Small knowledge of watercolor

The basic techniques of watercolor painting are 1, dry painting and wet painting.

Using the method of layer coating to color the dry background color does not require infiltration effect, and it can be easily colored repeatedly, which is easier to master and suitable for beginners to practice. Clear physical structure and rich color levels are the specialties of dry painting.

Dry coating method can be layered coating, color masking, color collection, dry pen and other specific methods. Layer coating: that is, dry coating, which is applied after the coloring is dry, and the layers of colors represent objects.

There are different levels of coloring in the picture, some places can be done at once, and some places need to be done twice, three times or even more, but it is not advisable to count too many times to avoid losing the transparency of color. It can not be ignored that the layers of paint overlap after work, so as to predict the mixing effect of revealing the background color in advance.

Mask: In fact, it is also a dry stacking method, and the area of mask color is larger. For example, if several colors in the picture are not uniform enough, you need to mask the colors once to make them uniform. If a piece of color is too warm, a layer of cool color will change its cold and warm properties.

The color of the cover should be bright Bo Tu, and it should be re-paved. Generally don't write back, otherwise the color will be dirty with the background color. This method is often used in the process of coloring and the final adjustment of the picture.

Color matching: dry color matching means that adjacent colors are painted from their sides after drying, and there is no infiltration between color blocks. Each color itself can also be wet coated to increase variation. This method is characterized by clear outline and bright colors.

Dry pen: the pen is less water and multi-colored, and it is easy to fly white when lifting the pen; Drawing quickly on rough paper full of water will also produce flying white. The method of dry pen is often used to show the effect of flash or softness.

Dry painting can't just write articles on the word "dry". The picture must still make people feel full of water and wet marks, so as to avoid the problem of dryness and boredom. Wet painting can be divided into wet stacking and wet color collection.

Wet overlapping: Wet or partially brush the drawing paper, dry it and then color it, and dry it and then overlap the colors. Proper control of moisture and time will make the effect naturally mellow.

Showing the rainy and foggy atmosphere and moist interest is its specialty, which is beyond the reach of some paintings. Wet color matching: this method is often used for color matching near the end of drying, with water color oozing, blurred boundaries and gradual transition of soft colors.

When collecting color, the water list should be used evenly, otherwise the water will rush to less places, which will easily lead to unnecessary water stains. Watercolor painting is mostly a combination of dry painting and wet painting. The picture with wet painting as the main part is dry painting, and the picture with dry painting as the main part also has wet painting. The combination of dry and wet painting is expressive, dense and dry, and interesting.

2. The mastery of moisture The application and mastery of moisture is one of the key points of watercolor techniques. Water has the characteristics of infiltration, flow and evaporation in the picture, so you should be familiar with "water-based" when painting watercolors.

Giving full play to the role of water is an important factor in watercolor painting. To master moisture, we should pay attention to time, air humidity and water absorption of drawing paper.

Time problem: grasp the time of wet coating. If the colors overlap too early and too wet, it is easy to lose their proper shape. If it is too late, the background color will dry, watercolor will not penetrate easily, and the connection will be stiff. Generally, when overlapping colors, the water content of the pen should be less and the colors should be more, which is convenient to grasp the modeling and make it penetrate.

If the overlapping color is light, wait until the background color is slightly dry before applying. The dryness and humidity of the air: You can realize that the water dries slowly indoors and evaporates more slowly when painting in wet, rainy and foggy weather outdoors.

In this case, draw less water; In a dry climate, water evaporates quickly, so use more water to speed up the painting of color matching. Drawing paper's water absorption degree: According to the water absorption speed of paper, master the water consumption accordingly. When the water absorption is slow, the water can be less, the paper is softer and absorbs water faster, so it is necessary to increase the water.

In addition, large-scale rendering of halo colors, such as sky, ground, still life, people background, etc., should use more water, and should use all water; Use less water to describe parts and details. 3. Compared with the techniques of oil painting and gouache painting, the most prominent feature of watercolor technique is the "blank space" method.

Some light and white parts need to be "left blank" when drawing dark colors. The transparency of watercolor pigments determines this painting technique. Light color cannot cover dark color, unlike gouache and oil painting, which can be covered with light color and white powder.

Pay attention to watercolor works, and you will find that almost every one uses the technique of "leaving blank". Proper and accurate blank or light color will enhance the vividness and expressiveness of the picture; On the other hand, improper blank space will easily lead to trivial and messy pictures.

Mark the blank with a pencil before coloring. When coloring, you should skillfully omit the key details, that is, dots and faces. In addition, where the contrast colors are adjacent, the other side should be empty and colored separately to maintain their uniqueness.

Some beginners leave unnecessary empty shapes and then paint colors along the outline. Some people leave empty places dead, too rigid, and lose vitality along the outline. Empty is accurate and vivid, and it is the embodiment of skilled skills.

Repeated practice in practice makes perfect. 4, brushwork brushwork is the method of using a pen.

The use of pens is closely related to the use of water and color. When painting, each stroke contains water and color, or water is less colorful, or color is more than water, or water color is moderate. When the pen moves on the paper, there will be traces, which is what we usually call "brush strokes" You can see the brushwork in painting from the brush strokes.

The thickness of the drawing paper, the hardness of the brush and the speed of the brush strokes vary greatly according to the structure of the object, which is a bit wired, rigid and thirsty. Starting from the shape and color of the object, use the pen properly to enhance the plasticity and vividness of the picture. Watercolor painting has a large painting area, and the brush strokes are hidden by the infiltration of water. It feels subtle to reset the color strokes when wet, and the strokes are clearly visible when painting is dry.

In the process of coloring, you can't leave the pen for a moment. The closer you get to finishing using the pen, the more important it is, and its brushstrokes are no longer covered and exposed to the viewer. The special technique of watercolor painting is to use special tools, materials and means to produce special effects.

Scraper method: Scraping with a common pencil sharpener in the order of coloring is a method of destroying paper and causing special effects. Before coloring, scrape the paper with a knife, light or heavy, wide or narrow, so that part of the paper is destroyed, and after coloring, an image heavier than the surrounding color appears.

This is because the shaving area has strong color absorption ability, so it becomes heavier. it ...

2. Give me the most basic knowledge of watercolor painting.

Materials: Supportable drawing board, palette (the lid of the palette box can also be used), palette box, chalk, paint and sketch paper (in fact, the exam is also drawn with sketch paper, so there is no need to use gouache paper. The two kinds of paper feel completely different, and the drawing method is also different. If you want to take this major, it is recommended to take the exam as the standard), transparent glue, bucket, 2 towels (a wet pen,

Pigment requirements: essential crimson vermilion lemon yellow goose yellow earth yellow lake blue dark blue green dark green violet white cooked brown ochre.

Choose gray and the color you like or use.

Attention! Never use black, it's bad for your color vision.

The most basic: three primary colors: except white, these three colors can be adjusted.

Red, yellow and blue

Red+yellow = orange+yellow+blue = green+red+blue = purple. Each color book is colored and more vivid.

Contrast color: the color with the largest color difference, that is, the color with the strongest contrast.

Red+yellow = orange → blue (that is, orange and blue are contrasting colors).

Yellow+Blue = Green → Red

Red+Blue = Purple → Yellow

Projection: Red+dark blue can also be transferred to the true color of the object.

Regarding color matching and painting, every object can start with routines. You want to know the color matching of those objects or whether you can make it clear, otherwise it is likely to be written into the book. . .

And if it's too long, you're probably not in the mood to finish it. . .

3. I want to ask some knowledge about watercolor painting.

The answer upstairs is gouache! The basic techniques of watercolor painting are 1, dry painting and wet painting.

Using the method of layer coating to color the dry background color does not require infiltration effect, and it can be easily colored repeatedly, which is easier to master and suitable for beginners to practice. Clear physical structure and rich color levels are the specialties of dry painting.

Dry coating method can be layered coating, color masking, color collection, dry pen and other specific methods. Layer coating: that is, dry coating, which is applied after the coloring is dry, and the layers of colors represent objects.

There are different levels of coloring in the picture, some places can be done at once, and some places need to be done twice, three times or even more, but it is not advisable to count too many times to avoid losing the transparency of color. It can not be ignored that the layers of paint overlap after work, so as to predict the mixing effect of revealing the background color in advance.

Mask: In fact, it is also a dry stacking method, and the area of mask color is larger. For example, if several colors in the picture are not uniform enough, you need to mask the colors once to make them uniform. If a piece of color is too warm, a layer of cool color will change its cold and warm properties.

The color of the cover should be bright Bo Tu, and it should be re-paved. Generally don't write back, otherwise the color will be dirty with the background color. This method is often used in the process of coloring and the final adjustment of the picture.

Color matching: dry color matching means that adjacent colors are painted from their sides after drying, and there is no infiltration between color blocks. Each color itself can also be wet coated to increase variation. This method is characterized by clear outline and bright colors.

Dry pen: the pen is less water and multi-colored, and it is easy to fly white when lifting the pen; Drawing quickly on rough paper full of water will also produce flying white. The method of dry pen is often used to show the effect of flash or softness.

Dry painting can't just write articles on the word "dry". The picture must still make people feel full of water and wet marks, so as to avoid the problem of dryness and boredom. Wet painting can be divided into wet stacking and wet color collection.

Wet overlapping: Wet or partially brush the drawing paper, dry it and then color it, and dry it and then overlap the colors. Proper control of moisture and time will make the effect naturally mellow.

Showing the rainy and foggy atmosphere and moist interest is its specialty, which is beyond the reach of some paintings. Wet color matching: this method is often used for color matching near the end of drying, with water color oozing, blurred boundaries and gradual transition of soft colors.

When collecting color, the water list should be used evenly, otherwise the water will rush to less places, which will easily lead to unnecessary water stains. Watercolor painting is mostly a combination of dry painting and wet painting. The picture with wet painting as the main part is dry painting, and the picture with dry painting as the main part also has wet painting. The combination of dry and wet painting is expressive, dense and dry, and interesting.

2. The mastery of moisture The application and mastery of moisture is one of the key points of watercolor techniques. Water has the characteristics of infiltration, flow and evaporation in the picture, so you should be familiar with "water-based" when painting watercolors.

Giving full play to the role of water is an important factor in watercolor painting. To master moisture, we should pay attention to time, air humidity and water absorption of drawing paper.

Time problem: grasp the time of wet coating. If the colors overlap too early and too wet, it is easy to lose their proper shape. If it is too late, the background color will dry, watercolor will not penetrate easily, and the connection will be stiff. Generally, when overlapping colors, the water content of the pen should be less and the colors should be more, which is convenient to grasp the modeling and make it penetrate.

If the overlapping color is light, wait until the background color is slightly dry before applying. The dryness and humidity of the air: You can realize that the water dries slowly indoors and evaporates more slowly when painting in wet, rainy and foggy weather outdoors.

In this case, draw less water; In a dry climate, water evaporates quickly, so use more water to speed up the painting of color matching. Drawing paper's water absorption degree: According to the paper's water absorption speed, master the water consumption accordingly. When the water absorption is slow, the water can be less, the paper is softer and absorbs water faster, so it is necessary to increase the water.

In addition, large-scale rendering of halo colors, such as sky, ground, still life, people background, etc., should use more water, and should use all water; Use less water to describe parts and details. 3. Compared with the techniques of oil painting and gouache painting, the most prominent feature of watercolor technique is the "blank space" method.

Some light and white parts need to be "left blank" when drawing dark colors. The transparency of watercolor pigments determines this painting technique. Light color cannot cover dark color, unlike gouache and oil painting, which can be covered with light color and white powder.

Pay attention to watercolor works, and you will find that almost every one uses the technique of "leaving blank". Proper and accurate blank or light color will enhance the vividness and expressiveness of the picture; On the other hand, improper blank space will easily lead to trivial and messy pictures.

Mark the blank with a pencil before coloring. When coloring, you should skillfully omit the key details, that is, dots and faces. In addition, where the contrast colors are adjacent, the other side should be empty and colored separately to maintain their uniqueness.

Some beginners leave unnecessary empty shapes and then paint colors along the outline. Some people leave empty places dead, too rigid, and lose vitality along the outline. Empty is accurate and vivid, and it is the embodiment of skilled skills.

Repeated practice in practice makes perfect. 4, brushwork brushwork is the method of using a pen.

The use of pens is closely related to the use of water and color. When painting, each stroke contains water and color, or water is less colorful, or color is more than water, or water color is moderate. When the pen moves on the paper, there will be traces, which is what we usually call "brush strokes" You can see the brushwork in painting from the brush strokes.

The thickness of the drawing paper, the hardness of the brush and the speed of the brush strokes vary greatly according to the structure of the object, which is a bit wired, rigid and thirsty. Starting from the shape and color of the object, use the pen properly to enhance the plasticity and vividness of the picture. Watercolor painting has a large painting area, and the brush strokes are hidden by the infiltration of water. It feels subtle to reset the color strokes when wet, and the strokes are clearly visible when painting is dry.

In the process of coloring, you can't leave the pen for a moment. The closer you get to finishing using the pen, the more important it is, and its brushstrokes are no longer covered and exposed to the viewer. The special technique of watercolor painting is to use special tools, materials and means to produce special effects.

Scraper method: Scraping with a common pencil sharpener in the order of coloring is a method of destroying paper and causing special effects. Before coloring, scrape the paper with a knife, light or heavy, wide or narrow, so that part of the paper is destroyed, and after coloring, an image heavier than the surrounding color appears.

This is due to the color absorption where the hair is shaved.

4. There is an urgent need for the teaching of big brothers and sisters. Watercolor is based on people's common sense and needs equipment.

A paint box (choose how many colors you can hold)

A set of watercolor pens (you can choose one that you decide is convenient to use, or you can just pay one, such as a large amount for large-scale coloring and marking)

Palette, a bucket (for pen color adjustment)

Draw a board (use any large board as needed)

A set of rulers (ruler, triangle ruler, snake ruler, curve ruler, etc.). )

Rubber (rubber is used for painting, just be soft, I suggest buying another plasticine)

Pencil (choose some B H from soft to hard)

Drawing paper (just choose what you think is appropriate, maybe you won't be used to watercolor paper)

Pencil Sharpener (optional curling) for the time being. In fact, painting equipment is not limited to different tools and has different effects. Makeup pens can also achieve unexpected results ~

5. Basic knowledge of artistic color

LZ: OK, the color tone can be determined by composition. For example, blue interlining takes up more than half of the picture, so you can consider using cool color.

In the same way, of course, warm colors may be unconventional in the Academy of Fine Arts, and colors are used to emphasize personal feelings. Now we obviously don't need to know how to color. I think so, too. Of course, you have to try it yourself. Painting is a manual labor. Just try to adjust the color to a name, because most of your life is not solid, so you should constantly adjust it, which is also to cultivate your color matching ability. Personally, I like this, that is, adjusting the cool color within a range on the palette. Adjust a warm color range and don't draw on the palette casually. Sometimes the color on the pen may not be adjusted correctly, it may be warmer or colder, and it is not necessary to wash the pen to adjust. Just scan some colors directly on the original color, which may be a bit difficult to understand. Buy literary talent first. Relatively cheap, suitable for beginners, LZ, in fact, the most important thing is to practice the basic skills solidly.

Don't think about leaps and bounds, the sketch must be accurate, the color must be rich, and the picture must have its own feeling.

6. What are the skills and precautions of watercolor painting?

1。

The shape must be accurate. Simply put, it's like painting.

But why do some people get high marks when there is no one like them? Because the marking teacher doesn't know who you draw, the only condition for the marking teacher to judge whether you draw like it or not is that the structure of the person you draw is correct, and it is a person who conforms to the proportion, structure, skull and muscles of the person. (only for real heads) 2.

Complete. Picture integrity is the key to sketch.

(Avatar or not) What do you mean the picture is complete? Even if the shape is complete, the light and shadow you draw is complete. The so-called completeness of light and shadow does not mean that the deeper you draw, the more complete you draw, but that the relationship between black, white and gray is correct, which means that the sketch relationship is often said to be correct, and the picture can be said to be complete.

3。 There is a turnover.

Especially the hair, (because many of them are not well drawn), if not, you will draw in vain. Volume represents the thickness of the object, and the performance of volume should be based on understanding the structure.

The head is an approximate sphere and the nose is an approximate cuboid.

That decomposition, or what you practice when painting plaster/faceted images, is to understand the structure and learn to express the volume.

Second, painting colors is not like sketching, which is very rational. If sketch is compared to a cultural lesson like mathematics, then the color is Chinese or English, which needs to be felt. This is called color vision.

Boys' color feeling is not as good as girls'. What should I do? However, you don't need so much feeling to take the color test. Understanding can get you into the Academy of Fine Arts (as long as you don't take the oil painting test, you won't have too much after going to the Academy of Fine Arts) and have confidence in yourself. Drawing a good sketch is the basis of drawing a good color. For example, if you can't draw interlining with colors, then you can't draw interlining with sketches, at least not well. The main reason why you can't draw the interlining well is that you can't grasp the volume of the interlining. It was flat when it was painted, but there seemed to be only a few dirty lines on the interlining.

Then you have to draw the sketched interlining first and divide it into blocks (very important, a necessary step). If you can draw a very deep sketch, deeply analyze its turning point, the relationship between folds, and its volume, light and shadow, and express it in blocks (don't draw circles). If you draw 2-3 pieces and then color interlining, then the sketched surface is the brush strokes of color interlining, so even if the color is not right, it will be a real interlining at first glance, which is a successful step.

In fact, the color is that the pen is wider than the pencil. Can you still draw? 2。 A big problem with color.

Not to mention details such as interlining, do you use tones to draw colors? What is a tone? Tone is what color is covered in your painting? To put it bluntly, the tone of the exam painting is basically the color of your interlining, and a little (less) of this color is added to the dark part of each object. Well, there is a connection between the objects in the picture. Timbre is the basis of music score. No tone, nothing.

Scenery pays more attention to hue, so pay attention to it. 3。

If you are painting a landscape, you should paint it as a still life. Don't take landscape painting seriously, just like still life painting. The main object of the jar is the house.

The mezzanine is a big background with mountains and rivers. Trees are apples and bread. In the same way, I practice and experience it myself.

4。 Many candidates don't pay attention to not only the contrast of lightness, hue and purity, but also the most important warmth and coldness.

In cold light, the bright part is cold, the dark part is warm, and the warm light is the opposite. Understand? Without this, it's over.

Finally, say a little truth, observe as a whole, and observe as a whole when painting! It's not myopia for others to squint at objects, but to compare the color relationship between objects, which is warmer and which is bluer. Overall observation is very important ~ 3: and sketch. Finally, sketch should draw more hands, feet and heads. Many candidates shy away because they find it difficult to draw, that's all.

Copy the structure if you don't understand it. In short, if you want to improve your sketching level quickly, you should eat when you eat, sleep and go to the toilet, and don't stop writing for three minutes. When your sketches can be counted by gold instead of Zhang, you can get high marks in the exam. Methods of learning sketch ① Copying: Copying excellent works is the quickest and simplest learning method for beginners.

Through copying, on the one hand, it can be used as a means to train modeling ability, on the other hand, it is more important to learn its expression method and use it in future study. ② Practice makes perfect: The sketching tool is relatively simple, and you can record all aspects of your life anytime and anywhere with a sketchbook.

Only by drawing more and practicing more can we improve our professional level. ③ Use your head diligently: Learning painting is hard work, and sketching is by no means the object of copying. So when you sketch, you should pay more attention to thinking and combine excellent demonstration works.

④ From slow to fast: Sketch training should follow people's cognitive rules, from slow to fast, which is the principle to be followed in the time limit of sketch training. Slow means recording objects more accurately at a slower speed, and the accuracy of shape is very important.

However, there is a certain time limit for sketching, and the speed can only be gradually cultivated in the practice of sketching. There are many ways to express sketch, which is the main form of sketch. Now, only the two most popular methods in remedial classes are introduced: ① In the process of expressing objects, line sketch uses simple lines to express the shape transition, changing movement and texture of objects from the perspective of structure.

It should have the characteristics of rigorous modeling, natural and vivid modeling, proper use of lines and good overall effect. It expresses the primary and secondary relationship and spatial relationship through the thickness of lines and the change of reality.

(2) Sketch based on the combination of line and surface. Line-based, line-surface combined sketch expression can give full play to the characteristics of sketch in sketch, especially in the long-term art college entrance examination training in class, which is also a common expression method in sketch training at present. Through the supplementary addition of some light and dark dividing lines, dark parts and clothing lines, the object is characterized by rich levels and strong expressive force.

The use of lines ① The interpenetration of lines shows the interpenetration and echo relationship between lines, which is an important factor to make the picture full of rhythm. At the same time, the interpenetration, echo and perspective of lines play an important role in expressing the sense of space and hierarchy of objects.

The interweaving of lines in different directions gives people different sense of direction, which can directly show the perspective direction of objects. But different sketches are equal to line drawing, if every depiction is like a line.

7. How to get started with watercolor painting?

Basic knowledge of watercolor painting Watercolor painting is a kind of painting that spreads widely. As an independent painting form, its formation and development have gone through a certain historical process. The first watercolor painting in the world was created by German painter Diu Lei, but it has become an independent painting and flourished in Britain, with a history of 300 years.

Watercolor painting, like other kinds of painting, has its own advantages and limitations because of the different tools and materials used, thus forming an independent artistic feature. (1) Tool Representation To learn watercolor painting, we must first understand and be familiar with the tool representation of watercolor painting, and then we can better master and use it.

1, watercolor pigment watercolor pigment has fine color particles and is crystal clear when dissolved in water; Layer by layer on white paper, just like the overlapping effect of transparent cellophane. Watercolor light color can not cover the background color, unlike oil painting and gouache pigment, which has strong hiding power.

The colors of ultramarine, ochre and magenta in watercolor pigments belong to mineral pigments, which are easy to precipitate when used alone or mixed with other colors. Clever use can produce novel effects. 2. Watercolor paper is exquisite, which has a great influence on the effect of a painting. The same technique has different effects on different drawing papers.

The ideal watercolor paper has a white paper surface, solid texture and moderate water absorption. After publication, the paper surface is neat, and the paper grain thickness is selected according to performance needs and personal habits. Don't think that no matter what kind of paper beginner you are, you can do watercolor exercises. Too thin paper is uneven in color and blocked in water color, which affects writing; Paper that absorbs water too quickly (such as filter paper) is not easy to penetrate, and it is difficult to achieve the expression intention; Too smooth paper watercolor is not easy to attach to paper and is not suitable for watercolor painting.

Be familiar with the performance of the paper used and be good at mastering it. 3, brush watercolor pen must have a certain flexibility and water holding capacity, oil painting pen is too hard to hold water, it is not suitable for watercolor painting (but sometimes it can be used to pursue a special effect).

Langhao watercolor pen, flat chalk, traditional Chinese painting white cloud pen and landscape pen can all be used to draw watercolors. Prepare a large color block for painting, with two or three small and medium brushes for specific modeling and detail description.

(2) Characteristics of Watercolor Watercolor painting has its own artistic characteristics because of the characteristics and techniques of tool materials, making watercolor painting as soft and accurate as light music or lyric poetry. A good watercolor painting should not only profoundly express the content and feelings, but also give people a moist, smooth, crystal clear, relaxed and lively feeling, which is the characteristic of watercolor painting.

The characteristic of watercolor painting is that, compared with other paintings, the coverage and heavy coating of oil painting form a heavy feature. Watercolor pigment is transparent, and Bo Tu keeps its transparency, so the picture has a clear and transparent feeling. Color matching with water, giving full play to the role of moisture, flexible and natural, moist and smooth, watertight and charming.

The basic techniques of watercolor painting are 1, dry painting and wet painting. Using the method of layer coating to color the dry background color does not require infiltration effect, and it can be easily colored repeatedly, which is easier to master and suitable for beginners to practice.

Clear physical structure and rich color levels are the specialties of dry painting. Dry coating method can be layered coating, color masking, color collection, dry pen and other specific methods.

Layer coating: that is, dry coating, which is applied after the coloring is dry, and the layers of colors represent objects. There are different levels of coloring in the picture, some places can be done at once, and some places need to be done twice, three times or even more, but it is not advisable to count too many times to avoid losing the transparency of color.

It can not be ignored that the layers of paint overlap after work, so as to predict the mixing effect of revealing the background color in advance. Mask: In fact, it is also a dry stacking method, and the area of mask color is larger. For example, if several colors in the picture are not uniform enough, you need to mask the colors once to make them uniform.

If a piece of color is too warm, a layer of cool color will change its cold and warm properties. The color of the cover should be bright Bo Tu, and it should be re-paved. Generally don't write back, otherwise the color will be dirty with the background color.

This method is often used in the process of coloring and the final adjustment of the picture. Color matching: dry color matching means that adjacent colors are painted from their sides after drying, and there is no infiltration between color blocks. Each color itself can also be wet coated to increase variation.

This method is characterized by clear outline and bright colors. Dry pen: the pen is less water and multi-colored, and it is easy to fly white when lifting the pen; Drawing quickly on rough paper full of water will also produce flying white.

The method of dry pen is often used to show the effect of flash or softness. Dry painting can't just write articles on the word "dry". The picture must still make people feel full of water and wet marks, so as to avoid the problem of dryness and boredom.

Wet painting can be divided into wet stacking and wet color collection. Wet overlapping: Wet or partially brush the drawing paper, dry it and then color it, and dry it and then overlap the colors.

Proper control of moisture and time will make the effect naturally mellow. Showing the rainy and foggy atmosphere and moist interest is its specialty, which is beyond the reach of some paintings.

Wet color matching: this method is often used for color matching near the end of drying, with water color oozing, blurred boundaries and gradual transition of soft colors. When collecting color, the water list should be used evenly, otherwise the water will rush to less places, which will easily lead to unnecessary water stains.

Watercolor painting is mostly a combination of dry painting and wet painting. The picture with wet painting as the main part is dry painting, and the picture with dry painting as the main part also has wet painting. Dry and wet combination, full expression, dense and dry, full of fun. 2. The mastery of moisture The application and mastery of moisture is one of the key points of watercolor techniques.

Water has the characteristics of infiltration, flow and evaporation in the picture, so you should be familiar with "water-based" when painting watercolors. Giving full play to the role of water is an important factor in painting watercolors.

To master moisture, we should pay attention to time, air humidity and water absorption of drawing paper. Time problem: grasp the time of wet coating. If the colors overlap too early and too wet, it is easy to lose their proper shape. If it is too late, the background color will dry, watercolor will not penetrate easily, and the connection will be stiff.

Generally, when overlapping colors, the water content of the pen should be less and the colors should be more, which is convenient to grasp the modeling and make it penetrate. If the overlapping color is light, wait until the background color is slightly dry before applying.

The dryness and humidity of the air: You can realize that the water dries slowly indoors and evaporates more slowly when painting in wet, rainy and foggy weather outdoors. In this case, draw less water; In a dry climate, water evaporates quickly, so it is necessary to use more water and accelerate the evaporation of water.