The titles of all the chapters in the poetry elective "Appreciation of Ancient Chinese Poetry and Prose" published by the Chinese Humanities Education Edition for high school students

1. Classical texts that must be memorized in the new syllabus (10 articles)

1. Green is derived from blue, and green is from blue; ice is derived from water, and is cold from water. ("Xunzi's "Encouragement to Learning")

2. Therefore, if wood is supported by a rope, it will be straight, and if metal is sharpened, it will be beneficial. A gentleman who is knowledgeable and examines himself day by day will know how to act without making mistakes. ("Xunzi" "Encourage learning")

3. Therefore, if you don't climb a high mountain, you don't know how high the sky is; if you don't go to a deep stream, you don't know how thick the earth is; if you don't listen to the last words of the past kings, you don't know how great knowledge is. ("Xunzi's "Encouragement to Learning")

4. When my wife beautifies me, she is selfish; when my concubine is beautifying me, she is afraid of me; when a guest beautifies me, she wants something from me. ("Warring States Period" Policy "Zou Ji satirized the King of Qi and accepted the advice")

5. Nowadays, Qi is thousands of miles away and has one hundred and twenty cities. All the palace ladies on the left and right are selfish of the king, all the officials in the court are afraid of the king, and all the people in the four realms are asking for help from the king. From this point of view, the king's shielding is very great! ("Warring States Policy" Zou Ji satirizes the King of Qi and accepts remonstrances)

6. Among the ministers and the people, those who can criticize others for their faults will receive high rewards; those who write remonstrances to others will receive medium rewards; those who can slander and ridicule In the city dynasty, anyone who hears about it will be rewarded ("Warring States Policy" Zou Ji satirizes the King of Qi to accept advice)

7. King Qu Pingji was not sensible when he heard it, the frame-up obscured the light, the evil music harmed the public, and the uprightness was not tolerated, so he wrote "Li Sao" with sadness and deep thoughts. (Sima Qian's "Historical Records" Biography of Qu Yuan)

8. Qu Ping followed the right path, devoted all his loyalty and wisdom to serve his king, and slandered the world. He was poor. He was trustworthy but was doubted, and loyal but was slandered. Is it possible to have no regrets? Qu Ping's "Li Sao" was born out of self-pity ("Historical Records of Qu Yuan" by Sima Qian)

9. The morality of the Ming Dynasty is widely respected, and the order of governance is endless. (Sima Qian's "Historical Records" Biography of Qu Yuan)

10. His writing is simple, his diction is subtle, his ambition is clean, and his conduct is honest. His writing is small but his meaning is huge, and his examples are short and meaningful. Far away. His ambition is clean, so he is called Wu Fang; his conduct is honest, so he will not tolerate death (Sima Qian's "Historical Records" Biography of Qu Yuan)

11. There are no close relatives outside, and no five-foot-tall child inside who answers the door. He stands alone, with shadows hanging from each other. (Li Mi's "Chen Qing Biao")

12. But the sun is thinning in the west, the breath is dying, the life is in danger, and the day is not worried about the day. Without my grandmother, I would not be here today; without my grandmother, I would not be able to live out my remaining years. Mother and grandson are more dependent on each other, so they cannot be separated from each other. (Li Mi's "Chen Qing Biao")

13. When you are alive, you should be dead, and when you are dead, you should be weeded. I cannot bear the fear of dogs and horses, so I would like to pay my respects and listen to it. (Li Mi's "Chen Qing Biao")

14. The time is September, and the order belongs to the third autumn. When the water is gone, the cold pond is clear, and the smoke condenses and the mountains are purple at dusk. (Wang Bo's "Preface to Prince Teng's Pavilion")

15. The mountains are towering with greenery, and the sky rises above them; the flying pavilions flow with elixirs, and there is no ground below. (Wang Bo's "Preface to Prince Teng's Pavilion")

16. Luyan rushes to the ground, the bells ring and the cauldrons are home; the boat is in the water, and the boat is the green bird and yellow dragon. (Wang Bo's "Preface to Prince Teng's Pavilion")

17. The clouds are gone and the rain is clear, and the color is bright. The setting clouds and the solitary owl fly together, and the autumn water and the long sky are the same color. (Wang Bo's "Preface to Prince Teng's Pavilion")

18. The fishing boat sings late, and the sound is heard on the Pengli shore; the wild geese are frightened by the cold, and the sound is broken by the Hengyang Pu. (Wang Bo's "Preface to Prince Teng's Pavilion")

19. Ancient scholars must have teachers. A teacher is the one who preaches the truth, receives karma, and resolves doubts. (Han Yu's "Teacher's Theory")

20. Therefore, there is neither high nor low, neither long nor short. Where the Tao exists, the teacher exists. (Han Yu's "Teacher's Theory")

21. I don’t know how to read a sentence, I don’t understand it when I’m confused, maybe I’m a teacher, or maybe I’m not good at it. I haven’t seen the clarity from elementary school but great legacy. (Han Yu's "Teacher's Theory")

22. Confucius said: When three people are walking together, there must be my teacher. Therefore, the disciple does not have to be inferior to the master, and the master does not have to be better than the disciple. There is a priority in learning the Tao, and there is a specialization in the art, that's all. ((Han Yu's "Shi Shuo")

23. Five steps to the first floor, ten steps to the pavilion; the waist of the corridor is unobstructed, and the eaves and teeth are high; everyone embraces the terrain and quarrels with each other. (Du Mu's "Afang Palace Fu" )

24. I am lost in the sky, and I don’t know the east or the west. The singing stage is warm and the spring light is warm; the dance hall is cold and the wind and rain are miserable. In one day, the weather is uneven in one palace. (Du Mu's "Efang Palace Poem")

25. The collections of Yan and Zhao, the management of Han and Wei, and the elites of Qi and Chu, for several generations, plundered their people and piled them up like mountains; once they were no longer available, they were lost to them. . Ding jade, gold nuggets and gravel are thrown away, and the people of Qin regard them with no pity (Du Mu's "A Fang Palace Fu")

26. But dare to be angry. The heart of a single man is becoming more and more arrogant. The country is not Qin; the one who belongs to Qin is not the world. (Du Mu's "A Fang Palace Fu")

28. If the six countries love each other, it will be enough to reject Qin; to restore Qin. Those who love the Six Kingdoms will be able to serve as kings for three lifetimes and for eternity. Whoever gets it will have his family destroyed.

(Du Mu's "Afanggong Fu")

29. The people of Qin had no time to mourn for themselves, so that future generations would mourn for them; if future generations mourned without taking note of it, they would also cause future generations to mourn for future generations again. (Du Mu's "Ode to Afang Palace")

30. The six kingdoms were destroyed, not only because of the disadvantages of the army, but also because of poor fighting skills, and the disadvantage was due to bribery of Qin. Bribing Qin and losing its strength is the way to destruction. (Su Xun's "Six Kingdoms")

31. The ancients said: "The Qin is interested in the land, just like holding firewood to put out a fire. If the firewood is not exhausted, the fire will never be extinguished." This is true. (Su Xun's "Six Kingdoms")

32. By bribing the land of Qin, making the world's advisers, serving Qin's heart, tribute to the world's talents, and striving to the west, I fear that the people of Qin will not be able to swallow its food. (Su Xun's "Six Kingdoms")

33. The Six Kingdoms and Qin are both vassals, and their power is weaker than that of Qin, but they still have the power to win without bribery. Gou thinks that the world is so big, and the story of the ruin from the Six Kingdoms is that it is under the Six Kingdoms again. (Su Xun's "Six Kingdoms")

34. So I sighed. The ancients often gained something when they looked at the heaven and earth, mountains and rivers, vegetation, insects, fish, birds and beasts, because they were so profound in their thinking that they were omnipresent. (Wang Anshi's "A Journey to Baochan Mountain")

35. If the enemy is close, there will be many tourists; if the danger is far, there will be few tourists. The grandeur, weirdness, and extraordinaryness of the world often lie in the dangers and distances, and they are rarely accessible to people, so only those who are determined cannot reach them. (Wang Anshi's "A Journey to Baochan Mountain")

36. However, if you are strong enough to achieve something, you can ridicule others, but you have regrets for yourself. If you try your best and fail to achieve your goal, you can have no regrets. Who can ridicule you? (Wang Anshi's "A Journey to Baochan Mountain")

37. Yu Yufu's stele also laments that the ancient book of the husband does not exist, and that later generations will misrepresent it and cannot be named. Therefore, scholars should not take it carefully without thinking deeply. (Wang Anshi's "A Journey to Baochan Mountain")

38. The breeze comes slowly and the water waves are calm. Lifting wine to the guests, reciting poems about the bright moon and singing graceful chapters. (Su Shi's "Qian Chibi Fu")

39. White dew flows across the river, and the water reaches the sky. Even though a reed is like this, thousands of hectares are at a loss. (Su Shi's "Ode to the Former Chibi")

40. There is a guest who plays the dongxiao, and he sings to make peace with him. His voice was whining, like resentment, admiration, weeping, complaining, and the lingering sound was lingering like a wisp. The lurking dragon dances in the secluded ravine, and the concubine weeps in the lonely boat. (Su Shi's "Ode to the Former Chibi")

41. Fang Qi defeated Jingzhou, went down to Jiangling, followed the river to the east, sailed boats thousands of miles, covered the sky with flags, drank wine by the river, wrote poems across the river, and was a hero for a lifetime. Where is he now? (Su Shi's "Ode to the Former Chibi")

42. Sending mayflies to heaven and earth is like a drop in the ocean. I mourn the brief moment of my life, and envy the boundlessness of the Yangtze River. Carrying the flying immortals to travel, holding the bright moon to the end. (Su Shi's "Qian Chibi Fu")

43. If you look at the changes in Gaijiang, you will see that heaven and earth cannot last for a moment; if you look at the things that do not change, then things and I will be endless, so how can we envy you? (Su Shi's "Ode to the Former Red Cliff")

2. The new syllabus requires memorizing ancient poems and music (30 poems)

44. Riding on that wall, we hope to regain the pass. Not seeing the return pass, I burst into tears. Seeing the return pass, I laughed and talked. ("The Book of Songs "Weifeng" Meng")

45. She was a wife at the age of three, and she had to work hard at home. Work hard and sleep well at night, and the day will come. ("The Book of Songs "Weifeng" Meng")

46. Be true to your word and never think about the opposite. On the contrary, if you don’t think about it, that’s enough! ("The Book of Songs "Weifeng" Meng")

47. Fenwu not only has this inner beauty, but also attaches great importance to cultivation. Hu Jiangli and Pizhixi are admired by Ren Qiulan. (Qu Yuan's "Li Sao")

48. But the scattered grass and trees are afraid of the aging of the beauty; if we don’t grow up, we will abandon the filth. Why not change this attitude? Riding on the horse to gallop, come and guide me to lead the way. (Qu Yuan's "Li Sao")

49. The river is clear and shallow. How far has it gone? There is a room full of water, and the pulse is speechless. ("Nineteen Ancient Poems")

50. Drinking and singing, how is life? Like morning dew, it will be more painful every day. Generosity should be shown as generosity, and worries will be unforgettable. How to relieve worries? Only Du Kang. (Cao Cao's "Dan Ge Xing")

51. Qingqing Zijin, my heart is leisurely. But for your sake, I still ponder it. (Cao Cao's "Dan Ge Xing")

52. The moon and stars are sparse, and the magpie flies south, circling the tree three times. What branch can I rely on? The mountains never get too high and the sea never gets too deep. The Duke of Zhou vomits food, and the world returns to its heart. (Cao Cao's "Dan Ge Xing")

53. There is little to suit the vulgar charm, and one’s nature is to love hills and mountains. I accidentally fell into the dust net and passed away for thirty years. The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss. (Tao Qian's "Returning to the Garden and Living in the Fields")

54. There is no dust in the courtyard, and there is plenty of space in the empty room. After being in a cage for a long time, you can return to nature. (Tao Qian's "Returning to the Garden and Living in the Fields")

55. After the new rain in the empty mountains, the weather comes late in autumn. The bright moon shines among the pines, and the clear spring flows over the rocks. (Wang Wei's "Autumn Dwelling in the Mountains")

56. The bamboo noises return to Huan Nu, and the lotus moves off the fishing boat. The spring fragrance rests at will, and the king and grandson can stay. (Wang Wei's "Dwelling in the Mountains in Autumn")

57. The difficulty of the road to Shu is as difficult as climbing to the blue sky, which makes people wither their beauty.

(Li Bai's "The Road to Shu is Difficult")

58. The sword pavilion is majestic and Cui Wei. One man can guard the gate, but ten thousand men cannot open it. (Li Bai's "The Road to Shu is Difficult").

59. Tianmu reaches the sky and stretches across the sky, pulling out the five mountains to cover Chicheng. The rooftop is 18,000 feet high, so it tilts toward the southeast. (Li Bai's "Sleepwalking Tianmu's Song of Farewell")

60. An Neng's ability to bend his eyebrows and bend his waist to serve the powerful makes me unhappy! (Li Bai's "Sleepwalking Tianmu's Song of Farewell")

61. I don’t see you, the water of the Yellow River comes up from the sky and rushes to the sea never to return. (Li Bai's "Come Into the Wine")

62. If you are proud of life, you must have all the joy, and don't let the golden bottle stand empty against the moon. It is my nature that my talents will be useful, and I will come back after all my money has been spent. (Li Bai's "Come Into the Wine")

63. I sing a song with you, please listen to it for me. Bells, drums, food and jade are not expensive, but I hope I will never wake up after being drunk for a long time. In ancient times, all the sages were lonely, but only the drinkers left their names. (Li Bai's "Come Into the Wine")

64. What does the master mean if he has less money? It is up to you to sell it. The five-flowered horse and the golden fur will be exchanged for fine wine, and I will sell the eternal sorrow with you. (Li Bai's "Jinjinjiu")

65. Cars rattled, horses rustled, and pedestrians carried bows and arrows at their waists. Ye Niang and his wife walked off to see each other off, but Xianyang Bridge was nowhere to be seen. He held his clothes, stamped his feet, and blocked the road to cry, and his cry went up to the sky. (Du Fu's "War Chariots")

66. The side court bleeds into sea water, and Emperor Wu is moved to the side. Don’t you know that there are two hundred states in Shandong of the Han family, and Jingqi grows in thousands of villages? (Du Fu's "War Chariots")

67. If you give birth to a girl, you still have to marry your neighbor, but if you give birth to a boy, you will have to marry her neighbor. Don’t you see Qinghai’s head? No one has collected the bones since ancient times. The new ghosts are annoyed and the old ghosts are crying, and the sky is dark and rainy, chirping. (Du Fu's "War Chariots")

68. Where can I find the Prime Minister’s ancestral hall? There is a lot of people outside Jinguan City. The green grass reflects the spring color on the steps, and the oriole sounds good in the sky through the leaves. Three visits frequently troubled the world's plans, and two dynasties opened the hearts of veterans. He died before leaving the army, which made the hero burst into tears. (Du Fu's "Prime Minister of Shu")

69. There is spring water in the south and north of the house, but I can see a flock of gulls coming every day. The flower path has never been swept by visitors, and now the gate is opened for you. (Du Fu's "The Guest Arrives")

70. The wind is strong, the sky is high, the apes are screaming in mourning, and the white birds are flying back from the clear sand in Zhugistan. The endless falling trees rustled, and the endless Yangtze River rolled in. Wanli is always a guest in the sad autumn, but he has been sick for a hundred years and only appears on the stage. Difficulty and bitterness hate the frost on the temples, and the wine glass is stained by the new stop. (Du Fu's "Ascending")

71. In the past I heard about Dongting water, now I go to Yueyang Tower. To the southeast of Wu and Chu, the universe floats day and night. There are no relatives or friends, and there are no old and sick people. The soldiers and horses pass through the north of the mountain, and Pingxuan Tisi flows. (Du Fu's "Climbing Yueyang Tower")

72. My motherland is surrounded by mountains, and the city is lonely in the empty city. In the old days on the east side of the Huai River, the moon came over the female wall late at night. (Liu Yuxi "Stone City")

73. The Xunyang River sees off guests on the first night, and the maple leaves and flowers rustle in autumn. The master dismounted and was on board the boat. He wanted to drink wine, but there was no orchestra. It's too late to be drunk and happy to say goodbye. When we say goodbye, the vast river is soaked in the moon. (Bai Juyi's "Pipa Xing")

74. Move the boat closer to invite us to meet each other, add wine, turn back the lights, and resume the banquet. After calling for thousands of times, he came out, still holding the pipa and half covering his face. There are three or two sounds of the strings being plucked by the rotating shaft, and there is emotion before the tune is formed. The strings muffle the sounds and thoughts, seeming to complain of a life of failure. (Bai Juyi's "Pipa")

75. Lightly gathered together, slowly twisted and wiped, then picked again, first "Neon Shang" and later "Liu Yao". The big strings are noisy like the rain, and the small strings are like whispers. The bullets are noisy and mixed, and big and small beads fall on the jade plate. (Bai Juyi's "Pipa Xing")

76. The ice spring is cold and the strings are condensed, and the condensation will never pass the sound for a while. Don't worry and hate yourself. Silence is better than sound at this time. (Bai Juyi's "Pipa Xing")

77. The silver vase was broken, water slurry burst out, and the cavalry stood out with swords and guns. At the end of the song, the plectrum is carefully drawn, and the four strings sound like cracking silk. The east boat and the west boat were silent, only the white autumn moon could be seen in the middle of the river. (Bai Juyi's "Pipa Xing")

78. The silver grate on the tin head was broken into pieces, and the bloody skirt was stained by wine. This year's laughter will bring back the next, and the autumn moon and spring breeze will pass easily. My younger brother left to join the army and my aunt died, so I went to see you in the morning. There are few horses and pommels in front of the door, and the boss is married to a businessman. (Bai Juyi's "Pipa Xing")

79. I sighed when I heard the pipa, and sighed again when I heard the words. We are both fallen people at the end of the world, so why should we have known each other before? (Bai Juyi's "Pipa Xing")

80. It's so sad that it's not like the forward sound, and everyone in the house weeps when they hear it again. Who among you cried the most? Jiangzhou Sima's green shirt is wet. (Bai Juyi's "Pipa Xing")

81. Jiang E cries about Zhu Su's female sorrow, and Li Ping plays the Chinese harp. Kunshan's broken jade phoenix screams, hibiscus weeps and dew fragrant orchid smiles. (Li He's "Li Ping Konghou Yin")

82. Cold light melted in front of the twelve doors, and twenty-three silk threads moved the purple emperor. Where Nuwa refines stones to mend the sky, the stones break the sky and make the autumn rain startle. (Li He's "Li Ping Konghou Yin")

83. Looking back at Chang'an, there are piles of embroidery, and thousands of doors are opened on the top of the mountain. Riding on the red dust concubine smiled, no one knew it was lychee. (Du Mu's "Passing through Huaqing Palace")

84. The hills overlap, the golden light disappears, and the clouds on the temples want to reach the fragrant snow on the cheeks. Too lazy to draw eyebrows, too late to put on makeup and wash up. (Wen Tingyun's "Bodhisattva Man")

85. Looking at the flowers in the front and rear mirrors, the flowers reflect each other. The new post is embroidered with Luo Ru and both have golden partridges.

(Wen Tingyun's "Bodhisattva Man")

86. There are fifty strings of brocade strings for no reason, each string and column is reminiscent of the past. Zhuang Sheng was obsessed with butterflies in his dawn dream, and looked forward to the emperor's spring heart with cuckoos. The moon in the sea sheds tears, and the warm sun in Lantian produces smoke. Can this feeling be remembered? It’s just that I was at a loss at that time! .(Li Shangyin's "Jin Se")

87. When will the spring flowers and autumn moon come? How much do we know about the past? There was an east wind in the small building last night, and the motherland could not bear to look back in the bright moon. (Li Yu's "Poppy")

88． The carved railings and jade masonry should still be there, but the beauty has changed. Asking you how much sorrow you can have is like a river of spring water flowing eastward. (Li Yu ("Yu Meiren")

89. The cicadas are mournful, it's late in the pavilion, and the showers are beginning to stop. There is no trace of drinking in the tents of the capital, and the place of nostalgia, the orchid boat urges the hair. Holding hands and looking at each other's eyes with tears, unexpectedly Speechless and choked. Thousands of miles away, the sky is covered with mist. (Liu Yong's "Yulin Ling") 90. Passionate feelings have hurt me for parting since ancient times, and I can't stand the cold autumn night. There, the moon is shining in the morning breeze on the bank of willows. After so many years, it should be a beautiful scene. Even if there are thousands of customs, who can tell me? (Liu Yong's "Yulin Ling")

91. It's late autumn in my homeland, and the weather is beginning to calm down. The clear river looks like a long journey, and the green peaks are like clusters. (Wang Anshi's "Fragrance of Guizhi")

92. Thinking about the past, competing for luxury, and sighing at the building outside the door. Head, sorrow and hatred continue. For thousands of years, the old things of the Six Dynasties flow with the water, but the cold smoke fades and the grass becomes green. Today, Shang women still sing the song "Back Court" (Wang Anshi's "Guizhi"). "Fragrance")

93. The great river flows eastward, and the waves are swept away, and the romantic figures of the ages are on the west side of the fortress. Snow. The country is so picturesque, so many heroes at one time! (Su Shi's "Niannujiao" Chibi Nostalgic") 94. I think back to Gong Jin's time when Xiao Qiao got married for the first time and looked majestic. Feather fans and towels, while chatting and laughing, the oars and oars disappear into ashes. I am wandering in my hometown, and I am so sentimental. I am born early. Life is like a dream, and a statue still shines in the river and the moon. (Su Shi's "Niannujiao" Red Cliff Nostalgic)

95 ．Slender clouds make tricks, flying stars spread hatred, and the distance between silver and silver is so dark. When the golden wind and jade dew meet, they will defeat countless people in the world. (Qin Guan's "Magpie Bridge Immortal")

96. Like a dream, I can't bear to look at the Magpie Bridge for a long time. (Qin Guan's "Magpie Bridge Immortal")

97. Searching and searching, deserted and miserable. It's miserable. It's the hardest time to stop breathing when it's warm and cold. How can three glasses of light wine defeat him? The wild geese are passing by, but they are still sad. (Li Qingzhao's "Slow Sound") )

98. The yellow flowers are piled all over the ground, and they are haggard and damaged. Who can pick them now? How can it be dark alone when I watch the window? How can one say "sorrow"? (Li Qingzhao's "Slow Voice")

99. In the early years, I knew that things were difficult, and the wind was like a mountain in the north of the Central Plains. (Lu You's "Book of Indignation")

100. Standing on the Great Wall and saying nothing, your temples are already stained in the mirror. Who is worthy of being a master in the world? (Lu You's "Book of Indignation")

101. Throughout the ages, heroes have never found a place like Sun Zhongmou’s dancing pavilions and singing platforms. The wind and rain have always blown away the wind. An iron horse can swallow thousands of miles like a tiger (Xin Qiji's "Yong Yu Le" Nostalgia for the Past in Beigu Pavilion, Jingkou)

102. Yuan Jia hastily sealed the wolf in Xu, and won a hurried visit to the north. Forty-three years later, I still remember the beacon fire on Yangzhou Road. But looking back, under the Buddha and Li Temple, there is a sacred crow drum. Who can ask: Lian Po is old, can he still make a living? (Xin Qiji's "Yong Yu Le" Nostalgia for the Past in Guting, Beigu Pavilion, Jingkou)

103. The famous capital of Huaizuo, a good place in the west of Zhuxi, Xie'an Shao was stationed in the first journey. After ten miles of spring breeze, all the shepherd's purses and wheat are green. Since then After Hu Ma peeked into the river, the trees in the abandoned pond were still tired of talking about the soldiers. It was getting late and the cold was blowing in the air. (Jiang Kui's "Yangzhou Slow")

104. It's so serious now that I should be shocked. Even if the dream of a brothel is good, it's hard to be affectionate. The twenty-four bridges are still there, and the cold moon is silent. I know who is born every year. Kui "Yangzhou Slowness")

105. The sky is blue, the ground is yellow, the west wind is strong, and the wild geese flying from the north to the south are always in tears.

(Wang Shifu's "Farewell at the Long Pavilion")