Liu Changchun's Prose Reading Notes

Prose is a narrative literary genre that expresses the author's true feelings and flexible writing style. Let's take a look at Liu Changchun's prose reading notes for your reference only! thank you Liu Changchun's prose reading notes 1

I read Notes on the Earth, and my impression of the author is clearer than before, and my existing feelings are deeper. My feeling is that Liu Changchun's essays, which seem to be singing romantic songs, praise the magic of mountains and rivers and the magnificence of flowers and trees, showing the admiration and lingering of nature's nature and natural taste, and are often pregnant with sighs and regrets about the increasingly decadent scenery and the quiet loss of civilization. Therefore, the work that looks like an "ode" becomes an "elegy" after reading it, which leads people to change from euphoria to dismay with him, and from loss to a thoughtful state

There is no snow in the south of the Yangtze River, which is a phenomenon that people have become accustomed to today, but it is not normal. In "No Snow in the South of the Yangtze River", Liu Changchun described his childhood "memories of cold and drifting snow": "Winter in my hometown" at that time, "Snow chased by the wind, spinning up and down, flying left and right, fluttering and scattered, sparse and dense"; "The river is covered with thick ice, so you can't hear the sound of flowing"; Now in Jiangnan, "there is no cold and no snow", so that there is a huge question mark for children, "Why doesn't it snow in winter?" In the comparison between the winter with snow in the past and the winter without snow for children today, the author writes not only the evolution and lack of childlike interest, but also the worries and worries about ecological imbalances such as "air pollution" and "global warming". Just in inverse proportion to this article, it is the article "March 9 hears thunder and meets hail". This article describes another manifestation of the increasingly abnormal weather in the south of the Yangtze River, from the high temperature weather in the middle of winter, and then one day, "the sky and the earth suddenly became dark and chaotic, thunder was loud, and the wind and rain shook the window." Interestingly, the author wrote at the end, "Listening to thunder, listening to hail, listening to heavy rain and listening to strong winds are actually listening to the lessons of nature." Words are tepid, and they contain profound meaning. There is also "The Sorrow of Fish", which writes that the "general fish" in Linghe River is almost "extinct" because of people's overfishing; The writing of "No Wild Goose" made the wild geese extinct due to the deterioration of the natural environment, which also made the "Qingxi Wild Goose", one of the eight scenic spots in Tiantai, a historical memory. In these articles, from the variation and disappearance of weather, scenery and species, the author gives a sigh about the realistic crisis of the living environment, and also makes a call for the maintenance of the environment.

There are other articles, which are about recalling the past, recalling the present and recalling the past, and lamenting the loss of civilization and the retirement of culture in a connection between the scenic spot tour and the transcendental spirit tour. The writing of Regretful Xi 'an was inspired by the author's trip to Xi 'an. For Xi 'an, he came on an impulse with a beautiful vision. However, there is no such scenery as "green willows with new colors" in Wang Wei's poems, and there are only "exhausted rivers", "narrow riverbeds" and "bare gravel beaches". And the "Baliu Snow" has not only disappeared, but also "can't find the ancient Baqiao Bridge". In the end, I had to "sadly leave" with the ancient capital Xi' an. The article "Walking on the Ancient City Wall" was written by Xi 'an because of the pride of retaining the city wall, and talked about the regret left by Beijing's demolition of the city wall. Later, it talked about the demolition and reconstruction of the ancient city wall in Taizhou Fucheng, as well as the "antique fever" popular in some historical and cultural cities. It was a pity to demolish one ancient building after another, and finally it was a feeling of "how to treat and make use of historical and cultural heritage" The author is a lover of hiking, but also a conscientious person who appreciates civilization. In his works, ancient civilization is drifting away from us, and modern civilization is in jeopardy under the encroachment of various names. The former residence of Lu Li, a famous modern essayist, in Pingqiao Town, Tiantai has become increasingly "decadent" because no one takes it seriously (The Former Residence of Lu Li); The Peixian Building, the former residence of the famous writer Zhu Ziqing in Taizhou Middle School, was demolished after some arguments about whether to demolish it or not (Peixian Building in Taizhou Middle School). When telling these events, the author doesn't have much discussion and direct judgment, but the loss and regret that overflowed between the lines are palpable, which also faintly hit the readers, making people feel sorry for it and making people think deeply.

Liu Changchun's prose is plain and natural, and it seems to be handy, but it is indeed profound and far-reaching; To a great extent, this is because he has no intention to carve it on the outside, but there is a main line of emotion inside, and he uses it to string together details and connect feelings. This state of "loose outside" and "tight inside" is one of the important qualities of good prose works. Secondly, I also like his prose language very much. Generally speaking, it is simple and elegant, sensitive and emotional, and sometimes sighs and regrets come out in the narrative, often alert and concise, pleasant and pleasing. It is well worth reading. Liu Changchun's prose reading notes 2

Since the publication of Mei Wen, many columns have been set up, and these columns have all been published later, which have had a great influence on the society, such as Bao Pengshan's Reading the Sage Again, Han Yu's Believing in the Horses, and Zhu Zengquan's Watching the War Notes: A Future War in the Eyes of General China. Liu Changchun also wrote a column in Meiwen, which is also going to be published. As a staff member of Meiwen magazine, I am really happy for him and for Meiwen.

Liu Changchun's column is People, Books and History. After the articles were published, I recommended them to friends in the literary world to read. I said that people in Zhejiang are too good at writing, and they are generous in their actions, brilliant in their writing, and there is a strong spirit in their softness. I also recommend it to many people in the painting and calligraphy circles, and it is also appreciated after reading it. I thought, this kind of article was not written by Liu Changchun alone, and it was often written in the past, either because he didn't understand calligraphy and painting at all, and he couldn't get to the point; Either you can't write an article, talk about the matter, and it tastes like chewing wax. Liu Changchun has been immersed in literature, calligraphy and painting for many years. He dabbles in a wide range. Because of his love, he has made clear the people and things in the history of calligraphy and painting, and the articles have swayed and risen. In reproducing these people, he said his own reading methods and made his own opinions. Reading this kind of article focuses on reading methods and opinions. I have read this kind of article before, and I am often dissatisfied that some articles either use historical personnel to set their own ideas and opinions, take them out of context and argue irrationally to show their cleverness; Either guess the hearts of others with your own belly and expose the villain. Liu Changchun's advantage is that he has a healthy mentality, an attitude of learning, understanding and combing. On this basis, if he has something to say, it is bound to be different. If it is said that visiting famous mountains, reading strange articles and meeting great people can raise our lofty spirit, Liu Changchun's article is about great people and famous posts, which is really beneficial to read them together.

We met after Liu Changchun wrote many articles in his column. He is definitely not the appearance of Jiangnan people. He is big and full of energy. I smiled and said, "Well, people from the south are looking at each other in the north!" I don't know what the reason is, but the fact is that such people can combine the advantages of the north and the south. I've always liked reading books written by foreigners about China, and I've always appreciated the houses with white walls and black columns in Zhejiang water towns, and appreciated the calligraphy of Weng Tonghe and Sha Menghai. What was originally a soft place can give birth to hard things, which is very powerful. I'm from the north, and I'm afraid that my articles are rough and dull. I like Liu Changchun's Ning Yao Xiong Taihua, who is small and exquisite. Twenty-five years ago, I met a man in Huashan, and the book gave me four words: Haifeng Mountain Bone. I have always remembered these four words, and wrote them for some friends. If I see Liu Changchun again, I will give him another one.