I am a freshman. I just watched the Club Cabin 5. Please analyze if you understand.

(1) A Brief Introduction to Lu Xun and Flowers in the Morning and Picking Up in the Evening.

Lu Xun (1881-1936) is a writer, thinker and revolutionary. Formerly known as Zhou Shouzhang, the word Yucai, later renamed Shu Ren, a native of Shaoxing, Zhejiang. Lu Xun was his pen name when he 19 18 published Diary of a Madman. Lu Xun 1898 went to Nanjing to study abroad, and 1902 went to Japan to study medicine. Later, he felt that it was more important to cure the numb national spirit than to cure the physical diseases, so he turned to advocate the literary movement. 1909, after returning to China, he taught in middle schools, Hangzhou and Shaoxing. 19 12 went to Beijing, worked in the Ministry of Education, and served as a lecturer in Peking University and Beijing Women's Normal University. 19 18 participated in the editing of New Youth and published the first vernacular novel Diary of a Madman in New Youth. Later, he published Kong Yiji, Medicine, The True Story of Ah Q and other famous novels, wrote a lot of essays and essays, criticized old ideas and old morality, and became a member of the New Culture Movement. 1923, the first novel collection "Scream" was published, which became the foundation stone of China's new literature. From August 65438 to August 0926, he was a professor at Xiamen University and Sun Yat-sen University in Guangzhou. 1927 10 settled in Shanghai, engaged in literary writing, participated in the organization of the Chinese left-wing writers' union, and became the actual leader and banner of the left-wing cultural movement in China. Before his death, he published three novels, two essays, fifteen essays, a newsletter and two works on literary history. Lu Xun also made outstanding achievements in translating foreign literature and sorting out ancient books in China.

"Flowers at Morning" is a collection of 10 reminiscence essays written by Lu Xun on 1926. The first five articles were written in Beijing and the last five in Xiamen. Originally published in the semi-monthly Mangyuan, the general title was "Reviving the past". 1July, 927, Lu Xun re-edited it in Guangzhou, and added "introduction" and "postscript", renamed it "Morning Flowers and Evening Picking Up", which was first published by Beijing Weiming Society on1September, 928 and listed as one of the "unnamed new collections" compiled by the author. Reprinted in February 1929. In September, the third edition 1932 was reorganized and published by Shanghai Beifang New Bookstore. These ten essays are "notes of memories"

The Preface to Three Leisure Collections (Selected Works) completely records Lu Xun's life track and experience from childhood to youth, vividly depicts the life picture of the late Qing Dynasty and the early Republic of China, and is an important artistic document for studying Lu Xun's early thoughts and life and even the society at that time. These chapters are profound and meaningful, and they are classics in China's modern prose. From Herb Garden to San Tan Yin Yue, Chang and Shan Hai Jing, in which Mr. Fujino and Fan Ainong were selected as middle school Chinese textbooks.

Second, the text:

Pyridine (bi), luxury beauty (jiāo), beauty beard (rn), realization (zhēn), and the changes from Chu to qiāo and inch.

Textual research addiction (pǐ) is different (qι) uneasy (t ǐ nt) open (zho).

Word solution:

Pyridine: Onomatopoeia. Kibbutz: Strange. Jiao Chang: Beautiful and slim. Perfect: complete meaning.

Weighing: an orderly appearance. Ophthalmology: study in person. Hey: strange; Suspicious.

Uneasy: uneasy. Zhao Kai: Here we go.

Third, the text discussion:

(1) Read through the full text and summarize its main idea.

-"Five Canghui" is the fourth article in "Flowers in the Morning and Flowers in the Evening". It mainly describes the eagerness and excitement of "I" when I was a child, and the feeling of disappointment and pain that my father forced me to recite "Jian lue". (main idea)

(2) Text1* * wrote several games and wrote a title for each game in five words.

-The full text * * * wrote four meetings. Therefore, the text is divided into four parts.

In the first and second paragraphs, write "watching the game when I was a child". These two paragraphs mainly describe the children's expectation to see the God-welcoming game, but they are disappointed after watching it, and the souvenir left after watching the God-welcoming game every time-"Blowing the Capital". Here, the children's childlike innocence and their childlike interest are written out, which is very vivid and paves the way for the following writing of Dongguan No.5 Cabin Meeting.

In the third paragraph, write "Games of the Ming Dynasty". This paper mainly compares the "Ming people's contest" in Tao An Meng Yi by Zhang Dai, a writer in the late Ming and early Qing Dynasties, with the actual contest, aiming at comparing the simplicity of the actual contest. Among them, the "Shaoxing Rain Pray Meeting" recorded in Tao 'an's Dream is concrete, vivid and interesting, which deserves our consideration and study.

In the fourth paragraph, write "Watch the game in person". This is the only positive description of God in this article. In fact, even in this paragraph, the words and punctuation that really describe the meeting for God are less than 140. This phenomenon deserves our attention. The essay written in front of this paragraph, "Although the sports meeting in Shanghai is not like cheongsam now, it is forbidden for the authorities to talk about state affairs in Beijing", is a common essay style of Mr. Lu Xun. Even if you write it in the past, you will not forget to criticize current events.

After the fifth paragraph, write "Dongguan No.5 Club". This is the focus of this article.

(3) Compare the similarities and differences in content and writing of several tournaments, and talk about the benefits of writing like this.

-content: the same: both are writing competitions; Different: different emphasis (see subhead).

-Form: the same: narrative-oriented; Different: different methods. For example, focusing on writing mentality for the first time; The second time, I used reference and comparison to write the scene; The third fragment criticizes the current situation with essays; The fourth time, I wrote a story in detail.

(4) The fourth part is the focus of this paper. How many layers can it be divided into?

It can be divided into three levels: the first level, from "going to Dongguan to see the fifth cabin meeting" to "nature is another story", introduces the reason of the fifth cabin meeting. On the second floor, from "Because Dongguan is far away from the city, everyone got up early in the morning" to "It doesn't seem to mean much to me", I described my emotional change experience before going to the fifth cabin meeting. On the third level, from "until now, I have completely forgotten everything else" to the end, write down my feelings and doubts.

(5) How many stages did my feelings change before I went to see the Wuxiang Conference?

-experienced four stages:

First, happily "laugh and jump" to urge. As a child, what I like best is excitement. So, of course I'm happy to hear that I'm going to see God. So I always feel that time is too slow, and urge everyone to move things quickly.

Second, memorize "anxiety" and "worry". "I seem to have poured cold water on my head", which fully shows the author's extreme disappointment from happiness to depression. Disappointment means that you don't understand the educational method of making children endorse when your father is happy.

Third, the dream "iron pliers" help. In the silent waiting of mother, worker and elder mother, the voice of the author's urgent reading trembled, like cricket in late autumn, singing in the dark. In the predicament, the author naturally has an illusion that "there will be many iron tongs sticking out of his head to hold things born in the wilderness". Finally, the author recited it like a dream.

Fourth, lively, but of little significance. At the end of the article, by contrast, everyone is very happy, but "I" doesn't seem to have much meaning, which implicitly reflects the harm that the father did to the child's mind when he was happiest.

There is no condemnation of the father in the whole paragraph, but it fully reveals the sadness and confusion that the elders can't understand the true feelings of a child.

(6)

Apart from Wu Cang Hui, Lu Xun's childhood works, we also learned Kite, From Baicao Garden to San Tan Yin Yue, A Chang and Shan Hai Jing and Social Drama. Compare these works and talk about their similarities and differences in content, material selection, conception and language style, as well as the enlightenment you get from them.

Proposition intention: It aims to guide students to review the text they have learned in junior high school, and pay attention to comparing this article with them.

Shan Hai Jing and From Baicao Garden to San Tan Yin Yue are the second and sixth articles in Morning Flowers and Evening Picking, and their contents, ideas and language are basically the same as those in Wuzanghui.

Kite is from another prose collection of Lu Xun, Weeds, which is different from Wucanghui in content, conception and language. The content of Kite is relatively simple, but the implication is profound and the language is profound.

Social drama comes from Lu Xun's collection of novels "Scream". The novel shows my innocent cultural life experience in Jiangnan water town through the description of "I" and my friends going to see a play by boat on a moonlit night and going home on a moonlit night. In the novel, the scenery description is beautiful, the psychological description is exquisite, and the language is fluent and natural, which is quite different from the Five Cannons Club.

(7) See the third question on page 5 of the text.

-Proposition intention: It aims to guide students to appreciate Mr. Lu Xun's figurative art. ..

Answer explanation: In the five-paragraph metaphor, students can choose what they are familiar with and interested in for comparison and appreciation. They don't have to answer all the answers or be exactly the same. Students can express their opinions according to their actual level.

(8) See the fourth question on page 5 of the text.

Proposition intention: It aims to guide students to read critically.

Explanation of answer: This is an open-ended question, and the answer is not required to be consistent, as long as the students are reasonable.

Fourth, relevant information.

(1) Dongguan Penthouse.

Cabin 5 is also called "five links" and "five saints". Shaoxing people regard it as the essence of horse, monkey, dog, chicken and snake. Shaoxing people are especially in awe of them. Every winter solstice and summer solstice, almost every household has to offer private sacrifices to the "Five Saints Bodhisattva". Its representative is the snake god. Snakes like to swallow eggs best, so a plate of boiled eggs is essential in sacrifice. When offering sacrifices, the door must be closed for wealth, leaving only a housewife, and men must avoid it. The most special is Dongguan Town (now Shangyu) at the eastern end of Shaoxing County. In the old days, there were five statues in the "Five Cabins Hall" dedicated to five faces: blue, yellow, red, flower and black, and there was a white-faced statue next to it, so the hall was named "Six Courtyards Repair". Legend has it that the five cabin gods repeatedly disturbed the place and stirred up the world. God sent Dian Mu to hunt them down and look for them everywhere, but he couldn't find them. Only six able-bodied men repaired the seawall in the thunder and lightning. This is a good thing to protect the environment and people. Could it have been cabin five? Besides, the number of people did not match, and they were cheated in the end. Since then, No.5 Cabin has stopped abusing others, turned over a new leaf, won the people's forgiveness, and worshipped them as gods. From then on, Dongguan Town has had the custom of five-cabin competition, and the date is April 15 of the lunar calendar.

Club No.5 doesn't have competitions every year, but often only once every few years or even twenty or thirty years. Therefore, once the competition is held, it will stir the whole county, and it will be huge and extremely hot. Vendors from all walks of life flocked to Dongguan from all directions. Needless to say, the solemnity of the sacrificial ceremony and the glory of the sacrificial shed along the road are countless, but villagers from other regions and other towns and villages come to worship the gods. How many women in the village know that each holds a chicken and a dolphin? It is said that local people in Dongguan have antiques and treasures at home, and they will also take them out as offerings and display them on the sacrificial table on this day. Therefore, the "Mr. Boss" headed by him must go to the county town in advance and ask many "regiment soldiers" to maintain order, strengthen security and prevent gangsters from robbing.

On April 15, the sky will shine, and the outsiders of Wuxiang Temple will be crowded and full of people. When the sky was clear, five idols were carried out of the temple. When you arrive at Qianjie, you must stop and be sacrificed, which is called "residence". By this time, all the goods can be delivered. The so-called "knowing the goods" is like the business and role of acting. Every village and town has its own organization called "meeting". All the clothes, props and supplies needed are solved in public property. For example, the gunpowder of the spear club, the gongs and cymbals of the White God club, plain clothes, straw sandals, paper hats, the string wood of the percussion club, the flag of the flag club, the paddle of the dragon boat club, etc. must be replenished and maintained at any time, so that wherever there is a meeting to worship God, you can attend it at any time. "Five Cabin Gods" were sacrificed in Qian Jie. Welcome to the official start of the game. At this time, thousands of troops and horses were ringing, and the team was orderly and marched to the village near Dongguan. The order of goods will be "soup packets" first.

(A child riding a horse is responsible for ventilation), "Take a high photo" (Lu Xun introduced it in detail in Wucang Club). Followed by spears, gongs, flags, umbrellas and pavilions. Thirty-six lines again, juggling, stilts. Then there is drum music, such as drumming on the shed, cloud gate drum and so on. Then came the sedan chair, followed by a group of "prisoners" who made a wish before God because of illness, wore sin clothes and trousers, and wore cangue and handcuffs. Meet all the way, all the way are good men and women holding incense and bowing down. When the sacred sedan chair arrives at each sacrificial shed, it must stop to offer sacrifices. Goods will take this opportunity to compete and provide their skills. The most beautiful thing is sharp play, colorful bottles, dumb back madness, slapping and so on. Especially wonderful is the white god dance. Generally speaking, the dancing white god consists of five people, namely fickle and fickle sister-in-law, A Ling (said to be the child of fickle sister-in-law's ex-husband, commonly known as "dragging illness") and impermanence. They danced in the rhythm of "beating drums and scratching cymbals", although their dancing was very clumsy. Especially in addition to these five people, Bai Shenhui, who came out from the water brand and the tile kiln, was accompanied by a rich young master with a birdcage in his hand. He walked beside Zhang Yang's sister-in-law, and the two danced, making eyes at each other, so angry that he kicked him out with a banana fan from time to time, which caused the whole audience to laugh.

In the afternoon, there are more than ten plays in Dongguan Street. On the boat on the shore, the audience is like a mountain, very lively. .

In fact, the games to greet the gods in Shaoxing urban and rural areas are wonderful and lively everywhere. Similar to the "Five Cabin Club", there is a water reception in Qingdian Lake and a day-and-night reception by Cao E. On the sixth day of the fourth lunar month, there is a Huang-Lao "xianggong" meeting in Qingdian Lake (the temple is south of the bus road outside Xiguanmen), which is very interesting. On this day, in the nearby villages, sacrificial platforms were set up everywhere along the river, and colorful sacrificial sheds were set up on each larger bridge. All goods should be shipped by ship, one team and one boat, with the title ending and the tail biting the head. The ceremony is actually more than three miles long, and the order of dragon boat and loach dragon boat is not counted. Huang Gong's ship is specially decorated. Every time you enter a village stream, good men and women on both sides of the strait bow down together. At that time, the bridge was closed to traffic, allowing motorcades to pass slowly. There must be several super-large ships in the fleet, which are called "board ships". In the bow, belly and stern of these ships, there are people who pretend to be stories. All the people who pretend to be "winning women" don't know He Dian, so there is no way to look them up. After the cargo ship passed, it became very popular. There are more than 20 suspension bridges along the west bank of the river and nearby villages. My mother, who often tells stories to young Lu Xun, suddenly died on the boat, just to see the reception on Dianhu Lake. On March 17, 18 and March 28, respectively, Lizhu and Cao E welcomed Sun's party, and there was an all-night party in the evening. During the day, the most meetings are tied, and at night, the most meetings are Tingliao torches and fireballs. Because if it gets dark, it's like walking at night, and there is no beauty at all. The so-called fireball is a thick and soft long rope with a small wire cage at each end, which is filled with cotton balls and dipped in kerosene or other oil. After lighting, a strong man danced up and down in a circle. At this time, I saw a line of fire drawing red circles in the night sky. If the venue is empty and several fireballs dance together, it is simply a group of vipers and fire dragons competing for beauty, which is dizzying.

(Text/Yang Naijun)

(2) Lu Xun talked about "morning flowers pick up in the evening".

Chao Hua Xi Shi Xiao Yin

Lu Xun

I often want to find a little leisure in confusion, but it's really not easy. At present, it is so bizarre, and my heart is so complicated. When a person only has memories, his life will probably be boring forever, but sometimes he has no memories. China's articles are standard, but the world is still spiral. When I left Sun Yat-sen University the other day, I remembered leaving Xiamen University four months ago. Hearing the chirping of planes overhead, I remembered the scene of planes hovering over Beijing every day a year ago. At that time, I also wrote a short article called Yi Jue. Now, even this "sleep" is gone.

The weather in Guangzhou is really hot early, and the sunset enters from the west window, forcing people to barely put on a thin coat. A pot of "water branches" on the desk is something I have never seen before: it is just a section of tree, and its branches and leaves are lovely as long as they are immersed in water. Look at the green leaves, edit the old manuscript, and finally make a difference. Doing this kind of thing is really a day to live and a year to die, which can drive away the heat. The day before yesterday, Weeds was edited. This time, it was my turn to bring up the past in Mangyuan, and I also changed his name: cordate telosma. Flowers with dew are much better, but I can't. Even if it's strange in my mind now, I can't make him become a strange essay in an instant. In other words, when he looks up at the clouds, he will blink in front of me.

Once, I recalled many times the fruits and vegetables I ate in my hometown when I was a child: water chestnut, arhat bean, water bamboo and wax gourd. These are extremely delicious; Used to be the temptation to make me homesick. Later, I tasted it after a long separation, and that's it; Just in memory, there are old meanings. They may lie to me for the rest of my life and keep me looking back.

These ten articles were copied from memory, which may be somewhat different from the actual content, but I only remember these now. The style is probably very messy, because I dropped out of school after writing for nine months. The environment is different: the first two articles are written under the east wall of Beijing apartment; Three of them are in displacement, and the places are hospitals and carpenters' rooms; The last five articles are upstairs in the library of Xiamen University, and have been pushed out by scholars.

1 May, 9271day, recorded in Guangzhou Baiyun Building.

(3) About Lu Xun's narrative prose.

On the artistic method of artistic conception creation in Lu Xun's narrative prose

Gong Miao Qing

"Flowers in the Morning" is a special artistic scene that focuses on describing characters and reappearing the vivid essence of society, but it pays more attention to the integration with the subjective feelings and interests of the creative subject in the process of using specific perceptual and objective images, resulting in an artistic atmosphere of "virtual and real coexistence, * * * unique", so as to inspire the recipients to feel and appreciate with their own aesthetic association or imagination. Pushkin, a Czech sinologist, seems to have long felt Lu Xun's artistic method of creating artistic conception in prose. He once studied Lu Xun. In China Literary Revolution: The Confrontation between Oriental Traditional Literature and European Modern Literature in this Revolution, he proposed three basic elements that must be possessed in the process of artistic conception creation, namely, "high emotional experience", "keen observation" and "expressing its essence most concisely from nuances". He believes that Lu Xun abandoned the traditional literary form of China and organized it with the traditional lyric method of China. Because the aesthetic features of "Morning Flowers and Evening Picks" are restricted by the cultural implications to be expressed in the work, and the interaction with the stylistic features can be materialized into a special artistic expression, only by organically analyzing the artistic conception of the work can we truly understand the endless cultural implications displayed in "Morning Flowers and Evening Picks". Here, based on the stylistic features and the formation process of artistic conception in Morning Flowers, we cut into the concrete perceptual materials of the work from three main aspects: emotion and environment, events and environment, and rationality and environment, focusing on investigating and exploring how Lu Xun created and developed artistic conception through various ways and means, and extracting some regular things from it. Due to the specific ways or means to realize "confusion between meaning and environment", we can see more about Lu Xun's creative personality and the style characteristics of his works, so that we can not only deeply understand the exemplary significance of "Flowers in the Morning" in the history of modern prose in China, but also explore the aesthetic value of "inspiring people" in the creation of artistic conception in contemporary narrative prose in China.

As far as the relationship between emotion and environment is concerned, sensibility shows that the composition of artistic conception in literary works is nothing more than "the environment is created by the heart", that is, the process in which the writer's own creative mood, the peak experience of aesthetic emotion and objective images are combined and materialized. Any perceptual material projected in the works, once injected into the writer's subjective feelings, can "make the elephant-less, the object-holding, the trance, and the unconnected look back." Of course, we should also see the side of "born of love". If there is no objective image to stimulate, trigger and rely on emotions, it will become boring and artificial. Only when objective images and subjective feelings complement each other and fit well can we create a meaningful and chewy artistic conception. In this respect, Luxun's Flowers in the Morning shows us many typical examples. For example, when we first read the familiar opening of "From Baicaoyuan to San Tan Yin Yue", we couldn't help but be moved by the author's yearning for young and interesting life feelings, as if we had returned to the simple and pure world of poetry and painting in childhood with the author. But with a little thought, it is not difficult to realize the profound charm, which is obviously not the author's nostalgia for childhood. Isn't it the ideal educational model that the author yearns for and yearns for, which is in line with the sound development of children's body and mind? The author seems to be standing at the peak of China's national cultural history for thousands of years, and sublimates it into a kind of affirmation of "cultural philosophy", which strongly reflects the cultural negation of the hazy, depressing, boring and alienated perceptual life symbol of reflecting the moon on the three pools.

The author not only expresses his profound thoughts and feelings under the guise of a specific natural landscape in a corner, but also often melts the undercurrent of his inner feelings into a preset life scene, injects the intangible into the tangible, and forms the artistic conception of his works in the materialization and objectification of emotions and thoughts. Mr Fujino shows us such a lofty and thought-provoking life scene. In this paper, the author describes the ugly image of "overseas students in Qing Dynasty" enjoying flowers, playing with braids and dancing, which is actually a prototype hint to "reformists" who seek western science and culture and advocate reform, and "gentlemen" who study in Europe and America and wear suits, lying on the zombies of China's old culture. In particular, by comparing Mr. Fujino's simple and rigorous lifestyle and educational attitude, paying attention to the transformation of China's old customs and culture such as foot binding and fear of ghosts, and spreading the spirit of western science and culture to China with enthusiasm, those "overseas students in Qing Dynasty" with long braids can see their vulgar, conservative, boring and humble pathological cultural personality. It is precisely because of this that when we read that the author caught a glimpse of Mr. Fujino on the wall when he wanted to be lazy, it "suddenly made my conscience discover and increased my courage." Continue to struggle with these scholars who call themselves "gentlemen". Isn't the latter a spiritual silhouette of "nature tradition" similar to "Qing Sheng" in Japan? It can be seen that the author does not write natural scenery and life scenes at will, or is limited to mixing general satire at will, but deliberately chooses this specific life scene, and hides the cultural intention that the author has deeply grasped in the rational perspective and soul introspection of the whole traditional culture throughout Morning Flowers and Evening Picking, thus creating a profound artistic space that can trigger and arouse readers' aesthetic association and rational thinking.

Unlike Wild Grass, which reveals the author's inner world alone, Lu Xun's Morning Flowers shows us natural landscapes or life scenes, and is closer to narrative novels Scream and Hesitation, focusing on describing social customs and fashions, and drawing a series of genre paintings with strong local customs and bright colors. However, the genre painting characteristics of Morning Flowers and Evening Picks are naturally different from narrative novels and have obvious autobiographical prose style characteristics. This is why it is not difficult to see in our works that the author often "pretends to be very casual and graffiti-like" based on his own life course, but in fact he is carefully designing, embellishing, polishing and spreading some folk customs and customs with strong local flavor, in which he blends his vivid and intense love and hate.

These custom scenes, which highlight China's traditional cultural phenomena, are not only depicted by the metaphor and reappearance of taupe tones like Rembrandt's oil paintings, but also contain the author's rich feelings, which induce readers and authors to explore the invisible consciousness of traditional cultural inheritance in people's minds, so as to rationally explore its obvious cultural criticism significance. The birth and development of this kind of "thinking and environment", as Lu Xun repeatedly affirmed when talking about the style of English essays, "that kind of writing method is to think about the world experienced by the author, only to hint to careful readers, pretending to doodle, but actually using an unforgettable and painstaking article." If Lu Xun's self-life experience of China traditional culture focuses on hints, appearances and metaphors, relying on natural scenery, situational life and rich folk customs, then Lu Xun's more tortuous and obscure emotional form is based on absurd deformation, alienation and defamiliarization, attached to the weaving of unrealistic fairy tales and ghost regions, and develops an artistic realm with strange images and profound implications.

Different from the normal situation, people usually talk about the world of the underworld, where ghosts become pale and daunting, but in Lu Xun's works, it has become a "big back sutra" of feudal superstition, without any eerie atmosphere. "There is a better place than the underworld" and "the ghosts and gods in that place are king, and justice is waiting to be slaughtered", just like "The fox is full of human feelings" in Strange Tales from a Lonely Studio. He is a ghost, but he knows human feelings. Because the sister-in-law was so sad, he temporarily let his son return to the sun "a little bit of debris" and was severely punished by "not very smart" Yan Luowang. " But this kind of punishment left us an indelible impression of injustice. Speaking of this, he frowned more tightly, pinched the banana fan and faced the ground, and the ducks danced like floating water ... saturated with a strong tendency of love and hate, reflecting the aesthetic ideal of the working people to make up for the incomplete reality in their artistic imagination and the bright color of the excellent national culture that has been pursuing justice, fairness and perfection for thousands of years. Through absurd deformation, alienation and defamiliarization,

"Although it is man-made, it is groundbreaking", and it is not without creative boldness to deal with the theme that violates the convention. "It describes the feelings in his chest, the situation of the times, the sincere reason and the spirit of Xiu Jie", and opens up a unique fresh and meaningful fairy tale world and ghost domain of "morning flowers and evening flowers".

The creation of artistic conception in Morning Flowers at Evening is not only reflected in the lyrical description of the scenery and the creation of scenery with emotion, but also in the organic composition of the main stylistic features of the notes. Of course, when we see that this narrative prose, which Lu Xun clearly regards as artistic creation, has strict documentary characteristics, we can't completely regard it as a life record of writing people and telling stories, and we are not allowed to add or delete any "displacement" or imaginative elements. Perhaps we should pay more attention to the author's keen observation, emotional infiltration and filtration, and even the careful selection of the changes in raw materials for life, so as to deliberately "seek the simplest from the nuances." Here we might as well extract a historical material for auxiliary explanation. As we all know, in the article "Father's Disease" in "Flowers in the Morning", the author stated that it was YanTaitai who manipulated the "evocation" ceremony, and Zhou Zuoren once questioned this in "Memories of Tang Zhi", thinking that according to local folk customs, it was impossible to arrange the "evocation" ceremony for the dying father, so distant relatives like YanTaitai could not be present, so he thought it was the author's intention. In the past, due to Zhou Zuoren's historical stain, his views have been ignored and simply denied. But in "My Father" written by Lu Xun himself seven years before his father died of illness, the author understood that it was not YanTaitai who told about his father's "evocation" before his death, but the dragon mother that Lu Xun loved all his life. We don't think that this historical fact of "displacement" written in the work should be regarded as Lu Xun's personal memory error, but that the author has always adhered to the general principle of not violating historical realism and consciously carried out a certain degree of artistic integration in the whole creation of "Flowers in the Morning". According to the author's creative intention, this appropriate or necessary artistic treatment (similar to "Five Classics Club", in which his father ordered Lu Xun to recite "Jian lue" and so on. ) naturally, it is out of artistic considerations to help create the artistic conception of the work. It is also along the author's aesthetic pursuit of "unforgettable pain" that we have a clearer understanding of the people and things described in the works of "Flowers in the Morning", which is not only the author's own personal experience, but also his feelings, ideals and thoughts through careful selection or moderate fiction. There is an interactive artistic process between abstraction and concreteness, and between emptiness and reality, which is formed or induced. "A Chang Fish" (Shan Hai Jing) is a work in which Lu Xun misses his childhood nanny and expresses his deep and sincere feelings. "My nanny, dragon's mother called dragon, has left this world for about thirty years. I finally don't know her name, her experience, only that she has an adopted son, probably a young widow. " This passage makes people

Just 60 words, sour and disappointed, describe an ordinary rural woman with bad karma as "living silently and dying silently" like fine grass under a stone, and the feelings of the author "words are in the way" are saturated between the lines.