Liu Yong's Klang Ganzhou (

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.

Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sighing where these years have gone, why do you have to stay in a strange land for a long time? If you want a beautiful woman to look at the building, you will miss it a few times and return to the boat. Try to know me, lean on the dry place, carefree.

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This masterpiece, which has been celebrated for a hundred years, combines scenery description and lyricism, and expresses strong homesickness by describing the suffering of travel and slavery. It's shallow and affectionate. It is the highest artistic achievement of Liu Yong's similar works, among which the famous sentence "Don't lower the height of Tang people" (Su Dongpo).

The first two sentences say that the river is crystal clear after the rain. A word "right" writes the realm of looking at the horizon. It was getting late at that time, and it began to rain at dusk, all over the country, thousands of miles away. Among them, the words "rain", "sprinkling" and "washing" are read aloud, which is refreshing and unparalleled. From the sentence of "gradually frosty wind", with a word "gradually", four words, three sentences and twelve words are derived. The word "gradually" inherits the previous sentence. When this clear autumn was washed away by rain, the scenery of time changed again. In this way, the poet used a "gradual change word", which seemed ready. Autumn is getting deeper and deeper, and the rain washes the dusk, but I feel that the cool wind is suddenly coming, and its breath is tragic, which makes the clothes list irresistible. The word "tight" was also used in the upper voice, and the atmosphere was full of sad autumn. Next, the word "cold" is pressed up layer by layer in sound. Moreover, "sadness and coldness" and "coldness and coolness" are both double voices, which have strong artistic appeal, and there is also a saying "residual photos are buildings" behind them, and the realm has come out. The beauty of this sentence lies in the word "Danglou", which seems to hit the whole universe with the sadness of autumn.

"It is a decline, and it is a decline." The meaning of words has changed from tragic to thoughtful, from looking up to looking down, and there is a scene of decline everywhere. "Red decline and green decline", in the words of Yuxi poets, is a romantic experience. The word "horizontal" and "gradual" are exactly the same. The word "Hugh" contains endless feelings and sorrows, and then "only the Yangtze River flows eastward without words", which writes the philosophy of life in the universe between fleeting and eternal, changing and unchanging, and directly makes poets think through the ages. The word "speechless" means "heartless". This sentence contains complex psychology and mixed feelings.

"I can't bear it" ends with the background of climbing high and looking far, and the cloud "I can't bear it" is more tortuous and sentimental. At this point, ci is mainly about writing scenery and feeling in the scenery. But the beauty of the next part is that the poet is good at pushing himself and others, because he is looking far away, but he is partial to the people in his hometown, so he should also look far away and look forward to the return of the wanderer. The word "several mistakes" is more clever. At the end of the sentence, point out the problem. Rely on dry, upright, for the building, climb far, look, sigh and think, all of which are interrelated and reflect each other. The scenery of climbing to the top of the poem is to lean on the boudoir and look at it; Homesickness is born of "sadness"; And the word "try to know me" has become a reality, which makes the expression of homesickness more tortuous and moving.

This poem has a fine structure, the scenery and lyrics are integrated, and it is good at telling stories. Between the lines, homesickness and homesickness are vividly displayed. Simple drawing techniques and popular language make this complicated idea clear. In this way, Liu Yong's "Klang Ganzhou" has finally become a monument in the history of Ci, which can be sung through the ages.

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This word describes the sadness, lovesickness and hatred in autumn, and it is about traveling in Jiangsu and Zhejiang provinces. Write a scene in the last movie. With the rain at dusk, the frosty wind and the flow of the river, it depicts a stormy rain scene in Qiu Jiang: "Xiaoxiao" looks like its rain is crazy; "Sprinkle Jiang Tian"-shaped dim rain is overwhelming, washing out a refreshing autumn scenery. The scene after the rain is described as follows: the river is closed, the setting sun is cold, and the residual photos show the vast, quiet and lofty image of the river after the rain, which contains the bleak and solemn autumn rhyme. And "the residual photo is the building" implies that this building is the place where the poet boarded. The sentence "Chu Shi" describes the close-up details of "red decline and green decline", and the poet's feelings turn into a deep trough, using "material prosperity and leisure" as a metaphor for the disappearance of youth. The vision of "Yangtze River Water" turned to the distance, and emotion was seen in the scene, suggesting that the poet's inner melancholy and sadness were like an eastward river, which became a transition from scenery to emotion and triggered the next lyric. "I can't bear to climb the mountain" is a response to climbing the stairs and facing the distance, so the poet reveals the reasons for "I can't bear to climb the mountain" layer by layer: first, looking at my hometown from afar triggers "I can't take back my thoughts"; Secondly, I was deeply impressed by my long stay. Third, pity "beauty gazing", lovesickness is too bitter. Layers of anatomy, especially "Missing Beauty", reveals the root of "unbearable" and even firmly grasps the lovesickness dilemma of beauty who is crazy about Wang Jiangtian and mistakenly thinks that she belongs to the ship; Not only that, but it will also become a reflection. How can the poor beauty know that I am staring at the bar at the moment? This song "Ganzhou Eight Tones" has long been recognized by Su Dongpo, saying that there is a saying "Don't lower the height of the Tang people". It should be noted that such a compliment is a high evaluation, and Dongpo never used it to make people.

Appreciation of Liu Yong-Ba Sheng in Ganzhou

At the dusk of drizzle (1), the rain falls on the river and autumn is washed.

The frost wind is tight, the river is closed, the cold wind is falling, and the afterglow is the building.

It is the decay of red and green, the decline of things, and the decline of things.

Only the gushing water of the Yangtze river flows eastward without sound.

Sighing for years, why stay?

I want a beautiful woman to dress up and look at Yong.

How many times have you missed the sky and returned to the boat?

Know who I am, lean in a dry place and be anxious!

Precautions:

Xiaoxiao: The sound of rain is sudden;

Sorrow: describe the cold and bleak autumn wind;

Guanhe: a pro-mountain river;

Sunset: sunset;

It is red and green rot: everywhere; Red and green wither: flowers return to zero and green leaves wither. "This lotus and this leaf always set each other off, and youth and decline will reduce the sorrow of the wicked" in Li Shangyin's "Give Flowers with Guns".

Constant: gradually;

Beautiful scenery no longer exists;

Stay long: stay long;

Qing: look up;

Heaven knows the boat is bright: Xie Tiao's poem "Xuancheng is from Xinlinpu to Banqiao" says: "Heaven knows the boat is bright, and rivers and trees are distinguished from clouds." God knows how many times a ship from afar mistakenly thinks that her husband has returned to the ship, and it is extremely thoughtful.

Competition for knowledge: how to know; You: So, so.

Sadness: Sadness is hard to condense.

Appreciate:

Thinking of women staring into the distance, feeling trance; It is difficult for a poet to restrain his anxiety when he reaches the peak. Thousands of miles apart, the pain of lovesickness can be seen in the contrast between the two, and the feelings are euphemistic and interesting.

Writing about homesickness and thinking about people is based on the desolate autumn scenery and integrates feelings into the landscape. Yan Qingyun said, "The frost is cold and tight, and the river is cold, so I look at the building." This language does not diminish the height of Tang people in poetry. "

Laugh at wandering rivers and lakes for ten years, empty city plan, fascinated by bronze camel alley. The heart is long and the dream is broken. It is clear autumn in the south. Looking at the sword sadly, there is nowhere to return to the ship. kzB#

There is still a long way to go tomorrow. Who will guard Chu Pei and make a map of Zhongzhou? Count heroic children and worry about the past and the present. The lamp is very sad, but very sad! Wandering and angry, Kingoma iron, fighting and burying barren hills!

-Posting "Klang Ganzhou"

Yang

note:

1 Klang Ganzhou; Tang's name is also Ganzhou, Rainy Rain, Banquet (the original word is Yan+Yan, but my computer can't find that word only by ABC input method, but the word means "Banquet", so I used this word instead) and so on. Later used as an inscription. Normal double-tone 97 words. Because of * * * eight rhymes, it is called.

Jianghu: The word "Jianghu" in martial arts novels originally refers to the Yangtze River and its nearby Dongting Lake, and later refers to the three rivers and five lakes, and then it is extended to the opposition forces against the imperial court.

3 bronze camel: bronze camel refers to a camel cast with copper. There is a bronze camel at the intersection of Sihui in front of the ancient Luoyang Palace, which is called Bronze Camel Street. Here is a quotation from the Appreciation Dictionary of Tang Poetry and Song Poetry, which explains the bronze camel alley in Wang Hai Chao-Mei Ying Shu by Qin Guan.

4 The poem "Awakening with Wine" is broken: The word "Awakening with Wine" at the beginning of "Seven Swords Down the Tianshan Mountains" is "Cold with Wine".

South China is in the clear autumn: this should refer to the remnants of Jiangnan after the anti-Qing forces outside the Great Wall were eliminated, thinking that they could still make a difference there.

6 the state of nowhere to return; In fact, this sentence was originally "nowhere to return to the old country." I thought my book was pirated, but I found it was "nowhere to go back to China" after searching online. However, through the investigation of 100 Poems of Song San, Appreciation Dictionary of Tang Poetry and Song Poetry and other materials, the last sentence of Basheng Ganzhou should be four words. I can't say it's old Liang's fault. It may be a clerical error or. But in order to respect all kinds of materials and the original rhyme of Song Ci, the last sentence should prevail here.

7 Tomorrow is a long way to go. It means that on the second day of writing lyrics, I will wander the grassland beyond the Great Wall for ten years, looking for his wife who will soon belong to others, and I will also go to Jiangnan to find the residual anti-Qing forces to revive and expel the Manchu forces.

8. Ask who left Chu Pei as the shadow of Zhongzhou: The original sentence comes from the song dynasty poet Zhang Yan's "Basheng Ganzhou". The original words are "recalling the jade pass, walking in the snow, swimming clearly, and being cold and crisp." Beside the ancient withered forest road, the long river drinks horses, which means long. Short dreams are still floating, and old tears are spilled in Xizhou. There is no topic in a word, and all the leaves are sad. Take Baiyun home and ask who will stay in Chupei and make a map of Zhongzhou. Fold the reed flowers and give them away, and fall in autumn. It is not ancient Sha Ou that flows to the ordinary and wild bridge. I feel empty. I have a sunset, but I'm afraid to go upstairs. These two sentences are translated into Qu Yuan's "Nine Songs to the King", "Donate the rest (beside the original word Wang, there is no garbage input method), and leave the rest in the river", "If you can't live in the country, who will stay in Zhongzhou? "The ancients used gifts to express their admiration. Xin Qiji said in his words, "I don't remember seeing you once, but I am very affectionate and fragrant." Juppe, Juppe.

9. Heroic children, worrying about the country and the people: This refers to Yang Hehong's feelings of serving the country on the battlefield and their love, but they can't be combined. It also refers to the frustration and sadness that Yang and his wife Na Lanminghui's true love is blocked and they can't keep their looks private. What is more profound is the grief and indignation that Jiangshan Yi people fell into the hands of Manchu. It also implies that the poet himself has empty ambitions but can only write and complain.

10 The light is hard to put out, it is a flash in the pan, and you can't stop: Yang and Na Lanminghui combined that night, and he (referring to Yang) can't forget it until now, and it always feels like a dream. A flash in the pan means that the days when Yang and Na Lanminghui are together are beautiful but short.

The last three sentences of 1 1 mean that Yang made a decision at this extremely sad moment. He wanted to go to Jiangnan to find the residual anti-Qing forces and devote his life to the revival of Jin Ge, instead of thinking about his children's affair and determined to be buried in the battlefield.

This word belongs to most of the love in Liang Gong's works that I am familiar with. It contains the hero Yang's infinite patriotic feelings and his personal emotional problems. His poems are full of feelings and pen and ink, full of feelings about the hardships of his ten-year wandering life, grief and indignation over the elimination of anti-Qing forces outside the Great Wall, and sadness about his wife's ruthless departure (Na Lanminghui was reluctant to go with him because he was rich, but it was really an accident).

The whole story is full of emotion. Among them, "the wine wakes up the poetry and dreams, and the southern country is clear in autumn." Sad to see the sword, nowhere to return to the boat. " The wine wakes up, the poem is broken, the dream is broken, but I can't get rid of my troubles. Where does the prodigal son wander? The clear autumn in the south is sad, but it is by no means bleak. There is only a deep and broad melancholy. Helpless, he went down with his sword, wandering constantly on the edge of dilemma, affection and righteousness. "Wandering anger, Jin Goma iron, buried barren hills." If this is the end, wouldn't it be a colorful and magnificent life? Well, since you are heroic children, don't indulge in being immersed in love. Be immersed in love with children and be short of heroic spirit, just contribute everything to the great cause of anti-Qing and rejuvenation. Being killed in battle may be the best reward for learning martial arts for ten years! It is the best reward for the motherland that has raised him for more than 20 years!

Such a life is tragic! Liang Gong's works are pedantic and boring! Who can write such a poem without a broad mind and profound writing skills ~! Even the famous Tang and Song dynasties are not as good as it ~!