Appreciation of the Original and Translation of Shi Dazu's San Shu Mei Yan Guang Shakes the Cangwa

Three spells, smoke shaking blue tiles. The smoke shakes the blue tiles, the sun eaves are windy, and the willows are like twigs. Jinse is lying in bed, thinking of tears and dust, and the phoenix string often falls. Tired of rhinoceros curtains, I often dream that the prince and grandson are proud. I'm afraid of my lovesickness, and I'm afraid of my skirt. Melancholy about the night of the south building, remember to put a lamp on the tin foil and sing a song on the pillow. Once again, I entered the bronze camel and ran all over the old gate lane, asking for the first price. Unfortunately, the east wind will hate and spend all day. Remember what Cui Hui looks like and write it down secretly when you come back.

Beautiful glazed tiles, misty, lifelike eaves, sunny weather and catkins flying all over the sky. I hurried to her boudoir, only to find that there was no one in the building, only Jinse was lying opposite the piano bed. I can't help feeling depressed and wondering about her plight after I left. Must be often sad and crying, often playing the piano to pin their own worries. Too lazy to go out of the boudoir all day, I can only see myself in my dreams. No one dares to publicly say that it is lovesickness. When I secretly arranged my silk skirt, I was surprised that I was thin and long. I can't help but be filled with melancholy. I clearly remember the happy time in the south building that day. In the bead curtain of jade, the colored lights are very bright. She snuggled up to my shoulder and sang softly and affectionately. Now I go to the old street, visit my old neighbor and ask about her. Unfortunately, the relentless spring breeze blew away the flowers and fragrance with infinite sadness. My heart was broken, and she didn't leave me a portrait. I still remember her face very clearly. After I came back, I carefully drew her affectionate look.

Note 3 Sister: Shi Dazu composed music. Smoke and light: clouds and fog. Piāo tile: glazed tile. Liu Hua: Catkin. Jinse: A musical instrument painted with brocade. Phoenix string: the silk string on the piano. Rhino curtain: A curtain decorated with rhinoceros horns. Wang Sun: The name of the person who is looking forward to his return. Taboo: taboo, dare not say. Woven skirt: silk skirt. Remote night: a long night. Film pasting: curtains. Bronze camel: the name of Luoyang Street refers to Lin 'an. Inquire about the price: Zhou Bangyan's "Ruilong Yin": "Visit neighbors to find lanes and sing and dance. Only my hometown Qiu Niang has the same price. Cui Hui: Borrowing a love story, according to the Collection of Love, a woman in Pudong fell in love with Pei. Cui Hui missed Zhong Jing very much after she left. She asked a painter to draw a picture for her, and wrote a letter to Zhong Jing, which said, "Once you see that I am not as good as my painting, I am willing to die for you. 」

The author fell in love with a singer in Lin 'an in his early years. After many years, he revisited his hometown to find a lover, only to know that she was sick because she missed the author and had already passed away. So the author wrote a poem to mourn the old love.

On the Position of the Poet's Grandfather in Song Poetry —— Comment on the poem "Three Yan Guang Shakes Cangwa". He inherited Zhou Bangyan and was influenced by the contemporary senior poet Jiang Baishi, so he belongs to Zhoujiang. Zhou Bangyan's "Qin Guan" and even Liu Yong's ci have descriptions of geisha, showing sympathy for them. Shi Dazu's words are elegant enough to draw with his predecessors.

Write three sentences about the visit in the willow wind in spring and sunny season. Pale green tiles and sunny eaves fill the alleys in spring. The word "shake" depicts the scene of smoke shining and pale tiles flashing. Against the backdrop of the rushing wind, the beautiful spring scenery melted into the poet's sad mood and aroused ecstasy. These three words are muddy and affectionate. For this scenery, I am eager to see how Iraqis feel. When I entered the dressing room, I didn't see Iraqis, but I saw the "Jinse Cross Bed". The word "Xiang" runs through the following. The poet wrote from the other side, inferring that the other side ignored the instrument after leaving and did not leave the curtain. Because of his deep yearning for love, he dreams.

The words "tired out of the rhinoceros curtain, frequent dreams, arrogant horse of the prince's grandson", "tired" and "frequent" skillfully write out the pain of lovesickness that can't be solved after parting, which not only shows the persistence of Iraqi feelings, but also writes out her loneliness in the small building.

The three sentences of "taboo and lovesickness" describe the image of this amorous woman in a euphemistic and tortuous way. Even dreams haunt her lover, but she hides her feelings in front of others. When she secretly tidied up her old skirt, she suddenly found her waist thinner and was shocked. There are naive, pretentious and reserved, sudden and surprised movements, emotional ups and downs that are hard to hide, and beating pictures from calm to surprise. Such complex changes in mentality and movements are condensed in just twelve words, which is of great significance.

After reading the three sentences of "the south building is far away at night, I am so disappointed", I turned to recall my first acquaintance, which deepened the poet's yearning. The "South Building" is the makeup building where the poet is now. The word "Yao" points out the long time from the first meeting to this interview. Under Cui's foil lamp, pillows and shoulders are singing. In the past, the musical instruments were the golden harp with a horizontal bed and the phoenix string that was often played in imagination. These two sentences are prominent in color, which sets off the sad mood when facing the "Jinse cross bed". Use the word "remember" to evoke sweet memories at that time and compare the unbearable pain felt at this time. This set-off makes the two images of the first visit and the last visit form an organic whole.

The following is to visit the hometown lane for information, which coincides with the first one. Muddy current, straight down, the turning point is very ethereal. "Then into the bronze camel, home lane, the first inquiry. There is a bronze camel street in Luoyang, which is a bustling amusement place, referring to the capital Lin 'an. Once upon a time, this was the reappearance of the poet's visit to Lin 'an and the Yi people. Visiting the neighborhood with Zhou Bangyan's "Ruilongyin" and "Liu Lang", singing and dancing. Only Qiu Niang's voice and price in her hometown are the same, which shows the anxiety and expectation of the poet when he visited for the last time. This kind of writing also implies that the follow-up pursuit is fruitless. Sure enough, the news is that Iraqis disappeared with the fading of idle flowers. The sentence "It's a pity that the east wind is a pity" is divided into three layers to write feelings: idle flowers without owners, sympathy for the fall of Iraqis; Dongfeng is ruthless and regrets destroying the environment; Leave with hate, can only shed tears of acacia. How can Dongfeng understand people? It is people who are worried about themselves and hate the ruthlessness of Dongfeng. Since it is a song pen, it spreads painful feelings and songs; It is also a big sum, which not only summarizes the above, but also sweeps the above, intercepting the waves of feelings and temporarily stopping the unfinished feelings. His emotional pain is unforgettable. A knot fell in love with Pei in Yuan Zhen's Preface to Cui Hui's Songs. When Cui Hui died, he left a portrait for Pei. This is the aftermath of the poet's feelings. Iraqis did not leave a portrait, so they had to "remember" the remains and "write them down in secret", worrying about their thoughts for a long time. This is a vivid use of Cui Hui's allusions, with twists and turns in brushwork and a subtle feeling, which is both ethereal and heavy.

Feng Xu's "On Haoan Ci" quoted Mao's words: "The words want to be deep, and the words want to be turbid. This word reflects this feature. In the last movie, I wrote what I saw and heard during my last visit, and the endless lovesickness of Iraqis in my association. I filmed the first meeting and the mourning for the sudden departure of the Iraqis.

In order to express the love of acacia, the infinite events in the middle are omitted: only the first meeting and the last visit are written, and the warmth between the two is omitted; Only write about other pains, saving the embarrassment of separation before death. Give people a lot of imagination. In order to highlight the sad scene of his last visit, the poet started the next part with a "Bronze Camel Again" and hooked it up, so that the upper and lower parts were integrated and the turbulence was opened and closed with a pen, which was the deep level in composition. "I'm afraid of missing the road" conveys the god of acacia layer by layer, while "It's a pity that the east wind" conveys the meaning of mourning layer by layer, with profound syntax. Love and scenery, people and things, love and death at first sight, joy and sorrow at that time, affection of the deceased and resentment of the living are integrated, which can be inherited from Zhou Bangyan.

Poetry: the charm of three girls, the smoke shakes the pale tiles. The history of Song poetry is full of mourning, dead prostitutes and colorful words.