Five Tang poems suitable for children to recite

# Ability Training # Introduction Tang poetry is a beautiful artistic treasure in the treasure house of China classical literature. The brilliant achievements of Tang poetry have aroused the learning interest and research upsurge of future generations. The following are five unshared Tang poems suitable for children to recite. Welcome to read the reference!

1. Tang poems suitable for children to recite

A traveler's song

Meng Jiao [Tang Dynasty]

The mother used the needle and thread in her hand to make clothes for her long-distance son.

Before leaving, I had a stitch for fear that my son would come back late and his clothes would be damaged.

Who can say that a filial child like the weak can repay his mother's love like the sunshine in spring?

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The kind mother is holding a needle and thread in her hand, making new clothes for the children who are going on a long trip.

Before leaving, he sewed the needle tightly for fear that his son would come back late and his clothes would be damaged.

Who said that a weak and filial person can repay the kindness of such a loving mother as Chunhui Puze?

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This is an ode to maternal love. The whole poem consists of six sentences and three crosses. By recalling a seemingly ordinary scene of mending clothes before he left, he highlighted and praised the greatness and selflessness of maternal love, and expressed the poet's gratitude for maternal love and deep love and respect for his mother. This poem is sincere and natural. Although there is no algae painting or carving, its fresh, smooth, simple and plain language contains rich and mellow poetry, which has been widely read for thousands of years.

The first two sentences, "thread in the hands of a loving mother makes clothes for her wayward boy's body", closely link "loving mother" and "wandering son" with two very common things, and write the flesh-and-blood feelings of mother and child. Three or four sentences, "She sewed carefully and mended thoroughly, fearing that the delay would make him go home late", deepened this kind of flesh-and-blood affection by describing the actions and psychology of loving mother making clothes for wanderers. The mother sewed thousands of stitches for fear that her son would "delay" and could not come back. Great maternal love is naturally revealed through the details of daily life. The first four sentences are very simple, without any modification, but the image of loving mother is really touching.

The last two sentences, "Only an inch of grass has a little affection, and three wisps of spring scenery are appreciated", are the author's heartfelt eulogies of love for his mother. These two sentences adopt the traditional contrast method: children are like grass, and maternal love is like spring sunshine. How can a child repay a mother's love in case? The contrast and metaphor of images entrust the son's heartfelt love for his loving mother.

This poem artistically reproduces the ordinary and great beauty of human nature that people feel, so it has won strong praise from countless readers for thousands of years. Until the Qing Dynasty, two poets in Liyang sang such a poem: "My father's books are full of laundry, and the bus is full of me" (Shi Qisheng's "Writing about my bosom"), "How many tears I always shed, dyed my hands and sewed clothes" (Peng Gui's "Visiting my mother for the first time"), which shows that this poem left a deep impression on future generations.

2. Tang poems suitable for children to recite

Wang yue

Du Fu [Tang Dynasty]

What a magnificent scenery Mount Tai is! Out of Qilu, green peaks can still be seen.

The magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north.

Layers of white clouds, cleaning the gully on the chest; The flat bird flew into the eye socket. (Zeng Tong: Floor)

Try to climb to the top of the mountain: it dwarfs all the peaks under our feet.

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How about Mount Tai, the head of the Five Mountains? On the land of Qilu, lush and beautiful, there is no end.

Nature gathers all magical and beautiful scenes, and the boundary between yin and yang in the south and north of the mountain is very different in the morning and evening.

The rising clouds make people feel ecstatic; Try to open your eyes, look at the returning birds and hide in the mountains.

We must climb that mountain and overlook those mountains that look small in front of Mount Tai.

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By depicting the majestic scene of Mount Tai, this poem enthusiastically praises the majestic momentum and magical and beautiful scenery of Mount Tai, reveals the love for the mountains and rivers of the motherland, and expresses the poet's ambition and spirit of not being afraid of difficulties, daring to climb to the top and overlooking everything, as well as his great ambition of being independent and helping the people. One or two sentences about Mount Tai are endless; Write three or four sentences about the grandeur of Mount Tai; Write five or six sentences carefully, and when you look from afar, you will see the peaks and clouds, as if birds are returning to the valley. Imagine what you will see when you climb the mountain in the future, and express your ambition at the same time.

The first sentence is "the grandeur of Mount Tai! ? When I first saw Mount Tai, I was so happy that I didn't know how to describe it. My admiration and admiration are very vivid. Dai is another name for Mount Tai. Being the first of the five mountains, he was honored as Daizong. "How's the husband" means "What is it?" The word "fu" is usually used as a modal particle at the beginning of a sentence in ancient Chinese. It is a new creation and uniqueness to integrate it into the poems here. Although the word "husband" has no substantive meaning, it is indispensable. The so-called "vivid portrayal is being blocked." It can be described as ingenious.

Next, "lush, across the Qi and Lu highlands." Instead of simply describing the height of Mount Tai from the perspective of altitude, you can write your own experience in a unique way ── outside the ancient Qilu countries, you can still see Mount Tai from a distance and set off the height of Mount Tai with distance. The south of Mount Tai is land, and the north of Mount Tai is Qi, so the geographical features described in this sentence cannot be misappropriated when writing about other mountains. In the Ming Dynasty, Mo Ruzhong's "Wang Yuelou in Dengdong County" specially put forward this poem, thinking that no one can succeed.

"The creator has endowed all the mysterious nature here with elegance. What else? The day immediately enters dawn and dusk. " It's a close-up of Mount Tai. A word "bell" brings everything in the world to life, and the whole nature is so affectionate that it endows Mount Tai with magic and beauty. The sun in front of the mountain is "Yang" and the sun behind the mountain is "Yin" (the water in the south of the mountain is "Yang" and the water in the north of the mountain is "Yin"). Because of the height of the mountain, the dusk of the day is cut on both sides of the mountain, so it is called "cutting dusk" This is a normal natural phenomenon, but the poet created flowers with clever pens and wrote a dominant force of the tall Mount Tai with a word "cut", which is nothing else. Mount Tai, with its height, blocks the sunshine in the south and north of the mountain, forming different landscapes and highlighting the image of Mount Tai blocking the sun. Here, the poet used a pen to make the still Mount Tai suddenly full of vigorous power, and the creative style of "words are not amazing and endless" is also revealed here.

"Ceng Yun, birds are flying back and forth in front of my nervous eyes." Two sentences were written. Seeing the endless clouds in the mountains, my heart is also rippling. The word "Jueshu" is particularly vivid, which vividly embodies the poet's fascination with this magical and ethereal landscape. In order to see enough, he looked around with his eyes wide open, so he felt as if his eyes were going to break. This scene makes the charming scenery of Mount Tai more vivid. "Returning bird" refers to the bird that has returned to the nest in the forest, indicating that it is dusk and the author has not left. It contains the poet's love and praise for the mountains and rivers of the motherland.

In the last sentence, "once you climb to the top of the mountain, you will see that all the other mountains look short under the sky." The poet is not satisfied with seeing Yue, but climbs to the top of the mountain to capture the magnificent scenery. This couplet is a masterpiece, which once again highlights the grandeur of Mount Tai, writes a majestic posture and momentum that is superior to everything, and also shows the poet's mind. "Hui" is a spoken language in the Tang Dynasty, which means "must". If "will" is interpreted as "should", it is not accurate and melodramatic. The contrast between the small mountain and the high mountain of Mount Tai shows the poet's ambition and spirit of not being afraid of difficulties, daring to reach the top and overlooking everything. This is the key for Du Fu to become a great poet, and it is also indispensable for all those who make a difference. This is the reason why these two poems have been read by people. It is precisely because the towering greatness of Mount Tai is not only natural, but also humanistic, so the desire to climb it in the end has dual significance.

The whole poem is dominated by the word "Wang" in the title of the poem, and every sentence is written about Wang Yue, but there is no word "Wang" in the whole poem, which can give people an immersive feeling. It can be seen that the poet's layout and artistic conception are exquisite. Although this poem has far-reaching sustenance, it is only a visit to famous mountains, and there is no trace of deliberate comparison. If you are ambitious, your body will be strong, and it will be difficult to achieve anything in the future.

3. Tang poems suitable for children to recite

Guogurenzhuang

Meng Haoran [Tang Dynasty]

This old friend prepared a delicious meal and invited me to his hospitable farm.

Green Woods surround the village and green hills are located outside the city.

Open the window facing the valley vegetable garden and pass the glass to talk about crops.

Please come here to see chrysanthemums when the ninth festival comes.

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My old friend prepared a sumptuous dinner and invited me to visit him in Tian She.

Green Woods surround the village, and a green hill leans faintly outside the city wall.

Pushing open the window to face the threshing floor and vegetable garden, drinking wine and chatting about farming.

The Double Ninth Festival is coming, and I will come here to see chrysanthemums.

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This is an idyllic poem, describing the quiet and leisurely life scene of farmers and the friendship of old friends. By writing about the scenery of rural life, I wrote the author's yearning for this kind of life. The whole text rhymes. Poetry is written down from "invitation" to "arrival" to "hope" and "appointment", which is naturally smooth. The language is unpretentious and the artistic conception is fresh and meaningful. The author wrote the process from visit to farewell in kind and clean language, such as home-style form. His rural scenery is fresh and quiet, his friendship with friends is sincere and profound, and his family life is simple and cordial.

The whole poem depicts the beautiful mountain village scenery and quiet rural life, with plain language, natural and smooth narration and no traces of rendering and carving. However, it has sincere feelings and mellow poetry, and has the aesthetic interest of "clear water produces hibiscus, which is naturally carved", so it has become a masterpiece in pastoral poetry since the Tang Dynasty.

Write a sentence or two on the invitation, "old friend" means it's not the first time to be a guest. Three or four sentences are famous sentences describing the scenery of mountain villages. Surrounded by green trees, the green hills are oblique, just like a faint ink painting. Write five or six sentences about the taste of mountain village life. Facing the garden in the yard, talking about crops with wine is kind and natural, full of life breath. At the end of the two sentences, let's get together on the Double Ninth Festival and write down the depth of friendship.

"Prepare chicken and rice for me, old friend. You entertain me on your farm." "Gathering" and "inviting" indicate that the host of this meal is ready, which shows the enthusiasm of old friends and sincere feelings between them. The sincere emotion of "feeling good and favoritism" in the field of literature and art can make the pen blossom. The old friend "invites" and the author "arrives", which is simple and casual in plain China words. The invitation of "chicken and millet" not only shows the unique flavor of Tianjia, but also shows the simplicity of hospitality.

"We look at the green trees around your village and the pale blue mountains in the distance." When I entered the village, the author looked around for such a fresh and pleasant feeling. These two sentences are close to the border and surrounded by green trees, which seem to be unique and unique. The next sentence is light, accompanied by green hills abroad, which makes the village not lonely and shows a broad prospect. So we use the order from near to far to describe the scenery. The village is located in Pingchou, far away from Qingshan, which makes people feel light and quiet, and never indifferent and aloof. It is precisely because the "old friend village" appeared in such a natural and social environment that the host and guest raised their glasses at the window.

"We open your window on the garden and talk about Sang Ma with cups in our hands." As soon as the porch window opened, we entered the room. The word "open the porch" seemed to be inadvertently written into the poem, and the subtle movements showed the master's heroism. Surrounded by mountains and green trees outside the window, the cup inside the window is changed. This scene is an unparalleled pastoral picture of ancient poetry and wine. The emptiness of the "nursery" and the topic of "Sang Ma" give people a relaxed feeling. Readers can not only appreciate the stronger local flavor and labor production flavor, but even seem to smell the soil flavor on the nursery and see the growth and harvest of crops. With the combination of these two sentences and the first two sentences, green trees, green hills, cottages, playgrounds and Sang Ma blend harmoniously, forming a beautiful and quiet pastoral landscape, while the laughter of the host and guest and the words about Sang Ma seem to linger in the readers' ears. This is the realistic color of the prosperous Tang society.

"When I have a holiday in the mountains, I will come back at chrysanthemum time." Meng Haoran was deeply attracted by farm life, so when he left, he told his master frankly that he would come back to see chrysanthemums and drink chrysanthemum wine on the crisp Double Ninth Festival in autumn. A few simple poems, the enthusiasm of old friends to treat each other, the pleasure of being a guest, and the cordial harmony between the host and the guest are all on the paper. Du Fu's "Drinking by Tianfu Mud, Drinking Beauty, Being Strict and Sincere" said: "When the moon rises, I will stay, but I still ask for help." In Du Fu's poems, Tianfu keeps people, and the feeling is urgent; In Meng Haoran's poems, he also made an appointment with an old friend, meaning to ease his words. Readers can get a glimpse of the difference between Du Fu's depression and Meng Haoran's calmness.

This poem has no traces of rendering and carving, natural scenery, ordinary farmhouses and mellow friendship. These ordinary life scenes have the aesthetic taste of "clear water produces hibiscus, natural carving" This brisk and approachable style is consistent with the simple pastoral described by the author, which shows that the form and content are highly adapted, but it is not dull. Plain contains deep affection. On the one hand, although there is almost no trace of strenuous exercise in every sentence, on the other hand, there has never been weakness in every sentence. He integrated artistic beauty into the flesh and blood of the whole poem, which seemed natural and natural. This kind of showmanship is not dazzling, not showing off skills, not only relying on one or two carefully crafted sentences to prop up the facade, but also reflecting the superb artistic level. It is precisely because of the true reflection that the words are scattered and pure, which makes the whole poem show its charm from "light touch" without "heavy makeup"

4. Tang poems suitable for children to recite

A berth at the foot of Gubei Mountain.

Wang Wan [Tang Dynasty]

Under the blue mountain, my boat and I meandered along the green water. (Outside Castle Peak: Under Castle Peak)

Until the river bank widens at low tide, and no wind blows my lonely sail.

... night gives way to the ocean of the sun, and the old year melts in freshness.

Finally, I can send my messenger, Wild Goose, back to Luoyang.

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Outside the lush mountains are the roads for tourists, and ships sail in the green waters.

The tide is high, the banks of the river are flush with the river, the whole river is very open, and the sails hang straight in the wind.

The night hasn't faded, and the rising sun has already risen on the river surface of Ran Ran, and the Jiangnan in the old year has the breath of spring.

Where should I send my book home? Go to the north to return to the wild goose, please take it back to Luoyang!

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This is a poem with five rhymes, which was praised by Hu Yinglin in the Ming Dynasty as "describing the scenery, which is unique throughout the ages". The time sequence alternates in a hurry. How can this not make the poet in the "guest road" homesick? In poetry, personification is used to "live" and "enter". Although there is no sense of reason, it is interesting to describe the scenery. The sea was born in the dead of night to drive away the darkness, and the scenery on the river shows the "spring" to drive away the old winter, which contains the natural law of time series change and the alternation of the old and the new, shows the universal philosophy of life and gives people optimistic and positive power.

The poem begins with a dialogue, which is both beautiful and detached. "Hakka Road" refers to the way the author wants to go. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill". This couplet writes "Guest Road" first, and then "Boating". It is rare that he travels all over the south of the Yangtze River and the hometown of Shenchi.

The "broadness" in "Widening the banks until the low tide" is the result of "flat tide". The spring tide is surging and the river is vast. Looking around, the river seems to be flat with the shore, which broadens the horizons of the people on board. This sentence is very grand, and the next sentence "No wind stirs my lonely sail" is even more exciting. "Hanging" means hanging straight from one end to the other. The poet uses "the wind is right" instead of "smooth sailing" because "smooth sailing" alone is not enough to ensure "sailing" Although the wind was smooth, it was strong and the sails bulged into an arc. Only under the condition of downwind and breeze can the sail be "hung". The word "positive" includes both "shun" and "harmony". Xiao Jing is quite vivid in this sentence. But not only that, as Wang Fuzhi pointed out, the beauty of this poem lies in its "small scenes to convey the god of big scenes" and "Jiang Zhai's poetry talk" It is conceivable that if you sail in a winding river, you always have to turn. Such a small scene is rare. If you sail in the Three Gorges, even if it is calm, it will still surge. Such a small scene is rare. The beauty of the poem lies in that through the small scene of "No wind stirs my lonely sail", it also shows the big scenes of Ye Ping's openness, DC and calmness.

When you watch the third part, you will know that the author will sail at the end of the year. The tide is flat without waves, smooth but not fierce. At close range, the river is green, while at a distance, the banks are open. This is obviously a mysterious night, revealing the breath of spring everywhere. A person sails slowly and feels that it has reached the end of the night. These triple, is the performance of rowing on the river, is about to dawn.

This couplet has always been very popular, saying, "... the night now gives way to the ocean of the sun, and the old year melts in freshness", which is rare among poets. Zhang (Zhang) wrote the title of "Government Affairs Hall", and every time he showed his ability and made it a model. "("He Ling Ji ") Hu Yinglin in the Ming Dynasty said in the poem" Internal Compilation "that the couplet" Hai Ri ""describes the scenery, which is amazing through the ages ". When the night has not subsided, a red sun has risen from the sea; The old year has not passed, and the river has shown spring. "Day after day" and "spring into the old year" both indicate the alternation of time series, and they are in such a hurry. How can this not make the poet in the "guest road" homesick? These two sentences are also very kung fu. From the perspective of refinement, the author regards "sun" and "spring" as symbols of new beautiful things, mentions and emphasizes the position of the subject, personifies them with words such as "life" and "ru", and endows people with will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. It not only depicts the scene truly and accurately, but also shows the universal truth of life, giving people optimistic, positive and upward artistic inspiration. This sentence is similar to "Qian Fan on the edge of a sunken ship, Wan Muchun in front of a sick tree".

The sea is rising, and spring is budding. The poet puts the boat on the green water and continues to sail to the guest road outside Qingshan. At this time, a flock of geese returning to the north are walking through the clear sky. The geese are about to pass through Luoyang! The poet remembered the story of "The Goose Feet Pass the Book", so I'd better send a message to the Goose: Geese, please give my regards to your family when you fly over Luoyang. These two sentences are closely linked, and the whole article is shrouded in a faint homesickness.

This poem describes the poet's homesickness caused by rowing eastward and stopping at the foot of Gubei Mountain, seeing the tide flat and the shore wide, and returning to the geese at night, which combines scenery, lyric and reasoning in one furnace. The whole poem is harmonious and beautiful, full of fun. It is a masterpiece of the ages. The next berth on Beibao Mountain was first seen in the Collection of National Xius edited by Rui in Tang Dynasty. When Yin Kun, a native of the Tang Dynasty, was selected into the Lingying Collection in He Yue, there were many different essays on the topic of "Jiangnan Yi": "The south is full of new ideas, and the east is the first day. On both sides of the beach, the wind is hanging. ... night gives way to the ocean of the sun, and the old year melts in freshness. I have never observed the weather, but I am biased. " This article is based on a berth at the foot of Beibao Mountain and has been read for a long time.

Wang Wan, a native of Luoyang, spent his whole life "running between". "Beigushan" is in the north of Zhenjiang City, Jiangsu Province, facing the river on three sides. The first two sentences of "Jiangnan Yi" quoted above are "South Man is full of new ideas, and the East is in the early stage." Its "eastbound" should be through Zhenjiang to the south of the Yangtze River. The poet traveled all the way, and when he set sail at a berth at the foot of the Beibao Mountain, the tide was flat and the shore was wide, and the geese returned at night, which triggered feelings in his heart and became a masterpiece through the ages. The poem begins with a dialogue, which is both beautiful and detached. "Hakka Road" refers to the way the author wants to go. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill". This couplet is written "Visiting the Road" first, and then "Sailing". His wandering feelings in Jiangnan and Shenchi's hometown have been revealed between the lines, thinking about the "hometown book" and "returning to geese" at the end of the couplet.

Although the first five laws were widely known as the third place at that time and spread to future generations, there were not only two beautiful sentences; Generally speaking, it is also quite harmonious and beautiful.

5. Tang poems suitable for children to recite

An autumn night in the mountains

Wang Wei [Tang Dynasty]

The empty mountains are bathed in a new rain, and feel the early autumn at night.

The bright moon shed clear light from the cracks and cleared the fountain on the rocks.

The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

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After the new rain, the valley is empty and fresh, and the weather is particularly cool in early autumn and evening.

The bright moon reflects the quiet pine forest, and the clear spring water flows on the rocks.

There was a noise in the bamboo forest, and I knew it was the girl who came back from washing clothes. The lotus leaf swayed and I knew it was a canoe.

Although spring is beautiful, autumn scenery in front of us is enough to make people linger.

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This poem is a masterpiece of landscape painting. It depicts the charming scenery of the mountain village and the simple fashion of the villagers in the evening after the rain in the Qing and autumn of Chu, shows the poet's satisfaction with the pastoral life and seclusion life, and shows the beauty of personality and society with natural beauty. The whole poem perfectly combines the cool autumn after the rain in an empty mountain, the light of the bright moon among pine trees, the sound of clear spring on the stone, the laughter of happy women returning to the bamboo forest and the dynamic harmony of fishing boats crossing the lotus, giving people a rich and fresh feeling. It is not only like a fresh and beautiful landscape painting, but also like a quiet and beautiful lyric music, which embodies the creative characteristics of painting in Wang Wei's poems.

The first part is about autumn scenery in the mountains after the rain. Because there are few people here, naturally some people come from Toyama. The word "empty mountain" points out that this place is like a paradise. At the beginning of Shan Yu, everything was new, and it was early autumn evening. It is conceivable that the air is fresh and the scenery is wonderful.

It is already dark, but there is a bright moon in the sky; The flowers have withered, but there are pine trees covered. The mountain spring is clear, flowing through the rocks, like a pure white plain, shining in the moonlight, what a quiet and clear natural beauty! Wang Wei's Ode to the Four Saints on Economy once praised the noble sentiments of the two sages, saying that "there is no evil wood in the shade, and drinking water must be extreme." The poet himself is such a noble-minded person. Isn't the pine tree and the clear spring on the stone this month the ideal state he is pursuing? These two sentences are picturesque, free and easy, and have little strength.

Poets in the Necklace Couplet wrote "Bamboo Noisy" first, and then "Lotus Moving", because Huan's daughter was hidden in the bamboo forest, and the fishing boat was covered by lotus leaves. At first, I didn't see it. When I heard the noise of the bamboo forest and saw the lotus leaves, I found the Huannv and the Lotus Boat. This writing is more realistic and poetic. I wrote that there were waves of singing and laughing in the bamboo forest. It was some innocent girls who came back with a smile after washing clothes. The graceful lotus leaves spread out to both sides one after another, overturning countless pearl-like crystal drops. It's a fishing boat going down the river, which cuts the tranquility of the moonlight in the lotus pond. There are such a group of carefree, hardworking and kind people under the bright moon and among the bamboos and violets. This harmonious and beautiful picture of life reflects the poet's longing for a leisurely life, and at the same time, it also sets off his aversion to dark officialdom from the opposite side. These two sentences are cleverly written, but the pen does not show traces, which makes people feel unique.

Couplets are the poet's feelings. Although spring has gone, autumn is better and I would like to stay. He likes to return to nature, cherish mountains and rivers, advocate a quiet and indifferent pastoral life, and is unwilling to go with the flow. I hate this official beyond words.

The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Zhuan Xu re-writes, fragrant and clear; Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.

This poem expresses the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.