Appreciation of Huai and Untitled Poems

Flowers and trees wither, and geese fly south.

The north wind is blowing, and a river is cold in spring.

My hometown is Naluxing Mountain, and the cottage is in perfume bay.

Looking at the distant Chu land, Chu land is vast in the clouds.

The tears of homesickness have run out, and the life of the tourists is so bitter.

The lonely sail is far away, and the scene is ugly.

I want to ask a man where the lost ferry is.

I can't see anything at dusk, only the river and the sea are endless.

[Edit this paragraph] Appreciate

The first two sentences of this poem are entitled "Early Cold River". Flying south in the wild is a scene of "first cold" seen in the eyes, and the north wind in a cold water zone pays more attention to its own feelings. The two poems are very specific about the characteristics of seasonal climate and should be said to be realistic; However, these two poems describing the silence in the early stage are prepared for the lyricism in the back, so they have inspiring effects. Facing the gloomy scenery in late autumn and early winter, I can't help but feel homesick, so I first thought of my hometown: my hometown is at the corner of Xiangshuiwan, far away from Chuhe, far away! It's hard to be far away, so I miss you more. "I go forward. "I cried until my tears ran dry" expressed my homesickness in a positive way, while "doing" fully expressed the poet's homesickness. So homesick, of course, I want to go back to my hometown, so I have the performance of "I see a sail in the distant sky" Looking at the lonely sails in the sky reminds me of going home by boat. This idea is really caused by homesickness, but it is not so easy to return to China because I have lost my way; I could have asked if I was lost, but the river and the sea were flat and the water was long. Where can I ask for directions?

The last two sentences, on the surface, are hard to write home. After careful scrutiny, we found that this place is not purely realistic, but has a deep meaning.

Meng Haoran once roamed the lower reaches of the Yangtze River with Emperor Xuanzong of Tang Dynasty in the 15th year of Kaiyuan, and then roamed wuyue in the 17th to 21st year of Kaiyuan. This poem may have been written during roaming. Because he left home for a long time, he expressed his homesickness and his confusion in his poems. The scenery is typical and lyrical, which can be described as "the feelings are born from the scene and the scene is melted".

This is a lyric poem about homesickness. Began in prosperity, borrowed Hongyan to fly south, and made guests homesick. I saw the distant solitary sail in the middle, thought of my own disappointment, and finally wrote the stagnation I wanted to return to. The poet looks at his hometown in a foreign land and misses Xiangyang and Xiangshui deeply, but his hometown is out of reach, and he can only shed tears of homesickness and look at the lonely sails in the sky. This sense of drift can only be deeply felt by people on the road. The last two sentences of this poem not only describe the scene at that time, but also metaphor the poet's own frustration in his career. This poem expresses the resentment and melancholy of the author Chang 'an after hitting a wall. His homesickness and the sentence of writing scenery are integrated, deep and implicit.

Judging from the content of the poem, it is written when the author roams the lower reaches of the Yangtze River. It's already autumn, but it's very cold. I can't help but think of my hometown, causing tears of homesickness. In addition, at that time, the author was running around the lower reaches of the Yangtze River, both a hermit and an official. I envy rural life and want to make a difference in politics. So the feelings revealed in this poem are quite complicated.

The whole poem has complicated emotions. The poet envies rural life and intends to retire, but he also wants to ask officials to do things in order to make a big difference. This contradiction constitutes the content of this poem. The second pair and the third pair of this poem are naturally matched, and there is no trace of axe chisel. The second couplet refers to the status of Xiangyang, and it is natural to match on the spot. The third joint "Tears of Hometown" is emotion, and "Return to Sail" is scenery, which fully expresses the author's feelings. Finally, I ended up with the scenery, putting the sadness of homesickness and the sadness of the road ahead in this confused dusk river scene.

This is a lyric poem about homesickness. Began in prosperity, borrowed Hongyan to fly south, and made guests homesick. I saw the distant solitary sail in the middle, thought of my own disappointment, and finally wrote the stagnation I wanted to return to.

The whole poem has complicated emotions. The poet envies rural life and intends to retire, but he also wants to ask officials to do things in order to make a big difference. This contradiction constitutes the content of this poem.

[Explanation] Autumn wind rises, leaves fall and geese fly south. The poet looks at the clouds above the Yangtze River, misses his hometown and relatives, and imagines that under the clouds in the distance, it may be his hometown near the water. Seeing lonely sails passing over the horizon reminded him of going home by boat. But the river is very long. Where can we find the ferry? The implication is that the desire to return to China is difficult to realize at the moment.

[Appreciation] This poem was also written by Meng Haoran when he was roaming. The phrase "Go south to the wild, the fallen leaves return to their roots, and the north wind comes to Shui Han" is related to Bao Zhao's "Muluojiang Crossing the Cold". Leaves are falling, flying north and south, the river is cold early, and autumn scenery is lonely. The poet looks at his hometown in a foreign land and misses Xiangyang and Xiangshui deeply, but his hometown is out of reach, so he can only shed tears of homesickness and look at the lonely sails in the sky. This sense of drift can only be deeply felt by people on the road. The last two sentences of this poem not only describe the scene at that time, but also metaphor the poet's own frustration in his career. This poem tells the grievances and melancholy of the author Chang 'an after hitting a wall. His homesickness and the sentence of writing scenery are integrated, deep and implicit.

Step 2: Untitled

This is the most famous love poem among many poems titled Untitled by the poet. The whole poem revolves around the first sentence, especially the words "Don't be embarrassed". "East wind" ends the season, but it is a metaphor for people's lovesickness. Because of lingering feelings, people are as lifeless as dead spring flowers. Three or four sentences are a portrayal of mutual loyalty and vows of eternal love. The fifth and sixth sentences respectively describe the feelings of depression, resentment, indifference and even decline caused by not meeting each other. The only thing we can hope for is the idea in those seven or eight sentences: I hope the bluebird can spread acacia frequently.

This is an affectionate and euphemistic love poem.

The first couplet is a deep sigh caused by extreme lovesickness, which highlights the pain of parting in the gathering and parting of two lovers. The word "difficult" has different meanings. The first word "difficult" is about how difficult it was for them to get together and how many ideas they pursued. The last word "difficult" describes the emotional suffering of both parties after parting, which shows how difficult and bitter the love life of the couple is. In the second sentence, it is written that people who hurt others tend to be late spring. Flowers bloom with the power of spring breeze, and when the spring breeze is exhausted, the flowers will wither. Flowers are still like this, what can people do? Here, the poet further expressed his deep sorrow for the world with the scene of late spring.

The poets of Er Lian wrote their infatuation and bitterness and their pursuit of unrequited love by symbolic means. In the last sentence, the silkworm who died of silk expressed her undying feelings; The next sentence is a candle that disappears with tears, symbolizing the sad tears of endless meeting and the love of a lifetime.

The third part guesses and imagines each other's lovesickness from the perspective of the poet's considerate care. The last sentence is an image of a young woman who "looks in the mirror with makeup and caresses her temples to hurt herself", which implies her thoughts and worries. The next sentence directly wrote the sadness of young women's lovesickness on a cold night. If they meditate late at night and feel lonely and unaccompanied, they will feel the biting cold of moonlight. Delicate description of each other's sadness shows the poet's consideration for the woman and the poet's deep affection.

William's poets use the myths and legends of Pengshan and Jade Bird to express their comfort and affection for their lovers. Although the road to love is full of difficulties and lovers are far apart, the poet still believes that their faithful love will produce a magical power, and someone will send them a message like a "bluebird" who is diligent in passing books, so that their affection will last forever.

It's rare to have a chance to meet each other, but I can't bear to part with each other. In addition, the weather in late spring, the east wind is coming, which makes people even more sad. Spring silkworms don't spin silk when they die, candles burn to ashes, and tear-like wax oil can drip dry. Women who dress up in front of the mirror in the morning are only worried that the plump bangs will change color and the youthful appearance will disappear. Men can't sleep at night, so they must feel Leng Yue's aggression. The other person's residence is not far from Penglai Mountain, but there is no road to cross, just out of my reach. I hope to have a messenger like a bluebird to visit my lover diligently and pass the news around.

As far as poetry is concerned, this is a love poem that expresses two of a kind's untiring death. However, it has always been believed that there may be implicit trust in personnel relations. Starting with the word "difficult", it is pointed out that it is not easy to get together and it is even harder to leave. Delicate feelings, rich and colorful language, extraordinary pen. Couplets compare spring silkworms to crimson wax, which is very wonderful, painful and firm. Then the neckline writes Xiao makeup in front of the mirror, caresses the temples and hurts itself, and counts itself; It's a trick to sing in the dark and Leng Yue covers himself. Persuade yourself to cherish, be kind and cherish, but be bitter and considerate, which can be described as a thousand turns and a gentle face. Finally, I wrote a letter hoping that the messenger would spread good news frequently, which means graceful singing, bright future, and really a beautiful place. A few words of spring silkworm are excellent for thousands of years.