Who can give me some poems praising peony flowers?

Peony became a valuable ornamental flower, which began in Sui Dynasty and flourished in Tang Dynasty. "Only the peony is the real national color, and the flowers bloom in Beijing." (Liu Yuxi's "Appreciating Peony") In the Tang Dynasty, peony was praised as the "national flower" and won the love of the people of the Tang Dynasty for its national color and fragrance. According to incomplete statistics, the Complete Poems of Tang Dynasty alone contains more than 50 peonies' 100 poems by more than 50 writers. These poems have made great achievements in ideology and artistry, enriching and developing the creation of poems about objects in China. "Mountain climbing is full of emotion, while watching the sea is full of meaning." (Liu Xie's "Wen Xin Diao Long: Thinking") From the time when the peony was in bud, poets began to write, "Although the green shoots have sparse leaflets, your feelings are more than enough." (Sun Fu's "Unexposed Peony") Express his love for peony, and describe the customs and habits of the Tang Dynasty society and all kinds of flower viewing. "Looking at the sunshine, Mufeng blew off the fence." The shelves of poems and books were covered with dust, and no one looked up all day. "(Xu Yin's" Under Two Peony Flowers ") Even the favorite poetry books in peacetime have to be accompanied by dust. Among the poems chanting peony in the Tang Dynasty, some poems were used to answer friends' questions about peony flowers, and some poems described peony as a farewell party ... "Building steps for loving the Red River and teaching people to paint the future on a fan." Luo Yin also wrote a poem "Painting Peony on a Fan". Even so, poets still feel that they have not fully expressed their love for flowers. Sun Fu wrote another poem, Peony in the Back, expressing their feelings of parting. In the poet's pen, peony flowers have various charms. However, the poets in the Tang Dynasty were not completely intoxicated with the beauty of peony flowers. Through the superficial phenomenon of peony prosperity, they keenly discovered the hidden social problems and expressed their sympathy for the poor life of working people through poems. This is the most thoughtful poem about peony in Tang Dynasty, and Qin Zhongyin's tenth poem Bai Juyi's Buy Flowers can be taken as a representative. Its poem says: the imperial city is dead in spring, and it is noisy for a while. * * * If you say peony, you will buy flowers with you. The price is uncertain, and the number of flowers is rewarded directly. Burn a hundred red flowers and press five bundles of vegetarian food. Hang a curtain on it and weave a fence next to it. Sprinkle water and seal it with mud, and the color will not change. There is an Weng who comes to buy flowers occasionally. Bow your head and sigh alone. No one knows this sigh. A bunch of dark flowers, ten people bless! /kloc-at the age of 0/7, Li Shangyin was recognized as a literary talent by Linghu Chu and was hired as an official in Linghu Chu's shogunate. He was instructed by Ling Huchu and learned to write letters. At this time, Li Shangyin was proud of his life and was in his prime. When he saw the peony in full bloom, he thought of Ling Huchu's cultivation of him, and wrote a seven-rhythm poem "Peony": Mrs. Cotton-padded jacket first rolled up, and the embroidered quilts piled up more and more. He put down his hand to carve Yu Pei and bent down to dance the Yujin skirt. Have you ever cut out fashionable candles and smoked incense burners? I am a colored pen in my dream, and I want to send a book to the cloud. One is the story of Confucius meeting Nanzi. In Dian lue, "Madam wears a brocade robe, and Confucius stays in the north. My wife worships the robe again. " The second sentence uses the allusion "Shuo Yuan" of E-Jun's boating: "E-Jun is the one who repairs his clothes, hugs it when he walks, and takes it from his embroidered quilt." Connect the blooming peony with these historical allusions, and use the characters in these historical allusions to express the impression of delicate peony in green leaves, which shows that the charm of peony causes readers to think beautifully. He Chao commented: "It is not enough to be a peony, but it is full of life." Three or four sentences compare peony to a woman who is good at dancing. When she danced, she put down her hand to touch Yu Pei, and when she turned around, she floated her long skirt. For example, in Miscellanies of Xijing, "Mrs. Qi likes to dance with sleeves and waist". These two sentences describe peony swaying in the spring breeze, which is very vivid. The five or six lines in the poem borrowed the story of Shi Lun cooking with candles in Shi Shuo Xin Yu, and the story of Xiangyang. Liu Ji and he said, "Xun went to someone else's house and sat there for three days." Describe the luster and fragrance of peony when it is open, which gives people a strong feeling. The last two poems use the allusions of Wubi in Jiang Yan's dream and Wushan Goddess to express the admiration and cultivation of fox hunter Chu and his gratitude to fox hunter Chu, express the poet's yearning for love and add infinite charm to peony. Ji Yun said, "Eight sentences and eight things, but they are full of enthusiasm, and they are useless. It is a great force! " The advantages of this poem lie in the development of practical branches, the vivid use of dead poems, the rich expression of thoughts and poems, and the display of Li Shangyin's talents. Not long after, Wang Maoyuan, the messenger of Li Deyu Party member Heyang, became a minister because he admired Li Shangyin's talent and married his daughter to him. From then on, Li Shangyin lived in the crevice of party struggle, and never had the happy mood of Shang Huashi in the past. In the late spring of three years in Tang Wenzong, Li Shangyin took the exam in Chang 'an. He left Chang 'an, retraced his steps and crossed the middle. (now Zengnei, Guyuan, Gansu) He lived in the anti-brigade, and it happened to be raining bitterly. As soon as the peony in the yard opened, it was blown down by a storm. The poet recalled the past, touched the scene and expressed his life experience with peony, and wrote the famous "Two Peony Trees Rain". First, going to the garden was beyond his reach that year, and Xizhou suddenly looked forward to it today. The waterside pavilion, pavilions, the sound of rain and spring still exist, and the silk plate is spring, although it is warm, people don't feel it. Butterfly dances frequently pick up the fallen buds, and the beauty lies far away. Fang Fei's companion appeared in Zhangtai Street and asked Gong Yao to donate some. Looking back at the flowers in Beijing in those days, it's a pity that the peony in the rain has come, pavilions and pavilions, slightly cold. Compared with peony, the poet thinks of frustrated relatives and friends from his own decline, sees the big because of the small, and places his hopes in the distance. Secondly, the waves are not as good as spring, and the early stage is more interesting. Its corolla is like a white jade plate, with tears splashing and sadness repeatedly; Ruthless wind and rain are like sad guzheng, string string, broken dream. Wanli is gloomy and not old, and a year of business is dusty. If you look back after one last dance, you will feel the beauty of peony in the wind and rain. This poem has fallen from its own origin to a writing style that is rejected by others. At the beginning of the poem, put aside peony and write pomegranate flowers first. Because pomegranate blooms late and can't catch up with spring, some people laugh at it inexplicably, but I know better those who bloom early and set early. Three sentences say that flowers contain rain, and four sentences say that rain hits flowers, and hope becomes empty. How clear! The peony was defeated by the rain, and Wan Li was overcast, but not old, and it was destroyed in a spring of anger. These words, from the scattered peony to the change of the whole personnel, push people's sorrow to the peak. At the end of the poem, on the other hand, they say that it will rain in the future and the peony will fall. Looking back now, it is still beautiful and moving. The implication is that today's dispersion is nothing, and his destruction that year will be far greater than today. The whole poem expresses ambition, writes scenery and expresses emotion, from which we can easily see the poet's infinite feelings after being hit by politics. As a poetic style, object-chanting poetry has a long history. Nan Zhou, the first article in The Book of Songs, was inspired by "mourning for pigeons", while Li Sao, Songs of the South, expressed the yearning for Lan Zhi and feelings for Hui Quan. During the Western Han Dynasty and the Wei, Jin and Six Dynasties, poems with material propositions appeared. When poetry reached its peak in the Tang Dynasty, the poems about objects also became rich and magnificent. More than 50 authors of peony poems in the Tang Dynasty mostly belong to poets after the middle Tang Dynasty. Influenced by the New Yuefu Movement, they inherited the fine tradition of chanting things in The Book of Songs and Songs of the South, and showed a realistic tendency in their creation. People in the Tang Dynasty chanted peonies, leaving us with a series of vivid images. The image of the working people, represented by Weng in Bai Juyi's Flowers, became a typical image group among the poets in the Tang Dynasty and remained indelibly in our memory. The images of flower-worshippers in flower-chanting and lyric works are different because the objects of flower-chanting are peony flowers. "Look, all the flowers are no better than some flowers. Cut them and dip them in cinnabar." (Xu Yin's One of Two Peony Poems) Only by looking at the flowers, can we feel the vividness and uniqueness of this image. "I would rather carry a pot into a drunken hometown" (Duan Ying's "Niu Jingshi's Home Watching Peony") This is a flower-viewing person with a bold personality; There is no need for complicated strings and songs, and there is more emotion in silence. "(Wu Rong's Red and White Peony) This is an introverted anthomaniac. Some people describe the flower watcher from different angles. "When it's sunny, it's better to watch flowers hand in hand in the rain." (Dou Liangbin, "Looking at Peony in the Rain") This is to enjoy flowers in the rain; "High and low shades of a column of red, fire around the dew. "(See Peony at Night) This is a night to enjoy flowers, so that" I just want to put a pillow by the bar and talk about homesickness at night. " (Xue Neng's "Three Peony Poems"), its image is vividly on the paper. The more fully described the author's fascination with the flower watcher, the more prominent this image is in the poem. There is also a description of the psychological changes of flower lovers, which will make the characters' images and expressions vivid. Wang Jian has a poem called Peony Flowers in a Rental House: Renting a house will bring you flowers, but it may be a demon at first. Purple flowers are plump, even and delicate, and bright red flowers return the beautiful face shamefully. I hope the wind will stop, but I'm worried about the scorching sun. Unfortunately, the flowering period has passed, the petals have withered, and incense and flame are about to burn. The whole poem describes in detail a series of psychological changes of flower watchers: "It is a demon to be afraid of opening when you are new here". Maybe it's the first time to see peony in full bloom in a rented house! It caused a feeling of surprise and fear, and even worried that this was a rare thing. "Pink light purple greasy, flesh red and tender. "The beautiful peony finally intoxicated him and immersed him in joy, so he deeply hoped that the spring breeze would keep it and the scorching sun would not scorch it. However, the flowers bloom and fall, and the flowers have gone and fallen. I pity and urge him to collect the residual flowers as incense, and I am reluctant to part with them. A series of psychological descriptions are very delicate, and the characters are lifelike, which has a strong artistic appeal. The images of flower lovers in lyric poems are mostly the reappearance of the poet's self-image, so we can feel the pulse of the poet's thoughts and feelings from these poems and see the ability of Tang people to capture the images in peony poems. There are many artistic features in the works of chanting peony in Tang Dynasty. The charm of peony flowers endows the poet with rich imagination, such as describing Bai Mudan and Purple Peony as "white jade is not moist, purple ganoderma lucidum is unlucky"; (Sun Fu's Peony Bieti) Describe the fragrance of peony "Ruikanling, Xuxiangbai"; (Xu Yin's "He Fu Shoots Twenty-four Peony Eight Rhymes") describes the late stage and falling of peony flowers, "When the flowers bloom, they will be eclipsed, and when the flowers fall, they will be sad"; (Don Peony) Virtual wings travel thousands of miles, Wan Li, heaven and earth. In order to describe the peony's posture, the poet used bold and exaggerated techniques: the dragon is charming in the rainy night, and the husband and spring breeze smell good. -Xu Yin's "Giving Peony Flowers Again in Accordance with the Rhyme of Shangshu" falsely gives birth to white peony, but shames the roses-Xu Ning's "Peony in Kaiyuan Temple" exaggerates the appearance of peony. Strangely, Lin Xia is laying bricks or stones, but some people suspect that candles are coming out. Walking around is amazing, sitting around is amazing. -Yao He's "Calling Peony by Wang Langzhong", the jade account is left until the end of the day, and Yao and Taiwan partners die. -Miracle wrote "Peony in Nanping Back Garden". These are exaggerated descriptions of Shang Huashi. At the same time, when chanting peony, the poem also used various ingenious personification techniques from the beginning. I want to laugh, but there is a song. -the text "The Second Peony Poem" Jin Ruixia is full of colorful incense, and the first suspected girl is out of the blue room. -look at the peony delivery section. These are anthropomorphic ways to describe peony as a beautiful woman. There is also a clever anthropomorphic technique, which is associated with the characters in historical legends and depicts the beauty of peony. Cut the Chu women facing the clouds, cut the moonlit night —— Xu Yin's "Chasing White Sherman and Singing to Bai Mudan" is cut eastward, but it is as light as the makeup of calligraphy. -Yin Wengui, "Assistant Minister Zhao looks at red and white peony, and praises the figure because it is yang-shaped." Song Yu's cheeks are tender, and Wen Jun cotton is cut first. -Xu Yin's "Remembering Peony" was blinded by smoke, and the beauty of the South China shed tears. -"Peony" in Tang Dynasty created a beautiful realm by personification and combining characters in historical legends, which aroused readers' rich imagination. When poets use various artistic techniques to describe peony, they don't just use a certain artistic technique, but synthesize various artistic techniques to describe the beauty of peony in many ways and in many ways, thus conveying the poet's thoughts and feelings. In order to illustrate the application of various artistic techniques in chanting peony, we made a general classification. In fact, rich imagination should be realized through bold exaggeration and clever personification, and bold exaggeration includes clever personification, and clever personification also includes bold exaggeration, which are almost inseparable. Bai Juyi's Peony Square is a good example. Its poems say: Peony Square, Peony Square, Golden Flower Ruby Room. A thousand pieces of red Xia Yingming and a hundred crimson lights are bright. According to the ground, the splendid satin blooms, and the wind doesn't knot the blue musk sac. Fairy trees are white and colorless, and the peach blossoms of the Queen Mother are small and not fragrant. Dewdrops are purple, and the morning glow is red. There are shades of red and purple, and the back is always very low Ying Ye is sentimental and ashamed, and lying in the flowers is hard to make up. Doubt covers your mouth, resentment and low charming smile, such as heartbroken. Rich and expensive multimedia messages are brilliant and colorful, and they are unparalleled. Carnation money is good, hibiscus peony is bitter ... In Bai Juyi's works, rich imagination, bold exaggeration, clever personification and so on. All kinds of artistic techniques are integrated into one furnace, which makes this poem like a Chinese painting, with delicate brushwork and freehand brushwork, showing the charm of peony flowers and giving people an immersive feeling. The language of peony poems in Tang Dynasty is mainly simple and fluent, like Bai Juyi's poem "Deep meaning and shallow words, bitter thoughts and sweet words." (Yuan Mei) His poem "Buy Flowers" is written for "I want to see Yu Yi", which is approachable. "The language of other poets' peony poems also shows this feature. For example, Ling Huchu wrote a poem "Go to Du Dong to say goodbye to peony". I haven't seen yard flowers for ten years, with purple calyx and no home. Get on the horse and go out and look back. When will we arrive in Beijing? The language is simple and clear, such as words, love in flowers, and the meaning of parting overflows the poem. Liu Yuxi also wrote a column of flowers in the flat house of "Farewell Peony Flowers to Linghu Chu", but he was not at home when he arrived. Modaoxi is not far away, and spring comes to the horizon. It is also shallow and smooth, and farewell contains profound meaning. Reading the two poems together is as homely as usual, but it also contains deep feelings. Use line drawing to create a beautiful realm with deep feelings and vivid words. It is precisely because of the smooth surface of this language that poets use line drawing more often, and with a few strokes, they draw a vivid picture, which contains endless meanings outside the poem. Xu Ning has a poem "Peony": Who doesn't love peony flowers and takes all the good things in the city? English is the goddess of Luochuan, who tries her best to break the morning glow.