. I'm tired of combing all day. Nothing! When hatred and fickle feelings are gone, there is no audio book. If I knew, I would regret not locking the carved saddle. When I arrived at the phoenix window, I was only concerned with that person, like a pipe, and I was rigidly attached to teaching chanting lessons. Follow the town and don't give up. Needle and thread are idle. Sit with Yi. And me, so as not to let young people suffer from yin deficiency.

Hechongtian

On the gold list, I lost hope. How to be a temporary legacy of the Ming Dynasty? If you fail, you will struggle and not swim wildly. Why lose your life? A talented scholar and poet naturally wears white clothes.

Yanhua alley is a stranger, as Danqing barrier. Fortunately, there are people in the right place, I can look for them. And snuggling up to the red and leaning against the green, an affair, smooth sailing. Youth is in one day. Endure superficial fame and sing shallowly.

yellow

Who owns the garden in sunny days and spring? Warm method urges, the valley is peaceful, orioles dance, and the fragrant trees are moved at first. Seeing the wet golden clothes, Ye Ying speaks like a spring. Xiao Lai's big branches are rough, as if whispering his heart and profound meaning.

There is no evidence that warm smoke comes out at first, and then you go swimming with bees. Wild tracks, two calls, and finally dance in the fog. When I was on the farm, I was in the depths of the flowers. At this time, Haiyan was spared.

Xuemeixiang

Quiet and small, dangerous buildings are independent and clear. I feel sad about autumn, and so did Song at that time. The fishing market is lonely and cold, and the water town is full of Wu Ye's sorrow. Chu Tiankuo, the waves soak in the sunset, and thousands of miles dissolve.

Miss Kerry in the breeze, ignore your face and fold your eyebrows. Unfortunately, in those days, Dun was a good boy. Elegant and graceful, full of body, water flows in the west and water flows in the east. No resentment, no desire for love, and pay for it.

Caiyungui

Gao Heng sailed briskly towards dusk. Unload Yun Fan and Shui Yi Fish Town. At dusk and when it is picturesque, the river is quiet and the bright moon flies away. It's better to listen. The village in the distance is in charge, which leads people to heartbroken. At this time, the waves are windy and the years are boundless.

It hurts. The banquet was affectionate and desolate. Don't come to the hardest part, the sleeves are in accordance with the contract, and there is fragrance. It can be regarded as a phoenix pillow, and I will never think about it at night. Love, only Qi Lin, an unforgettable word.

Guqingbei

The frozen water disappears, the breeze keeps you warm, and spring fills the eastern suburbs. The scenery is slow, the smoke is moist, and the long beach is surrounded by grass. Duan Hong flies back lightly, and Jiang Tian wanders. The distant mountains change color, and the makeup eyebrows are lightly swept. Looking at thousands of miles, leisurely leaning on danger, overlooking.

How much? It hurts the arm of spring. Where to read? Shaoyang is too early. I want to visit Dili. There are famous gardens and trees, and Meiying flowers are good. Cherish the past and be young. Follow the days, listen to music and buy laughter. Don't be dark and negative, how much time.

Pimp a butterfly

Looking at the rain, the clouds were broken, quietly looking at Qiu Guang. The bleak evening scene made Song Yu sad. The water is light and the wind is light, and the apple flowers are getting old; The moon is cold and the leaves are yellow. Emotional distress. Where are the old friends? Smoke and water are boundless.

Unforgettable cocktail party, several lonely moons, and repeated star frost. The sea is vast and the mountains are far away, and I don't know where Xiaoxiang is. Reading Shuang Yan is difficult to rely on far letters; Refers to the old age, empty knowledge home. Looking at each other in the dark, the sunset stands in the broken sound.

Wu Fengqi

Walking obstacle of lichen silk in Jin Shu. Bend the cloister and look for it in the quiet night. On the jade carving crescent moon, Zhu Fei is half hidden and half present.

Warm chimney, warm bucket account Yushu Qiongzhi, touching each other. The wine is getting stronger and stronger, and Yuanyang embroidery turns red.

Yidijing

Thin pillow weather, suddenly feel the taste of parting. It's colder to get up and sleep. After all, I can't sleep, and the night is as long as years.

I'm going to stay, but I'm going back to Levi's. Fighting for Nye again has been completed. Ten thousand ideas, many solutions, can only rely on loneliness and disgust. I am body and mind, and I have a thousand tears for you.

Ding Fengbo

Standing on the long embankment, the night wind rises. The shower stopped, the eyes were sparse, the willows were jammed, and the arrows were thousands of miles away. When you come here by boat, everyone competes for fame and profit. I miss sluts, drive all day, and feel that the countryside has turned around.

What do you mean? Embroidered pavilions are lightly thrown, and brocade is hard to meet. Nai travels widely, hates diseases, and has recently become familiar with them, which is very official. This kind of feeling, writing incense vertically, depends on who made it. Counting Meng Guang, you will languish every day after hearing about me.

Shorts

Late autumn. A light rain fell on the gazebo. The threshold is sparse, and the shaft is messy and disabling. Sadness. Wangjiangguan. The clouds are hazy and the sunset glow is hazy. What a sad sight, overlooking the rivers and mountains, the afterglow of the sunset. Looking back on that year, Song Yu, who was sentimental, saw how sad this autumn was. She used to climb mountains and rivers. Thousands of miles away in Wan Li, the road is difficult, and the road is so sad. I especially hate hearing the sound of running water from the long river.

A lonely museum is like a year. In the posthouse, it's the same as each other, year after year. Dewdrops in the autumn wind began to get cold, and in the middle of the night, the pain in the chest became worse. On second thought. Night is always opposite to the scene, only a handful, thinking about the past. At that time, fame and fortune did not exist, but in Song Lou brothels and other scenic spots, the time consumed every year.

The infinite city of the capital reminds me that when I was young, I just wanted to have fun every day. There are crazy friends, and when they meet songs, they compete for wine. However, after parting, time flies, and those fun and fun scenes are like a dream, with a little cigarette in front of us. Thinking about fame and fortune, haggard and lingering. It is those who have fame and fortune that make me so haggard and will fetter me. I feel a little cold because of the leaking arrow. Gradually swallow, draw a few corners. Silent to the window, the light went out and waited for dawn, and the shadow couldn't sleep alone. (2 12 words)

Lotus picking list

Moonlight harvest, the clouds are light and the wind is light. Four passengers, this time the situation is more tragic. Cui E sent Qi Lin by hand and rolled Zhu Hu again. Thousands of charming faces, Ying Ying stood, speechless and tearful, struggling to look back?

One leaf orchid floats on a boat, and then you run to Ling Bo. I love sex, I don't know how to leave my mood, and I'm so old-fashioned and annoying. With who? Looking back, I can't see the heavy city. There are two or three smoke trees outside the cold river. [Edit this paragraph] The research bibliography Sports Collection was published by Zhonghua Book Company, 1994.

In 2005, China Bookstore published Comments on the New Interpretation of Liu Yong's Ci.

Selected Poems of Liu Yong was published by Zhonghua Book Company in 2005.

Liu Wuzhou Communication Press from June 5, 2006 to October 38, 2006/kloc-0.

"Liu Yongji" Sun Guanggui and Xu Jing proofread Yuelu Bookstore in 2003.

Wong Tai-hee in a white dress +0986