The weather in Mount Milla.

~

A person, after watching Rinpoche.

There is only me and a woman in black with long hair in the front row of Nuoda cinema.

Before the film was released, I watched the publicity and looked forward to it. On the first day of the premiere, I saw a film review (attached) in the evening, which greatly rejected the film.

A few days ago, a man and a strange woman talked to themselves after watching Rinpoche.

Nature is only in nature. Without beautiful nature, it is a disaster.

Greatness is natural Without greatness, when nature is great, it is rebirth.

Nature is eating, sleeping and having children.

Some film critics say that they don't know what Zhang Yang said, so don't be a film critic and go to see Turin Horse.

There is no meaning, no greatness, no holiness, only in your present moment.

Kong Rinpoche, in my life, in my secular life, in my dream, on my pilgrimage.

Gan rinpoche, it's mine.

? indulge in wishful thinking

? Growing up, there are always many dreams, mostly during the day.

The daydream I remember most is to want to go to a place, the place I read in the book, and then close my eyes and say to myself, "Here we are ..." Until I graduated from primary school, my dream never came true. Later, this daydream was done less. When I think about it today, this daydream is often successful.

? I drank a lot of wine when I grew up, and I was horny. Every time I travel, I always meet enthusiastic customers, and then I become friends. Every time I go out, I drink "dismount wine" when I get off the bus, and I drink "farewell wine" more than twenty or thirty times before I get on the bus. After drinking, I feel unconscious and then open my eyes, especially my friends in Chifeng and Tongliao, Inner Mongolia. After drinking, I will always be sent to the platform, and a group of old men will hug me. I have been there many times. I always take those buses, and the train attendants all know each other. A train conductor in Tongliao asked about my phone number and QQ. Once I went to Tongliao, just as she got off work, I invited a group of friends to drink together. What impressed me the most was that after drinking wine in Haidilao, Beijing, I said "I'll leave a souvenir" to the waiter and was put on the train by my friend. Wake up in the middle of the night to go to the toilet, and then I can't find a sleeper car. I squatted on the ground for more than half an hour, met a little girl conductor and took me to my berth. After dawn, I heard from my colleague that the little girl stayed by my berth for several hours. When I got off at Hefei, the little girl said she wouldn't call me, saying it was what she should do.

After those years by train, slightly drunk or drunk, I woke up and went to that place. I also realized that I can walk Wan Li Road with my eyes closed and my eyes open.

More often, a person travels all over the country, address unknown, running planes and cars, which is very boring. On the Mid-Autumn Festival in 2009 1 1, I bought a Phoenix bike from Baotou, Inner Mongolia, rode back to Beijing, and walked from Beijing to Cangzhou for 800 kilometers. Somehow, I realized the inner part of life, let go of the outer part, that is, the inner part, which was already there, naturally there, and life was comfortable.

Gongborenzi, for no reason, waited all the way to the holy mountain, more than 2,000 kilometers, and put down the outside, without the outside, only in their comfort.

Daydreaming is not a dream. Walking on the road is reality, and now, I am very comfortable.

? (2) Lu Yu has a home.

This movie is not earth-shattering. The prologue is eating, drinking and sleeping. The original ecological village and villagers, unlike a movie, have no story plot and story background, just a village and some villagers, not a documentary, no explanation, no preaching and no judgment.

Oh, my father died and my uncle is old. I don't want to regret it. I want to go to worship, okay! Oh, the horse will go to worship, ok! Oh, the baby born to a pregnant woman will also be a horse. Go and worship, ok! Oh, the little girl is left unattended at home, so follow her to worship, ok! Oh, the butcher killed a lot of animals. If you are afraid, go to God and repent, OK? Oh, couples have bad feelings. Go to worship and ask, ok!

Listen, the reason to worship is the triviality of our life, the triviality of many people, and they are troubled by life in triviality. Many people choose to be numb, many people choose to be numb in stimulation, many people create more trivialities in triviality, curse trivial people and things, and never forget the need to make money. They asked God.

To ask God, you need sincerity, that is, all the way, kneel down, get up, take a few steps, kneel down, get up, take a few steps and kneel down. ...

Some people in Lu Yu invite them to dinner, some people in Lu Yu invite them to stay at home, and couples in Lu Yu share delicious food with their peers. The couple could not bear the donkey's hardship and pulled the cart forward. Have a good trip, a Lu Yu.

An SUV rear-ended their tractor in Lu Yu. The driver of the car said that if the people in the car can't get to Lhasa within two hours, it will be dangerous. They looked at their broken tractors and said "Let's go" to the driver without even saying hello!

All the way, all the rain, all the encounters, just like spring, summer, autumn and winter, snowy and rainy nights, let it come and go, naturally comfortable.

Even the pregnant woman was in labor and her uncle died. It was also Lu Yu.

And we, everything that happens in life, fair or unfair, lucky or unlucky, have more routines without Lu Yu.

I went to a distant relative's house occasionally the other day. I met an old woman at the village entrance, saw me and said, "Are you the nephew of * * * *? "I took a closer look, and it turned out to be the' smelly mother' in the relative village, still alive. By asking, she is 87 years old. She was called "smelly niang" because she was eighteen when she got married and her husband was thirty-eight. She is disabled, because her husband gave her parents 200 yuan (at that time, 200 yuan was probably the income that farmers didn't have for ten years), and the condition for her marriage was hard work. Soon her husband was old and no one worked at home. All the bachelors in the village came to help and gave birth to five sons in one breath. It is said that they all look different. Calling her a "bitch", women scold her husband every day "Dare to go to the bitch's place and give you a good look …", while the bitch, who has worked all her life, sent her husband away and raised five sons. Most of the villagers who spit at her are dead, and she is still basking in the sun at the entrance of the village.

Lu Yu is Lu Yu, not a greedy encounter, not an affair, just Lu Yu, spring, summer, autumn and winter, snowy night and rainy night.

Maybe "smelly Niang" married someone in despair and followed her to Lu Yu, just to avoid mistreating herself, while Lu Yu had no trouble. And those who swear are praying for the early death of Zhongying.

? (3) meaningless

I saw the film reviews and belittled the director. Attach his original text-

" ................................................................................................................................................................................

From the beginning, the film directly depicts characters in small scenes. I thought the majestic atmosphere of the Qinghai-Tibet Plateau would be gradually introduced through small scenes. Unfortunately, there is no big scene that 3 18 and Kong Rinpoche can see at the end of the whole play.

The main characters in the film all live in Mangkang, where Sichuan and Tibet meet, and if they enter from Yunnan, they will have to pass through Yanjing, Christianity, Dabaijiao and Buddhism, and their mutual hatred of Chou He will also be staged here. In other words, Mangkang is the only place to enter Tibet from Sichuan or Yunnan. The master's long-cherished wish, coupled with the obsolescence and accumulation of outsiders, makes pilgrimage inevitable. Such an important place should at least have an explanation, if not an explanation, at least some background signs should be given, but unfortunately there is no explanation, including why the Year of the Horse chose to turn to the mountains.

For Tibetans, once they are fully prepared for such an important and sacred decision to kowtow to the mountains, their psychological activities and understanding are completely different for the elderly, middle-aged people and children when they are about to leave. That kind of nervousness, anxiety and excitement could have been shown in the details, but they were not given any close-ups and the tractor began to kowtow.

There is a Zuogong Health Center directly in the film, but the milestone of 3 18 national highway has appeared many times. I don't know if the director wants to show the length or difficulty of the 3 18 route, but the problem of milestones is still serious: on the 3 18 line, the milestone of 4444 is full and surrounded by mani. There is not a representative milestone, but there have been several milestones of little significance, which are only a flash in the pan. Or there can be a system, such as starting mileage and ending mileage, or one is typically selected. But I don't know what the director wants to show!

In the film, the performance is very difficult. There is a scene of Dongda Mountain, which is the second highest mountain on the Sichuan-Tibet line except Milla Mountain. The hardship of Dongdashan lies in the fact that there are few days of fine weather all year round. The pilgrimage team also suffered a short snowstorm on Dongda Mountain. The problem disappeared after a few seconds. I wonder where the director went in that case. On the contrary, when passing a waterway, the team kowtowed and got wet all over, but the director wanted to do it. I have no spirit. I want to make a good movie. Is it possible?

There are several scenes where everyone will recite scriptures at night. When it first appeared, everyone was chanting, and it was very loud. When the audience was listening, they clicked and stopped, and then the next day. I want to ask the director, can you slow down, the sound fades away and then stay in the dark for a few seconds? Don't give everyone so many suspense and surprises, can't you be beautiful?

Then the scene returns to Ranwu, which is a more iconic area on the Sichuan-Tibet line. Ranwu Lake is beautiful, and Midui Glacier and Laigu Glacier are also famous. But on the way, there was an avalanche. When the falling rocks fall, the children kowtow to get up, and the adults actually lie down to protect the children. I don't know if this is the director's intentional arrangement or true, but in an emergency, our natural response should be to pull the child out of danger and then go back to kowtow. So, here's the problem. If the question asked by the director really goes wrong, will the director be responsible?

In another scene, it is inferred that the team should jump into the pot village happily after arriving in Linzhi, because there are few green lawns and people's nervous expressions are not as relaxed as Linzhi, so everyone naturally jumps into the pot village. Pot village is a very important part of Tibetan life. Everyone says that Tibetans can sing when they talk and dance when they walk. In the whole process, there is only a little happiness. Can you make the camera longer and show their happiness in their expressions and actions? But the director made no sense, and suddenly brought out a pot of half-baked stewed vegetables.

Although everyone's destination is Gangrinpoche, the holy city of Lhasa is a place that cannot be ignored. One of the shots given by the director was to go to Lhasa to see the Potala Palace, and the team made a pious chanting. But the setting of this scene should be problematic. From the shooting point of view, the motorcade should turn the last corner and reach the "Welcome to Happy Lhasa" bridge. But the fact is, you can see the cloth palace long before this place, but why is this scene only here? The only explanation is that the director didn't notice, or forgot, or was too far away to shoot clearly. That's why the lens is so unreal. In Lhasa, Jokhang Temple and Bugong are two places that cannot be ignored. During the two months in Lhasa, the team will certainly do many important activities, but the camera only shows a few seconds to go to Jokhang Temple at night, and there is not a determined look in the kowtowing team.

Another thing to note is that some uncles in the team are lamas in Lhasa, so it is estimated that this uncle is not a real uncle. When I was in drepung monastery, I met a little girl who was studying in a high school in Lhasa and said, "If they are lamas, they are equivalent to our uncles. Because I became a monk, I called my uncle and went to my mother. " . Then the problem is coming. After the tractor was damaged, the team pulled the carriage up the mountain and sang: I was lucky to be a Lama, but I was unlucky, so I went far away. Then why not take the opportunity to explain why? If it is artistic, I really think it can be compared with Fei Ming's The Story of the Bamboo Forest or Shen Congwen's Sansan and so on.

After the motorcade arrived in Gangrinpoche, Lao Pei died. For this very important death event, Tibetan compatriots will have some very important farewell ceremonies. From the lens, the team invited three lamas and buried them in the sky to recite scriptures. At the end of the farewell, the team piled up Mani piles and presented Hada. Nima leaned in and told the story of Pei. There is no close-up of the important part of farewell to relatives, just like the nervous and excited psychological activities of the people who are just about to leave. Moreover, in the end, there was no atmosphere in Rinpoche. It's also a pity.

Finally, on 3 18, activities such as hiking, cycling and driving are performed every day, but they are sincere and pure, and there will be a lot of interaction between them. I don't know what the director has against these people, but I didn't do it.

…………"

The author of this article does not represent my opinion or whether he is correct. I don't agree. I'm at another section of National Highway 3 18.

2065 438+04-2065 438+06 I accidentally taught primary school students in Shandong for three years. Because my friend has no teacher, I have to deal with emergencies. Results I used my friend Dr. Wang Fei's theoretical system to teach primary school students to write for three years. To tell the truth, I don't know anything about my major. I just started my lecture with Dr. Wang Fei's lesson plan. Anyway, Dr. Wang Fei's theory is "Love as soon as you get off the boat". The students we teach have greatly lost the glasses of the school teachers. Too many people can't recognize the Excellence of children. One of them is that I made a rule in class that "whoever stands up and speaks is the best" and "make up heroic stories". For a teenager, school education often requires them to "have true feelings and have substance in words". For a skirt,

In front of nature, there is no nonsense!

In the face of life and death, there is no shit achievement!

In front of nature, there is no bullshit aesthetics!

Comfortable, right there, naturally, right there, so comfortable.

? (4) pilgrimage

A few years ago, I set myself a task to go to a place above 5 thousand meters above sea level before I was 45 years old.

I am in a hurry, I am old, I have been teaching for several years, and my income is low. I thought about my homework. I bought a hard-seat train at the age of 44 and arrived in Lhasa in 40 hours. In Potala Palace, I went through the scriptures with people on my backpack for more than ten times and kowtowed at Jokhang Temple. I met a Tibetan boy named "Sangzhu" and spent the rest of my time digging up Cordyceps in the mountains in summer.

I wrote, my singing-

Looking around, the top of Potala Palace,

Where people or gods once lived.

Overlooking the red wall at the foot of the palace,

Countless, crowds, warp wheels that have been turning for thousands of years.

The stumbling old woman's face is covered with the marks of years, the jingle of crutches and the groaning of warp wheels.

Elf-like children, following their parents, sing praises in ignorance and plant seeds in their hearts.

A girl like a lark, wearing colorful clothes, pinned her happiness on her lover.

The young man, silent, only used his eyes to tell his strength.

There are not many strong men, crawling on the ground, and the mud on their faces is a totem painted for thousands of years.

I backpack, walk outside the red wall of Potala, throw my heart in the high void and see the smallness of Potala.

Carrying a backpack, walking in the streets of Lhasa, lifting my heart in the smoke and smelling the delicious food of every household.

I put on my backpack and sat by the Lhasa River, picking up the feelings I never let go.

I backpack, meditate, dance with the wind and disappear together.

I backpack, travel, relax and stay in the clouds tonight.

Tomorrow, when the mountains are everywhere and Gesang flowers are blooming,

My backpack, turning back to my hometown, is the hometown in my heart.

Pilgrimage, not to Lhasa, is on the road, just walking, just kowtowing, just pilgrimage.

Take a bus all the way along the Qinghai-Tibet line to Qinghai Lake. For three days, I drove nonstop for more than ten hours every day, stopped at Tanggula Pass at an altitude of 523 1 m, crossed the no-man's land in Hoh Xil, and saw groups of pilgrims crawling all the way and making pilgrimages.

On the road, there is no choice but to move forward.

There are too many options for pilgrimage.

No choice is incompetence, and too many choices are helplessness. I chose my own life and moved forward in my own life.

? The ancients said: the world of mortals is the Dojo.

? Kong Rinpoche said: pilgrimage, on the road.

? (5) Silence

Laozi said: Tao is extraordinary.

Gang Rinpoche said: kowtow to the aisle.

I have to say: I don't know

I secretly said to myself: Kong Rinpoche in the article is actually myself.