Traditional Culture Encyclopedia - Weather inquiry - The Creative Background of Li Qingzhao's Drunken Flowers
The Creative Background of Li Qingzhao's Drunken Flowers
This word was written by Li Qingzhao in his early years. 11year (the first year of Guo Jing, Zhong Jian, Song Huizong), 18-year-old Li Qingzhao married her former student Zhao Mingcheng. Shortly after marriage, the husband "traveled far away" and became lonely. She deeply misses her husband who has traveled far away. A.D. 1 103 (the second year of Chongning), people miss their loved ones more than ever before, so they wrote this poem and gave it to Zhao Mingcheng.
2. Original text
Zui Hua Yin
The mist is thick and the clouds are thick, and the days are sad. Kapoor is among the birds in the incense burner. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night.
Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Mo Tao doesn't forget me, the curtain rolls west wind, and people are thinner than yellow flowers.
3. Translation
Mist, thick clouds and boring life, Long Xianxiang is in the golden beast incense burner. It's the Double Ninth Festival again, and I'm lying in a jade pillow bedstead. The chill in the middle of the night has just soaked my whole body.
Drinking by the chrysanthemum until dusk, the fragrance of Huang Ju overflowed my sleeve. Don't say clear autumn doesn't hurt people. The west wind rolls a bead curtain, and the people in the curtain are thinner than the yellow flowers.
4. Brief analysis
"Drunk Flowers, Misty Clouds Worry Forever" is the work of Li Qingzhao, a poetess in the Song Dynasty. This word was written by the author after marriage. By describing the scene of drinking and enjoying chrysanthemums on the Double Ninth Festival, it sets off a desolate and lonely atmosphere and expresses the loneliness of the author who misses her husband. On the film, chant festival, write don't worry; The next movie is about appreciating chrysanthemums. In the description of natural scenery, the author adds his own strong emotional color, which makes the objective environment blend with the inner feelings of the characters. Especially in the last three sentences, yellow flowers are used to compare people's haggard, and thinness is used to imply the depth of lovesickness, which is implicit and deep, incoherent and endless in meaning. It has been widely read.
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