Appreciation of Bo Mian's Works on the Landscape of Remembering the Cold Pillow Weather

Liu Xizai's "Yi Jian" talks about Liu Ci as follows: "Smooth, easy to understand and homely", and this song "Remembering the Imperial Capital" is a word with this characteristic.

The first poem was written by a poet who missed sleeping and got the charm of five-character ancient Yuefu. The weather is getting colder in early autumn, and it is "thin" because it is cold but not cold. The words "love at first sight" and "love at first sight" make the emotional foreshadowing begin to take shape, and "parting love" points out the theme. Next, the author gives a concrete description of "the taste of parting": "It's cold when you get up, and you sleep when you get up". At this time, the poet's emotion has developed from "initial feeling" to "exposure". With the deepening of this lovesickness, the poet couldn't sleep, so he had to count the time silently, but he still couldn't sleep. After getting up, he lay down again. In just a few strokes, I turned over the bed of the lovesick person and suddenly fell asleep and got up. I didn't know what to do, but I expressed it openly. "I can't sleep after all" is a supplement to the previous two sentences. Then, the sentence "One night is like one year old" skillfully uses the sentence meaning of "I am three years old if I don't see you for a day" by Guo Feng Wang Feng, but the sentence is more concise and has deeper feelings. These few words spread out the "taste of parting" as usual, and the simple words contain passionate enthusiasm for life.

The second part turns to wandering homesickness, which shows the complex inner experience of wandering rationality and emotion. "I want to stay, too, but I'll ask for it." At this point, we can know that this man who has a thin pillow and can't sleep has not left the person he loves for a long time. Maybe he broke up in the morning and tasted "the taste of parting." At this moment, when he can't leave his feelings anyway, another thought can't help but arise in his heart: alas, it is better to turn around and go back. "I also intend to wait", which is a psychological activity after all kinds of helplessness. However, "resistance and planning" means that you have embarked on a journey. How can you go back to your original place? The use of "Ye", "Que", "You" and "Ji", together with the modal adverbs and turning conjunctions in the last film, makes the feelings more changeable and graceful, and truly expresses the psychology of a lonely and painful wanderer to the fullest. I can't go back, but I don't want to go either. As a result, we still have to "think a lot of ways", and naturally we can't find a way out, so we can only "be bored" and live bored. The contrast between "10,000", "many" and "only" shows this loneliness and regret helplessness more deeply. At the end of the rhyme, the word reached an emotional climax. In the face of the inevitable vagrancy at the end of the world, two of a kind, the poet issued a ten-word oath: "That is the heart of my life, and I will bear your tears." These two sentences are extremely white and affectionate. This sentence just sums up the meaning of the whole word's love for each other and highlights the theme centered on "I".

From the traditional point of view of Ci, the ending of this word is not brilliant. Shen Yifu's "Yuefu Finger Fan" says: "When you receive a sentence, you need to release it, which means endless meaning. It is best to bring feelings closer with scenes, and "or it is good to end with feelings, often light and often revealing." In his view, ending in love is undoubtedly a ride. Later, Shen Qian, a scholar in the Qing Dynasty, wrote "Miscellaneous Words on Words" with the same meaning: "When you write a word and end a sentence, you will be surprised by turbulence, or you will be surprised by confusion, and you will be defeated by fixed words." Consistent with the straightforward story of Chen Qi in the whole poem, this poem is exactly "ending with love" and "writing a true word". But it doesn't necessarily seem "light". Most of the poems are written unilaterally, but the last two sentences have been changed. Because it touched people, it turned reality into emptiness, and opposed emptiness and reality, making the meaning of words more profound and the composition more unique. Although the language of ci is extremely simple, the poet's temperament is extremely loyal. It can be seen that ending with love is also a way of writing, which can get better results.

The vivid description of the psychological process from "first feeling" to pain, to struggle, and finally to issuing sincere vows is not only a true portrayal of the poet's painful lovesickness, but also shows his outstanding artistic talent. He is not only a master of landscape painting but also a master of love writing. Selected Poems by Xue Liuyong: This word is purely lyrical except for the season named in the first sentence. The upper and lower pieces are integrated in one go.

Ai Zhiping's Dictionary of Tang and Song Ci Appreciation (Tang, Five Dynasties and Northern Song Dynasty): This word expresses the poet's feeling of being behind the times, and the graceful and restrained song written is touching.

Ye Jiaying's comment on Liu Yong's ci: This word is about late-night lovesickness.