A sad poem about the bridge

1. Poems about bridges 1. Driving Wei Qiao and observing soldiers and Liutun.

(Western Han Fu) II. Prevent and reject the danger of connecting mountains, and maintain the pressure level of long bridge. (Putin welcomes the driver) Song Jing 3. The bridge is connected to the Hanshui River, and the peak is in danger of clouds.

Li Shimin 4. Stay on Tiantai Road and see Du Yu Stone Bridge. (Lingyin Temple) Song Wenzhi 5. On the sunset river bridge, beyond the reach of the whip, cherish the sunset glow.

Chen Ziliang 6. Wandering around the world, send it. Lu 7. Once you get to Xianqiao Road, you can still hope that Jincheng is far away.

(Farewell to Beijing) Lu 8. Rain falls on Hongqiao at night and flowers fall on Fengtai in spring. (Andeshan Pool Banquet) Shangguan Yi 9. Han Jiayi Luo Jiuzhong City, Yulu pontoon bridge, Wan Li Ping.

(Question) Yang Shidao 10. Take the star to open the crane, take the moon Hongqiao. Yu Shinan 1 1. Qiao Heng Road in the north and Weihe River in the west.

(Elegy of Empress Wende) Photo by Zhu Zi 12. Walking on the moss, the Dragon Bridge is slippery and the sky is closed. (Xuanduguan) Xu's 13. Send the pearl back to the home on the stream, and the bridge diagonally crosses the blue quicksand.

(Zhu Huan Bridge) Huazhen 14. Hongqiao divides the water, and the mirror stone attracts the light. Li Baiyao 15. The wheel follows the sky and crosses the sea in a bridge shape.

Chen Run 16. The bridge is cold and the geese fall, and Lin Shubi flies. (Send Zhao Sima) Song 17. There are eight clouds and seven stars in the shape of a bridge.

(past) Luo 18. The waves from the magpie bridge fly out of the clouds. (and the secret supervisor of the eldest grandson, Tanabata) Ren Xigu 19. My wife lives in Luoqiaotou on the eighth day of the Lunar New Year.

(Xiang Hege kindly walks) Cui Hao 20. Draw a bridge and fly across the water, but Xiange is in vain. (Banquet for Princess Dongzhuang of Changning) Liu Xian 2 1. Long Bridge tomorrow, the whole city will see jiaozi.

(Zaqu, Journey of the Brave) Liu Yuxi 22. Springs ring behind the stream, and Hong Ying shines on the front bridge. Wang Bo 23. The sound of dangerous springs is suspicious of rain, and Pingchuan Bridge is sunny and rainbow.

(Visiting the Stone Mountain) Zhang Changzong 24. The willow is green and the rose is red. (Dance music Qu Zheci) Wen Tingyun 25. Go to Dongmenying, and go to Heyang Bridge at dusk.

(If you blow the lyrics horizontally, it will be the second) Du Fu 26. Smoke cages and green pavilions, flowing words and swinging bridges. Li Qiao 27. Have you noticed that Tianjin Bridge flows eastward and the Longmen faces the southern city?

(Sauvignon Blanc) Su Xiang 28. The bridge is close to the town and forest, and the mountain belt is connected with Pinghu Wild Temple. (Send the cold morning sun back to Shangyuan) Han Yi 39. The spring building is not closed, and the green water turns to the bridge.

(Xianghe Geci Jiangnan Qu) Han Yi 30. There are willows in the east and west of the bridge, and people will sing. (Zhi Zhu Zaqu) Liu Yuxi 3 1. I worry about my overseas trip every night and abandon my concubine Wei Qiaoxi every year.

(Miscellaneous songs, my life is short) Liu Yuanshu 32. Lishui Long Bridge will be crossed today, and the greenery will gradually see Xinfeng Tree. (I had a cold meal when I first entered Qinchuan Road) Li Longji 33. Recorded the song of Green Pearl and danced the flag of Hongqiao.

(On the Qingming Festival, Zhao Wangshanchi presented flying characters) Zhang said 34. The Star Bridge will be built tomorrow, and Xianbang will open at this time. (Princess Anle moved into a new house and other banquets) Zong Chuke 35. Yicheng wine is full of ripe flowers, and green ducks sing titles in Shaqing.

(Xiang Hege Ci Field Lin Huan) Wen Tingyun 36. Jade Festival follows the East Pavilion, while golden boudoir keeps the old. If it is a temple full of flowers, jump on the river bridge.

(Leave) Yang Ning 37. The path turns to a dangerous peak, and the bridge has a short shore. (Crossing Princess Yiyang Mountain Pond with Wei Chengqing) Du 38. Looking back at Wei Qiaodong, I feel the same way in spring.

Green silk charming sunset, spring breeze. (Caisang) Liu Xiyi thirty-nine. The wild water is covered with rocks, and the abandoned road is in front.

It's good to meet a sad person. (Banqiao) SiKongShu 40. Several white smoke breaks and a river is covered with mangroves.

A bad bridge invades the water, leaving behind a village monument. (Wandering) Thinking about empty map 4 1. In the middle of the week, there are green trees on the mountain bridge.

Climb out of the well and look at two lumens. (Xiaoxing Baxia) Wang Wei 42. The wilderness is new, but the river bridge is not old.

On a bad day, the peak sinks and the clouds turn with the cover. (Feelings) Dong Sigong 43. When I returned to the park at night, the waves shook the stones.

Caoshi Bridge near the village, and the moon under Shi Xia's net. (Qingyijiang) Gu Kuang 44. Gradually enter Xinfeng Road and descend to Anh Hong Bridge.

If you are ill for seven years, you will take a medicine at first. (Home) Lu Guimeng 45. In spring, the south bridge is at dusk, and the willows have green canals.

We can't work together, and it's nothing. (Farewell) Huang Furan 46. Green is near, Changting road is far away.

No one folds a wisp of smoke, and the sunset blows on the bridge. (Liu is on the way) Jong Li 47. Willow is in Jinguyuan, and spring comes like dancing waist.

How can I enjoy the scenery alone and go to Luoyang Bridge? (Shangluo Bridge) Li Yi 48. Cars and horses are on the bridge, and smoke trees are in full bloom in the south of the bridge.

The green hills are constantly sloping and handed over to their hometown. (Early Fennan) Wang Jian 49. The sword stays in the south and the book is sent to the north wind.

The oranges in Wutan are ripe and I want to send some home, but no one takes them to Luoyang. (Jiangnan Tourism) Zuyong 50. Ninety-nine kilometers away, the cold and snow have not disappeared.

A child led a thin horse and dared not cross the dangerous bridge. Jiang Ji 5 1. So the national anthem is loud and the long bridge is full of traffic.

Pengcheng Pavilion is surrounded by willows, which seems invincible in spring. (Yangzhou nostalgia) Li Yi 52. Chengjun Ying Ge drummed up the bridge step by step.

Seagulls and geese in the lake, plum blossoms in the snow. (nine miscellaneous questions) Si Kongtu 53. When you return to your hometown, you will see tears in your eyes.

Cars and horses on the river bridge, fine weather in the city. (Road slogan) Huang Fuzeng 54. The rock belly is worn next to it, and the lips are elongated when flowing.

The bridge was tied up by vines because of the fallen tree frame. (Swallow Xiaosheng Zen Master) Wang Wei 55. If you want to climb Zhurong Peak, climb the ancient stone bridge first.

Go through this hole and take the road to Xiao Dan. (Deng Zhurongfeng) Li 56. Poor Yin, her face began to turn pale and her thoughts faded away.

Canxue noon bridge, sunset and waterfront. (Three Songs by Gong Jin) Li Shen 57. Firewood and silver flowers are combined, and the star bridge is locked.

The crowd is surging and the dust is flying under the horseshoe; Moonlight shines in every corner, where people can see the moon overhead. (the fifteenth night of the first month) Su Weidao 58. Every day is divided into two parts, namely, the Shu Gate of Xingsu Bridge.

Don't say goodbye to the peach blossom, and the bamboo leaves will fall off. (Send Wu Qiyou to Shu) Luo 59. Qin is the East China Sea Bridge, and the ghosts in Zhongzhou are hard.

Crossing Penglai, the immortal also flew away. Chen Tao 60. When a saint knows his blessings, he is grateful to others.

Luo Qiao will get drunk. (Four feasts) Zhang Shuo 6 1. Guanqiao drinker, Sam female temple.

After seeing the bright moon, listen to the rules. (Send Yang Changshi to Zhou Guo) Wang Wei 62. Crane Dance Millennium Tree, Bai Chi Bridge in Hong Fei.

I also have doubts about red pine nuts, and Tianlu invited me. (Go to the Golden Flower Taoist Temple in Spring) Chen Ziang 63. It's cold in spring tonight, and there are many beauties on the river bridge.

BMW gold as winding, fragrant car jade as wheel. Chen 64. Spring is everywhere, in the willow color of Lake Bridge.

When you look at light yellow to light green, you know that creation has all the advantages. (Liu) Lu You 65. The grass is rustling outside Changzhou Garden, but I have been visiting the city for a long time.

Only by not forgetting today can we get rid of the rain at dusk and cross the Maple Bridge. (Qiao Feng) Zhang Hu 66. Hongqiao front gallery, half in the water.

The emperor is clear in the summer, and the imperial secretary wears heavy makeup. (Miscellaneous songs and eternal words) Lu Lun 67. By the Shi Mei Bridge, it was raining in the evening, and the boat sailed home with Ling singing.

I hate going to Bai Ou, and I don't want to make friends. (Late return) Lu You 68. Small.

2. Poems or sentences about bridges in Qiu Si, Tianjin.

Author: Ma Zhiyuan

Dead vines, old trees, faint crows,

Small bridges and flowing water,

The ancient road and the west wind are thin.

When the sun sets, heartbroken people are at the end of the world.

Sentence annotation

(1) Tianjingsha: the name of Qupai.

(2) Dead vines: withered branches and vines. Black crow: A crow at dusk. Faint: in the evening.

(3) people: farmers. This sentence expresses the poet's longing for a warm family.

(4) Ancient Road: An ancient and desolate road. West wind: cold, bleak autumn wind. Thin horse: A thin horse.

5] heartbroken person: describe a person who is extremely sad, here refers to a traveler who wanders around the world and is extremely sad. Tianya: A place far from home. [2] [3]

Vernacular translation

The withered vines are wrapped around the old trees, and the branches are inhabited by crows returning to their nests at dusk.

Under the small bridge, there are several families by the running water.

On the ancient and desolate road, the autumn wind is bleak, and a tired thin horse carries me forward.

The sun is setting slowly, and the extremely sad traveler is still wandering at the end of the world.

Poems and famous sentences about bridges

Shang shan Zao hang

Author: Wen

I began to recruit priests in the morning and felt sorry for my hometown. When a chicken crows at the Maodian Moon, people walk on the Banqiao Frost.

Mistletoe leaves fall on the mountain road, and orange flowers are on the wall of the post. Because they remembered Ling Du's dream, the geese returned home full of food.

Word annotation

(1) Shangshan: Shanming, also known as Shangban and Chushan, is located at the junction of Shanyang County and Danfeng County in the southeast of Shangluo City, Shaanxi Province. The author left Chang 'an in the last years (the year of Emperor Xuanzong of the Tang Dynasty, 847~860) and passed through here.

(2) Moving Tudor: the bell that vibrates the stroke. Tudor: A bell that hangs around a horse's neck while driving. Tudor: The big clock.

⑶ Mistletoe (hú): Deciduous tree growing in Shanyang County, Shaanxi Province. Although the leaves wither in winter, they don't fall until the branches sprout in spring. Every Dragon Boat Festival, mistletoe zongzi wrapped in this leaf has become a local feature.

⑷ Wall of knowing China: Some people regard some versions (such as "reciting ancient poems after class" in the ninth grade of Chinese published by People's Education Press) as the "wall of knowing China", and some people think that "Zhao" is wrong (see "Wall of knowing China-the first volume of Chinese published by People's Education Press"). Ming: Make ... bright. Zhi Wei: Also called "smelly orange", deciduous shrub or small tree. White flowers bloom in spring, and the fruit is slightly smaller than orange. The sour ones are inedible and can be used as medicine. Post wall: the wall of the post office. Note: In ancient times, people who sent official documents or officials who came and went stayed to change horses. There are bright bitter orange blossoms on the wall of the post office.

5. Ling Du: Place name, in the south of Chang 'an (now southeast of Xi 'an, Shaanxi Province). In ancient times, it was Du Guobo, Du County, Qin Wei. The mausoleum built by Emperor Wu of the Han Dynasty was on Dongyuan, hence the name, which refers to Chang 'an here. At this time, the author visited friends in Xiangyang from Chang 'an and passed by Shangshan. Therefore, I remembered my dream when I was in Chang 'an.

[6] [6] (f ú) Goose: [6], wild duck; Goose is a migratory bird, which flies north in spring and south in autumn. Back to the pond: a winding pond on the shore. This sentence is a dream in Ling Du Dream.

(7) Back pond: lakes and marshes with curved lakeshore.

Vernacular translation

Get up at dawn, the bells of horses and chariots have shaken; Traveling all the way, the wanderer misses his hometown.

The chicken is loud and clear, and the thatched shop is bathed in the afterglow of Xiao Yue; Footprints are blurred, and the wooden bridge is covered with early spring frost.

Withered oak leaves are covered with barren hills and roads; There are bright pale white and bitter orange flowers on the mud wall of the post office.

Therefore, I remembered the beautiful scene of dreaming about Ling Du last night. Flocks of ducks and geese frolic in the winding lakes and marshes on the shore.

3. Poetry related to the bridge Author: Ma Zhiyuan withered vines and old trees faint, small bridges and flowing people, ancient roads and thin horses.

From Ma Zhiyuan's "Jing Tian Sand Qiu Si" in Yuan Dynasty, the withered vine and the old tree are faint, the small bridge is flowing, and the old road is thin. When the sun sets, heartbroken people are at the end of the world.

Appreciating this poem is very short, only five sentences and twenty-eight words, but it depicts a bleak and moving picture of the autumn suburbs, which accurately conveys the bitterness of travelers. This successful song embodies the artistic features of China's classical songs in many ways.

First, borrowing scenery to express emotion, containing feelings in the scenery, constitutes a bleak and miserable artistic conception in the blending of scenery and feelings. China's classical poems attach great importance to the creation of artistic conception.

Artistic conception is an important category in the aesthetics of China's classical poetry, and its essential feature lies in the blending of scene and scene and the unity of mind and matter. Whether emotion and scenery can be well combined becomes the key to the formation of artistic conception.

In the Qing Dynasty, Wang Fuzhi's Xuanzhai Poetry said: "There are two names of scenery, which are inseparable. God is infinite to poets. "

Wang Guowei's abridged draft of human ci says: "All scenery words are sentimental words." The first four sentences of Ma Zhiyuan's poem are all about scenery, and these scenery words are sentimental words. Words such as "withered", "old", "faint" and "thin" make the rich autumn colors contain infinite sadness and bitterness.

And the last sentence "heartbroken people are at the end of the world", as a curved eye, is even more wonderful, which makes the scenery described in the first four sentences become the environment for people's activities and the fuse for heartbroken people at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his trip, but also what he saw in his eyes.

But at the same time, it is its emotional carrier and an inner thing. The whole song is full of emotion and scenery, which constitutes a touching artistic realm.

Secondly, many dense images are used to express the author's pain and hatred of autumn during the journey, which makes the work full of rich poetry. Image refers to the artistic image used to convey the author's feelings and contain the author's thoughts in poetry.

China's classical poetry is characterized by the complex and intensive use of images. Many poets in ancient China often arranged numerous images closely in their poems to express their thoughts.

This song by Ma Zhiyuan clearly embodies this feature. There are ten kinds of images in just 28 words, which are not only the real environment of heartbroken people's life, but also the carrier of his heavy sadness.

Without these pictures, this song would not exist. Coexisting with the complexity of images is the singleness of image expression.

In the same work, the status of different images is relatively balanced, and there are no deliberately prominent individuals, and their emotional orientations tend to be consistent, that is, many images often convey the same emotional tone of the author. So is this song.

In order to express his melancholy and sentimental feelings, the author chose many images in his poems. These images can convey the author's inner feelings, and the combination of emotion and scenery makes the emotional orientation of images in the works consistent and single.

Numerous images are connected in series by the clues of the author's same emotion, forming a complete picture. The combination of complexity and singleness of images is an important reason why China's classical poems are profound, harmonious and poetic.

The arrangement of images in classical poetry often has the characteristics of many but not chaotic and distinct levels, which is because the author is used to arranging images in normal time and space order. Today, some people call Ma Zhiyuan's Tianjingsha Qiu Si a "parallel image combination", but in fact, there is still a certain order in juxtaposition.

There are ten images in the whole song, and the first nine are naturally divided into three groups. Vines bound trees, crows falling on trees, the first group arranged from bottom to top; The second group is arranged from near to far; The ancient post road and the west wind thin horse on the road, the third group is arranged from a distance to the present, with a slight change in the middle.

Because the "West Wind" is inserted in the middle to write the tactile sensation, the description angle is changed, thus increasing the jumping feeling of the image, but this jumping is still local and not beyond the scope of autumn scenery. The last image "Sunset" is the background of the whole song, which connects all the first nine images together to create an empty scene.

Because it is also the product of seeing far, the works as a whole also show the spatial arrangement order from near to far. From the old tree to the flowing water, to the ancient road, and then to the sunset, the author's vision is expanding step by step.

This is also one of the manifestations of image order. Thirdly, he is good at processing and refining, and draws a wandering journey in late autumn with extremely concise painting.

The images in Ma Zhiyuan's poem Tianjingsha Qiu Si are not novel. Among them, the word "ancient road" first appeared in Li Bai's poem "Qin Yi E Xiao Sheng Yan", "Happy Garden Scenic Area in autumn festival, Xianyang ancient road is absolutely silent".

Zhang Song-Yan's "Wan Li in the Pot" also has the saying that "the old Liuguan River, the ancient road in the setting sun, the wind is still straight". There is a song by Lu Xian Shang Huashi in Dong Jieyuan's The West Chamber: "The sunset makes the forest quiet, the crows crow at night, and the sleeves of the wind blow the thin horse. As soon as I entered the horizon, the desolate ancient shore was bleak, and the grass withered in first frost.

I caught a glimpse of a lonely Duan Lin in the photo, which was covered with shallow sand. An old man caught shrimp and ran across the bridge.

The hut set off the flowers. "There are six images in the maqu.

In the Yuan Dynasty, there was also an anonymous poem "Drunken Zhongtian" (see Yuefu New Sound): "The old tree hangs vines, and the sunset glow reflects the sunset. There is a faint sound in the forest.

The mountains are picturesque, and I'm too lazy to whip the thin horse. When the sun goes down, people live in bamboo houses. "

There are also six images like Maqu. Obviously, drunk Zhongtian is detached from Shang Huashi, and there are still traces of simulation. Although there are many similarities between the images in the two songs and Ma Qu, they are not as simple, natural and concise as Tian Jing Sha Qiu Si.

Ma Zhiyuan was undoubtedly influenced and inspired by Dong Qu when he wrote Tianjingsha Qiu Si, but he did not blindly imitate it, but recreated it according to his own life experience and aesthetic vision. In the choice of scenery, in order to highlight and strengthen the sad feelings, he chose ten images that can best reflect the sad and depressing scenery in autumn and the lonely and melancholy feelings of travelers, and concentrated his feelings in these ten images, finally revealing the theme of the whole song with a touch of sunshine.

He deleted some beautiful scenery, but it was not consistent with the feelings expressed. For example, the thatched cottage reflects flowers, the sunset glow reflects the sunset, and the area is picturesque, which makes the image of the whole song unified in expressing emotions.

Ma Zhiyuan has fully demonstrated his talent in the tempering of words.

4. Ancient Poems about Bridges Shangluo Bridge

Author: Yi Lee Age: Tang Style: Five Musts

Willow in Jingu Garden, spring comes like dancing waist. How can I enjoy the scenery alone and go to Luoyang Bridge?

Precautions:

Luoqiao, a work called Shangluo Bridge, namely Tianjin Bridge, was located in Henan County (now Luoyang City, Henan Province) in the Tang Dynasty. When the Tang Dynasty was in its heyday and the spring season, it was a bustling resort where ladies gathered for a spring outing. However, after experiencing the chaos of public security and history, there is no previous grand occasion. There is also a famous garden site in Henan County, namely Belu Jingu Garden of Shi Chong, a rich man in the Western Jin Dynasty, which can be seen from the north of Luo Qiao. In spring, the poet went to Luoyang Bridge alone to see the Jingu Garden in the north to express his feelings.

It writes to the intermediate view first. Looking at the ruins of Jinguyuan Garden, I saw the wicker swaying and graceful in the spring breeze, as if a group of graceful geisha were dancing, which was a beautiful scenery in spring. Then write down your feelings. In the face of this beautiful scenery, only the poet stood alone on the bustling Luoyang Bridge in the past, feeling particularly left out and hard to be moved.

Obviously, the theme of the poem is to express the unusual and prosperous historical ups and downs, and there is not much new idea. Its beauty lies in the unique artistic conception and artistic conception produced by artistic conception and expression techniques. Luoyang Bridge is led by Jingu Garden, and the lost historical luxury is comparable to the lost prosperity today. This idea is to arouse people's attention to reality, not to get caught up in historical feelings and make people think. It seems to arouse people's yearning for the joy of the prosperous times, but it really arouses people's worries about the decline of the times with the sadness of going to Luo Qiao alone. This technique is implicit and profound. In other words, it looks at history from reality, takes history as reality, from joy to sorrow, from shallow to deep, and skillfully blends the temporary prosperity of history with the spring scenery in front of nature. The artistic conception is romantic and true, and the mood is far and deep, which quite typically shows the pulse of the middle Tang Dynasty from prosperity to decline. It should be said that it is a unique improvisational masterpiece in landscape poetry in the middle and early Tang Dynasty.

This poem about bridge is always full of emotion. What is an emotional bridge?

Bird Trail Lianchang Bridge, Yunying Mountain is far away.

Shrinking thousands of miles away, the two places are one family.

Water and light are connected to Han from afar, and the rainbow is proud.

Up and down the shadow shakes the end of the month, and people cross the ladder in the mirror.

A bridge flies north and south, and the natural barrier becomes a thoroughfare.

Take the boat as a beam, without showing its light.

On the stream, the pearl is returned home, and the small bridge diagonally crosses the blue quicksand.

It was dark at dusk in the west of the bridge, and the river outside the fence was green.

The bridge is close to the home forest of a small city, and the mountain belt is connected with Pinghu Wild Temple.

The wheel trend changes with the sky, and it crosses the sea in a bridge shape.

Clouds are like snow in the mountains at the bottom of the water, and grass is like smoke by the bridge.

6. A Collection of Poems and Songs about Bridges

In full of green, a large area of water west of Jinjiang, litchi on the hillside ripens after rain.

There are many restaurants near Wan Li Bridge. Who do tourists like to stay in?

Jing Tian Sha Chun Wu Ming

The spring mountain is warm and the pavilion is covered.

Willow swings the courtyard. Singing warblers and dancing, the bridge is red with flowing water.

Tianjin Sha Qiu Si Ma Zhiyuan

Old vines and faint crows, small bridges and flowing water. The ancient road is sparse, the sun sets, and heartbroken people are in the end of the world.

Send someone to visit the Xunhe River in Wudu.

When you go to Suzhou, you will see that all the houses there are built by the river.

Ancient palaces had little idle land and many small bridges in water lanes.

The night market is full of water chestnuts, and the boats in the river are full of exquisite silk.

Recalling you far away, when the moon is not sleeping, hearing the songs on the river will touch your homesickness.

Liu Yuxi of Wuyi Lane

There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane.

Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.

The south of the monk in a quatrain

The shade of ancient wood is a short awning, and the stick thistle helps me cross the east of the bridge.

The clothes are wet and the apricot blossoms are raining, and the face is not cold.