Traditional Culture Encyclopedia - Weather inquiry - In Du Fu's two quatrains, the sunset is beautiful, and the spring breeze is fragrant. Mud melts the swallow, sand warms the swallow in the mandarin duck.
In Du Fu's two quatrains, the sunset is beautiful, and the spring breeze is fragrant. Mud melts the swallow, sand warms the swallow in the mandarin duck.
A day later, Li Xianhua burned incense.
Mud wealth flies, sand warms sleeping mandarin ducks.
Du Fu's early work "Wandering Southwest" was written in Chengdu Caotang, depicting the beautiful spring scenery around Caotang and Huanhuaxi. Du Fu's life? More stable.
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Tao Shu, a poetic theorist in Qing Dynasty, said: "Du Fu" contains a lot of poems and paintings. This song is written for a five-character quatrain in Chengdu Caotang, and it is a masterpiece of poetry. The poem begins with a large ink painting near Huanhuaxi, a bright and bright spring scene in the early spring sunshine. This pen is concise and colorful. One day in the spring of that year, a sentence went from The Book of Songs to The Wind in July and then to The Delay of Spring. It highlights the sunshine in early spring and unifies the whole article. With the word "Korea" and "Jiangshan", it represents a vast and boundless day that is dyed green and sunny in spring. Beautiful scenery, although this is a rough brush sketch pen bottom spring swing.
In the second sentence, the poet further presents a beautiful spring scenery with warm spring breeze, flowers and plants released in advance and rich fragrance. The poet's organic spring breeze, fragrant flowers and communication organization remind readers of the harmony of the wind and the blooming of flowers, feel the fragrance of flowers in the wind and receive the artistic effect of standing on the edge of their habitat.
In the above picture, the scene of turn 42 is in a concrete and vivid early spring picture.
In the third sentence, the poet chooses early spring as the most common, distinctive and dynamic scene sketch. The mud in spring makes the soil moist, and the swallows returning in autumn and spring are busy flying. This vivid description makes the picture more dynamic, and spring is a dynamic aesthetic feeling. Du Fu's observation of swallows is very detailed, and the first sentence is that mud is closely linked. When spring returns to the earth, the sun only shines on the mud. Ziyan is new to the mud and flies for the nest, so some spring situations are in trouble.
The fourth sentence is to outline a static scene. Spring red finance, Lisa getting warmer, Yuanyang enjoying the warm spring on the sandbar by the stream, in a fixed quiet sleep. This is in contrast to the first sentence, because "not later than the day before, the beach is warm, warm sand is attracted by water, bathed in brilliant sunshine, and leisurely adapts to the description of the scene." In the third sentence, the dynamic contrast, the movement and the white, side-by-side flying swallows describe the muddy swallows, the quiet sleeping mandarin ducks, the whole screen, and a 22-brush sketch of the bright scene in the Far East match harmoniously. And form a scene of vigorous development and beautiful early spring of a vibrant enterprise. Han Yunshi's thoughts and feelings reflect the poet's feelings. Three hungry slaves went to the barren hills, and Lu Chong was displaced and temporarily settled comfortably in the thatched cottage. It is also the poet's early spring, the vitality of naturalism and the prosperous and happy feelings.
The first five words are quatrains, distant light, beautiful artistic style and artistic conception. This poem is very readable, but it is natural and fluent, and it is written by elegant workers who have not carved and painted landscapes. Completely tasteless, focusing on the unique Fengshen chapter.
Look carefully! Will be found! !
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