Yu: The cultural journey is not bitter-16. A stormy day brought a pavilion.

Yu, 1946, was born in Yuyao County, Zhejiang Province on August 23rd. He is a famous cultural scholar, theorist, cultural historian and essayist in China. After reading, there is only bitter helplessness.

Tianyi Pavilion, located in Ningbo, Zhejiang, is the earliest private library in China, the oldest library in Asia and one of the three oldest family libraries in the world.

Tianyi Pavilion, covering an area of 26,000 square meters, was built in the middle of the Ming Dynasty and presided over by Fan Qin, a retired right assistant minister of the Ministry of War. But it's hard to protect. At that time, Fan, a direct descendant of Fan Qin, the founder of Tianyi Pavilion, was in charge of guarding the hospital. He told Zheng Junlun and the other soldiers that the rules here are no fire, no smoking and no turning over books. Soldiers can only cook outside the hospital on weekdays.

Fan Qin, (1506- 1585), whose real names are Yao Qing and An Qin, whose real names are Dong Ming. A famous bibliophile in Ming Dynasty, he was born in Yinxian, Zhejiang (now Yinzhou District, Ningbo, Zhejiang). From the official to the right assistant minister of the Ministry of War, he loves classics and has been an official for many years. He looked for books everywhere. From 40 to 45 years of Jiajing, the library was named "Tianyi Pavilion", which has a history of 440 years. The pavilion faces the water on four sides, and the six rooms above are one, separated by bookcases in the middle; It is divided into six rooms. This is a model of an ancient library building.

Simple analysis

The Rain Pavilion is the only essay on China's book collection culture in Mr. Yu's cultural journey. It is not a simple prose about scenery, lyrical prose, or prose about objects, but a prose about realizing the context and significance of a cultural phenomenon. The article describes history and culture everywhere.

The book Cultural Journey pays more attention to the topic of China culture. He looks at mountains and rivers from a cultural point of view, and his articles have different meanings, not only writing about scenery, but also simply expressing feelings or comments. From a unique angle, Mr. Yu uses the spotlight of culture to express the context and charm of culture.

After reading Yu's Stormy Days, we can find that there is such a field and such a branch of discipline in China culture.

It can be said that "Tianyi Pavilion" is a very important library in the collection history of China. It is a distinctive library, which embodies the basic characteristics of book collection and circulation in China feudal society. The story of Tianyi Pavilion, its ups and downs, is almost a condensed history of China's book collection.

Therefore, the author also named the article "Tianyi Pavilion". Tianyi Pavilion is located in Ningbo, Zhejiang Province. The article was written by Yu, a native of Ningbo, and it is indeed appropriate.

Since the Ming and Qing Dynasties, the cultural atmosphere in Jiangsu and Zhejiang provinces has been very strong, which may also have a lot to do with the economic, cultural and artistic relocation of the Central Plains after the Southern Song Dynasty moved its capital to Hangzhou. Under the guidance of the feudal society's law of "learning to be excellent is to be an official", children in cities and villages have become accustomed to reading. In such a piece of land, there is a library like Tianyi Pavilion, and everything seems so natural.

The stormy Sky Pavilion traces the sad collection history of Sky Pavilion and praises the valuable cultural conscience of Fan Qin and his descendants. The title decorated the Sky Pavilion with "Storm", which laid the tone of the full text, structured the materials of the full text and hinted at the main idea of the full text.

1. Admire the cultural conscience and personality taste of outstanding traditional intellectuals represented by Fan Qin.

2. Looking back on the arduous course of China's cultural preservation and dissemination, I lamented the sadness and sacredness of an ancient nation's yearning for culture.

3. Call for the protection and dissemination of the excellent culture of Tianyi Pavilion and even the whole of China.

4. Advocate calm reading, experience fun from it and absorb cultural nutrients. This essay written at the end of last century is full of reference for today's life.

Chapter structure

At the beginning, the special weather was set-"Typhoon strikes, rainstorm stands like a station", and the author boarded Tianyi Pavilion in such a chilly atmosphere, which laid a heavy and dignified tone for the article.

The second paragraph always begins with the words "extremely difficult and extremely sad". These two words are not only the Fan family's collection of books for hundreds of years, but also a summary and description of China's historical and cultural heritage. Then, it throws out five critical conditions for becoming a bibliophile, that is, skipping the short and short decline of bibliophiles in history and focusing on Fan Qin and Tianyi Pavilion. ?

The third section describes and discusses in detail that Fan Qin devoted his whole life to the establishment of Tianyige Library Foundation, and put forward the profound proposition of "cultural conscience of sound personality" from two aspects, and explained it through Fan Qin's anecdote as an official and comparison with other book collectors, which proved the relationship between Fan Qin's personality charm of "transcending passion, hobby, talent and time" and the continuation of Tianyige.

? The fourth section describes the inheritance of Tianyi Pavilion. Through the stories of the inheritance of books, the tragedy of money, Huang Zongxi's climbing stairs and his contribution to the compilation of Sikuquanshu, this paper thinks about whether precious ancient books are "hidden" or "handed down". ?

If it is difficult to rewrite the fourth season, then the fifth season is an understatement of sadness. The theft, fire and war that followed in modern times made Tianyi Pavilion tottering and full of holes. ?

In the last section, the theme of the article was sublimated from the collection of Tianyi Pavilion to the height of China's historical and cultural industry through discussion, and a series of questions were collected. Cultural inheritance has a long way to go. What should each of us think and practice? ?

The six sections are independent and powerful, tracing the establishment, inheritance, destruction and reconstruction of Tianyi Pavilion with time clues. The full text integrates emotion, scenery, events and reason with potential clues from the present to the present, and pushes forward the admiration and worry about history and culture from the rise and fall of Tianyi Pavilion.

Specific plot

The beginning of a stormy day is a cold natural storm.

"The water in the yard is too deep to waste, and the shoes have been flooded. The only way is to take off your shoes and roll up your trouser legs and wade in. Originally, you were already frozen by the wind and rain, and you immediately shivered when you entered the water barefoot. In this way, Pei Minghai and I walked hand in hand to the library. "

This is real writing and a metaphor; This is a symbol and a symbol. Storms like a Pavilion conveys a strong message of historical and cultural storms: about its name, about its majesty, about its hard collection, and about its tragic inheritance. ...

"Yes, it is just a library, but it has actually become an extremely difficult and sad cultural miracle", which can be interpreted as the author's overall impression of Tianyi Pavilion and the author's general sentence describing the historical changes of Tianyi Pavilion.

This sentence tells the true face of the word "wind and rain", which refers to the historical and cultural vicissitudes in the passage of time, so I wrote it with such feelings all the way.

At the end of the article, the author concludes: "Tianyi Pavilion Collection ... exists as a cause and symbol of classical culture, which reminds people of the difficult course of the preservation and dissemination of China culture and how sad and sacred an ancient nation's thirst for culture is."

The words at the end make the concrete image of "Tianyi Pavilion" become a deeper and broader image of "ancient national culture", from which readers can feel the author's description and discussion of the natural and historical storms of Tianyi Pavilion.

realize

After reading "Jingfengge", thinking and wonder coexist. No matter whether the extreme ways adopted by bibliophiles are understood and recognized by the secular public, we have no reason to deny the great achievements of bibliophiles. They gave the traditional culture of China a place to rest in the drift from place to place, and this kind of spare no effort in cultural loyalty became the pillar force for the traditional culture of China to survive in troubled times. But the tiny Tianyi Pavilion can't bear the broadness and massiness of China culture. When a nation's culture is memorized by a library, it is in a very dangerous situation. Perhaps Yu's admiration for Tianyi Pavilion is because it shows the strong cultural resilience of bibliophiles and its great demonstration significance to cultural inheritors.