Zen poetry and landscape poetry

1. Zen is in the pastoral poetry. Wang Wei's pastoral poems are full of Zen: (the poet's name is Wei, and the word is ink and ink, and later people call it) 1. An autumn night in the mountains (a famous one, included in the book "Self-taught College Chinese (Undergraduate Part)")

The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. Explanation: The whole thing is poetic, that is, picturesque. Touch, smell, see, listen and more than a dozen landscapes and feelings are gathered on a canvas, so that you can look outside the painting and float in the painting.

There is a slow evening breeze, a faint autumn rain, a bright full moon shining on the ground, the wind is heavy and loose, and the clear spring flows stones; There are graceful images of swaying bamboos, lotus leaves stuck on the pool water, lotus flowers smiling at the autumn wind and girls swinging boats. You see, in this painting, there are not only mountains and waters, but also people-Huan women; There are things-autumn rain, empty mountains, evening breeze, bright moon, pine and cypress, clear spring, rocks, bamboo, lotus leaves, lotus flowers and fishing boats; There is light-moonlight, water lights; Shadow-tree shadow, bamboo shadow, figure; Sound-wind, rain, water, bamboo, clothes, pulp, laughter ...; Colorful bamboo, green leaves, white flowers, golden light ...; Taste-floral and bamboo; Affection-the feeling of quiet moonlight, full of vitality and natural beauty.

Such wonderful scenery and charming poems and paintings will not kill you, but also make you drunk. Indeed, in the fresh, quiet and vibrant landscape, I feel the endless fun of life, and my spirit has sublimated to an empty and unobstructed realm.

This ethereal and quiet beauty is the crystallization of Wang Wei's pastoral poems. The purpose of all the images described by Wang Wei in Autumn Night in a Mountain Residence is: freshness, tranquility, vitality and beauty.

This kind of natural beauty and artistic conception beauty are completely integrated, creating a pure and beautiful poetic realm that is inseparable like a hidden mirror flower. The implication is rich and intriguing.

2. During my retreat in Zhongnanshan, my middle-aged heart found a way, and I came to live at the foot of this mountain. Interest concentration is often unique to play and have a happy thing to enjoy self-appreciation.

Sometimes go to the end of the water to seek the source, or sit and watch the ever-changing clouds rise. Occasionally I met a village elder in the Woods, and I chatted with him until I often forgot to go home.

Explanation: Middle-aged Buddhist lived in seclusion in Nanshan in his later years. It is better to walk around alone than to know what is going on, and few people appreciate it in the same tune.

"I will walk until the water checks my way" is free and carefree, how comfortable and pleasant it is. "Then sit and watch the clouds driving" and exhaust the waterway, which seems to have a panoramic view. Unexpectedly, as soon as I sat down, the clouds fluttered, and the best part of the waterscape set off the clouds and scenic spots.

"Water poverty" and "Yun Qi" are coincidences, but they are not coincidences. How rich this interest is, how profound this artistic conception is, and how mysterious this Zen machine is! It seems that the poet wants us to know that those who are indifferent to things have beautiful scenery everywhere, and learn from the unpredictable world to endless places, so that we can understand that the end is the beginning, the end is the beginning, and the beginning is the end.

Where there is no water, there is nowhere in the mountains, and people have no intention to come here. Clouds come out unintentionally, thinking about the environment, and God will be in things. Unintentionally, occasionally, the intuitive impression of sitting and watching, the unintentional indifference and natural leisurely "cloud" are the image portrayal of the poet's mentality.

Zen, which is very vivid, quiet in motion and quiet in motion, permeates the realm of mountains and rivers and turns into the sky and clouds, ethereal and natural. At the end of the poem, "talking and laughing" with Chaucer deepened the realm of poetry.

The poet's indifference, leisure, freedom and security, freedom and no discomfort, this attitude and affection are really vividly expressed in his poems. The description of scenery is not confused with the scenery, and the narrative is not only useless, but also "walking" and "arriving", "sitting" and "watching" are extremely free and easy; A "go", a "know", a "value" and a "talk" are inadvertently related.

Fine objects and vivid descriptions let us see the combination of hermit life and Zen in the description of pastoral scenery. There seems to be no one on the empty mountain in Chai Lu, but I think I heard a voice.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant. Explanation: Buddhists often say that color is empty and empty is color.

Color refers to the material with image and space in the secular world. Empty is false, it is not true.

In our view, color and emptiness are no less than the opposition between existence and nothingness. This poem by Wang Wei will naturally make you feel the profound meaning of this Zen machine.

The "empty mountain" reveals the seclusion and emptiness of the deep mountains, giving people a sense of gray forest and Jyukai. It was thick and deep, and no one was seen. Even the birds and animals in the mountains have disappeared. In the picture, these are all to render the silence of a mountain forest, so "no one saw" is said later.

The following Dan Wen further confirms this point. However, the phrase "the voice is ringing" denies the "empty mountain" in front. Wow, there are people in the deep mountains and forests. It seems that this mountain is not empty

This "buzzing" broke the silence of the "empty mountain", and the seemingly contradictory statement just showed Wang Wei's feeling of sitting alone. It is this "but I think I heard a voice" that didn't speak loudly, which made his silence more obvious.

Imagine, in this vast forest, not all are quiet, how can you hear people's voices? This is silence, a kind of peace, a kind of peace without distractions. In a quiet state of mind, subtle sounds are like thunder. Isn't this Wang Wei's Zen enlightenment? "Returning to the scenery" means that although the light after sunset is weak, it still radiates to the vast Shan Ye, so the light shines on the moss in the mountains through the gaps in the lush foliage.

Although this light is weak, it is only sprinkled on the moss, but because of this dim light, the deep forest looks deeper and deeper, and the increasingly dark mountain forest reflects the faint sunlight. This ethereal and profound realm created by Wang Wei is a psychological experience in the process of meditation, and it is an epiphany called by Zen.

People are talking in an empty mountain, and the forest is covered with moss. The subtlety of this scene is beyond the understanding of those who lack a quiet and pure mind. Please refer to the following website for the original text.

2. Landscape Poetry (Full) 1, Spring Day

Author Zhu, Song,

Beautiful spring outing in Surabaya, the endless scenery is new.

Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.

Vernacular translation:

The spring outing is sunny, and the endless scenery is completely new on the shore of Surabaya.

Anyone can see the face of spring. The spring breeze is full of flowers and colors, and the scenery of spring is everywhere.

2. Spring outing in Qiantang River

Author Bai Juyi, Tang Dynasty,

From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.

Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.

Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.

I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.

Vernacular translation:

Bypassing the north of Gushan Temple, strolling in the west of Jiagong Pavilion, the white clouds hang low at the beginning of the lake.

Several warm trees that the oriole came out early competed for sunshine, and the new swallows were busy building nests and holding mud.

Wild flowers will be dazzling when they are competing to open, and spring grass has just crossed the horseshoe before it grows tall.

The beautiful scenery in the east of the favorite lake is unforgettable. Rows of willow trees pass through a white sand embankment.

3. Jiang Xue

Author Liu Zongyuan, Tang Dynasty

There are no birds flying over those mountains, and there are no traces of people in those paths.

A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.

Vernacular translation:

There is no bird trace in Qianshan Wanling; There are no footprints of pedestrians on thousands of roads.

On a lonely boat, a fisherman wearing hemp fiber and hat; Fishing alone in the snow.

4. Visit Shanxi Village

Author Lu You, Song Dynasty

Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.

Vernacular translation:

Don't laugh at the muddy wine brewed in the twelfth lunar month. In Fengshou Island, hospitality dishes are very rich.

The mountains overlap and the water twists and turns. I'm afraid there is no way out. Suddenly, a mountain village appeared in front of me.

The day of playing flute and drum in the Spring Festival Club is coming. The villagers are dressed simply and still retain the ancient customs.

In the future, if I can go out for a walk in the bright moonlight, I will definitely knock on your door at any time with a cane.

5. Look at Lushan Waterfall

Author Li Bai, Tang Dynasty,

The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.

On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.

Vernacular translation:

The censer peak gives birth to a purple mist under the sunlight, and from a distance, a waterfall hangs in front of the mountain like white satin.

There seem to be several waterfalls in thousands of feet on the high cliff, which makes people think that the Milky Way has fallen from the sky to the ground.

3. Landscape Poems (Complete Works) When Wang Wei lived in seclusion in Wangchuan, he wrote a number of beautiful landscape poems.

He wrote "Wangchuan Collection" by himself, including 20 five-character quatrains that he and his friend Pei Di sang to each other. The main content is to describe the scenery near Wangchuan and express the interest of seclusion. Look at Wu Xinyi first: hibiscus flowers with chopped red calyx in the mountains.

The mouth of a stream is silent, without a trace. They open and fall. In the silent mountain stream, magnolia blooms and falls, surviving and dying. It's not fake, it has nothing to do with the world, and no one knows.

This is a world far away from the hubbub, and it is also the unique artistic conception of the poet Wang Wei's integration of subject and object, which is simply the symbolic realm of Buddhism's view of emptiness. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem was a work of Zen. "I have forgotten my life experience, and all my thoughts are silent."

The artistic conception created by Wang Wei here, born out of the image, is a combination of poetic realm and Zen realm, with profound meaning and strong artistic appeal. This artistic achievement can not but be said to be beneficial to his study of Buddhism and the edification of Buddhist thinking mode.

Wang Wei was called "Shi Fo" by later generations. He believed in Buddhism in his early years.

Mother Cui Shi has been practicing meditation for more than 30 years. Wang Wei and his younger brother, Wang Jin, "both worship Buddhism and live on vegetables, so it is better to eat meat and blood" (Biography of Wang Wei in Old Tang Dynasty).

When Wang Wei was 3 1 year old, his wife died and he no longer married. He lives alone in a room, and his screen is very tired. "he has no children" ("the list of brothers recommended by the bow"). He also wrote many poems about Buddhism, and he has high attainments in Buddhism.

Among the schools of Buddhism in the Tang Dynasty, Wang Wei believed in Zen, and Nanzong Zen was the main one. Nanzong Zen is the product of the combination of Buddhism, Confucianism and Taoism in China, and its philosophy of destiny and life provides the latest and most complete way for China literati.

However, some practice methods of Nanzong Zen have something in common with China's poetry creation. Yan Yu, a literary critic in the Song Dynasty, said: "Generally speaking, Zen is only in the wonderful understanding, and poetry is also in the wonderful understanding" (Cang Hua).

Miao Wu is an insight into Zen, and it can also be expressed as an understanding of art. Both poetry and Zen need a keen inner experience, both emphasize enlightenment and metaphor, and both pursue meaning.

When talking about "epiphany", Nanzong Zen often uses the expression of images to convey the law, with special emphasis on the role of intuition, suggestion, induction and association in understanding. Wang Wei came from Zen, and naturally he has a deep understanding of this method of grasping the world.

He integrated his understanding of Buddhism into his outlook on life and turned religious feelings into poetic thoughts, creating a poetic artistic conception of "emptiness", "quietness" and "leisure". Zen advocates the beautiful style of mountains and rivers, which has also played a guiding and enlightening role in Wang Wei's conscious approach to mountains and rivers and the exploration of their aesthetic value.

Wang Wei described his inner experience in the poem Zhuliguan: I leaned alone in the dense bamboo, playing the pipa and humming a song. It's too light for anyone to hear, except my partner, Mingyue.

The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness.

Things and I are one, things and I forget each other. Zen and poetry are in harmony. The same is true in Chai Lu: there seems to be no one on the empty mountain, but I think I hear a voice.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant. There was no one in the empty mountain, only heard intermittent voices floating from the depths of the forest, and a ray of sunset was transmitted on the moss in the depths of the forest, which was so trance-like and sad.

This is the ethereal realm that Wang Wei pursues, far away from the hubbub. Although lonely, it is also meaningful. In the Qing Dynasty, Wang Yuyang said that Wang Wei's poems were "Zen", and "implicit words were tantamount to the laughter of Buddha and Ye Jia" (Continued from Silkworm Tail).

In other words, Wang Wei's landscape poems are full of Zen meaning, Zen music and Zen taste, and convey Zen meaning. Nature fully shows the poet's unique taste in the beautiful scenery of mountains and rivers.

Wang Wei doesn't necessarily go to remote places for meditation. He also looks at the vast world and the lively farm life: sunny Yuan Ye is endless and has no atmosphere at all. The gatehouse of the outer city is close to the ferry pier, and the trees at the edge of the village connect the stream and the estuary.

The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge. It is the busy farming season, there are no idle people, and farmers are busy going to the fields.

-"New Sunny Wild Hope" A spring rain washed away the dirt and the scene was completely new. Busy farming, people and scenery are bathed in fresh air.

The phrase "white water" forms a layered picture of close-up and distant view. The water is bright, the mountains are green, and the contrast between light and color is harmonious. On the surface, you can't see the Zen meaning of this poem.

In fact, that spring rain was like holy water poured out of a pure Buddhist bottle, which washed everything clean and ethereal. It's just that everything is wonderfully integrated with Zen and poetry, and he doesn't let Zen overwhelm poetry.

Of course, what we pay attention to is the kind of praise for farmers' life, and we appreciate the beautiful aura without tirelessly pursuing its Zen philosophy. Wang Wei is a versatile cultural giant who is good at poetry, music, painting and calligraphy.

Su Dongpo, a great writer in the Song Dynasty, said: "There are paintings in Wang Wei's poems; Look at the picture, there are poems in the picture. " (Shu Moran Tian Yan Yu Tu) His words are incisive and to the point.

Wang Wei was an accomplished landscape painter in Tang Dynasty. He painted with Xiao Shupu's brushwork of ink and wash, created ink and wash landscapes, and became a family of his own, and was called the founder of landscape painting Nanzong by later generations.

His paintings emphasize freehand brushwork, pursue spirit likeness and express subjective feelings. So "draw things, don't ask the four seasons. If you paint flowers, you often take peaches, apricots, hibiscus and lotus flowers as a scene. " "It's hard to ask for shapes and objects." (Shen Kuo quoted Zhang Yanyuan in Mengxi) Therefore, Wang Wei is also known as the originator of China literati's freehand brushwork.

Painting can be similar in spirit, so it has the charm and interest of poetry, that is, there is poetry in painting. Staring at the natural landscape with this painting concept is a sigh, and it must have the charm of painting in poetry.

Wang Wei's profound artistic attainments in painting, music and calligraphy enable him to feel and capture the wonderful scenery, magical sound and ever-changing nature more accurately and meticulously than ordinary poets in his poetry creation, and appeal to the pen. I will also use words to set colors and pay attention to the harmony of poetry tones.

There are artistic conception of painting, fluency of music and changes of calligraphy in poetry. In this way, his unique poetic artistic style of "painting in poetry" and "hundred warblers, repeated performances by palace merchants" was virtually formed.

We should firmly grasp this feature when appreciating his landscape poems. Wang Wei is good at describing grandeur in general.

4. Poems describing Zen have no trees and mirrors are not platforms. There is nothing in the original. Where is the dust?

From the altar sutra of the Six Ancestors.

Bodhi without trees: Bodhi means enlightenment, but there is no tree. If there is a tree, the bodhi becomes a thing, and it is held. Bodhi had nothing. If we realize it, it is actually invisible.

A mirror is not a platform: although the heart is like a mirror platform, there is actually no platform at all. Where there is a platform, there is persistence. As the saying goes, "You should have nothing to live in, but your heart will grow." Why is there a platform?

Empty: empty, that is, there is no appearance, no picture, or no form, so there is nothing at all.

Where does dust come from? Since there is nothing, dust can't be born. I just have no place to live.

This eulogy mainly comes from "you should have nothing to live in, but you should be born with your heart". If you don't have all persistence, that's what the Buddha said:' All living beings have the wisdom and virtue of the Tathagata, but they can't be proved by delusion and persistence. This place teaches people not to be persistent. This son fits the idea of Zen epiphany very well. It is an attitude of being born, which mainly means that the world is empty and everything in the world is an empty word. If the heart is empty, there is no need to resist the temptation from the outside world. Everything passes by the heart without leaving a trace. This is a very high realm of Zen, and those who appreciate this realm are called enlightenment.

5. Appreciation of landscape poems and ancient landscape poems (continued)

There are so many beauties in Qian Shan, the literati left us endless quatrains. Here are some poems for everyone. Interested students can search for more by themselves. Please choose your favorite poem, read it several times, feel the poet's feelings and see who remembers it the most.

House of Bamboo

Wang Wei

I leaned alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue.

The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one.

I forgot that Zen and poetry are in perfect harmony.

Chai Lu

Wang Wei

No one can be seen in the silent valley, only the voice is heard.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.

Wang Wei is also good at capturing the touching moments of sound, color, picture and emotion, and unifying them to convey them best.

In the mood and artistic conception, express it in appropriate language.

Niaomingjian

Wang Wei

People are idle, osmanthus flowers fall, and the night is quiet and empty.

When the moon comes out, the birds are startled, and the sound enters the spring stream.

In the mountains.

Wang Wei

The stream of the river has been flowing for less than a day, and white stones are exposed on the riverbed. The weather is getting colder and the red leaves on the branches are becoming scarce.

There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.

An autumn night in the mountains

Wang Wei

The empty mountains are bathed in a new rain, and feel the early autumn at night.

The bright moon shed clear light from the cracks and cleared the fountain on the rocks.

The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

Spend the night on Jiande River.

meng haoran

Stop the boat in a foggy small state, when new worries come to the guest's heart.

The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.

Tianjin Sha Qiu Si

Ma Zhiyuan

Dead vines, old trees, faint crows,

Small bridges and flowing water.

The ancient road and the west wind are thin.

The sun went down,

Heartbroken people are at the end of the world.

Night berth near Fengqiao

Tang zhangji

Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.

In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.

Hangzhou wangchun

Bai Juyi

Looking at the sea tower in the distance, the morning is bright and the river bank is white.

That night, he should be recruited into the temple and hide with Liu Sechun.

Tea brocade praises persimmons, and green flag sells wine and pears.

Who opens the southwest road of Lake Temple? The grass-green skirt is inclined at the waist.

Nanhu early spring

Bai Juyi

The clouds have gone, the wind and rain have stopped, the weather is just right, and the sun shines on the lake to form a reflection, which has a warm feeling.

Wild apricots everywhere, broken red spots; The floating water on the lake looks like a neat lawn at first sight.

The rain on Bai Yan dried up, his wings became heavy and he had to fly low; The oriole's tongue is quite stiff.

It's not that the spring in Jiangnan is not good, but that I'm one year old, and my mood has also decreased.

Spend the night on Jiande River.

meng haoran

When my boat was moored in the fog,

As the sun fades, old memories begin.

How wide the world is, how close the trees are to heaven,

The river is so clear that the moon is close to people.

Stay in the mountains

Xu Zhang

Light makes spring glow, not for lightness.

Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.

6. Poems about scenery. Poems about mountains: A straight line leads to heaven, and its peak enters heaven and reaches five sacred peaks. In Li Bai's Dream of Climbing Mount Tianmu, the shadow passes through China.

The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast. Su Shi, a stone wall in Xilin, looks like a mountain peak on the edge of a ridge, with different heights.

I can't recognize the true face of Lushan Mountain because I am there. Wang Wei's "Zhongnanshan" has a huge height close to the paradise city, from the mountain to the corner of the sea.

The white clouds merged behind, and the blue mist melted into the mountains and disappeared. The central mountain peaks separate the southwest, and the valleys are different.

Want to find a house to live in the mountains, is it convenient for the water guide to ask the woodcutter? Second, the poem describing water: How the Yellow River water moved into the sea, never to return, is not seen in Li Bai's Into the Wine! In Bai Juyi's Memory of Jiangnan, the sunrise is redder than the fire, and the river is as green as the blue of spring. Can you not remember Jiangnan? Wang Wei's "Qingxi" I drove the Huanghua River and carried the Lvxigou.

Ten thousand laps around the mountain in less than thirty miles. The rapids buzzed on the piled rocks, but the light dimmed among the dense pine trees.

The surface of an entrance swayed with nut horns, and weeds grew along the river bank. Idle heart, Qing Chuan is so light.

Please trade on the stone. Drop the fishing line forever! .

Wang Wei's Overlooking the Han River, three branches in the south reach Chu, and nine branches flow to Jingmen. The river crosses heaven and earth, where the colors of the mountains are yes and no.

Human habitation seems to float on the ripples in the distant sky. These beautiful days in Xiangyang have fascinated my old mountain! .

Mountain: 1, the mountain is heavy and the water is suspicious, so there is no way. (Lu You Shanxi Village Tour) 2. Then he disappeared around the corner, leaving only hoofprint.

(Cen Can's Snow White Farewells Tian Shuji Wu Gui) 3. What are water, mountains and islands? (Cao Cao's Looking at the Sea) 4. We looked at the green trees around your village and the pale blue of the distant mountains.

(Meng Haoran, "Passing the Old Village") 5. Watching the ridge here become a mountain peak, the distance is different. (Su Shi's title Xilin wall) 6. Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky. ..

(Du Fu's "Looking at Yue") 7. Mount Dongshan, Lu Xiao, Mount Taishan, a small world. (Confucius) Water: 1, west of Jiating in the north of Gushan Temple, with low initial water level.

Bai Juyi's Spring Tour in Qiantang) 2. How the water of the Yellow River flows out of heaven and into the ocean, which is gone forever. (Li Bai's "Into the Wine") 3. Who knows that life is not less? The water in front of the door can still flow west, so don't sing yellow chicken with white hair.

(Su Shi) 4. Peach Blossom Pond is deeper than thousands of feet, but not as good as Wang Lun. (Li Bai) 5. As for launching Xiangling, it is along the back block.

(Li Daoyuan's Three Gorges) 6. Water is green and blue. You can swim with the fine stones and look directly at them.

(Wu Junshu and Zhu) 1. Yu Xia scattered into Qi, and Chengjiang was as quiet as practice-(Southern Dynasties) Qi. Xie Tiao's Going to Wang Jingyi in the Late Three Mountains II. The sky is grey, the wilderness is boundless, the wind blows the grass and the cattle and sheep are low —— (Northern Qi Dynasty) Northern Dynasty folk song "Chile Song" 3. Besiege Yueyang-Haoran's Letter from Dongting Lake to Premier Zhang 6. The wild sand shore is clean, the sky is high and the autumn is bright —— Xie Lingyun's first visit to the county in Southern Song Dynasty. How does the water of the Yellow River leave the sky and enter the sea for good-the eighth of Tang Li Bai's Into the Wine. One person's strength is above ten thousand people-The Difficult Road by Tang Li Bai 9. Green hills on both sides of the strait are opposite. A lone sail comes from the sun —— Looking at Tianmen Mountain by Tang Li Bai 10. Flying over three thousands of feet, it is suspected that the Milky Way has set for nine days —— Looking at Lushan Waterfall by Tang Libai 1 1. Sailing alone, the Yangtze River flows in the sky-Yellow Crane Tower of Li Bai in Tang Dynasty. What's the fun of running water? Banquet at the East Pool Pavilion outside the venue 13. The river has ribbons, and the mountain is like a jade hairpin. Used in Nanwen 14 in "Send a Message to Dr. Yan in Guizhou". Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky. -Tang Du Fu's Wang Yue 15. -Su Songshi titled "Xilin Wall" 17 The water is bright and sunny, and the mountains are empty and rainy. -Stone Rain after Drinking Chuqing Lake 18. There is no road in the mountains, and there is another village-Youshanxi Village, Song Lu

Book Jiangxi stoma wall "2 1. Clouds coming to the mountains are better, clouds going to the mountains are picturesque, mountains are bright because of clouds, and clouds * * * compete with mountains —— Bird Yang Hao's "Double-tune geese fall to win".